Clark's Fine Art Gallery & Auctioneers Inc.
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Illustration precedes description
Fine Art Estate Auction Saturday April 28th at Noon
251
James Rizzi
(b. 1950) American
BON VOYAGE, 1989, color
lithograph with 3-D cut-out collage, signed in pencil, from the numbered edition
350, image 13 ¾ x 26”, full margins, framed.
$500/800
252
James Rizzi
(b. 1950) American
ONCE UPON A TIME IN THE LAND
OF MAKE BELIEVE, 1992, color lithograph with 3-D cut-out collage, signed in
pencil, from the numbered edition 350, image 13 ¾ x 26”, full margins, framed.
$500/800
253
James Rizzi
(b. 1950) American
ANYONE FOR TENNIS, 1992,
color lithograph with 3-D cut-out collage, signed in pencil, from the numbered
edition 350, image 13 ¾ x 26”, full margins, framed.
$200/400
254
WITHDRAWN
255
Frank Romero
(b. 1941) Californian
CARRACHA Z, spray paint,
stencil and mixed media on paper, signed in pencil lower center left, 17 ½ x
23”, Frank Romero’s embossed Los Four corporative seal lower left, small loss at
upper left corner and small tear upper right corner, small creases, otherwise in
good condition.
$400/800
256
James Rosenquist,
Charles Christopher Hill &
Robert Whiteman
(three)
James Rosenquist,
HIGHWAY TRUST (G.157), 1978, color lithograph, signed in pencil, artist’s proof
15 aside from a numbered edition 78, image 18 ½ x 44 ¾”, full margins, published
by Multiples Inc., printed at Sienna Studios, New York, crease upper left
corner, soft vertical crease right, crease lower right corner, pale toning,
mainly on verso, some hinge skinning on verso;
Charles Christopher Hill, UNTITLED,
1997, color screenprint, signed in pencil, printer’s proof 1 aside from a
numbered edition, image 39 ¾ x 30 ¼”, full margins, Cirrus Editions blindstamp
lower right, two horizontal creases from rolling, creases and soft handling
creases throughout, otherwise both in good condition;
Robert Whiteman, UNTITLED TRUCK,
color screenprint, signed in pencil, from the numbered edition 150, image 25 ¾ x
38”, full margins, AKW blindstamp lower left corner, mild toning mainly at sheet
edges, soft handling creases, otherwise in good condition. (3)
$1000/2000
257
G. H. Rothe
(1935-1997) German
RED HEADED WOMAN, color
mezzotint etching, signed in pencil, from the edition artist’s proof 10 aside
from a numbered edition, sight 26 ½ x 17”, framed, pale toning and soft handling
creases, otherwise in good condition.
$200/300
258
after
Georges Rouault (1871-1958) French
VISAGES, 1969, the portfolio of ten color
facsimile prints, from the numbered edition 450, sheets 18 ¼ x 13 ¼”, text by
Madame Georges Rouault and Pierre Courthion, published by Daniel Jacomet, some
minor foxing, some soiling to portfolio case, otherwise in good condition.
$2000/3000
259
Vanecha Roudbaraki
(b. 1966) Iranian
ENERGIE I & II, 1996,
diptych, oil paintings on canvas, each signed lower right, titled signed and
dated on verso, both 45 x 35”, overall 45 x 70”, in good studio condition.
$1000/2000
260
Vanecha Roudbaraki
(b. 1966) Iranian
LES RACINE, 2003, oil
painting on canvas, signed lower left, titled signed and dated on verso, 38 ½ x
57 ½”, with artist’s Parisian stamp on stretcher bar, in good studio condition.
$800/1200
261
Vanecha Roudbaraki
(b. 1966) Iranian
LUMINIERE, 2003, oil painting
on canvas, signed lower left, titled signed and dated on verso, 45 ¾ x 35”, with
artist’s Parisian stamp on stretcher bar, in good studio condition.
$800/1200
262
Vanecha Roudbaraki
(b. 1966) Iranian
L’EAU, 2003, oil painting on
canvas, signed lower right, titled signed and dated on verso, 38 ½ x 39 ½”, with
artist’s Parisian stamp on stretcher bar, in good studio condition.
$800/1200
263
Ruffino
(20th Century)
CHILDREN PLAYING, oil
painting on canvas, signed lower right, 18 x 24”, framed.
$100/200
264
Sarreguemines-style tile designs
(18th/19th Century)
(four)
ART NOUVEAU STYLE, four
watercolors with pencil drawing on paper for tile designs, sheets 16 x 11 ¾”, 17
x 10”, 19 x 10 ½” & 12 x 20 ½”, with some inscriptions and annotations in
pencil, matted, some creases and soiling, a few small edge tears, mild
discoloration, one with stray paint spot, otherwise in good condition. (4)
$2000/3000
265
Tom Savage
(b. 1953) American
RANDOM SYSTEMS, 1990, oil
painting on canvas with pencil and charcoal, titled signed and dated on verso,
84 x 72”, in good studio condition.
$3000/4000
266
Italo Scanga
(1932-2001) American
RAVENA, color lithograph,
signed in pencil, from the numbered edition 100, image 22 ¾ x 15 ¾”, framed with
glass.
$200/400
267
Schlessinger
(20th Century)
(five)
MYSTIQUE; LA SIESTA; PATIO
DEL SOL; COMPLEX-CITY; PORTICO, five color screenprints, each signed in pencil,
from the numbered editions 275, 225 & 215, sheets average 26 x 30”, some soft
handling creases, otherwise in good condition. (5)
$300/500
268
Arthur Secunda
(b. 1927) Californian
UNTITLED, painted and
partially glazed ceramic sculpture, inscription underneath believed to be
signature, 22 ½” x 10 x 5”, rests on pegged 1 ¾” Lucite base, a couple of small
chips on the feet and the lower hem, natural stress-crack on backside, otherwise
in good condition.
$500/800
269
Andre Dunoyer de Segonzac
(1884-1974) French
LE PONT SUR LA RIVIERE II,
watercolor and gouache on paper, signed lower right, sight 22 x 16 ½”, framed
with glass, rub spots lower river and bank, some mild discoloration, mounted to
board but not fully attached, otherwise in good condition.
$1500/2500
270
Margaret Sheppard
(1915-2006) Californian
MODERNIST CITYSCAPE,
watercolor on paper, signed lower right, 22 x 28”, framed with glass.
$300/500
271
Kevin Sinnot
(b.1947) British
UNTITLED BEACH BALL, 1994,
oil painting on board, signed and dated lower right, 15 ¼ x 22 ¼”.
$800/1200
272
Lothian Skelton
(aka Mrs. Red Skelton) (20th Century)
American
HORSES, color print, signed
in pencil, from the numbered edition 75, sight 16 ½ x 19”, Koa wood frame.
$100/200
273
Mikhail Smekalkin
(20th Century) Russian
PARADISE GARDEN, oil painting
on Masonite, signed lower right and inscribed and signed on verso, 31 ½ x 24”,
framed.
$600/900
273 A
Trevor Southey
(b. 1940) Rhodesian American
CHRIST, 1989, color pastel on
paper, signed lower right, sight 25 ½ x 39”, framed.
$1000/1500
274
James Stancin
(20th
Century) American
SOLO WALK, oil painting on
canvas, signed lower left, 24 x 36”, framed, small dimple impression in sky,
otherwise in good condition.
$200/400
275
Steve Stein
(20th Century) American
(two)
LOVE IS THE GREATEST
PLEASURE, acrylic, oil stick and mixed media on paper, signed lower left, sight
14 x 10 ½”; TORAH, acrylic, oil stick and mixed media on paper, signed lower
right, sight 9 ½ x 7”, both framed with glass. (2)
$400/800
Use the following links to view lot numbers 1-305
1-25 26-50 51-75 76-100 101-125 126-150 151-175 176-200
201-225 226-250 251-275 276-300 301-325 326-350 351-375 376-400
401-425 426-450 451-475 476-500