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We sold these at auction and we can sell yours too! Consign today for our next auction. Terms & Rates at the bottom of this page.
Central Indian sculptureTWO FIGURES, a hand-carved high-relief stone sculpture of two figures, 18" tall, with natural wear and loss associated with considerable age. Provenance: Christies London. Auction Estimate $800/1200 Sold for $4000
Jules Breton (1827-1906) French LA FILLE DU MINEUR, 1889, oil painting on canvas, 23 ¼ x 15 ½”, signed and dated lower left, very nice frame. Provenance: Galerie Michael, Beverly Hills. Auction Estimate $12,000/18,000 Sold for $30,000
Xavier Bueno (1915-1979) Italian MOTHER AND CHILD, c.1962, oil painting on canvas, 35 ½ x 27 ½”, signed upper left, framed, water stains on verso, cracking, small chips upper left. Auction Estimate $6000/8000 Sold for $11,000
attributed to Marc Chagall (1887-1985) Russian/French LOVERS WITH BOUQUET, watercolor and ink drawing on paper (watermarked “35”), 25 x 19”, signed lower right, framed. Auction Estimate $4000/6000 Sold for $22,500
Eduardo Chillida (1924-2002) Spanish ERESI (Elegy), 1989, color aquatint etching, signed in pencil, from the numbered edition of 10 PA, aside from the numbered edition 66, sheet 9 ¼ x 8 ½”, framed. Auction Estimate $1000/2000 Sold for $2750
Martin Chirino (b. 1925) SpanishUNTITLED, cast and patinated metal sculpture, 37 ½ tall, 51” wide. Auction Estimate $5000/8000 Sold for $65,000
Salvador Dali (1904-1989) SpanishOUR HISTORICAL HERITAGE (M.752-762; F.75-4), 1975, complete portfolio of 11 etchings with stencil coloring on Arches paper, each signed in pencil, from the numbered edition 400, sheets 26 x 19 ¾”, artist’s and publisher’s blindstamps lower left corners, complete with blue linen portfolio case with cast bronze medallion with artist’s name in design, mechanically numbered 193/400 on the colophon page, eight framed, three unframed, some discoloration on the title page of the portfolio only, with original shipping carton. Auction Estimate $3000/5000 Sold for $6500
Salvador Dali (1904-1989) Spanish GALA MON SEUL DESIR, (M.134; F.65-G), 1965, color etching, signed in pencil, artist’s proof, image 14 ¼ x 20 ½”, full margins, framed with glass, slipped in framed, soft creases. Auction Estimate $1500/2500 Sold for $2750
Ferrant (20th Century) UNTITLED, multi-part steel sculpture, 42” long, from the David Bright collection. Auction Estimate $1000/2000 Sold for $19,000
Oskar Fischinger (1900-1967) AmericanUNTITLED, 1962, oil painting on board, 8 x 10”, signed and dated, framed, very minor chipping along top edge. Exhibited: Tobey Moss Gallery, Los Angeles Auction Estimate $1800/2000 Sold for $2500
Chung-Ray Fong (20th Century) Chinese (Bay Area) UNTITLED, oil painting on canvas, 36 x 48”, signed on verso, framed. Auction Estimate $400/600 Sold for $4500
William Freed (1904-1984) ProvincetownUNTITLED, oil painting on board, 12 x 16”, signed lower left, framed. Auction Estimate $300/500 Sold for $1100
Jack Goldstein (1945-2003) American UNTITLED (ECLIPSE), c.1980, acrylic painting on canvas, 60 x 60”, Exhibited: Cincinnati Museum of Art, 1983-4, shine rub lower center, surface scuffs lower right, otherwise in very good condition. Auction Estimate $2000/3000 Sold for $37,500
Art Glass Paperweights (three)Three art glass paperweights with floral designs, 2 ½” to 3 ½” tall, tiny chips and very light scratches on bottom from wear. (3) Auction Estimate $60/90 Sold for $7500
Art Glass Paperweights (three)Three art glass paperweights, one with floral and animals designs, one with text, and one an unusual heart shape, 2 ½” to 3 ½”, with very light scratches on bottom from wear. (3) Auction Estimate $60/90 Sold for $8500
Art Glass Paperweights (two)Two octagonal art glass paperweights with floral designs, 2” to 3” tall, with very light scratches on bottom from wear. (2) Auction Estimate $60/90 Sold for $8500
David Hockney (b. 1937) British LITHOGRAPHIC WATER MADE OF THICK LINES AND THIN LINES, CRAYON, AND A LIGHT BLUE AND DARK BLUE WASH (T.251), 1980, color lithograph on handmade paper, signed in pencil, from the numbered edition 34, image 19 ½ x 27”, sheet 26 x 34 ½”, printed and published by Tyler Graphics Ltd., blindstamp, framed. Auction Estimate $15,000/20,000 Sold for $32,500
Frank Howell (1937-1997) American TOUCHING THE SUN, 1993, acrylic painting on canvas, 60 x 48”, signed and dated lower right, framed. Provenance: American Design Ltd. Auction Estimate $5000/8000 Sold for $17,000
Jewelry: Buccellati Cuff LinksA pair of bi-color 18k gold and sapphire cabochon cufflinks, by M. Buccellati. Auction Estimate $100/200 Sold for $900
Jewelry: Rolex WatchOyster Perpetual GMT-Master, Rolex gentleman’s wristwatch, with black enamel face and stainless steel band, used condition, with an extra perimeter dial and band, with original box and certificate. Auction Estimate $1000/2000 Sold for $1900
John Paul Jones (1924-1999) American UMBER AND BLACK, casein on board, 48 x 48”, signed upper left, framed, two 2” impact dents verso causing paint loss on recto. Provenance: Felix Landau Gallery, Los Angeles. Auction Estimate $300/500 Sold for $2500
Emil Kosa Jr. (1903-1968) AmericanOUTBOUND, watercolor on paper, 21 x 28 ¾”, signed lower right, framed with glass. Provenance: American Masters Gallery, Los Angeles Auction Estimate $3000/5000 Sold for $11,000
Charles Levier (b. 1920) French SEATED NUDE WITH BIRD, c. 1959, oil painting on canvas, 40 x 30”, signed lower right, framed. Auction Estimate $2000/3000 Sold for $3000
Roy Lichtenstein (1923-1997) American THINKING NUDES (C.289), 1994, color relief print, signed in pencil, from the numbered edition 40, image 35 ¼ x 56, full margins, blindstamp, printed and published by Tyler Graphics Ltd., blindstamp, framed. Auction Estimate $40,000/60,000 Sold for $80,000
Roy Lichtenstein (1923-1997) American PEACE THROUGH CHEMISTRY II (C.97), 1970, color lithograph and screenprint, signed in pencil, from the numbered edition 43, image 31 ¾ x 57 ¼”, sheet 37 1/8 x 63” (reduced ¼” at the lower margin edge), printed and published by Gemini G. E. L., blindstamp, framed, 2 ¼” printer’s crease lower yellow area, light surface scuffs, a tiny white fleck on one of the black lines, scattered tiny speckles of foxing, small faint waterstain lower left sheet edge, a few soft handling creases in the margins, otherwise in good condition with bright strong colors. Auction Estimate $20,000/30,000 Sold for $40,000
Roy Lichtenstein (1923-1997) American INDUSTRY AND THE ARTS (C.86), 1969, color screenprint, signed in pencil, from the numbered edition 250, image 17 ¼ x 14 ½”, full margins, published by Gabriele Mazzotta Editore, Milan, framed, a few tiny speckles in the margins, otherwise in good condition with bright strong colors. Auction Estimate $7000/9000 Sold for $19,000
Roy Lichtenstein (1923-1997) American UNTITLED (HEAD) (C.292), 1995, color screenprint, signed in pencil, from the numbered edition 75, image 13 ¼ x 16”, full margins, printed and published by Gemini G. E. L., blindstamp, framed, condition. Auction Estimate $6000/9000 Sold for $16,000
Silas Martin (1841-1960) AmericanSTILL LIFE, oil painting on canvas, 14 x 11”, signed lower right, framed, minor surface cracking, otherwise in good condition. Auction Estimate $300/500 Sold for $1700
Peter Max (b. 1937) German/American FLOATING DEGA WITH ZOO, acrylic painting on canvas, 48 x 36”, signed upper right, framed. Auction Estimate $3000/5000 Sold for $7500
Howard Mehring (1931-1978) AmericanTHE SOUND OF YELLOW AND BLUE, 1965, oil painting on canvas, 50 x 43 ½”, inscribed on the stretched bar, framed. Auction Estimate $600/900 Sold for $5000
John Mellencamp (20th Century) American PORTRAIT OF YOUNG MAN, oil painting on canvas, 14 x 10”, signed, acquired directly from the artist by film director Dave Lock. Auction Estimate $200/400 Sold for $1600
Joan Miro (1893-1983) Spanish LE SOMNAMBULE (D.656), 1974, color aquatint etching, signed in pencil, from the numbered edition 50, image 45 ¼ x 29 ¼”, full margins, printed by Morsang, published by Maeght, framed, faint toning in the outer margins at the mat, a few speckles in the margins, otherwise in good condition. Auction Estimate $30,000/40,000 Sold for $42,500
William Morehouse (b. 1929) American 570 WHITE, 1960, oil painting on canvas, 26 x 24”, signed and dated lower right, framed, some cracking. Provenance: Bolles Gallery, San Francisco. Auction Estimate $800/1200 Sold for $2400
Leonardo Nierman (b. 1932) Israeli/Mexican PRE-HISTORIC DREAM, acrylic painting on board, 48 x 36”, signed lower right, gold leaf frame. Provenance: Mickey Morton’s initials and titled on the verso. Auction Estimate $3000/4000 Sold for $4500
William S. Parrott (1843-1943) AmericanLANDSCAPE, oil painting on canvas, 12 x 24”, signed lower right, framed, with Portland framer’s stamps on the stretcher bars. Auction Estimate $1000/2000 Sold for $2000
Jose Ramirez GuitarGUITAR, hand-made Spanish guitar, labeled “Jose Ramirez, Madrid” and dated 1960, in case. Auction Estimate $1000/2000 Sold for $3500
Patavano (20th Century) CAR FENDERS, 1962, welded and forged steel sculpture of auto and motorcycle parts, 60” high, 30” wide, 48” deep. Auction Estimate $500/800 Sold for $3500
Roland Petersen (20th Century) American THE RIVER, 1961, oil painting on canvas, 38 x 28 ½”, signed and dated lower right, framed. Provenance: Ester Robles Gallery Auction Estimate $4000/6000 Sold for $15,000
Pablo Picasso (1881-1973) Spanish TROIS FEMMES (B.926; MOMA 11), 1959, a three-color linoleum cut print from one block, signed in pencil, edition of 50, image 21 x 25”, full margins, very elaborately and ornately framed, minor light staining, minor waterstain in the upper margin. Provenance: Manny Silverman Gallery, Los Angeles Auction Estimate $15,000/20,000 Sold for $22,500
Kimber Smith (1933-1981) American TORCELLO, Paris, 1959, oil painting on linen, 78 x 72”, signed and dated verso, from the Sam Francis Estate, thinly painted (now brittle) on un-primed linen, resulting in flaking paint loss in the lower left corner and side, also some thin streaks of paint loss in other areas from handling, otherwise in good condition. Auction Estimate $2000/3000 Sold for $6500
Sports Memorabilia: Babe Ruth (signed) A hand signed canceled check, dated July 16th, 1938, made out to cash for $50 and signed G. H. Ruth in ink, Chemical Bank & Trust Co., in a custom designed memorial frame which includes photographs and cards of the Babe, frame 33 x 24”. Auction Estimate $1000/2000 Sold for $3000
Sports Memorabilia: Jackie Robinson (two) A signed canceled check, dated ‘1/23/61’, from the First National City Bank, New York., made out to ‘K’s Meat Market’ in the amount of $286.50 and signed, in a custom designed memorial frame which includes photographs and collector’s envelopes, frame 31 x 37”. Provenance: signed letter from Jackie Robinson’s widow, Rachael Robinson on verso. (2) Auction Estimate $200/400 Sold for $800
Frank Stella (b. 1936) American FENERALIA, 1995, color lithograph, screenprint, etching, aquatint and relief, signed in pencil, from the numbered edition 65, sheet 46 x 41 ¼”, printed and published by Tyler Graphics Ltd., blindstamp, framed. Auction Estimate $4000/6000 Sold for $14,000
Tom Wesselmann (1931-2004) American BLONDE VIVIENNE, 1998, color Mixograph, signed in pencil, from the numbered edition 50, image 30” diameter, sheet 40 x 40, framed in Plexiglas box. Auction Estimate $4000/6000 Sold for $13,000
Paul Wonner (b. 1920) American TWO GIRLS SITTING ON A TABLE, 1962, casein with pencil on paper, 17 ¼ x 11 ½”, signed lower right, framed with glass, natural soft creases. Provenance: Felix Landau Gallery Auction Estimate $8000/12,000 Sold for $12,000
John Chin Young (b.1909) AmericanABSTRACT IN OCHRE, acrylic painting on canvas, 39 ½ x 39”, signed lower right, framed. Auction Estimate $400/600 Sold for $4500
John Chin Young (b.1909) AmericanABSTRACT IN YELLOW, acrylic painting on canvas, 20 x 20”, signed lower right, framed. Auction Estimate $200/400 Sold for $3500
No buy in fees. No minimum lot fees. $12 internet illustration fee. Consignment Rates 2008-2009 GENERAL
TERMS FOR CONSIGNMENT: The consignor agrees to the preceding CONDITIONS OF
SALE AND TERMS OF GUARANTEE. In
particular, the consignor agrees to refund all moneys received if property
is returned to Clark Cierlak Fine Arts or Clark’s Fine Art Auctioneers
Inc. under the provisions of article I.
All individual lots, items or properties will be subject to the
following commission rates on the hammer or sales price: $1.-$100. @ 35%,
$101.-$500. @ 30%, $501.-$1000. @ 25%, $1001.-$3000. @ 20%, $3001-$7500. @
15%, $7501. and above @ 10%. All
lots, items or properties are subject to an insurance fee of 1 ½ % on the
hammer or sales price and are covered under the conditions and terms of our
Fine Arts Insurance policy up to the reserve price less our commission.
Lots, items or properties sold out of auction shall be subject to the
same commission and insurance rates as hammer price sales, and like hammer
price sales they are also subject to a buyer’s premium which is the sole
property of Clark Cierlak Fine Arts or Clark’s Fine Art Auctioneers Inc.
A non-refundable $12. illustration fee will be charged per item per
lot. Unless otherwise noted
the reserve or the minimum selling price shall be seventy-five percent of
the consigned low estimate on lots with a low estimate over five hundred
dollars. Lots consigned with a
low estimate of five hundred dollars or less will be sold without reserve.
The estimate in the catalogue may differ from the consigned estimate
and does not affect the terms of this agreement.
Unless otherwise indicated, unsold
lots with a reserve may be re-offered at a second auction with a reserve of
fifty percent of the consigned low estimate and without reserve at a third
auction.
Unless otherwise stated all property is consigned for
a minimum
term of three auctions from date of this agreement plus fourteen calendar
days. Clark Cierlak Fine Arts or Clark’s Fine Art Auctioneers Inc.
reserves the right to return all or part of the consigned property for any
reason whatsoever prior to the term of this agreement. The consignor and/or
their representatives or agents agree to fully reimburse Clark Cierlak Fine
Arts or Clark’s Fine Art Auctioneers Inc. for all commissions, premiums,
insurance, and expenses that were estimated to be received by Clark Cierlak
Fine Arts or Clark’s Fine Art Auctioneers Inc. for the sale or offering of
any property that is withdrawn by the consignor and/or their representatives
or agents prior to the term of agreement. In addition the consignor and/or
their representatives or agents agree to fully reimburse Clark Cierlak Fine
Arts or Clark’s Fine Art Auctioneers Inc. for all legal fees or
arbitration fees incurred in procuring any money due Clark Cierlak Fine Arts
or Clark’s Fine Art Auctioneers Inc. for property withdrawn prior to the
term of this agreement. Clark
Cierlak Fine Arts or Clark’s Fine Art Auctioneers Inc. reserves the right
to pursue non-complying bidders for payment or legal recourse.
Clark Cierlak Fine Arts or Clark’s Fine Art
Auctioneers Inc. may use their professional discretion to determine if a lot
needs to be framed, shrink-wrapped, restored, or placed in a sleeve* before
being offered for sale, such costs shall be billed to the consignor or
deducted from the hammer or sales price in addition to any commissions,
insurance fees, or illustration fees. *Each
individual sleeve is $10. up to size 30” x 40”, or $12. for a 32” x
43”, or $20. for a 40” x 50”, or $25. for a 40” x 60”. Although a
reasonable effort is maintained, Clark Cierlak Fine Arts or Clark’s Fine
Art Auctioneers Inc. is not responsible for the normal wear and tear
associated with the handling and care of items offered for sale at public
auction. The consignor and/or
their representatives or agents fully warrant that all consigned properties
are free and clear of all liens, encumbrances or claims of third parties of
every kind or nature whatsoever, and that Clark Cierlak Fine Arts or
Clark’s Fine Art Auctioneers Inc. shall not be held responsible in any way
for any disputed consigned property in perpetuity. Furthermore the consignor
and their representatives or agents agree to fully reimburse Clark Cierlak
Fine Arts or Clark’s Fine Art Auctioneers Inc. for all commissions,
premiums, insurance, expenses and legal fees or arbitration fees that may
arise from any disputed consigned property. Unsold property that has not
been picked up within 3 days after the term of this agreement or upon our
request will be subject to a daily storage charge of 5% of the low estimate
or ten dollars per day, whichever is greater, unless other agreed upon
written arrangements have been made. Delivery,
shipping, packaging and related insurance expenses are the responsibility of
the consignor. Clark Cierlak Fine Arts or Clark’s Fine Art Auctioneers
Inc. accepts no responsibilities for the packing or shipping of received or
returned consignments. Any legal expenses incurred by us to collect any or
all of any payment due to us will be charged to the consignor.
CONDITIONS OF SALE AND TERMS OF GUARANTEE (excerpt) I. The authenticity of the Authorship (creator, period, culture, or source of origin, as the case may be, as set forth in the Bold Type Heading of a catalogue lot or as described on the Sales Agreement) of property is guaranteed for one year from the sale date. If within one year's time the purchaser returns the property in the same condition as when purchased and gives us written proof from a recognized impartial expert which establishes beyond a reasonable doubt that the returned property is in fact a counterfeit or a forgery intended to deceive and that this was not indicated by a fair reading of the auction catalogue, sales agreement or auctioneer’s comments at the time of sale, then we and the consignor will rescind the sale and refund the purchase price. This is a non-assignable guarantee and applicable only to the receipt-bearing original purchaser. The guarantee does not apply to (a) property with a heading or description which includes the word or words "after", "attributed", "manner", "style", "school", "circle", “follower”, “collection”, “bearing”, “bears signature”, or “complimentary signature”, (b) property listed under the heading or section “Decorative Arts” or “Fine Decorative Arts”, (c) lots with a low estimate of $500. or less, (d) lots offered without an estimate.
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