Clark's Fine Art Gallery & Auctioneers Inc.

Contact    Consignments    Past Sales    Catalog    Index    Bids    Special

 

Fine Art Estate Auction Saturday Sept. 6th at Noon

 

The Catalog Text Only

Use Control+F to search this page.

 

 

 

1

African Sculpture (three)

Kuba & West African: Katumo figure and two cup figures, carved wood, ranging from 10” tall to 6 ½” tall, all in good to generally good condition. (3)  $200/400

 

 

 

2

African Sculpture

FAMILY, carved stone, signed “Hlabiswana” lower backside, 34 ½” tall, weighing 90 pounds, in good condition.  $400/800

 

 

 

3

Yaacov Agam (b. 1928) Israeli (six)

TIME CHANGE, set of six color screenprints, each signed in pencil, from the numbered editions 180, images 19 ¼ x 3 ½”, all with full margins and framed, all in apparently good condition. (6)  $600/1200

 

 

 

4

John Altoon (1925-1969) Armenian/ American

TURKEY, color lithograph, signed in pencil, from the numbered edition 100, sheet 19 x 19”, published by Gemini G. E. L., with their blindstamp, framed, small printer’s crease lower left, otherwise in apparently good condition.  $300/500

 

 

 

5

Sunol Alvar (b. 1935) Spanish (four)

RENAIXENT, 1977, portfolio of four embossed color lithographs, each signed in pencil, from the numbered edition 185, images 27 ½ x 20 ½”, all with full margins and framed with glass, comes with red folio case with colophon and two lithographic text sheets, some cockling, otherwise all in apparently good condition. (4)  $800/1200

 

 

 

6

Sunol Alvar (b. 1935) Spanish

L’OISEAU SUR LA TABLE, embossed color lithograph, signed in pencil, from the numbered edition 285, image 24 ¼ x 17 ½”, full margins, framed with glass, pale toning in margins, otherwise in apparently good condition.  $200/400

 

 

 

7

Sunol Alvar (b. 1935) Spanish (two)

PAISAJE Y CASTILLO, c.1977, embossed color lithograph, signed in pencil, dedicated by artist on back of frame, from the numbered edition 150, image 24 ½ x 18 ½”, discoloration in margin at mat; NUDES series, embossed color lithograph, signed in pencil, from the Roman numeral edition 25 artist’s proofs, image 16 ½ x 12”, very pale discoloration in margins, both with full margins and framed with glass, otherwise both in good condition. (2)  $300/500

 

 

 

8

Mordechai Ardon (1896-1992) Israeli

FEUILLE AVEC CROIX, 1971, color aquatint etching, signed in pencil, from the numbered edition 100, image 17 ¼ x 22 ¾”, full margins, framed, a few soft handling creases in margins, otherwise in apparently good condition.  $200/400

 

 

 

9

Art Books: Print reference books for Leonard Baskin, Bernard Buffet, Frederico Castellon, Albrecht Durer, Johnny Friedlaender, Francisco De Goya (2), Mauricio Lasansky, Jose Clemente Orozco, Pablo Picasso, Rembrandt (2), & Raphael Soyer (fourteen)

Leonard Baskin, The Graphic Work 1950-1970, Far Gallery, softbound book, text in English; Bernard Buffet, Engravings 1948-1967, Tudor Publishing, hardbound book, text in French; Frederico Castellon, His Graphic Works 1936-1971, August Freundlich, softbound book, text in English; Albrecht Durer, Master Drawings, Watercolors & Prints from Albertina, 2013, National Gallery of Art, hardbound book, text in English, in like-new condition; Johnny Friedlaender, Oeuvre: Etchings 1961-1965, Touchstone Publishers, hardbound book, text in German, with loose-leaf stone signed color lithograph; Francisco De Goya, Masters of Etchings, 1927, The Studio, hardbound book, text in English, moderately soiled cover, Together with Les Capricos De Goya, 1951 softbound small catalogue, text in French, both in generally good used condition; Mauricio Lasansky, Lasansky Printmaker, 1975, University of Iowa, hardbound book, text in English, in like-new condition but lacking dust cover; Jose Clemente Orozco, Graphic Work, 2004, University of Texas Press, hardbound book, text in English, in like-new condition; Pablo Picasso, Avant Gard, Picasso’s Erotic Gravures, softbound book, text in English, some soiling and staining; Rembrandt, The Complete Etchings, Abrams, hardbound book, text in English, some soiling, some toning to slip cover, otherwise in generally good used condition, Together with The Portraits & Rembrandt, two soft bound print catalogues, one by Donson & the other by AAA; Raphael Soyer, 50 Years of Printmaking 1917-1967, Sylvan Cole, hardbound book with frontispiece lithograph, some toning to slip cover; All in generally good to good used condition unless otherwise stated. (14)  $300/600

 

 

 

10

Art Book: Verve

VOLUME II, Numbers 5 & 6, 1939, double issue, color lithographs after Maillol (front and back cover), Braque, Rouault, Derain (2), Leger, Bonnard (2), Matisse (2), Klee, & Guys (4), Together with heliogravures of twelfth and fifteenth century illuminated manuscripts, in good used condition aside from some breaking at spine on inside pages and chipping on spine cover, comes with a Verve slip cover from different issue.  $200/400

 

 

 

11

Artist Unidentified

STYLIZED LANDSCAPE, oil painting on canvas, signed lower left, 17 ¾ x 31 ½”, a few scuffs and dimples, otherwise in good studio condition.  $400/800

 

 

 

12

Artist Unidentified

STILL LIFE, oil painting on canvas, signed lower right, 18 x 22”, framed, surface soiling and tacky accumulation, otherwise in apparently good condition. Provenance: International Gallery, Chicago.  $300/600

 

 

 

13

Artists Unidentified (two)

WOMAN IN FLORAL DRESS, 1957, oil painting on board, 25 ½ x 19 ½”, signed and dated lower right, some edge wear, surface soiling, otherwise in apparently good condition; MYSTERIOUS PORTRAIT, oil painting on canvas, signed Heauline? lower right, 18 x 10 ¾”, framed, surface soiling, otherwise in apparently good condition. (2)  $200/400

 

 

 

14

Daniel Authouart (b. 1943) French

ON ABBEY ROAD CORNER, color lithograph, signed in pencil, from the numbered edition 175, image 26 ½ x 33”, publisher’s stamp on verso, a few soft handling creases, otherwise in good condition.  $200/400

 

 

 

15

George Bellows (1882-1925) American

THE LIFE CLASS (second stone) (M & A.160; M.43), 1917, lithograph on Japan paper, estate signed in pencil and inscribed Roman numeral X, one of 20 proofs aside from the edition of 49, image 13 7/8 x 19 3/8”, sheet 21 ¼ x 29 ¼”, framed with glass, some stray printer’s ink in the margins and a thin spot lower left, otherwise in good condition. Provenance: Butterfields 1996.  $2000/4000

 

 

 

16

Nikolai Benois (1901-1988) Russian

COSTUME DESIGN FOR A MAGISTRATE OR REAPER, 1925, gouache on paper, signed and dated lower right, sight 17 x 10 ¾”, framed with glass, some discoloration and speckling in background, otherwise in apparently good studio condition.  $1000/2000

 

 

 

17

Thomas Hart Benton (1889-1975) American

MORNING TRAIN (Soldier’s Farewell) (F.58), 1943, lithograph, signed in pencil, from the edition of 250, image 9 ¼ x 13 ½”, sheet 11 x 15 ½” (reduced?), published by Associated American Artists, framed with glass, in good condition.  $2500/4500

 

 

 

18

Christian Berard (1902-1949) French/ American

SET DESIGN WITH CARYATIDS, gouache & India ink on colored paper, estate stamp lower left, sight 14 x 10 ¼”, framed with glass, a few discoloration speckles, otherwise in apparently good condition.  $1000/2000

 

 

 

19

Christian Berard (1902-1949) French/ American

TWO WOMEN, gouache & ink drawing on colored paper, signed lower right, sight 8 ½ x 10 ½”, framed, crease upper left corner, tear on right edge extending into mirror, otherwise in apparently good condition.  $1000/2000

 

 

 

20

Christian Berard (1902-1949) French/ American

BAROQUE FORAIRE, 1944, gouache & ink on paper, signed lower right, 10 ¼ x 7 ½”, framed with glass, small speckles, otherwise in apparently good condition.  $1000/2000

 

 

 

21

Oscar J. Berlin (20th Century) (two)

DANCING FIGURES, two cast silver sculptures, each 4 ¼” tall, mounted to artist’s designed wood blocks, with artist’s sterling hallmarks, in good condition aside from being apparently tarnished. Berlin was a craftsman for Tiffany, Gorham and others. (2)  $200/400

 

 

 

22

Eugene Berman (1899-1972) American (two)

LA FORZA DEL DESTINO, (Opening Night Curtain Dinner Menu, Metropolitan Opera Season 1952-53), brushed ink with pencil and collage, original menu design on two sheets of paper, double sided, cover design on one side, menu design on the other side, front cover design on sheet attached to another sheet with another design on verso of the top sheet, overall 13 x 20”, some collage elements lost over time, toning, discoloration, old glue remnants, otherwise in good studio/production condition; Together with the original printed menu. (2)  $1000/2000

 

 

 

23

Annibale Biglione (1923-1981) Italian

OCRA GIALIO BLANCO, 1961, thickly painted oil painting on canvas, signed and dated lower center, 51 x 63 ½”, framed, some surface soiling and hairline cracking, otherwise in good studio condition. Provenance: Galeria Dell’Ariete, Milano; David Bright Collection.  $1500/2500

 

 

 

24

Isabel Bishop (1902-1988) American

MAN LEANING, c.1925, pencil drawing on paper, 10 ¼ x 7”, signed lower right, framed, pinholes along the top edge and lower corners, a few discoloration spots and creases, otherwise in good condition. Provenance: Midtown Galleries, New York; Louis Newman Gallery, Beverly Hills.  $600/900

 

 

 

25

Edward Borein (1872-1945) American & another (two)

TWO COWBOYS HERDING HORSES, pencil drawing on paper, signed lower right, sight 3 5/8 x 7 7/8”, crinkles and creases, small circular stain in background, small tear lower right, otherwise in apparently good condition; Together with artist unidentified, POLO PLAYERS, ink drawing on paper, sight 4 ¼ x 5 ¼”, possibly signed lower right, both framed with glass, in apparently good condition. (2)  $500/1000

 

 

 

26

Bruce Bot (20th Century) American

A MODEST PROPOSAL, color etching diptych, signed in pencil and inscribed s/p, sheet 34 x 50”, framed, in apparently good condition.  $100/300

 

 

 

27

Graciela Rodo Boulanger (b. 1937) Bolivian

TROIS CHEVAUX, color lithograph on Japanese paper, signed in pencil, from the Roman numeral edition 100, image 19 ½ x 27 ½”, full margins framed with glass, one of the boys with nick on his cheek, otherwise in apparently good condition.  $200/400

 

 

 

28

Jean Claude Bourgeois (b.1932) French

NATURE MORTE AUX COLOLQUINTES, oil painting on panel, signed lower left, 13 x 21 ½”, signed and titled on verso, framed, surface soiling, edge wear, otherwise in good studio condition.  $400/800

 

 

 

29

Duward Campbell (b. 1951), Vic Riesau (20th Century) & Kay Homan AICA (20th/ 21st Century) (three)

SURVIVORS, 1994, oil painting on panel, signed lower right,15 x 30”; Together with Vic Riesau, DRINKING BUDDIES, oil painting on canvas, signed lower right, signed and titled on verso, 18 x 24”; Together with Kay Homan, CURIOUS FINDINGS, watercolor on paper, signed lower left, sight 8 ¾ x 11 ¾”, all framed, all in good studio condition. (3)  $1000/2000

 

 

 

30

Frederico Castellon (1914-1971) Spain (two)

MASK OF RED DEATH, 1969, Aquarius Press, hardbound book, text by Edgar Allen Poe with sixteen color lithographs by Frederico Castellon, from the numbered edition 500, signed in pen by Castellon on justification page, with slip case, in good condition; Together with a Museum of Modern Art sculpture of perched black bird, 7” tall. (2)  $100/300

 

 

 

31

Giorgoi Cesati (20th/21st Century) Italian (three)

TAORMINA, oil painting on canvas, signed lower right, 23 ½ x 31 ½”, signed and inscribed on verso, in good studio condition; FIORI A TAORMINA, two of the same, each a color print on canvas, both signed, from the numbered edition 150, each 13 ¾ x 19 ¾”, both framed, in good condition. Provenance: Bellini Fine Art Gallery, La Jolla. (3)  $200/400

 

 

 

32

Marc Chagall (1897-1985) Russian/French

SMALL BOUQUET OF LILIES (M.909), 1977, color lithograph on Arches paper, signed in pencil, title written in pencil on verso, from the numbered edition 50, image 17 x 12 ½”, sheet 25 x 18”, framed with glass, pale sun staining, otherwise in apparently good condition.  $6000/9000

 

 

 

33

Marc Chagall (1897-1985) Russian/French

PHILETA’S ORCHARD (M.326) from Daphne & Chloe, 1961, double sheet color lithograph, from the edition 250, printed by Mourlot, sheet 16 ½ x 25”, framed, colors in Catalogue Raisonne appear more saturated, some surface shines visible at certain angles, with some professional restoration, otherwise in good condition.  $4000/6000

 

 

 

34

Marc Chagall (book with 25 lithographs)

DESSINS POUR DE BIBLE (M.230-254), 1960, Verve Volumes 37/38, hardbound book with twenty-five color lithographs including cover, published by Verve, printed by Mourlot, text in French, sheets 14 x 10”, a few tiny wear spots at edge of cover, faint toning at sheet edges from age, otherwise in very good condition with strong colors.  $3000/4000

 

 

 

35

Marc Chagall (book with lithograph)

HOMMAGE TO CHAGALL, Tudor Publishing, hardbound book with a color lithograph, gifting dedication in pen to anonymous from a party of people on front page, lithograph in good condition, book in generally good used condition.  $100/200

 

 

 

36

after Marc Chagall (1887-1985) Russian/ French

ROMEO AND JULIET (S.p.96), 1964, Sorlier color lithograph poster, sheet 25 x 39 ¼”, printed by Mourlot, published by the French Tourist Bureau Paris, mounted to board, otherwise in good condition.  $400/800

 

 

 

37

after Marc Chagall (1897-1985) Russian/French

MUSEUM OF ART, KABBUTZ EIN HAROD, 1979, Grebel color lithograph poster, 35 ½ x 24 ¾”, printed in Israel, framed with glass, some small tears at the sheet edges, soft creases, some discoloration, and otherwise in good condition with fresh colors.  $200/400

 

 

 

38

Edgar Chahine (1874-1947) French/ Armenian

CARRIAGE HORSES RESTING, aquatint etching, signed in pencil, plate 6 ¾ x 18 ¼”, full margins, framed with glass, faint toning at mat, otherwise in good condition.  $600/900

 

 

 

39

Dan Chapman (20th/ 21st Century) American

CURSIVE #2, 1995, oil painting mounted to five attached panels, 50 x 50”, in good studio condition. Provenance: Hunsaker/Schlesinger Gallery, Los Angeles.  $2000/4000

 

 

 

40

Jules Cheret (1836-1932) French

RECLINING WOMAN WITH FLOWER, color lithograph, signed on stone, image 7 ½ x 12 ½”, published for Les Maitres De L’ Affiche, with blind stamp lower right, full margins, framed with glass, foxing and discoloration, otherwise in apparently good condition  $100/300

 

 

 

41

Sandro Chia (b. 1946) Italian & others (eleven)

Sandro Chia, UNTITLED from Metropolitan Opera, color lithograph, signed in pencil, from the numbered edition 75, sheet 30 x 22”; Together with a collection of ten color lithographs, all signed in pencil, from the numbered editions 250, 175, 125, Roman numeral editions 20 & 25, 350 & artist’s proofs, sheets average 30 x 22”, artists include Nalbaut, Quilici, Ira Moskowitz, Deberdt, G. Abrahami, Deserthes, Mahler and S. Francis, all is good to very good condition aside from a few soft handling creases and a couple corner creases. (11)  $300/600

 

 

 

42

Juan Clara (1875-1958) Spanish/ American

YOUNG GIRL STANDING ON CHAIR HOLDING A SHOE, cast bronze with brown and green patina, signed & stamped “LB” & “347”, size 13” tall, in good condition.  $100/200

 

 

 

43

Jean Cocteau (1889-1963) French

NOEL COWARD, pencil drawing on paper, initialed lower right, 13 x 8 ½”, framed with glass, obscured Calcutta gallery label on verso, staining right sheet edge, faint discoloration, aged paper, otherwise in good condition.  $2000/4000

 

 

 

44

Jean Cocteau (1889-1963) French

VILLE FRANCHE, 1957, color pencil, drawing, signed and dated lower center in pencil, sight 11 ¼ x 9 ¾”, from the artist’s estate Milly La Forte, framed, soft handling creases, otherwise in apparently good studio condition.  $1000/2000

 

 

 

45

James Coignard (1925-2008) French

OBJET NOIR #1 (S.296), 1977, color etching with collage and string, signed in pencil, from the numbered edition 75, sheet 15 ½ x 12 ½”, framed, pale toning around perimeter sheet edge, otherwise in apparently good condition.  $100/200

 

 

 

46

Jose Luis Cuevas (b. 1934) Mexican

UNTITLED, 1972, color lithograph on paper and card-stock collage, signed in white pencil, from the numbered edition 150, sheet 30 x 22 ½”, published by Graphic Arts Council, LACMA, framed, natural diminishing in blue area at right like all in the edition, otherwise in good condition.  $300/500

 

 

 

47

Jose Luis Cuevas (b. 1934) Mexican

BORGIA, color lithograph, signed in pencil, from the numbered edition 100, sheet 21 ¾ x 29 ¾”, framed, soft crease lower left corner, otherwise in apparently good condition.  $200/400

 

 

 

48

Jose Luis Cuevas (b. 1934) Mexican (five)

THIS, HOWEVER, WAS MY FIRST CONTACT WITH INSANITY, 1962, lithograph, signed in pencil, from the numbered edition 100, sheet 16 x 22”, framed with glass, mild toning, tape hinges on verso visible on recto, otherwise good condition, plus four signed exhibition posters. (5)  $200/400

 

 

 

49

Xavier Cugat (1900-1990) Cuban (two)

SEATED DOG, 1973; OPERATION, pair of color screenprints with hand-coloring, both signed in ink, the first signed and dated, 24 x 18” & 18 x 24”, both with signatures and inscriptions on verso, surface soiling and speckles, otherwise both in good condition. (2)  $200/400

 

 

 

50

Xavier Cugat (1900-1990) Cuban & Carlos Lopez Ruiz (20th Century) Columbian (two)

MATADOUR, oil painting on canvas, signed lower right, 30 x 15”, surface soiling; Together with Carlos Lopez-Ruiz, DON QUIXOTE, 1969, oil painting on board, signed lower right, 10 x 8”, dedicated “ From Al & Len Aaron (the Aaron Brothers), to Jack” on back paper of frame, surface soiling, both framed, otherwise both in good studio condition. (2)  $200/400

 

 

 

51

Czech artist unidentified

TOWN AT NIGHT, 1996, oil painting on canvas, signed and dated lower right, 35 x 47”, framed, in good studio condition.  $500/1000

 

 

 

52

Czech artist unidentified

RAINY DAY IN TOWN, oil painting on canvas, 41 ¼ x 35 ½”, framed, in good studio condition.  $500/1000

 

 

 

53

Salvador Dali (1904-1989) Spanish

LINCOLN IN DALIVISION (M.928; F.77-1), 1977, color lithograph with embossed and sepia etching on Arches paper, signed in pencil, from the numbered edition 350, image 24 ¼ x 17 ¼”, sheet 29 ¾ x 22”, published by Levine & Levine, blindstamp DalArt N.V. © lower left margin, framed, with original monocle in blue box, pale stain in the lower margin professionally touched up, otherwise good condition.  $3000/5000

 

 

 

54

Salvador Dali (1904-1989) Spanish

SENZA TEMPO (Without Time) (M.1456; F.74-5L), 1974, color lithograph, signed in pencil from the numbered edition 250, image 16 ¼ x 15 ¾”, full margins, framed, in apparently good condition.  $300/600

 

 

 

55

Salvador Dali (1904-1989) Spanish

CAPRICES DE GOYA Series, plate 74, 1977, drypoint etching with heliogravure and color stencil, signed in pencil, from the numbered edition 200, image 7 ¼ x 5, sheet 18 x 12”, framed, in good condition.  $600/900

 

 

 

56

Salvador Dali (1904-1989) Spanish

CAPRICES DE GOYA Series, plate 61, 1977, drypoint etching with heliogravure and color stencil, signed in pencil, from the numbered edition 200, image 7 ¼ x 5, sheet 18 x 12”, framed, in good condition.  $600/900

 

 

 

57

Esteban Darias (b. 1959) Cuban

NATURALEZA DIVA, acrylic painting on canvas, signed lower right, titled on verso, 32 x 24 ½”, Cuban Ministry of Export stamp on verso, in good studio condition.  $200/400

 

 

 

58

Alan Davie (1920-2014) Scottish

CELTIC DREAMBOAT I, 1965, color lithograph, signed in pencil, from the numbered edition 75, image 20 x 30”, full margins, framed with glass, small circular stain lower right, minor discoloration, pale toning, otherwise in apparently good condition.  $200/400

 

 

 

59

Miles Davis (1925-1991) & Kathleen Atkins Wilson (20th/ 21st Century) (six)

Miles Davis, COUPLE, color lithograph, with artist’s embossed signature and character stamp lower right margin, from the numbered edition 450, plate 17 x 11 ½”, with full margins; UNTITLED, color lithograph, with artist’s embossed signature and character stamp lower right margin, from the edition 300, image 24 ¾ x 18”, with full margins; Together with Kathleen Atkins Wilson, HEART; SOUL; SPIRIT; MIND, four color prints, each signed in pencil, from the numbered editions295, images 10 x 13”, with full margins, all framed with glass, all in apparently good condition. (6)  $200/400

 

 

 

60

Jean Didier Debut (1824-1893) French

PORTEUR D’EAU TUNISIEN, cast bronze sculpture with brown patina, signed on base, 12 ½” tall, with Pinedo Paris foundary stamp in base, some minor wear mainly in wrist and cap, otherwise in good condition.  $800/1200

 

 

 

61

Decorative Art: Ancient Pottery

A large storage jar flanked with rope-ring handles, with intact morning star and criss-cross designs, 13” tall, 11” diameter, small hole, otherwise in overall good apparently aged condition.  $500/1000

 

 

 

62

Decorative Art: Antique Textile

Antique brocade textile with gold thread, 26 x 16”, framed with glass, in good aged condition.  $200/400

 

 

 

63

Decorative Art: Egyptian Textiles (two)

A pair of quilted textiles, sizes 48 ½ x 18” & 51 x 17 ½”, both in Plexiglas box frames, both in apparently good aged condition. (2)  $300/600

 

 

 

63 A

Decorative Art: Roman Period Egyptian Linen Fragment (circa 1st/2nd Century C.E.)

Linen and pigments, sight 10 ¼ x 10 ¾”, very nicely framed. Provenance: Sotheby's, New York, December 13, 1978, sale #4169, lot #415, illustrated; Charles Pankow, San Francisco (acquired at above sale where it remained until his death in 2004).  $800/1200

 

 

 

64

Decorative Arts: Silver & Gold Case

CIGARETTE CASE, sterling silver? case with one Deutscher Kaiser König V Preussean gold coin & one Napoleon The Third Empereur gold coin and copper and gold script appointments, 4 1/8 x 3 1/8 x ½”, four tiny hallmark stamps on inside, in good condition aside from wear and tarnish.  $500/1000

 

 

 

65

Michel Delacroix (b. 1933) French

ARRIVEE DU TOUR DE FRANCE, 1990, color screenprint, signed in pencil, from the Roman numeral edition 200, image 23 ½ x 28 ½”, Martin Lawrence Editions, full margins, framed, in apparently good condition.  $200/400

 

 

 

66

Maria Elena Delgado (20th Century) Mexican

MOTHER & CHILD, carved onyx sculpture, signed lower rear, 13 ¾” tall, in good studio condition.  $300/500

 

 

 

67

Roger Desserprint (1923-1985) French

UNTITLED, 1947, oil painting on panel, 29 x 40”, signed and dated lower left, with another painting on verso, framed, a couple of small chips, small hole, surface soiling, otherwise in good studio condition. Provenance: gifted by artist to present owner’s mother while living in Paris in the 1940’s. $500/1000

 

 

 

68

Roger Desserprint (1923-1985) French

FIGURES, 1948, oil painting on Masonite, incised signature and date lower right, 14 x 20 ½”, framed, a few surface scrapes and scratches, otherwise in good studio condition. Provenance: gifted by artist to present owner’s mother while living in Paris in the 1940’s.  $300/600

 

 

 

69

Roger Desserprint (1923-1985) French (two)

UNTITLED, 1947, pair of thickly painted black & white oil paintings on paper, both signed lower left, 30 x 20 ½”, both framed with glass, both in apparently good studio condition. Provenance: gifted by artist to present owner’s mother while living in Paris in the 1940’s. (2)  $500/1000

 

 

 

70

Kees Van Dongen (1877-1968) Dutch

TETE DE FEMME, 1959, color lithograph on Arches paper with block letter watermark, signed in pen, from the numbered edition of 200 in pen on the verso, image 18 ½ x 15 3/8”, full margins, stains and toning, otherwise in good condition. Provenance: Butterfield 10/28/1996  $800/1200

 

 

 

71

Elizabeth Duquette & Roman Dolude (20th Century) American (two)

SCENE OF ROYALTY, oil painting on Masonite, signed lower right, 14 x 16”, framed, minor surface soiling, a few small inconspicuous scratches, otherwise in good studio condition; Together with Roman Dolude, EVENING WALK, 1970, oil painting on canvas board, signed and dated lower left, 20 x 24”, framed, a few small chips and scrapes, otherwise in good studio condition. (2)  $200/400

 

 

 

72

Dutch Master Style

NOBLE MAN WITH COLLAR, oil painting on wood panel, 19 x 15 ¼”, framed, surface soiling, small scratch and scuffs, otherwise in apparently good aged? condition.  $1000/2000

 

 

 

73

Michael Dvortcsak (b. 1938) Californian

SINE QUA NOUN, 1978, acrylic painting on canvas, signed and dated lower left, signed dated and titled on verso, 51 x 69”, a few hairline cracks, stretcher bar impressions, otherwise in good studio condition.  $1000/2000

 

 

 

74

Hans Erni (b. 1909-) Swiss

THREE FIGURES, color lithograph, signed in pencil, from the numbered edition 95, image 25 ¼ x 34”, creases and soft creases, mild discoloration mainly in margins; HORSES, color lithograph, signed in pencil, from the numbered edition 220, sheet 15 x 22”, perimeter toning, pinholes in corners, both framed with glass, otherwise both in apparently good condition.  $300/600

 

 

 

75

Max Ernst (1891-1976) German

BALLADE DU SOLDAT, Georges Riemont, Dessaignes, 1972, portfolio of thirty-four color lithographs, signed in pencil by artist and author on exemplary page, from the numbered edition 199, text translated to English at Atelier Chave in 1989, in blue linen portfolio case, 16 x 12 x 1 ¾”, in very good like-new condition.  $700/1200

 

 

 

76

Charles Fazzino (b. 1955) American

MOTOR CITY, DETROIT, 3-D color screenprint with glitter, signed, from the numbered edition 475, image 12 x 10 x 2”, full margins, certificate from Wentworth Gallery of Miami on verso of frame, in apparently good condition.  $300/600

 

 

 

77

Joe Ferrara (1932-2004) American

COLD LEATHER, 1981, oil painting on canvas, signed lower right, 22 x 31”, framed, 1 ½”scuff upper right edge, small surface paint loss in lower snow area, otherwise in good condition.  $1000/2000

 

 

 

78

Gerard Fitreman, Georges Dussau & Yannick Balif (fourteen)

Gerard Fitreman, VARIOUS, four color etchings, each signed in pencil, three from the numbered edition 90, one from the edition 10 artist’s proofs, sheets 30 x 22 ¼” & 22 ¼ x 30”, with some natural ink saturation on verso from age; Together with Georges Dussau, VARIOUS, two color screenprints, and four color etchings from A Week In September, all signed in pencil, from the numbered edition 100 & 99, sheets 30 ¼ x 22 ½” & 22 ½ x 30 ¼”, with some natural ink saturation on verso from age; Together with Yannick Balif, VAROUS, four color carborundum etchings, each signed in pencil, from the numbered editions 70, 60 & two BATS, sheets average 30 x 22”, all in good condition aside from a few soft handling creases. (14)  $800/1200

 

 

 

79

Sam Francis (1923-1994) American

WANTED FEMALE, Pierre Guyotat, 1993, Lapis Press, seven color aquatints, signed by artist and author on justification page, from the numbered edition 45, in red cloth portfolio case, 15 ¼ x 11 ¼ x 1 ¼”, in very good like-new condition.  $2000/3000

 

 

 

80

Sam Francis (1923-1994) American

BOUNDAYR, Kathleen Fraser & Sam Francis, 1988, Lapis Press, portfolio of six color aquatints, signed by the poet and artist on justification page, from the numbered edition 35, in blue linen portfolio case, 15 ¾ x 11 ¼ x 1 ¼”, in very good like-new condition.  $4000/6000

 

 

 

81

Sam Francis (1923-1994) American

UNTITLED (L.226; SF.233), 1977, four color lithograph, signed in pencil, from the numbered edition 20, sheet 30 x 22”, printed by George Page, published by The Litho Shop, framed, a few soft handling creases in margins visible in raking light at certain angels, otherwise in apparently good condition.  $1000/1500

 

 

 

82

Sam Francis (1923-1994) American

UNTITLED (L.178; SF.198), 1975, lithograph, signed in pencil, from the edition 30, sheet 27 ½ x 35”, printed by George Page, published by Litho Shop, framed, in apparently good condition.  $800/1200

 

 

 

83

Sam Francis (1923-1994) American

UNTITLED (L.203; SF.211), 1976, lithograph, signed in pencil, from the numbered edition 30, sheet 28 x 36”, printed by George Page, published by Litho Shop, framed, in apparently good condition.  $800/1200

 

 

 

84

Sam Francis (1923-1994) American

UNTITLED, (I.17; SFE.500A), 1981, aquatint etching, signed in pencil, artists proof aside from the numbered edition of 16, image 18 ¼ x 12”, sheet 30 ¼ x 21 ¼”, published by 3EP LTD, framed, a small unobtrusive surface rub spot and small crease lower center margin visible upon close inspection, otherwise in apparently good condition.  $800/1200

 

 

 

85

Johnny Friedlaender (1912-1992) German

UNTITLED, aquatint etching, signed in pencil, from the numbered edition 95, sight 29 ½ x 21 ½”, framed, in apparently good condition.  $200/400

 

 

 

86

Johnny Friedlaender (1912-1992) German & others (sixteen)

Johnny Friedlaender, UNTITLED, color etching, signed in pencil, from the numbered edition 80, sheet 40 ½ x 29 ¼”, tiny repaired edge tear top center edge; Together with a collection of fifteen color mezzotints, blockprints, intaglios and etchings, all signed in pencil, from the numbered editions 100, 75, 70, 125, sheets from 13 x 20” to 22 ½ x 30”, artists include Yokoi, Shigeito Maehara, Virgil Nevjestic, Zemer, Sergio Gonzales Tornero, Christine Thoeyeur, Guiny & Joy Jerviss, all is good to very good condition aside from a few soft handling creases, a Nevjestic with a few tiny edge tears. (16)  $400/800

 

 

 

87

Furniture: Old Hickory style (four)

Four chairs, each with metal label stamped “RD” and a serial number, pole wood construction with woven back and seat, each 39 x 23 x 23 ½”, all in very good used condition. (4)  $800/1200

 

 

 

88

Mario Gabrielli (b. 1957) Italian

BOATS, oil painting on canvas, signed lower right, 39 ½ x 47 ½”, framed, in good studio condition. Provenance: Bellini Fine Art Gallery, La Jolla.  $200/400

 

 

 

89

Alberto Gallerati (b. 1945) Italian

HEARTS, oil painting on canvas, signed lower left, 19 ¾ x 15 ¾”, framed, a few small chips, otherwise in good studio condition. Provenance: Bellini Fine Art Gallery, La Jolla.  $200/400

 

 

 

90

Natalia Goncharova (1881-1962) Russian

COSTUME DESIGN, pencil drawing on thin paper watermarked Vivarais, circular stamp lower right, sheet 10 11/16 x 5 14/16 (27 x 15cm), framed with glass, a few dabs of watercolor on verso, loss at lower right corner, creases mainly in left side, some pale sun toning from previous framing, remnants of pencil drawing on verso, otherwise in good studio/production condition.  $2000/4000

 

 

 

91

Leonel Gongora (b. 1932) Columbian

ROMEO & JULIET, 1969, color lithograph, signed in red ink, from the numbered edition 100, sheet 29 ½ x 20 ¼”, framed, possibly some fading, otherwise in good condition.  $200/400

 

 

 

92

Francisco de Goya (1746-1828) Spanish

YA ES HORA (IT IS THE HOUR) from LOS CAPRICHOS (D.117; H.115), plate #80, 2nd edition (?), engraving, image 7 ¾ x 5 ¼”, plate 8 ½ x 6”, framed with glass, some scattered foxing, otherwise in good condition.  $400/600

 

 

 

93

Francisco de Goya (1746-1828) Spanish

TAL PARA QUAL from Los Caprichos, plate 5, aquatint etching, image 7 x 4”, framed with glass, some toning in the margins at mat, otherwise in apparently good condition.  $600/900

 

 

 

94

Pierre Graziani (b. 1932) French

UNTITLED, oil painting on canvas, signed lower right, 45 ¼ x 32 ½”, framed, very minor wear at extreme perimeter, in good studio condition. Provenance: Leslie Sacks Fine Art.  $500/1000

 

 

 

95

Red Grooms (b. 1937) American

BILLY BITZER, 1978, oil painting, charcoal, crayon and graphite on paper, signed and dated lower right, sheet 82 x 83 ¾”, with wear and associated affects from production folds by the artist, otherwise in good studio condition. Provenance: Acquired directly from the artist by the present owner.  $2000/4000

 

 

 

96

Red Grooms (b. 1937) American

D. W. GRIFFITH, 1978, oil painting, charcoal, crayon and graphite on paper, signed and dated lower right, sheet 69 x 64”, with wear and associated affects from production folds by the artist, otherwise in good studio condition. Provenance: Acquired directly from the artist by the present owner.  $2000/4000

 

 

 

97

Red Grooms (b. 1937) American

LILLIAN GISH, 1978, oil painting, charcoal, crayon and graphite on paper, signed and dated lower right, sheet 51 ¼ x 78 ¼”, with wear and associated affects from production folds by the artist, otherwise in good studio condition. Provenance: Acquired directly from the artist by the present owner.  $2000/4000

 

 

 

98

Christian Grothe (  -1849) German

THE FORTUNE TELLER, 1813, oil painting on canvas, signed and dated lower right, 20 ½ x 27”, framed, professionally re-lined, in good condition. Provenance: Sotheby’s sale New York October 23, 2007 lot #243.  $5000/8000

 

 

 

99

Maja Van Hall (b. 1937) Holland

LOSKOMEND (Coming Free), 1981, cast bronze sculpture, signed, edition of 10, 8 ½” tall including black wood base.  $1000/2000

 

 

 

100

Philip Halsman (1906-1979) American (2) & Serge Lido (3) (five)

DREAM OF POET #1 (Cocteau with Doves), gelatin silver print, artist’s studio and copyright stamps and stamped 91932 on verso, 9 ¾ x 7 ¾”; ETERNAL TRIANGLE (Jean Cocteau), 1944-45, gelatin silver print, 9 x 7 ½”, Together with three photographs by Serge Lido, PICASSO AT BULLFIGHT WITH JACQUELINE & COCTEAU AT ARLES, 6 ½ x 9 ½”; CHRISTIAN BERARD IN STUDIO, 7 ½ x 7 ½” PORTRAITS OF STRAVINSKY AND SON WITH COCTEAU, 6 x 9 ½”, all framed with glass and in apparently good condition. (5)  $1000/2000

 

 

 

101

Edna Hibel (b. 1927) American

ROYAL FAMILY, color lithograph, signed in pencil, artist’s proof aside from the numbered edition, image 18 x 15 ½”, full margins, framed with glass, a few soft handling creases, otherwise in apparently good condition.  $200/400

 

 

 

102

Edna Hibel (b. 1927) American

THE FAMILY, oil painting and color lithograph on canvas board, signed lower right and inscribed “unique lithograph and oil” lower left, 40 x 27”, framed, three unobtrusive white scratches lower left, otherwise in good studio condition.  $1000/2000

 

 

 

103

Hug (mid-20th Century) Swiss (three)

PORTRAIT OF A WOMAN; COMPOSITIONS (2), each an oil painting on canvas, each signed lower right, 21 ½ x 18” & 16 x 13” (2), two Compositions framed, Portrait with small remnants of wax paper adhered to surface, all with minor surface soiling, otherwise all in good studio condition. Provenance: gifted by artist to present owner’s mother while living in Paris in the 1940’s. (3)  $300/600

 

 

 

104

Leo Jansen (1930-1980) Dutch

RECLINING NUDE, oil painting on canvas, signed lower right, artist’s thumbprint stamp and signature on verso, 24 x 48”, framed, in good studio condition.  $500/1000

 

 

 

105

Jack Jefferson (1920-2000) Californian

SEPTEMBER, 1990, mixed media on paper, 44 ½ x 33 ½”, framed, in apparently good studio condition. Provenance: Gallery Paule Anglim, San Francisco. $1000/2000

 

 

 

106

Andrei Karpov (b. 1959) Russian

BIRD ON THE MOVE, 1990, oil painting on canvas, signed dated and titled on verso, 40 x 40”, framed, two tiny edge nicks, otherwise in good studio condition. Provenance: Davidson Gallery, Seattle (lacking label).  $1000/2000

 

 

 

107

Andrei Karpov (b. 1959) Russian

PEOPLE IN THE GARDEN (Harvest), oil painting on canvas, signed dated and titled on verso, 40 x 40”, framed, in good studio condition. Provenance: Davidson Gallery, Seattle.  $1000/2000

 

 

 

108

Melanie Taylor Kent (20th/ 21st Century) American

CASABLANCA, 1993, color screenprint, signed in pencil, from the numbered edition 500, sight 33 ½ x 24”, licensed by Turner, full margins, in artist designed frame, in apparently good condition.  $200/300

 

 

 

109

Hudson M. Kitchell (1862-1944) New York

LANDSCAPE AT DUSK, oil painting on canvas, signed lower right, 12 x 16”, old auction chalk numbers on verso, craquelure and small losses throughout, otherwise in fair condition.  $200/400

 

 

 

110

Kathe Kollwitz (1867-1945) German

UBERFAHREN (K.104), 1910, soft-ground etching, signed in pencil, from the numbered edition 100, image 10 x 12 5/8, sheet 13 ¾ x 20 ¾”, framed, toning, mat staining in margins, otherwise in good condition.  $1200/1600

 

 

 

111

Kathe Kollwitz (1867-1945) German

SELF PORTRAIT (K.122), 1912, soft ground etching, signed in pencil, image 5 ½ x 4”, full margins, framed with glass, in apparently good condition.  $800/1200

 

 

 

112

Anatole Krasnyansky (b. 1930) Ukrainian & others (four)

WARSAW OLD STREET, watercolor on hand manipulated paper, signed lower left, sight 24 ¼ x 18 ¼”, framed with glass, in apparently good studio condition; Artist Unidentified, UNTITLED acrylic painting on canvas, signed ? on canvas on samples on verso, 24 x 20”, framed, in apparently good studio condition; Together with REFLEJO, acrylic painting on canvas, signed lower left, signed and titled on verso, 23 ½ x 23 ½”, framed, surface soiling, soft impression upper right corner, otherwise in apparently good studio condition; Together with two small black & white lithographs signed Todd and Jeff Blum and an etching by Enid Isaacson, all three in fair condition. (4)  $300/600

 

 

 

113

Wayne La Com (b. 1922) Californian

INTERIOR WITH STAINED GLASS, watercolor on paper, signed lower right, sight 21 x 29”, framed with glass, in apparently good condition.  $500/1000

 

 

 

114

Walter Lantz (1899-1994) Californian

TIGER STRIPE, seven pencil drawing studies and a title page, two with additional color pencil, one signed, all with drawings on verso, in a two sided 24 ½ x 42 x 3 ¼” display frame, overall in good studio production condition.  $400/800

 

 

 

115

Walter Lantz (1899-1994) Californian

CHILLEY WILLEY, 1993, sericel with color printed background, signed in pen, with the Walter Lantz production stamp lower right, from the numbered edition 300, sight 10 x 24 ½”, framed, in apparently good condition.  $200/400

 

 

 

116

Mauricio Lasansky (1914-2012) American

ESPANA (UIP.94; Zig.89), 1956, etching, engraving, aquatint, soft ground and burnishing, signed in pencil, from the numbered edition 50, image 31 ½ x 20 ¾”, full margins, framed, small skin mark lower right margin, creases, faint discoloration in the margins, otherwise in apparently good condition. Provenance: Jane Haslem Gallery, Washington DC.  $1000/1500

 

 

 

117

Fernand Leger (1881-1955) French

CIRQUE, 1950, lithograph, from the edition 300, sheet 16 ½ x 12 ½”, published by Teriade, Paris, printed by Mourlot, in handsome Galerie Michael frame, a few small speckles, pale discoloration, otherwise in apparently very good condition.  $500/1000

 

 

 

118

after Fernand Leger (1881-1955) French

COUPLE, lithograph with initials in design, from the edition of 500, sheet 17 x 11”, framed with glass, some discoloration upper center, some soft handling creases, otherwise in good condition.  $500/800

 

 

 

119

Benjamin Lira (b. 1950) Chile

SEATED WOMAN, 1982, color pastel on paper, signed and dated lower right, sheet 30 ¼ x 22”, framed with glass, in apparently good studio condition.  $500/1000

 

 

 

120

Lladro Porcelain

CIRCUS TRAIN #1517, a large painted porcelain figural scene, with Lladro hallmark and inscription, 26” long with stand, height 11” with stand, width 9”, on original wood stand, one hairline and two stress cracks in the foundation which do not run end-to-end, otherwise in good condition.  $1000/500

 

 

 

121

Lladro Porcelains (two)

GIRL WITH PUPPIES; GIRL WITH GOOSE, two painted and glazed porcelain figurines, both with Lladro hallmark underneath, 8” & 8 ¾” tall, both in good condition. (2)  $150/250

 

 

 

122

Lladro Porcelains (two)

GIRL WITH DOG; GIRL PICKING FLOWERS, two painted porcelain figurines with mat finish, both with Lladro hallmark underneath, 8” & 8 ¾” tall, both with some dust accumulation, otherwise both in good condition. (2)  $150/250

 

 

 

123

Lladro Porcelains (three)

GIRL WITH CELLO; GIRL AT SINK; DUTCH GIRL WITH BUCKETS, three painted porcelain figurines with mat finish, all with Lladro hallmark underneath, 12”, 7 ½” & 8 ¾” tall, with some dust accumulation, otherwise all in good condition. (3)  $200/400

 

 

 

124

Lladro Porcelains (two)

DOCTOR, painted porcelain figurine with mat finish, with Lladro hallmark underneath, 13 ¾” tall; GEISHA, painted and glazed porcelain figurine, Lladro hallmark underneath, 8 ¾” tall, head re-attached, otherwise both in good condition. (2)  $100/200

 

 

 

125

Niels Moleiro Luis (b. 1970) Cuban

BARBED WIRE BOOKS, acrylic painting on canvas, signed lower right, 36 x 47 ½”, small losses and nicks, otherwise in good studio condition.  $2000/4000

 

 

 

126

Niels Moleiro Luis (b. 1970) Cuban

TIN CAN ON PAPER, acrylic painting on canvas, signed lower right, 36 x 47 ½”, in good studio condition.  $2000/4000

 

 

 

127

Edouard Manet (1832-1883) French

PORTRAIT OF EDGAR POE (H.2), 1860, etching on watermarked Van Gelder chain laid paper, one state, from the edition with beveled plate, plate 7 ½ x 6”, with full margins, framed, in apparently good condition. Provenance: Modern Masters Fine Art.  $800/1200

 

 

 

128

Antonio Marchese (b. 1947) Italian

TWO WOMAN WITH TWO URNS, oil painting on panel, signed lower left, 11 ¾ x 15 ¾”, framed, in good studio condition. Provenance: Bellini Fine Art Gallery, La Jolla.  $100/300

 

 

 

129

Marino Marini (1901-1980) Italian

HORIZON (G.L136), 1979-1980, color lithograph, signed ‘MM’ in blue pencil, from the numbered edition75, image 28 ¼ x 20 ¼”, printed and published by Graphis Arte with their blindstamp in margins, estate stamp and signature on verso, in apparently good condition.  $2000/4000

 

 

 

130

Marino Marini (1901-1980) Italian

JUGGLER & HORSE (GA.99), 1969, etching, signed in pencil, from the numbered edition 65, image 14 x 12”, full margins, printed by Crommelynck Freres, Paris, framed lacking glass , pale toning in margins under the mat, otherwise in good condition.  $1000/2000

 

 

 

131

Reginald Marsh (1898-1954) American

HUBER’S MUSEUM (S.14), 1928, lithograph on chine colle, signed in pencil and inscribed “35 proofs”, image 8 ½ x 13 ½”, full margins, in apparently good condition.  $1200/1600

 

 

 

132

Reginald Marsh (1898-1954) American

MERRY-GO-ROUND (S.99), 1930, etching with cream tone on white wove paper, signed in plate lower right, from the numbered edition 100, image 6 ¾ x 9 ¾”, full margins, published by the Whitney Museum in 1969 with their blindstamp in the lower right margin, framed with glass, in apparently good condition.  $200/400

 

 

 

133

attributed to Reginald Marsh (1898-1954) American & two others (three)

attributed to Reginald Marsh, ANATOMY STUDY, pencil drawing on paper, folded margins to fit frame, some crinkles, old tape on verso, otherwise in apparently good studio condition; ANATOMY STUDY, pencil drawing on paper, sight 10 x 6”, probably another work on verso; ANATOMY STUDY, ink drawing on paper, sight 16 ¾ x 12”, another work on verso, some crinkles, discoloration, pale stain, otherwise both in apparently generally good studio condition. Provenance: the late Bernt Rosen, student of Marsh, gifted by artist. We do not actually know which of the three is actually by Marsh. The estate believes that it is probably the first of the three. (3)  $500/1000

 

 

 

134

Miguel Martinez (b. 1951) American

WOMAN, 1992, color pastel with acrylic painting and gold and silver leafing on paper, signed and dated lower right, sight 39 ½ x 29 ½”, framed, in good studio condition. Provenance: acquired directly from artist, with his dedication to the current owners on frame verso.  $2000/4000

 

 

 

135

Andre Masson (1896-1987) French

HOMMAGE TO MICHELANGELO, color lithograph, signed in pencil, from the numbered edition 200, image 20 x 14”, full margins, framed with glass, in apparently good condition.  $700/1000

 

 

 

136

Ralph Massey (b. 1938) Californian

SHI SHI AT THE HUNTINGTON, 2002, watercolor and gouache on paper, signed and dated lower right, 17 ¼ x 22 ¼”, framed, in good studio condition.  $400/800

 

 

 

137

Ralph Massey (b. 1938) Californian

COCA-COLA SOLD HER, 2004, gouache on paper, signed and dated lower right, 22 ¼ x 24”, framed, in good studio condition.  $1000/2000

 

 

 

138

attributed to Ewald Matare(1887-1965) German

LES SALTIMBAUQUE, 1953, oil painting on board, initialed and dated upper right, artist’s name and date in marker on verso, 22 x 9 ½”, framed, some surface scuffs and scrapes, otherwise in good studio condition.  $500/1500

 

 

 

139

Kenneth Hayes Miller (1876-1952) American

LEAVING THE SHOP, 1929, etching, signed in pencil, image 8 x 9 ¾”, full margins, framed with glass, a few discoloration spots in margins, otherwise in good condition.  $300/600

 

 

 

140

attributed to Joan Miro (1893-1983) Spanish & others (five)

VOLUME III Series, color lithograph, signed in pencil, from the Roman numeral edition 80, sheet 19 ½ x 15”, small stains around sheet edges, otherwise in good condition; LES ESSENCIES DE LA TERRA (M.579), 1970, color lithograph (variant) with hand-coloring, signed in pencil, sheet 10 3/8 x 10”, published by Poligrafia, printed by Mourlot, mild toning, natural ink saturation on verso, old hinge remnants on verso starting to appear on recto; TERRES DE GRAND FEU, color lithograph test print for a DLM series on Arches paper with block letter watermark, signed in pencil and inscribed H. C., sheet 30 ¾ x 23 ¼”, creases, toning, small tears, stains, some purple discoloration spots upper left corner; Together with Graciela Rodo Boulanger, CHILDREN WITH BIRDS, a set of four color lithographs, each signed on stone, sheets 14 ¾ x 11”, mild toning, a few corner creases; Together with after Henri De Toulouse-Lautrec, WOMAN ON STAIRCASE, color lithograph, from the numbered edition 275, image 24 x 16 ½”, full margins, Musee Toulouse-Lautrec blindstamp lower left. (5)  $500/1500

 

 

 

141

Mario Miguel Mollari (1930-2010) Argentinean

DESCANSO EN EL CAMPO, oil painting on canvas, signed lower left, initialed and titled on verso, 63 x 54 ¾”, framed, remnants of Latin American gallery tag on verso, with some professional repair by artist and another, otherwise in good studio condition.  $2000/4000

 

 

 

142

Jose Montanes (1919-1998) Spanish

HI MOM, c.1993, oil painting on canvas, signed lower right, 17 ½ x 12 ½”, titled on verso, in good studio condition, with certificate from artist’s estate.  $500/800

 

 

 

143

Jose Montanes (1919-1998) Spanish

GOING TO THE PARK, 1994, oil painting on canvas, signed and dated lower left, 24 x 20”, titled on verso, in good studio condition, with certificate from artist’s estate.  $600/900

 

 

 

144

Mick Moon (b. 1937) British

ROYAL FLUSH, 1987, acrylic, monotype and collage on paper, signed and dated lower right, 71 x 56”, framed, in good studio condition. Provenance: Pace Prints, New York; Leslie Sacks Fine Art, Los Angeles.  $1000/2000

 

 

 

145

Henry Moore (1898-1986) British

TWO RECLINING FIGURES (C.468), 1977-78, etching, signed in pencil and numbered edition of 75, image 12 x 9”, full margins, printed by Lacouriere, publisher Edizioni d’Arte Vanessa, framed with glass, in apparently in good condition.  $2000/3000

 

 

 

146

Alfredo Muller (1868-1929) French

MOULIN ROUGE, color etching with hand-coloring, signed in pencil, image 25¾ x 16”, full margins, framed, some smudges in the margins, otherwise in good condition.  $800/1200

 

 

 

147

Native American pottery

COCHITA STORY TELLER, painted ceramic, signed Lucero-Gachupin Jamez underneath, mounted in Plexiglas case, case 13 ½” x 12 ½ x 9”, with slide-opening front, in good condition. $200/400

 

 

 

148

Native American Acoma pottery

Five painted ceramics, from 8” diameter to 4” diameter, all signed or initialed and inscribed Acoma NM, signatures include Alma Vallo or Valio, L Antonio, Jsa, S.J., Yolanda Trujillo, all in good studio condition.  $400/800

 

 

 

149

Native American Acoma pottery

Large painted ceramic with bear pattern, signed M. Antonio, Acoma, NM, 13 ½” diameter, in good studio condition.  $200/400

 

 

 

150

Native American Acoma pottery

Large painted ceramic with bird and bee pattern, 11” tall, initialed and inscribed Acoma NM., in good studio condition.  $200/400

 

 

 

151

Native American pottery

Massive ceramic vessel, 16” tall, 23” diameter, some losses at rim, in overall good apparently aged condition.  $200/600

 

 

 

152

Native American sculpture & Modern African Vase (two)

STANDING WOMAN, 2004, rose marble sculpture, signed Pablo, 14” tall, in good condition; Together with an African Yellow glass profile vase, signed and dated underneath, 10 ¾” tall. (2)  $100/300

 

 

 

153

Native American: Zuni & Shoshone (seven)

Twenty Zuni dolls and a Shoshone beaded purse in 6 Plexiglas boxes, doll sizes from 7” to 3”, purse 4 x 4 ½ x 1” with eagle design on verso; Together with an 18 ½” tall beaded man with rings and cloth appointments. (7)  $200/400

 

 

 

154

LeRoy Neiman (1921-2012) American

THE PLAZA SQUARE (K.II 50), 1985, color screenprint, signed in pencil, from the numbered edition 300, image 26 ¼ x 36 ¼”, full margins, framed, in apparently good condition  $1000/2000

 

 

 

155

LeRoy Neiman (1921-2012) American

HOMAGE TO REMINGTON (K. Vol. I 47), 1973, color screenprint, signed in pencil, from the numbered edition 300, image 18 x 28”, full margins, framed with glass, light to moderate toning, the colors in the Knodler catalogue appear stronger, otherwise in apparently good condition.  $500/1000

 

 

 

156

LeRoy Neiman (1921-2012) American

TOURNAMENT GOLF (K. Vol. I 105), 1974, color screenprint, signed in pencil, from the numbered edition 300, image 22 ½ x 32”, full margins, masking and scotch tape around the perimeter on the verso, a few smudges and very pale mat staining in the margins, otherwise in good condition. The yellow in the Knoedler catalogue appears more like orange. We have found three other prints at auction with the same yellow as this one and none with the orange color.  $500/1000

 

 

 

157

Hans Neumann (1873-1957) German

VAMPYR, 1907, color woodblock on thin Japanese paper, initialed in ink lower right, image 13 ¾ x 11”, full margins, sheet 16 ½ x 12”, framed with glass, some specking and spotting in margins, colors probably diminished, otherwise in apparently good condition.  $1500/2500

 

 

 

158

Jovan Obican (1918-1986) Croatian

MAN ON DONKEY (possibly Don Quixote), oil painting on canvas, signed lower right, 27 x 21 ½”, framed, surface soiling, hairline cracking, otherwise in general good studio condition. From the collection of John Ireland, actor.  $200/400

 

 

 

159

Old Master School

WOMAN WITH FRUIT, 1723, oil painting on canvas, signed or inscribed and dated lower left, 28 ¾ x 21 ¼”, craquelure, some scuffs and scrapes, surface soiling, professional repair and re-lining, otherwise in good condition.  $500/1500

 

 

 

160

Old Master School

FIGURES IN A COURTYARD, ink drawing on chain laid paper, signed lower right?, dated 1534 upper left sky, sight 10 ½ x 15 ¾”, framed with glass, tear upper sheet edge, restored tear upper right corner, tear lower center sheet edge, some discoloration, otherwise in apparently good condition.  $500/1500

 

 

 

161

Old Master Style

MAN PLAYING A HARP, oil painting on canvas, 24 x 20”, signed lower right, some scuffs and scrapes, one over the signature making it illegible, otherwise in apparently good condition.  $100/300

 

 

 

162

Julian Onderdonk (1882-1922) Texas

SUMMER AFTERNOON, 1901, oil painting on canvas, signed and dated lower right, signed and titled on verso, 13 x 18”, framed, craquelure, stretcher bar impressions, minor loss and wear at edges, small chip at center horizon, surface soiling, discoloration spots, otherwise in generally good condition. Provenance: acquired by inheritance from Dr. Leonard Westley of Beverly Hills.  $10,000/20,000

 

 

 

163

Frederick Burr Opper (1857-1937) American

FANCIED HE WAS DISPLEASED, gouache, signed lower right, sight 20 x 13 ½”, framed with glass, small tear, scrapes, otherwise in good studio/production condition.  $200/400

 

 

 

164

Alexander Orlov (20th/ 21st Century) Russian

THE CARRIAGE RIDE, KIEV, 2001, oil painting on canvas, signed and dated lower left, 24 x 18”, framed, in good studio condition. Provenance: Morseberg Galleries, West Hollywood.  $1000/2000

 

 

 

165

Louis Orr (1879-1961) American

LE TARTAN, 1923, etching, signed in pencil, image 10 ½ x 14 ½”, full margins, framed with glass, discoloration on mat only, otherwise in apparently good condition.  $200/400

 

 

 

166

Igor Pantuhoff (1911-1972) Russian

NUDE AT BEACH, oil painting on canvas, signed lower left, 30 x 24”, a few scuffs, some stretcher bar impression, otherwise in good studio condition.  $200/400

 

 

 

167

Igor Pantuhoff (1911-1972) Russian

NUDE HOLDING FLOWER, oil painting on canvas, signed lower left, 30 x 24”, a few scuffs, some stretcher bar impression, otherwise in good studio condition.  $200/400

 

 

 

168

Igor Pantuhoff (1911-1972) Russian

GIRL IN LEOTARD, oil painting on canvas, signed lower right, 34 x 16”, framed, a few scuffs, surface soiling, otherwise in good studio condition.  $200/400

 

 

 

169

Victor Pasmore (1908-1998) British

BLUE FANTASY, 1979, color screenprint, signed in pencil, from the numbered edition 70, sheet 31 ½ x 47 ¼”, framed, in apparently good condition.  $1500/2500

 

 

 

170

Linnea Pergola (b. 1953) Californian

LONDON, 1943, color screenprint, signed in pencil, from the numbered edition 295, image 29 ½ x 29 ½”, Martin Lawrence Editions label and blindstamp, full margins, framed, in apparently good condition.  $200/300

 

 

 

171

Alberto Perini (b. 1971) Italian

GREEN ISLAND, oil painting on canvas, signed lower left, 19 ½ x 59”, framed, in good studio condition. Provenance: Bellini Fine Art Gallery, La Jolla.  $400/800

 

 

 

172

Pablo Picasso (1881-1973) Spanish

347 SERIES: 186 (B.1666; L.186), 1968, etching, signed in pencil, from the numbered edition 50, image 16 ¼ x 19 ½”, sheet 22 ¼ x 25 ½”, published by Galerie Louis Leiris, framed, a small restored surface blemish lower right, otherwise in good condition.  $5000/8000

 

 

 

173

Pablo Picasso (1881-1973) Spanish

347 SERIES: 217 (B.1697; L.217), 1968, etching, signed in pencil, from the numbered edition 50, image 12 ¼ x 12 ¼”, full margins, published by Galerie Louis Leiris, framed with glass, extremely pale sun toning, dimple rub upper left margin, otherwise in good condition.  $5000/8000

 

 

 

174

Pablo Picasso (1881-1973) Spanish

LA DANSE DES FAUNES (B.830; M.291), 1957, lithograph on Arches paper, stamped signature, from the edition of 1000, image 16 x 20 ¾”, full margins, printed by Mourlot, framed, a few soft creases and faint speckling, otherwise in good condition.  $3000/4000

 

 

 

175

Pablo Picasso (book)

PICASSO 347, Volume I & II, 1970, Random House, the large hardbound book in original portfolio box, 1st edition, 17 ½ x 12 ½ x 3 ½”, in very good condition.  $300/500

 

 

 

176

Pablo Picasso (1881-1973) & Antoni Clave (1913-2005) (two)

LE PETIT CORRIDA (B.839; M.302), 1957, color lithograph as published in XXe Siecle, signed and dated on stone, 13 x 10”, some toning; Together with Antonio Clave, ILLUSTRATION FROM CANDIDE, 1947, lithograph, signature on stone, image 10 ¼ x 7 ½”, full margins, mild toning, masking tape around perimeter verso, both framed, otherwise both in apparently good condition. (2)  $200/400

 

 

 

177

after Pablo Picasso (1881-1973) Spanish & others (three)

LA RONDE, 1961, color lithograph, bearing a pencil signature and numbering from an edition of 100, printed on Arches script watermarked paper, sheet 25 5/8 x 19 5/8”, mild toning, soft handling creases, hinge residue and associated skinning on the verso, otherwise in good condition; Together with after Gustav Klimpt, LADY WITH FUR COLLAR, facsimile lithograph, sheet 16 ½ x 11 ½”, published by Quintessa Art Collection Ltd. 1999, framed with glass; Together with Graciela Rodo Boulanger, CHILD WITH BIRD CAGE, color lithograph, signed in pencil, from the numbered edition 200, image 13 x 10”, full margins, framed with glass, toning and discoloration in margins, otherwise all in apparently good condition. (3)  $500/1000

 

 

 

178

Rafael Ubeda Pineiro (b. 1932) Spanish

THE PROMISE, oil painting on canvas, signed lower left, 28 ½ x 23 ½”, framed, in good studio condition. $2000/4000

 

 

 

179

Giavanni Baptista Piranesi (1720-1798) Italian

VEDUTA DELL ATRIO DEL PORTICO DI OTTAVIA (H.58), 1760, etching, image 15 x 23”, full margins, framed with glass, minor pale discoloration in margins, otherwise in apparently good condition.  $600/900

 

 

 

180

Paul Emile Pissarro (1884-1972) French

VIEW OF A FIELD, color pastel on paper, signed lower left, 9 ½ x 12 ½”, framed with glass, in apparently good condition.  $800/1200

 

 

 

181

Haya Ran (b. 1948) Israeli

MADONNA WITH CAT, watercolor on paper, signed lower left, 39 ¼ x 19”, framed, in good studio condition. Provenance: Galerie Yoram Gil.  $500/700

 

 

 

182

Augusto Ranocchi (b. 1931) Italian

CALIFORNIA SERIES XXXVII, 1983, collage of acrylic on canvas and paper with yarn, signed and dated lower left, 60 x 24”, mounted to a linen framer’s board, comes with optional Plexiglas cover (damaged), in good studio condition.  $500/1000

 

 

 

183

Pedro Luis Raota (1934-1986) Argentinian (two)

CHILD WITH PARENT; PORTRAIT OF A WORKER, two gelatin silver prints, each signed in ink lower right, images 14 x 17 ½” & 14 ¼ x 17 ½”, both with margins and framed, both in good condition. (2)  $800/1200

 

 

 

184

Robert Rauschenberg (1925-2008) American

UNTITLED, 1984, collage print, signed in pencil, from the edition 10 printer’s proof, sheet overall 32 x 26 ½”, framed, minor wear at one of the ten corners, otherwise in good condition.  $1000/2000

 

 

 

185

Rembrandt Harmensz Van Rijn (1606-1669) Dutch

SELF PORTRAIT WITH PLUMED CAP AND LOWERED SABRE (B.23, H.23), 1654, oval etching, signed and dated in plate lower right, oval 5 1/8 x 4 1/8”, sheet 5 5/8 x 4 ½”, with good line quality, framed with glass, fashionable diagonal cuts upper left and upper right margin corners, evidence of professional restoration in margins, otherwise in apparently good condition.  $10,000/30,000

 

 

 

186

Rembrandt Harmensz Van Rijn (1606-1669) Dutch

JAN UYTENBOGAERT GOLDWEIGHTER (B.281), 1639, etching and drypoint with Captain Baille rework, signature and date in plate, image 9 ¼ x 8”, sheet 10 x 8”, framed, small round filled area in the center at edge of the books, small discoloration spot at the lower scale, slight discoloration lower left margin, otherwise in good condition. Provenance: Bellette Hofmann Fine Art Inc. New York  $4000/6000

 

 

 

187

Rembrandt Harmensz Van Rijn (1606-1669) Dutch

MALER JAN ASSELIJN (B. 277, H. 277), 1647, etching on chain- laid paper, signed and dated lower right, plate 8 ½ x 6 5/8”, thread margins, collector’s stamp on verso, framed with glass, small repair empty background above his left shoulder, toning, speckling, otherwise in apparently good condition.  $3000/6000

 

 

 

188

Norman Rockwell (1894-1978) American

PIPE & BOWL, color lithograph, signed in pencil, from the Roman numeral edition 25 of artist’s proofs, aside from the numbered edition 200, image 22 ¼ x 17”, full margins, published by Ettinger, soft handling creases, smudge marks in margins, natural ink saturation on verso, otherwise in good condition.  $500/1000

 

 

 

189

Michel Rodde (1913-2009) French

NATURE MORTE AU LA ORANGE, oil painting on canvas, signed lower right, titled on verso, 15 x 24”, framed, Arthur Lenars & Cie Paris transport label on verso, contractions in paint, a few small scuffs, otherwise in good studio condition.  $800/1200

 

 

 

190

Christian Rohlfs (1849-1938) German

ROSES, 1913, watercolor on paper, monogrammed and dated lower right, 18 15/16 x 11 ¾” (48 x 30cm), framed with glass, in good studio condition aside from restored corner lower right. Provenance: Karl & Faber, Munich, with signed certificate.  $10,000/30,000

 

 

 

191

Vincente Rojo (b. 1932) Mexican

PRIMER PRESAGIO: LA LUZ, 1959, oil painting on canvas, signed and dated lower right, 51 ½ x 35 ¼”, framed, 1” tear with taped patch on verso, small losses and small filled in areas, a few small scrapes and nicks mainly in background area, otherwise in apparently good studio condition. Provenance: Galeria Proteo, Mexico DF.  $8000/12,000

 

 

 

192

Romano (20th Century) & Moor (20th Century) (two)

Romano, GREEN STOCKING, RED STOCKING, 1968, oil painting on board, signed and dated lower right, sight 13 ¾ x 11 ¾”, framed, surface soiling, lacquer yellowed with age, some possible indentations; Together with Moor, WOMAN WITH RED WRAP, ink and watercolor on Japanese paper, signed lower left, sight 23 ½ x 9 ½”, both in otherwise generally good studio condition Provenance: Raymond & Raymond Gallery, Beverly Hills; the collection of John Ireland, actor. (2)  $200/400

 

 

 

193

Kylliki Salmenhaara (1915-1981) Finland

PITCHER, painted and glazed stoneware, 8” tall, signed “KS Arabia” underneath, some fleabites otherwise in good studio condition.  $1000/2000

 

 

 

194

Tom Savage (b. 1953) American

ROLL AWAY, 2012, oil and acrylic painting on wood panel, signed, dated and titled on verso, 47 ¾ x 36”, in good studio condition.  $2000/3000

 

 

 

195

Tom Savage (b. 1953) American

WILD THING, 2012, oil and acrylic painting on wood panel, signed, dated and titled on verso, 47 ¾ x 36”, in good studio condition.  $2000/3000

 

 

 

196

Karl Schnetzinger (b. 1956) Austrian

UNTITLED No. 8, 1985, oil painting on linen, signed and dated lower right, 45 ½ x 35 ½”, stretcher and surface scuffs, otherwise in good studio condition. Provenance: Ashkenazy Gallery.  $200/400

 

 

 

197

Gino Severini (1883-1966) Italian

ARLEQUINS, color lithograph, signed in pencil, from the numbered edition 220, image 14 ¾ x 11 ¼”, full margins, framed with glass, moderate toning, otherwise in apparently good condition.  $1500/2500

 

 

 

198

Ben Shahn (1898-1969) American

WE FRENCH WORKERS WARN YOU (P.155), 1942, color offset lithograph poster, sheet 28 ¼ x 39 ¾”, printed by US Government printing office, published by War Production Headquarters, WPB Washington DC, framed, in apparently very good condition.  $1000/1500

 

 

 

199

Ben Shahn (1898-1969) American

FOR THE SAKE OF A SINGLE VERSE, 1968, color lithograph, stamped signature lower right, sheet 22 x 17 ½”, framed with glass, toning, otherwise in apparently good condition.  $200/400

 

 

 

200

Millard Sheets (1907-1989) Californian

FAMILY FLATS (Bunker Hill), 1932, lithograph, signed in pencil, from the numbered edition 75, image 15 ½ x 21 ¾”, full margins, framed with glass, pale discoloration in margins, otherwise in apparently good condition.  $2000/4000

 

 

 

201

Paul Sierra (b. 1944) American

A109, oil painting on canvas, initialed lower right, signed and titled on verso, 46 x 59 ½”, in good studio condition.  $1000/2000

 

 

 

202

John Sloan (1871-1951) American (two)

NUDE AND NEWS, etching, signed in pencil, from the edition of 100, image 5 ½ x 6 ¾”, full margins, framed with glass, some discoloration and speckling, otherwise in apparently good condition; FIFTH AVENUE CRITICS (M. 128), 1905, etching on laid paper, printed in the Gazette Des Beaux Arts, aside from the signed edition of 110, image 4 ½ x 6 ¾”, full margins, framed with glass, foxing and discoloration, otherwise in apparently good condition. (2)  $700/900

 

 

 

203

Stanley Spence (1891-1959) British

ANIMAL STUDY, pencil drawing on paper, signed lower center, sheet 9 x 8”, framed with glass, two small masking tape hinges on the verso, soft handling creases, otherwise in good studio condition.  $1000/2000

 

 

 

204

Harold Arthur Streator (1861-1926) American

PORTRAIT OF A WOMAN IN A YELLOW DRESS. c.1920, oil painting on canvas, signed lower right, 40 x 30”, framed, professionally restored and relined, stretcher bar impressions, otherwise in good condition.  $1000/2000

 

 

 

205

Ray Swanson (1937-2004) American

SANCHAT GOING HOME, watercolor on paper, signed lower right, 16 x 20”, framed, in good studio condition.  $1000/2000

 

 

 

206

Rufino Tamayo (1899-1991) Mexican

APOCALYPSE series, 1962, color lithograph, signed in pencil, sight 12 x 9”, framed with glass, in apparently good condition. Provenance: Misrachi Gallery, Galleria De Arte, Mexico City.  $1000/1500

 

 

 

207

Robert Tanenbaum (20th/ 21st Century) American

JOHN WAYNE, STAGE COACH, acrylic painting on panel, signed lower center, sight 19” diameter, framed, in good studio condition. Provenance: Acquired directly from artist. Commissioned by Patrick Wayne for the Franklin Mint.  $2000/3000

 

 

 

208

Robert Tanenbaum (20th/ 21st Century) American

JOHN WAYNE, SANDS OF IWO JIMA, acrylic painting on panel, signed lower center, sight 18” diameter, framed, in good studio condition. Provenance: Acquired directly from artist. Commissioned by Patrick Wayne for the Franklin Mint.  $2000/3000

 

 

 

209

Robert Tate (20th/ 21st Century) American

AFTER THE PARTY, oil painting on canvas, signed lower right, 30 x 40”, in good studio condition. Provenance: acquired directly from artist.  $2000/3000

 

 

 

210

Pavel Tchelitchew (1915-1957) Russian

INTERIOR LANDSCAPE, 1944, ink wash drawing on paper, signed and dated lower right, sight 13 ¾ x 10 ¾”, framed with glass, creases lower right and lower left corners, small scrape lower left corner, small repaired loss at lower left should edge, some possible discoloration, otherwise in apparently good condition. Provenance: gift from the artist to prima ballerina Tamara Toumanova, godmother to the current owner. Pavel did scenery and costumes for ballets starring La Toumanova and he also did portraits of her.  $6000/9000

 

 

 

211

Pavel Tchelitchew (1915-1957) Russian

L’ANGE (AUTO-PORTRAIT), c.1915, oil painting on canvas, signed lower right, 33 x 46”, framed, some professional restoration including re-lining, otherwise in good studio condition. Provenance: A gift from the artist to prima ballerina Tamara Toumanova, godmother to the current owner. Pavel did scenery and costumes for ballets starring La Toumanova and he also did portraits of her.  $80,000/120,000

 

 

 

212

Pavel Tchelitchew (1915-1957) Russian

RECLINING FIGURE, ink, wash and sepia on paper, sight 7 x 11 ¾”, framed, in apparently good studio condition. Provenance: Julien Levy Gallery, New York.  $2000/4000

 

 

 

213

Raymond Thialier (b.1913) French

BORD DE LA MER, oil painting on canvas, signed lower right, 15 x 18”, framed, scratch lower left, some minor repair, otherwise in good studio condition.  $400/800

 

 

 

214

James Tissot (1836-1902) French

CROQUET (W.37), 1878, etching and drypoint, signed and dated lower right, from the edition of approximately 100, image 12 x 7”, full margins, framed with glass, in good condition.  $1000/2000

 

 

 

215

Theo Tobiasse (b. 1927) French & others (twelve)

Theo Tobiasse, PROPHETESSE POUR UN AMOUT SUBLIME, color lithograph, signed in pencil, from the numbered edition 250, sheet 41 ½ x 28 ½”; Together with a collection of one color etching and nine color lithographs, all signed in pencil, from the numbered editions 75, 350, 500, 150 and artist’s proofs, sheets from 25 ½ x 19 ½” to 32 ¾ x 25”, artists include Bro, Arie Azene, Igor Komo**, Johnny Valadie, Alain Le Foll, Puigmarti, Braun, all is good to very good condition aside from a few soft handling creases and a couple corner creases. (12)  $500/1000

 

 

 

216

Francisco Toledo (b. 1941) Mexican

HORSES, 1990, color lithograph, signed in pencil, from the numbered edition 100, image 20 x 15 ½”, apparently with full margins, framed with glass, toning from sunlight, otherwise in apparently good condition.  $200/400

 

 

 

217

Henri Toulouse Lautrec (1864-1901) French

YVETTE GUILLBERT, SALVANT LE PUBLIC (ADR.258; D.260), 1898, second state, color lithograph, initialed on stone lower right, image 11 ¾ x 9 ½”, framed with glass, small rub spot upper right margin, otherwise in apparently good condition.  $2000/3000

 

 

 

218

Heinrich Ulrich (c.1572-1621) German (four)

HUNTERS, a collection of twelve engravings, each traditionally trimmed to approximately 5 x 3 ¼”, in four frames with glass, all with scattered foxing, otherwise in apparently good condition. (12/4)  $200/400

 

 

 

219

Edmond Weill (1877-   ) New York

LANDSCAPE WITH DRY DOCKED BOAT, 1935, oil painting on canvas, signed and dated lower left, 20 x 24”, framed, old auction chalk marks on verso, moderate soiling, small puncture, some surface scrapes and small chips, otherwise in good studio condition.  $800/1200

 

 

 

220

James Whistler (1834-1903) American

BILLINGSGATE (K.47), 1859, etching, signed and dated in plate lower right, image 5 ¾ x 8 ½”, full margins, framed with glass, tear lower sheet edge extending 1 ½” into image, discoloration in right margin, otherwise in good condition.  $500/800

 

 

 

221

James McNeill Whistler (raisonne)

JAMES MCNEILL WHISTLER, LITHOGRAPHS, Art Institute Chicago, two volume catalogue raisonne, scuffs on slip case, in very good condition.  $100/200

 

 

 

222

Wildlife Art by Sandy Glover (20th/ 21st Century) Californian (two)

SQUIRRELS; MICE, two watercolors on paper, each signed Sandy lower left, 11 x 8 ¼” & 8 x 8 ¼”, Mice with small tear top center, otherwise both in good studio condition. (2)  $100/200

 

 

 

223

Max Wolpe (b. 1953) South African

UNTITLED, 1993, color pastel and watercolor on paper, signed and dated lower right, image 18 x 22”, full margins, framed with glass, in apparently good studio condition. Provenance: Bobby Greenfield Gallery; Leslie Sacks Fine Art.  $400/600

 

 

 

224

Yuroz (b, 1956) Armenian

SEATED FAMILY, oil painting on canvas, signed lower right, 7 x 7”, framed, in good studio condition. Provenance: Crystal Belle Gallery.  $500/1000

 

 

 

225

attributed to Eugene Zak (1884-1926) Polish

OPERA, color pastel on paper, signed lower left, sight 12 x 9”, framed with glass, two tags on verso from Pitt & Scott Ltd, London, moderate toning on verso, perimeter with strips of dried masking tape, glue staining visible on recto when closely inspected, otherwise in good condition.  $500/2500

 

 

 

Conditions of Sale and Terms of Guarantee apply to all items offered for sale.

30 day Guarantee. 20% Buyer’s Premium. Consignments Welcomed.

Use the following links to view lot numbers 1-225

1-25  26-50  51-75  76-100  101-125  126-150  151-175  176-200

201-225  226-250  251-275  276-300  301-325  326-350  351-375  376-400

401-425  426-450  451-475  476-500