Catalogue Without Illustrations
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1
20th Century School
LANDSCAPE, oil painting on canvas, signed lower right, 17 ¾ x 31 ½”,
framed, surface soiling, otherwise in good condition.
$500/800
2
African:
Mende,
Sierra Leone
FEMALE
SOCIETY MASK, hand-carved wood helmet mask from
Sierra Leone,
14” tall, natural cracking, otherwise in good condition.
$400/600
3
African: Baga Figure
Hand-carved and painted wood bird sculpture, 40” tall, with
removable head.
$800/1200
4
Yaacov
Agam (b. 1928) Israeli
UNTITLED, Agamagraph, color screenprint on
paper laminated to lenticular plastic, signed in ink, from the
numbered edition 99, 15 x 14”, framed, a few surface scuffs,
otherwise in good condition with strong image change.
$600/900
5
Yaacov
Agam (b. 1928) Israeli
VERTICLE MIDNIGHT, 1980, Agamagraph, color
screenprint on paper laminated to lenticular plastic, signed and
dedicated in ink, aside from the numbered edition 99, 16 x 14”,
framed, scratches and scuffs across surface, indigenious hairline
cracking mainly at edges, otherwise in good condition.
$500/800
6
Yaacov
Agam (b. 1928) Israeli
DAY NIGHT
FESTIVAL, 1980, Agamagraph, color screenprint on paper laminated to
lenticular plastic, signed and dedicated in ink, aside from the
numbered edition 99, 15 ½ x 14 ½”, framed, scratches and scuffs
across surface, indigenious hairline cracking mainly at edges,
colors less than strong, otherwise in good condition.
$500/800
7
Yaacov
Agam (b. 1928) Israeli
FESTIVAL, Agamagraph, color screenprint on
paper laminated to lenticular plastic, signed in blue ink (slightly
diminished to green),, from the numbered edition 99, 15 ½ x 14 ½”,
framed, indigenious hairline cracking mainly at edges, otherwise in
good condition.
$500/800
8
Yaacov
Agam (b. 1928) Israeli
UNTITLED from the NOBEL PRIZE portfolio, color
screenprint, signed in pencil, from the numbered edition 100, sheet
30 x 22”, a few soft handling creases, otherwise in good condition.
$300/500
9
American
School (20th Century)
(two)
BATGIRL, color monotype with hand-work, signed lower left, 30 x 22
½”; Together with SEATED NUDE WOMAN, watercolor and pastel on paper,
signed Wm. K. Gee lower left, 26 x 18”, both framed with glass (one
broken). (2) $200/400
10
American
Artist (20th Century)
SUNFLOWERS, oil painting on canvas, signed “H
Denenholz”? lower right, 28 x 22”, framed.
$200/400
11
Animation & Entertainment (20th Century)
(thirteen)
Walt
Disney Studios: DONALD
DUCK, painted celluloid with Xerox
background, 10 ¼ x 12 ½”; MICKEY AND
PLUTO, sericel with xerox background, 11 x 14 ½”;
Warner Brothers:
BUGS BUNNY SKIING, sericel, 10 ½ x 14”;
Hanna-Barbera Studios:
PINK PANTHER, painted celluloid with Xerox background, 10 ½ x 13”,
with accompanying pencil drawing; A PUB
NAMED SCOOBY-DOO, two-layer painted celluloid with Xerox background,
signed in ink by Joe Hanna and Bill Barbera; EXIT STAGE LEFT, hand
painted sericel, signed in ink by Joe Hanna and Bill Barbera, from
the numbered edition 200, 10 x 17”;
Unknown Studio, HORSE
AND
RIDER BREAKING THROUGH FENCE, four production pencil drawings on
paper, 12 ½ x 15 ½”, with handling production creases,
Golden Films, BEAUTY
AND THE BEAST, animation cel & production
drawings, matted to 12 ¾ x 32”;
Warner Brothers Studio, ROAD
RUNNER II, limited edition animation sericel with color background,
with holographic seal, 11 x 24”;
King Features Syndicate, BETTY BOOP, animation sericel with
color background; Jim Davis,
GARFIELD MEETS ROCKWELL DOCTOR AND
DOLL, color print, signed in pencil, from the
numbered edition 2500, sheet 17 x 15”;
Verez, E.T., color
giclee, from the numbered edition hors commerce 20, image 29 ½ x 19
½”, full margins, tideline stain lower left corner with associated
mold, glass scratch center left extending into image, otherwise in
good condition; together with two color posters of Mickey Mouse.
(13)
$500/800
12
Allan
D’Archangelo (1930-1988) American
UNTITLED, 1979, color screenprint, signed in pencil, from the
numbered edition 175, image 26 ½ x 24”, full margins, a few soft
creases in margins, tiny crease upper left corner, some faint
surface scuffs in lower blue area, otherwise in good condition.
$400/600
13
Allan D’Archangelo
(1930-1988) American
SMOKING BLOND,
1990, color screenprint, signed in pencil, from the numbered edition
65, sheet 37 ½ x 47”.
$500/800
14
Arman
(1928-2005) French
PICASSIEN, bronze sculpture, from the numbered edition of 8, signed, 39” tall, 16” wide, 9” deep, professionally re-welded by an art
conservator, a with normal wear on bottom from sitting, otherwise in
good condition. Provenance: David Bright Collection.
$20,000/30,000
15
Charles Arnoldi
(b. 1946) American
(two)
UNTITLED from THREE AMERICAN ARTISTS, 1982, two color etchings, each
signed in pencil and inscribed artist’s proof Roman numeral 3 aside
from the numbered edition, images 9 ½ x 15 ½” & 7 x 9 ¼”, published
by Centrum Press with their blindstamp in the full margins. (2)
$1000/1500
16
Asian School (20th Century)
(two)
BOATS;
RAINY NIGHT, a pair of oil paintings on canvas, each signed lower
right, 17 ¾ x 14 ¾”, both framed, the first with some chips, the
second with surface scuffs, otherwise both in good condition. (2)
$100/200
17
Asian
School (20th Century) American
SEATED
WOMAN, oil painting on canvas, signed lower right, 27 ½ x 35 ½”,
tiny dimple dent lower right, otherwise in good condition, in
gold-leaf filigree frame.
$1000/2000
18
Julian
Askins, Shkelgim Dani, unidentified artist, Debra Dubac, Doug
Gifford & Rodell Johnson
(seven)
FOUNTAIN VIEW, color screenprint, signed in
pencil, from the numbered edition 425, image 14 ½ x 19 ½”; Together
with Shkelgim Dani, THE LAKE IN
HAMBURG, color screenprint over giclee, signed in pencil, from the
numbered edition 950, image 16 ½ x 21”, a few soft creases, small
crease lower right corner; Together with an unidentified artist,
PATIO, color screenprint, signed in pencil, from the numbered
edition 350, image 22 ¼ x 17 ½”; Together with
Debra Dubac, PETAL
PALLETTE, color screenprint and giclee, signed in pencil, from the
numbered edition 950, image 20 ½ x 17 ¼”; Together with
Doug Gifford, ROSE
VICTORIAN, color screenprint, signed in pencil, from the numbered
edition 250, image 16 x 20”; Together with
Rodell Johnson, MIDTOWN, two of the same, color screenprint, each
signed in pencil, from the numbered editions 350, image 23 ½ x 16
½”, a few soft creases, all with full margins, all in otherwise good
condition. (7)
$200/400
19
Dean Babcock (1888-1969) American
PUEBLO
SCENE, oil painting on board, signed lower right, 12 ½ x 16 ½”,
framed (large chip), surface soiling, cracking in panel upper right
and upper center edges, corner crack lower right, some in-painting
lower right at signature, otherwise in good condition.
$600/900
20
Will
Barnet (b. 1911) American
REFLECTIONS, color screenprint, signed in
pencil, from the numbered edition 225, image 22 x 14 ¼”, full
margins, framed with glass.
$200/400
21
Mark Beam (20th Century) Californian
BLUE
BIRD, mixed media sculpture, signed, 13 x 27 x 12”, on driftwood
base. $600/900
22
Hans Bellmer (1902-1975) German
ANAGRAMS DU CORPSE, color etching, signed in
pencil, from the numbered edition 40, image 9 ¾ x 8”, full margins,
rub spot upper right image, old hinge remnants on verso one with
skinning, soft handling creases, otherwise in good condition.
$200/400
23
Charles
Bell (1935-1995) American
DOUBLE
BUBBLE, color Giclee on thick paper, signed in pencil, from
the numbered edition 150, image 25 7/8 x 25 7/8”, full margins,
published by Robert Bane Ltd.
$800/1200
24
Charles
Bell (1935-1995) American
CURTAIN
CALL, color Giclee on thick paper, estate signed in pencil,
from the numbered edition 200, image 20 ¼ x 30”, full margins,
published by Robert Bane Ltd.
$600/800
25
Charles
Bell (1935-1995) American
FIREBALL 500, color Giclee on thick paper, estate signed in
pencil, from the numbered edition 200, image 21 ¼ x 26”, full
margins, published by Robert Bane Ltd.
$600/800
26
Charles
Bell (1935-1995) American
CIRCUS
ACT, color Giclee on thick paper, estate signed in pencil,
from the numbered edition 200, image 21 ½ x 24”, full margins,
published by Robert Bane Ltd.
$500/700
27
Roger Bezombes (1913-1994) French
STILL
LIFE
WITH YELLOW FLOWERS, color lithograph, signed in pencil, from the
numbered edition 150, image 22 x 17”, full margins, framed with
glass, sun toning, otherwise in good condition.
$100/200
28
Thomas
Binny Gibbs
(19th/20th Century) European
LANDSCAPE, oil painting on wood panel, signed lower right, sight 10
x 15 ¼”, framed, a few surface scuffs, surface soiling, long
horizontal line scuff on horizon of mountains, otherwise in good
condition. $500/800
29
John
Buck (b. 1946) American
THE HAVES & THE HAVE NOTS, 1987, color
woodblock print, signed in pencil, from the numbered edition 14,
image 61 x 33 ½”, full margins, creases and soft creases, a couple
tears in the margins, small glue stains and holes in upper margin,
otherwise in good condition.
$600/900
30
William Henry Blackman
(b. 1930) American
SEASCAPE, oil painting on canvas, signed lower
left, 24 x 48”, copyright stamp on verso, framed, a tiny hole center
left at edge from framing nail, a few tiny accretions, otherwise in
good condition.
$500/800
31
Botanical Prints
(late 19th/ early 20th Century)
(six)
A collection of three
antique and three modern floral prints, each a hand-colored etching,
plates 11 x 9” (3), 14 ½ x 19 ½” (2), 18 ½ x 16” (1), all with full
margins and framed with glass, smaller ones with foxing and minor
discoloration spots, otherwise in good condition. (6)
$500/800
32
Botanical Prints
(late 19th/ early 20th Century)
(seven)
A collection of seven
floral prints, each a hand-colored etching on chain laid paper,
sheets 18 ½ x 11 ¼”, all in identical frames with glass and with
genus page attached on verso, with creases and soft creases, some
scattered and small speckles, minor foxing, otherwise in good
condition. (7)
$600/900
33
Graciela Rodo Boulanger
(b. 1935) Bolivian
ARABESQUE, From the Ballerines Portfolio, 1973,
color aquatint etchings on Japan paper, signed in pencil, from the
Roman numeral edition 30, image 12 ½ x 9 ½”, full margins, with
small archival tape hinges on verso, otherwise in good condition
with bright fresh colors.
$200/400
34
Graciela Rodo Boulanger
(b. 1935) Bolivian
ADAGIO, From the Ballerines Portfolio, 1973,
color aquatint etchings on Japan paper, signed in pencil, from the
Roman numeral edition 30, image 12 ½ x 9 ½”, full margins, with
small archival tape hinges on verso, otherwise in good condition
with bright fresh colors.
$200/400
35
Neil Boyle(20th
Century) American
BUT I
GOT
THE HOME
ONE
LAST TIME, oil painting on canvas, signed lower right, 40 x 30”.
$500/800
36
Neil Boyle(20th
Century) American
TWO
WOMEN ON A BALCONY, watercolor on paper, signed lower right, 22 x
30”, framed with glass.
$200/400
37
Charles Bragg
(b. 1931) American (three)
THE CHESS GAME; ERNEST DRIBBLER; JANUS, three
etchings, each signed in pencil, one inscribed hors commerce, one
from the numbered edition 150, one artist’s proof aside from the
numbered edition, plates 7 3/8 x 9 3/8”, 9 x 3 ¼” & 4 x 4 7/8”, all
with full margins and framed with glass, Dribbler with faint
discoloration in margins from mat, Janus has mild toning, otherwise
all in good condition. (3)
$300/400
38
Charles Bragg
(b. 1931) American
1870-1910, two photogravures with etching on
one sheet, signed in pencil, from the numbered edition 150, image
overall 9 x 12 ½”, full margins, framed.
$200/300
39
Frank Brangwyn (1867-1956) British
MOSQUE
IN CONSTANTINOPLE, 1911, etching, signed in pencil, image 22 ¾ x 28
¾”, full margins, framed with glass, hairline stress cracks at plate
mark from printing, toning and discoloration, a few glass nicks,
otherwise in good condition.
$200/400
40
Georges Braque
(1882-1963) French
MIGRATION (V.172), 1962, color etching on Rives
paper, signed in pencil, from the numbered edition 90, image 9 ¼ x 6
¾”, full margins, published by Maeght, Paris, framed, a few
scattered speckles in the margins, otherwise in good condition.
$3000/5000
41
after Georges Braque (1882-1963) French
OEDPIDE ROI DE SOPHOCLE, 1988, incomplete
portfolio of nine (of 12) color lithographs, each with signature in
design, horc commerce aside from the numbered edition 199, sheets 17
¾ x 22 ¾” & 22 ¾ x 17 ¾”, a few with creases upper left corner,
published by Editions Armand et Georges Israel, with text and tirage
sheets (in French), in original velvet portfolio case with gold
medallion, 8 ¾ x 9 ¼”, case with wear along the edge.
$2000/2500
42
Bill
Buchman (20th Century) American
PUSSIANCE, watercolor on paper, signed lower
left, 41 ½ x 29 ½”. Provenance: acquired directly from artist
$400/600
43
Bill
Buchman (20th Century) American
UNTITLED, watercolor and oil stick on paper,
signed lower right, 18 x 23 ¼”, framed. Provenance: acquired
directly from artist
$200/400
44
Bill
Buchman (20th Century) American
NUDE VARIATION I, white ink drawing on black
paper, signed lower left, 17 ¾ x 25 ¼”. Provenance: acquired
directly from artist
$100/200
45
Sergio Bustamante (b. 1942) Latin American
BUST OF
MAN,
1996, cast and patinaed bronze sculpture, signed and inscribed
artist’s proof, 5 ¼” tall, mounted to marble base.
$100/200
46
attributed to
Alexander Calder,
Contemporary
School, Malka & Thomas Leung
(four)
CANDY CANE, color lithograph, signed “Calder” in pencil, from a numbered
edition 150, sheet 29 ¼ x 20 ½”, pale light toning, horizontal,
creases and soft handling creases; Together with Contemporary
School, UNTITLED, color screenprint, signed in pencil, from the
numbered edition 350, image 19 x 19”, full margins, creases and soft
creases, pinhole puncture, some discoloration spots on verso;
Together with Malka, UNTITLED, color screenprint, signed in pencil,
from the numbered edition 275, image 28 x 27 ½”, full margins,
creases and soft creases, scuffs, mat hinged to recto, Together with
Thomas Leung, EFFERVESCENSE, color screenprint, signed in pencil,
from the numbered edition 275, image 35 x 26 ½”, full margins,
creases and small cracks in ink, three 1” edge tears, all in
otherwise good condition. (4)
$300/500
47
Victor
Manuel Cancino (b. 1929) Mexican
THREE WOMEN, oil painting on canvas, signed
lower left, 26 x 20”, framed, faint surface soiling and faint
scuffs, otherwise in good condition.
$800/1200
48
Ricardo Carbajal-Moss (20th Century) Mexican
UNTITLED, gouache and ink on paper, signed lower right, sight 3 ¾ x
3 ¼”, framed with glass.
$400/600
49
Mary-Helen Carlisle
(
-1925) British
FEEDING
THE ANIMALS, color pastel on canvas, signed lower right, 49 ½ x 50”,
framed with glass. $4000/6000
50
John
Michael Carter, Colville Publishing, Don Hatfield, Christian Title
& Charles Apt
(five)
John
Michael Carter, FAMILY ALBUM, color screenprint, signed in
pencil, from the numbered edition 395, image 23 x 35”, a few soft
handling creases; Together with
Colville Publishing, WOMAN WITH FLOWERS LAKESIDE, color screenprint,
signed in pencil, from the numbered edition 350, image20 x 41”;
Together with Don Hatfield,
MAIDEN VOYAGE, color screenprint, signed in pencil, from the
numbered edition 50 artist’s proofs, image 24 x 20”, a few soft
handling creases, Together with
Christian Title,
RED
TRUCK, color screenprint, signed in pencil, from the numbered
edition 300, image 12 x 16”, unobstrusive eraser spot lower left
margin; Together with Charles
Apt, WOMAN ON A DAY-BED,
color screenprint, signed in pencil, from the numbered edition 300,
image 25 x 31 ½”, soft creases and creases with associated hairline
cracking in ink, all with full margins, all in otherwise good
condition. (5)
$200/400
51
Patrick Caufield
(1936-2005) British
OCCASIONAL TABLE,
1985, color screenprint, signed in pencil, from the numbered edition
500, image 23 x 28”, full margins, foxing and discoloration overall,
cockling from exposure to moisture, black scuffs at left sheet edge,
scuffs visible at certain angles in raking light, otherwise in good
condition.
$100/200
52
Chae (20th Century) Korean
(four)
BOY
PUPPET OF 1951, 1987, oil painting on un-stretched canvas, signed
lower right, 55 ¾ x 42”; Together with CAROUSEL; DANCERS ON THE
BEACH; HONEYMOONERS; three color screenprints, each signed in
pencil, from numbered editions 250, images 29 ¾ x 21”, 20 ½ x 27 ½”,
24 ¾ x 22”, all with full margins, two with finger prints in
margins, otherwise in good condition. (4)
$800/1200
53
Marc
Chagall
(1897-1985)
Russian/French
THE DARKNESS IN EGYPT (S.229), from The Bible Series, 1952, hand
colored etching, initialed in pencil, from the numbered edition 100,
image 11 ¼ x 9”, sheet reduced to 16 ½ x 15 ¼”, framed with glass,
toning, discoloration, sun toning, scattered small discolortation
spots, strip of brown paper tape along upper sheet edge,
otherwise in good condition.
$2000/4000
54
Marc
Chagall
(1897-1985)
Russian/French
ELIE ON MOUNT CARMEL (S.288), from The Bible Series, 1952, hand
colored etching, initialed in pencil, from the numbered edition 100,
image 11 ¼ x 9 ½”, full sheet 21 x 15 ½”, framed with glass, a few
soft handling creases, toning, discoloration, creases, otherwise in
good condition.
$2000/4000
55
Marc
Chagall
(1897-1985)
Russian/French
PROMISE OF JERUSALEM (S.294), from The Bible Series, 1952, hand
colored etching, initialed in pencil, from the numbered edition 100,
image 12 ½ x 8 ½”, full sheet 21 x 15 ¼”, matted, soft handling
creases, faint discoloration, a few tiny specks in margins,
otherwise in good condition.
$2000/4000
56
Marc
Chagall
(1897-1985)
Russian/French
THE DESCENT TO SODOM (S.206), from The Bible Series, 1952, hand
colored etching, initialed in pencil, from the numbered edition 100,
image 11 ¾ x 9”, full sheet 21 x 15 ½”, framed, very faint toning in
margins, faint discoloration speckles in margins, perimeter toning
from filet, otherwise in good condition.
$2000/4000
57
Marc
Chagall
(1897-1985)
Russian/French
CALLING OF JEREMIAH (S.296), from The Bible Series, 1952, hand
colored etching, initialed in pencil, from the numbered edition 100,
image 12 ¼ x 9 ¼”, full sheet 21 x 15 ½”, framed, toning,
discoloration, toning from sun and filet, few discoloration speckles
in margins, otherwise in good condition.
$3000/5000
58
Marc
Chagall (1897-1985)
Russian/French
HOMAGE
TO MAIAKOVSKI (S.p44), 1963, color lithograph poster, 27 x 20”, from
the edition of 500, published by Mourlot, a few surface scratches,
creases and soft handling creases, hinged to foamcore with
ATG
tape, otherwise in good condition.
$400/600
59
after
Marc Chagall (1897-1985)
Russian/French
RED
SUN,
MUSEE DU LOUVRE PAVILLION DE FLORE, 1967-1977, Sorlier color
lithograph poster, 30 ½ x 19 ½”, published by George Pompidou/
Mourlot, framed with glass.
$200/300
60
John Chamberlain (b. 1927) American
UNTITLED, color lithograph, signed in pencil,
from the numbered edition 175, image 19 ½ x 16”, full margins, with
blindstamp lower left, soft handling creases and very pale light
toning, otherwise in good condition.
$300/500
61
Mihail
Chemiakin (b. 1943) Russian
SURPRISE, color lithograph, signed in pencil,
from the numbered edition 300, image 24 ¼ x 17 ¾”, full margins,
printed by Jobin, with blindstamp, scuffs visible at certain angles
in raking light, a few soft handling creases, otherwise in good
condition.
$200/400
62
Mihail
Chemiakin (b. 1943) Russian
HAPPY DRINKER, color lithograph, signed in
pencil, from the numbered edition 300, image 20 x 17 ½”, full
margins, printed by Jobin, with blindstamp, a few soft handling
creases, otherwise in good condition.
$200/400
63
Mihail
Chemiakin (b. 1943) Russian
MOUSTACHE, color lithograph, signed in pencil,
from the numbered edition 300, image 24 ½ x 20”, full margins, a few
soft handling creases, otherwise in good condition.
$200/400
64
Mihail
Chemiakin (b. 1943) Russian
LES DEUX AMIS, color lithograph, signed in
pencil, from the numbered edition 300, image 17 ½ x 17 ½”, full
margins, a few soft handling creases, otherwise in good condition.
$200/400
65
Mihail
Chemiakin (b. 1943) Russian
FOSSIL, color screenprint, signed in pencil,
from the numbered edition 225, image 25 ½ x 18”, full margins, a few
soft handling creases, otherwise in good condition.
$200/400
66
Mihail
Chemiakin (b. 1943) Russian
BOTANICAL, four color lithographs on one sheet,
signed in pencil, from the numbered edition 45, image 26 ½ x 23”,
full margins, old linen hinges on verso, a few soft handling
creases, otherwise in good condition.
$200/400
67
Michael Clark (20th Century) American
MR. PEANUT, 1988, acrylic painting and stencil on
paper, signed and dated lower right, 22 ½ x 29 ¾”, framed.
$800/1200
68
Comic
Artists: Prince Valiant & others (20th Century)
(four)
COMIC ART,
1978, Prince Valiant by Hal
Foster; Pogo by Walt
Kelly; Buz Sawyer by Roy
Crane, three color lithographs, each signed in pencil (Kelly and
Crane signed by the widows), from the numbered edition 100, sheets
29 x 22”, published by Abrams Original Editions, all with minor
toning from storage, otherwise in good condition; Together with
James Rizzi, A VILLAGE
FOR THE WORLD, 1996, color poster, 34 x 22”, signed in marker,
published by Centential Olympic Games. (4)
$800/1200
69
Comic
Artists: Nancy & others (20th Century)
(four)
COMIC ART,
1978, Nancy by Ernie
Bushmiller; Eek & Meek by
Howie Schneider; Gasoline Alley by
Dick Moores, three color
lithographs, each signed in pencil, from the numbered edition 100,
sheets 29 x 22”, published by Abrams Original Editions; Together
with James Rizzi, A VILLAGE FOR THE WORLD, 1996, color poster, 34 x 22”,
signed in marker, published by Centential Olympic Games. (4)
$800/1200
70
Comic
Artists: Dick Tracy & others (20th Century)
(four)
COMIC ART,
1978, Dick Tracy by Chester
Gould; Kerry Drake by
Alfred Andriola; MARY
WORTH by Allen Saunders/ Ken
Ernst; Steve Canyon by
Milton Caniff, four color lithographs, each signed in pencil,
from the numbered edition 100, sheets 29 x 22”, published by Abrams
Original Editions, all with minor toning from storage, otherwise in
good condition. (4)
$700/900
71
Comic
Artists: Popeye & others (20th Century)
(four)
COMIC ART,
1978, Popeye by Bud Sagendorf;
Beetle Bailey by Mort Walker;
Mutt & Jeff by Al Smith;
Barney Google & Snuffy Smith by
Fred Lasswell, four color
lithographs, each signed in pencil, from the numbered edition 100,
sheets 29 x 22”, published by Abrams Original Editions, all with
minor toning from storage, otherwise in good condition. (4)
$700/900
72
Jerry Concha
(b. 1935) American
OO-WA-TIE,
1980, acrylic painting on canvas, titled, signed and dated on verso,
29 ½ x 40”. $600/900
73
Contemporary
School
LOOK
HERE, acrylic painting on paper, 60 x 44 ¼”, framed.
$800/1200
74
Contemporary
School
COUPLE, oil painting on canvas, signed “D.
Goojvin” ?, lower right, 30 x 23 ¾”, 2” surface scratch, some
rubbing spots in gold area outside figures, surface rubs, otherwise
in good condition.
$100/200
75
Contemporary
School
VIEW OF
MALIBU, oil painting on canvas, 22 x 28”, framed.
$200/400
76
Contemporary
School
VIEW OF
MALIBU, oil painting on canvas, 28 x 22”, framed.
$200/400
77
Contemporary
School
EUROPA
AND
THE
BULL,
1968, carved wood sculpture, dated and signed “W. A. or A. W”, 15 ¼”
tall, 15 ¼”, wide.
$800/1200
78
Contemporary Artists (four)
VENICE CANAL, color
screenprint, signed in pencil, from the numbered edition 100, image
35 x 26 ½”, some soft handling creases mainly in upper margins;
COASTAL PARK, color screenprint, signed in pencil, from the numbered
edition 350, image 24 x 30”, published by Colville Publishing;
Together with Joseph Dawley,
REFLECTIONS, 1990, color print, signed in pencil, from the
numbered edition 400, image 17 x 21 ½”; Together with a 30 x 25”
color canvas print after Mary Bradish Titcomb, all with full
margins, all in otherwise good condition. (4)
$100/200
79
Contemporary Artists
FORBIDDEN PLANET, 1994, oil painting on canvas,
signed by both artists? ‘Rodgeler’ and initialed by another with
titled and date on verso, 32 x 31”, surface scuffs, wear at edges,
dimple lower right, surface soiling, otherwise in good condition.
$200/400
80
Guillaume Cornielle (b. 1922)
Belgium
WOMEN
WITH SNAKE, color lithograph, signed in pencil, from the numbered
edition 150, image 26 ½ x 19 ½”, full margins.
$400/500
81
Crash aka John Makos (b.
1961) American
TIME/
CRASH, color screenprint, signed in pencil, from the numbered
edition 100, sheet 20 x 15”, blindstamp lower right.
$200/300
82
Cuban
Artists (20th Century)
(four)
Sade,
APARTMENTS, oil painting on unstretched canvas, signed lower right,
31 x 23”; Together with Mena,
UNTITLED, acrylic painting on paper, signed lower right, 27 ½ x 19
½”, some discoloration and wear at sheet edges, some foxing upper
right corner, old linen hinges upper sheet edge; Together
Salvadous, UNTITLED,
1999, acrylic painting on paper to black foamcore with
ATG
tape, surface scuffs; Together with
Jorge, PORTRAIT, 1999,
gouache on paper, signed and dated lower right, 23 ½ x 15 ¾”, all in
otherwise generally good condition. (4)
$200/400
83
Xavier Cugat (1900-1990) Spanish
PORTRAIT, color pencil and graphite drawing on paper, signed and
dedicated lower right, 14 x 13”, framed with glass, some faint
toning, discoloration spots lower left, otherwise in good condition.
$100/200
84
Xavier Cugat (1900-1990) Spanish
SELF
PORTRAIT, pencil drawing on paper mounted to board, signed and
titled lower right, 14 x 13”, framed with glass, a couple of
discoloration spots, blistering, otherwise in good condition.
$100/200
85
Ronnie
Cutrone (b. 1948) American
AMERICAN ARTIST, 1988, acrylic painting and ink marker over color
screenprint, signed and dated in marker, image 38 ¼ x 24 ¾”, full
margins, creases upper right corner, otherwise in good condition.
$800/1200
86
Ronnie
Cutrone (b. 1948) American
BUGSY
MIRANDA, 1988, acrylic painting and ink marker over color
screenprint, signed and dated in marker, sheet 30 x 22”.
$300/500
87
Ronnie Cutrone
(b. 1948) American (two)
BIRD’S EYE
VIEW, color screenprint, signed in ink, from the numbered edition
250, image 16 ¾ x 23”, with full margins.
$300/500
88
Ronnie Cutrone
(b. 1948) American (two)
PAINT YOUR FACE, 1989, color screenprint,
signed in ink, deluxe edition hors commerce aside from the numbered
edition, image 36 x 26”, with full margins, Robert Bane Editions
stamp lower left. $300/500
89
Salvador
Dali (1904-1989) Spanish
THUMB (F.80-8), color lithograph, signed in
pencil, from the numbered edition of hors commerce 65, aside from
the numbered edition 350, image 23 x 17”, full margins, Dalart N.V.
blindstamp lower left, soft handling creases, published by Levine &
Levine, crease lower right corner, otherwise in good condition.
$400/600
90
after
Salvador Dali
(1904-1989) Spanish
NOAH WHO PLANTED THE FIRST VINEYARD (F.1-10),
1967, color lithograph, signed in blue pencil, inscribed “g.a. 8/52”
in pencil, sheet 19 x 13 ¾”, framed, framer’s white tape on verso
perimeter, otherwise in good condition. Provenance: Park West
Gallery, apparently from the collection of Roberto Mastella acquired
through Dr. Albaretto
$400/600
91
after
Salvador Dali
(1904-1989) Spanish
ET POST BUCCELLAM INTROIVIT IN
CUM
(F.3-4), 1967, color lithograph, signed in blue pencil, inscribed
“g.a. VIII/IX” in white ink, sheet 19 x 13 ¾”, framed, framer’s
white tape on verso perimeter, otherwise in good condition.
Provenance: Park West Gallery, apparently from the collection
of Roberto Mastella acquired through Dr. Albaretto
$400/600
92
after
Salvador Dali
(1904-1989) Spanish
LEO QUASI BOS
COMEDENS PALEAS (F.4-3), 1967, color lithograph, signed in blue
pencil, inscribed “g.a. III/IX”
in white pen, sheet 19 x 13 ¾”, framed, framer’s white tape on verso
perimeter, otherwise in good condition. Provenance: Park West
Gallery, apparently from the collection of Roberto Mastella acquired
through Dr. Albaretto
$400/600
93
after
Salvador Dali
(1904-1989) Spanish
CREATIO VOLATILIUM (F.1-4), 1967, color
lithograph with gold highlight, signed in red pencil, inscribed
“g.a. 18/55” in pencil, sheet 19 x 13 ¾”, framed, framer’s white
tape on verso perimeter, otherwise in good condition. Provenance:
Park West Gallery, apparently from the collection of Roberto
Mastella acquired through Dr. Albaretto
$400/600
94
after
Salvador Dali
(1904-1989) Spanish
PROELIUM MAGNUM IN CAELO (F.5-24), 1967, color
lithograph, signed in red pencil, inscribed “g.a.
III/IX” in pencil, sheet 19 x 13 ¾”, framed,
framer’s white tape on verso perimeter, otherwise in good condition.
Provenance: Park West Gallery, apparently from the collection of
Roberto Mastella acquired through Dr. Albaretto
$400/600
95
after
Salvador Dali
(1904-1989) Spanish
ANTEQUAM EXIRES DE VULVA SANCTIFICAVI TE
(F.4-6), 1967, color lithograph, signed in blue pencil, inscribed
“g.a. III/IX” in pencil, sheet 19
x 13 ¾”, framed, framer’s white tape on verso perimeter, otherwise
in good condition. Provenance: Park West Gallery, apparently from
the collection of Roberto Mastella acquired through Dr. Albaretto
$400/600
96
Daum glass by D. Robertson
VASE,
large cased etched glass vase with aquatic designs, signed by artist
and inscribed 80/125, 16” tall, 14” wide, a few small chips at the
base, otherwise in good condition.
$2000/4000
97
Daum glass (two)
STARFISH, cast clear-to-amethyst glass sculpture; Together with
CONCH SHELL, cast clear-to-aquamarine blue glass sculpture, both
signed. (2) $200/400
98
Daum
glass (two)
BUDDHISTIC FOO LIONS, a pair of amber glass figurines, both signed,
each 4 ½” tall. (2)
$300/500
99
Daum glass
GANESHA
HOLDING SCEPTER, red glass sculpture, signed and numbered 12/1000, 9
¼” tall. $400/600
100
Daum glass
WRITHING DRAGON, purple and orange glass sculpture, signed, 8” tall.
$400/600
101
Daum glass
MONKEY
ON TOP OF THE BALL, yellow etched glass atop clear polished glass,
signed, 7” tall, faint surface scratches, otherwise in good
condition. $100/200
102
Woods Davy (b. 1949) American
CANTAMAR, stone assemblage sculpture, 28” tall, 27” wide, 16” deep.
$6000/7000
103
Decorative Arts: African Sculpture
Baule, Ivory
Coast (Mid-20th Century)
(two)
SPIRIT
COUPLE, a pair of polished hand-carved wood statues, 26 ½” & 27 ½”
tall, one with missing piece in headdress, both with natural
cracking. (2)
$100/150
104
Decorative Arts: Agate bowl
Hand-carved moss agate footed oval bowl, 4” tall, 9 ½” wide.
$300/500
105
Decorative Arts: Bronze nude
NUDE
WOMAN, cast and patinated bronze sculpture, 10” tall, mounted to
marble base. $400/500
106
Decorative Arts: Bronze nude
NUDE
WOMAN WITH CASCADING SCARF, cast and patinated bronze sculpture,
signed “Angelo”, 13 ¾” tall, mounted to 3” marble base.
$500/700
107
Decorative Arts: Bronze box
Medieval-style bronze strong box 7” tall, 8 ¾” wide.
$200/300
108
Decorative Arts: Ceramic Tea Pot
Hand-painted and glazed ceramic tea pot with lid, signed with
monogram, 17” tall.
$500/700
109
Decorative Arts: Chinese Porcelain (19th Century)
Hand-painted enamel Foo dogs, 12” long, on rosewood stand.
$100/200
110
Decorative Arts: Chinese Ceramic (probably 18th/19th
Century)
Tang-style terra-cotta horse with remnants of paint, 12 ¼” tall,
with remnants of a ceramic base, wear and breakage and losses
associated with age and medium.
$300/500
111
Decorative Arts: Glass by
Henry Dean (two)
TROUGH
VASES, a pair of hand-blown glass vases, the first white and green,
6 x 4”, the second a red glass vase, 4 x 4”, with artist’s labels.
(2) $100/200
112
Decorative Arts: Etruscan
Pottery: Bucchero Sottile Ware
A
scyphus or goblet, possibly Bucchero Sottile style, thin walled, 2
¾” tall, 3 ¾” diameter, with handles 6” wide, wear associated with
age. Galleria Giogi Antichita Firenze label.
$300/500
113
Decorative Arts: Faberge
Glass: Odessa
Champagne Flutes
A set
of six etched color glass flutes, each 9 ¼” tall, in decorative box.
$200/400
114
Decorative Arts: Fossils and minerals
(five)
This
collection includes a high-polish rock with fossilized plants, 5”
tall, 18” wide, ½”deep, cradled in wood base; Together with gray
stone with fossilized plants and quartz-like crystal, 8 ½” high, 6
¼” wide, 3 ½” deep; Together with a 4” piece of petrified wood;
Together with a petrified 5” long shark tooth from Eocene Epoch;
Together with a high-polished brown mineral with crystal, 8” tall,
6” wide, 2” deep. (5)
$500/800
115
Decorative Arts: Glass by
Peter Greenwood
Cobalt
and gold bubble glass vase, signed and dated 2001, 15 ½”, tall.
$200/400
116
Decorative Arts: Glass by
Marialyce Hawke
(b. 1941) American
Ovoid
shaped etched glass vase with aquatic design, blue to amethyst
glass, signed underneath, 10 ½” tall.
$400/600
117
Decorative Arts: Antique Ivory Figure (late 19th Century)
PORTRAIT OF WOMAN, antique carved ivory bas relief, 3 x 2 ½”, gold
leaf framed with glass, some surface soiling and natural vein
exposure, otherwise in good condition.
$400/600
118
Decorative Arts: Kosta Boda
(two)
FLOATING FLOWERS, cut and layered glass sculpture, signed “Olle
Brozen, No. 7040321” underneath, 8” tall;
Together with SKYSCRAPER, stepped colored glass vase, 11 ¾”
tall. (2) $100/200
119
Decorative Arts: Kosta Boda by
Ulrica Hydman-Vallien &
Contemporary
(two)
CARAMBA
VASE, hand-painted glass vase, signed and inscribed “No. 7040541”
underneath, 13 ½” tall; Together with a contemporary ceramic vase in
grays and browns, signed A. Gin?, 16” tall. (2)
$200/300
120
Decorative Arts: Michael Camile Lebang, Contemporary Ceramics, Glass and
Metal (five)
TWO
KISSING FIGURES, hand-carved wood sculpture, signed and inscribed
“XY”, 12” tall, natural cracking associated with medium, small chip
at turban tip, chip on fingernail; Together with a hand-painted
ceramic tortoise, 3” tall, 15” wide, monogrammed underneath;
Together with a late 19th Century cast
iron model of a draft horse, 7” tall, 11” wide; Together with a
modern Mayan-style glazed ceramic vase, 8 ½” tall, 8” diameter, some
scuffs and scratches; Together with a contemporary hand-painted
square glass dish with gold border, 9 ¾” wide, label underneath. (5)
$300/400
121
Decorative Arts: Murano Glass
LEAPING
DOLPHIN, cast glass with gilt flecks, signed “Archimidi Seguso,
Murano” and inscribed “To SJE from
SPA
5 26 06”,
7 x 13”, faint surface scratches, otherwise in good condition.
$200/400
122
Decorative Arts: Glass by
Ioan Nemtoi
Cased
glass vase, signed underneath, 11” tall.
$400/600
123
Decorative Arts:
Mezcala,
Mexico
(ca.300-100 BCE)
Hand-carved grey-green serpentine stone figure with incised facial
features and sunken eyes, 7 ½” tall, wear associated with age.
$300/500
124
Decorative Arts: Pre-Columbian,
Peru
(ca.80-1200 AD)
Chancay
pottery: Seated Male, a fired ceramic figurine, 8 ¼” tall, 4 ½”
wide, with professional and unprofessionally repairs.
$300/500
125
Decorative Arts: Pre-Columbian, Mayan (ca.550-950 AD)
Fired
and burnished ceramic cylinder with remnants of hand-painting, with
cracks and wear and losses associated with age, 7 ¾” tall, mouth 4”
wide. $200/400
126
Decorative Arts: Stephen Schlanser
Large
½” thick etched glass centerpiece with prunus blossom and Japanese
script design, signed and dated 1997, diameter 20 ½”, some small
scratches and scuffs, otherwise in good condition.
$200/400
127
Decorative Arts: Jay Strongwater
(three)
DRAGON;
FU
LION
WITH
CUB;
FU
LION,
three cast metal sculptures with hand-painted enamel and inlaid
crystal, all three stamped and Dragon signed, each 4 ¾” tall. (3)
$800/1200
128
Decorative Arts: Contemporary Wood
(three)
Fabricated wood bowl with scalloped rim and silver-metal frog on
rim, 5 ½” tall, 14” wide; Together with a lathed wooden bowl encased
in dyed leather, R. & Y. Augousti tag underneath, 6” tall, 9 ½” wide; Together with a hand-made lathed and fabricated wood
orb, 9 ½” diameter; the first with chips and nicks, third with
scuffs and scratches, otherwise in good condition. (3)
$200/400
129
Decorative Arts: Wood by J.
Kelly Dunn (b. 1951)
American
Turned
wood bowl, signed underneath, 7” tall, 11” wide, highly polished.
$200/400
130
Decorative Arts: Wood by
Jerry Kermode (20th
Century) American
Hand-made carved walnut burlwood bowl, signed and dated 2000, 5”
tall, 8” wide.
$200/300
131
Michel Delacroix (b. 1933) French
PARIS
STREET SCENE, color lithograph, signed in pencil, from the numbered
edition 150, image 19 ¼ x 22 ½”, full margins, framed with glass,
pale toning from sunlight, otherwise in good condition.
$200/300
132
Laddie John Dill
(b. 1943) American
(two)
UNTITLED from THREE AMERICAN ARTISTS, 1982, two color etchings, each
signed in pencil and inscribed artist’s proof Roman numeral 3 aside
from the numbered edition, images 7 ½ x 17 ¾”, published by Centrum
Press with their blindstamp in the full margins. (2)
$700/900
133
Jim Dine (b. 1935) American
EIGHT
HEARTS, 1970, color screenprint poster, signed and dated in design,
25 x 30”, framed with glass
$400/600
134
Oskar
Dogart (1898-1961)
Austria
STILL LIFE
WITH FLOWERS, oil painting on Masonite, signed
lower right, 24 x 20”, old Parke Bernet? stenciling and chalk
inscriptions on verso, framed, surface soiling, otherwise in good
condition.
$2000/3000
135
Bonnie Dufford (20th Century) American
WOMAN
FARMER, 1995, oil painting on canvas, signed and dated lower right,
36 x 18”, framed.
$100/200
136
Raoul
Dufy (1887-1953) French
LE HAVRE, c.1945, color lithograph, with red
stamped signature, from the numbered edition 200, image 19 x 26 ¾”,
full margins, framed, some discoloration in margins, mild cockling
upper sheet edge, faint toning in margins, otherwise in good
condition. Please note: This work may be found catalogued both by
and after the artist.
$1000/2000
137
George Dussau
(b. 1947) German
A WEEK
IN SEPTEMBER, 1979, the complete portfolio of eight color etchings,
each signed in pencil, from the numbered edition 100, sheets 30 x
22”, along with eight colorful vellum interleafing sheets, in
original portfolio case with colophon sheet, published by Meridian
Gallery, with some minor soft handling creases, otherwise in good
condition. $600/900
138
Friedel Dzubas (1914-1994) German/ American
UNTITLED, 1974, color screenprint, signed in pencil, from the
numbered edition 144, published by List Art, sheet 61 x 41”, in
Plexiglas frame (broken), soiling and smudges around the edges,
otherwise in apparently good condition.
$500/800
139
Nissan Engel (b. 1931) Israeli
LA
CINQUIEME SYMPHONIE, color carborundum gravure, signed in pencil,
from the numbered edition 150, image 19 ¾ x 14 ½”, full margins.
$200/300
140
Roy
Fairchild (20th Century) American
THE PROTECTOR, 1995, mixed media print with
collage on canvas, signed in pencil, from the numbered edition 85,
image 28 x 35”, full margins, framed.
$500/800
141
Fanch
Ledan (b. 1949) British
AFTER HOURS IN PARIS, color screenprint, signed
in pencil, from the numbered edition 50 artist’s proofs, aside from
the numbered edition, image 24 ½ x 30 ¾”, full margins, framed,
surface scuffs, otherwise in good condition.
$100/200
142
Robert Farrington (20th Century) American
CITY
SQUARE, oil painting on Masonite, signed lower left, 22 x 28”,
framed, surface soiling, otherwise in good condition.
$100/200
143
Gerard Fitremann
(b. 1945) French
COSMOGONY, CREATION OF THE WORLD, 1978, portfolio of eight embossed
color etchings, each signed in pencil, from the numbered edition
100, sheets 25 x 36”, along with text interleafing sheets, in
original portfolio case with colophon sheet, published by Meridian
Gallery. $600/900
144
Flemish
School (17th / 18th Century)
ALLEGORY OF
AGE
AND
YOUTH, oil painting on oak barrell panel, 22 x 17”, chalk marks on
verso from previous auction, repairs, cracks and moderate losses
lower right associated with age.
$1000/2000
144 A
Karl Flieher
(1881-1958) Austrian
LANDSCAPE, watercolor and gouache on paper, signed lower left, sight
11 x 13 ½”, framed with glass.
$2000/3000
145
Jean
Michel Folon (1934-2005)
Belgium
PERDU,
watercolor on paper, signed lower right, 12 x 9”, framed with glass.
$6000/8000
146
Jean
Michel Folon (1934-2005)
Belgium
THOUGHTS OF A RAINBOW, watercolor on paper, signed lower right, 20
½”x 31 ½”, framed. Provenance: the artist label on the verso.
$7000/9000
147
Jean Michel Folon
(1934-2005) Belgian
THE GIFT,
color screenprint, signed in pencil, from the numbered edition 200,
image 23 ½ x 17 ½”, full margins, a few faint scuffs visible in
raking light at certain angles, a soft handling crease lower center,
otherwise in good condition.
$600/900
148
Jean
Michel Folon (1934-2005)
Belgium
THEATRE SUITE, 1980, four color aquatint
etchings, each signed in pencil, from the numbered edition 100,
plates 11 ¾ x 14 ¾”, full margins, published by Abrams Original
Editions, in original portfolio case.
$1600/2000
149
Jean
Michel Folon (1934-2005)
Belgium
(three)
REGARD
DU TEMOIN, hardbound book with: UNTITLED, etching, signed in pencil,
from the numbered edition 200, image 7 ¾ x 11 ½”, full margins,
blindstamp lower left; Alice Editions, with slipcase with minor
discoloration, the print and book in good condition; Together with
JE VOUS ECRIS, 1986, Harry Abrahms, hardound book, text in French;
Together with POSTERS BY FOLON, 1978, Alice Editions, softbound
book, some spine wear on cover with loss, otherwise all in good
condition. (3)
$500/700
150
Walton Ford
(b. 1960) American
PANCHA TANTRA,
hardbound book, signed and numbered 972, from the edition of 1600,
deluxe edition with leather binding and leather case, printed and
published by Taschen.
$200/400
151
Sam Francis
(1923-1994) American
UNTITLED (I.11; SFE.200),
1981, aquatint, signed in pencil, from the numbered edition 20,
image 14 x 18”, sheet 22 ½ x 26 ½”, printed by David Kelso,
published by 3EP Palo Alto, .
$1000/1500
152
Sam Francis
(1923-1994) American
UNTITLED (L.204; SF.212), 1976, two-color
lithograph, signed in pencil, from the numbered edition 30, sheet 33
x 25”, printed by George Page, published by Litho Shop, a few soft
handling creases, otherwise in good condition.
$600/800
153
Sam Francis
(1923-1994) American
UNTITLED (L.208; SF.222), 1976, lithograph,
signed in pencil, from the numbered edition 30, sheet 28 ¼ x 41”,
printed by George Page, published by Litho Shop.
$1000/1500
154
Sam Francis
(1923-1994) American
UNTITLED (L.176; SF.196), 1975,
lithograph, signed in pencil, from the numbered edition 28, sheet 38
¼ x 28”, printed by George Page, published by The Litho Shop, a few
soft handling creases, otherwise in good condition.
$1500/2000
155
Sam Francis
(1923-1994) American
UNTITLED (L.199; SF.207), 1976,
lithograph, signed in pencil, from the numbered edition 30, sheet 30
x 22 ¼”, printed by George Page, published by Litho Shop, a few soft
handling creases, otherwise in good condition.
$600/800
156
Sam Francis
(1923-1994) American
UNTITLED (L.171; SF.190), 1974, four color
lithograph, signed in pencil, from the numbered edition 30, sheet 27
½ x 41 ½”, printed by George Page, published by The Litho Shop, a
few soft handling creases, otherwise in good condition.
$1500/2000
157
Sam
Francis (1923-1994) American
UNTITLED (L.278; SF.329), 1988, color
lithograph, signed in pencil, from the numbered edition 50, sheet 45
x 28”, printed by George Page, published by the Litho Shop, framed,
speckle lower right, inconspicuous discoloration spots upper left,
inconspicuous crease from the left sheet edge, otherwise in good
condition. $4000/6000
158
Sam
Francis (1923-1994) American
UNTITLED (SFE.071,
L.I105), 1989, color aquatint & monoprint, signed in pencil, from
the numbered edition 18 variants, image 19 ¾ x 17 ¾”, full margins,
printed Jacob Samuel and published by The Litho Shop, framed, soft
handling creases, old Filmoplast hinges on verso, some tiny printers
and other small discoloration spots in margins, mild rubbing in
margins, surface scuff in center visible in raking light at certain
angels, otherwise in good condition.
$3000/4000
159
Frank Gehry
(b. 1929) American
WALT DISNEY CONCERT HALL,
2003, complete portfolio of ten mixed media prints on Rives BFK
paper, each 16 x 18”, each signed in pencil, from the numbered
edition 100, in a wood portfolio case with detachable lazar-cut
steel drawing cover which is also signed, in mint condition.
$4000/6000
160
German
School
(20th Century)
HORSE &
RIDER & HOUND, oil painting on board, signed lower right, 20 ½ x 27
½”, framed. $500/800
161
Walter
Girotto,
Anton Sipos
&
Anca Ionescu
(20th Century) Italian
(thirty-nine)
PENSIVE JESTER,
twenty of the same color screenprints, each signed in gold ink, from
the numbered edition 250, images 34 x 36”; Together with
Anton
Sipos,
MORNING IN CAPRI, two of the same color screenprints, each signed in
gold ink, from the numbered edition 250, images 34 x 36”; Together
with
Anca Ionescu,
REST; BALANCE; INTO HERSELF, seventeen color screenprints, fifteen
on Deluxe black paper, each signed in pencil, from the numbered
editions 325 & 400, images 36 x 25”, 27 x 33”, 33 ½ x 28”, all with
full margins, Accent Studios and/ or Robert Bane Ltd. blindstamps in
the margins. (39)
$400/800
162
Wilfrid
De Glehn
(1870-1951) British
CLOUDY
SKY,
watercolor on paper, signed lower left, 11 x 14”, framed with glass.
$600/900
163
R. C.
Gorman (1932-2005) Native American
LELANI, color lithograph, signed in pencil,
from the numbered edition 225, sheet 17 ½ x 27”, with the artist’s &
printer’s blindstamps.
$600/900
164
R. C.
Gorman (1932-2005) Native American
GRAND CANYON, 1988,
color lithograph, signed in pencil, from the numbered edition 225,
sheet 30 x 38 ¼”, with the artist’s & printer’s blindstamps.
$800/1000
165
Greyshoes (Upton Ethelbah, Jr.) (b. 1943) Native American
MEDICINE
BEAR
WITH HEARTLINE, cast bronze sculpture with faux marble finish,
signed and numbered 2/20, 11 ½” tall, 20” wide, mounted to wood
base. $500/800
166
Greyshoes (Upton Ethelbah, Jr.) (b. 1943) Native American
PUEBLO
RAIN
DANCER, 2001, cast and patinated bronze sculpture, signed and dated
and numbered 16/20, 32” tall.
$800/1200
167
Sonia
Grineva (20th Century) American
AUTUMN, oil painting on canvas, signed lower
right, 30 x 20”, surface scuffs, edge wear, otherwise in good
condition.
$800/1200
168
Sonia
Grineva (20th Century) American
WINTER, oil painting on canvas, signed lower
right, 24 x 30”, surface scuffs, edge wear, otherwise in good
condition.
$800/1200
169
Von
Hammill (20th Century) American
SAINT PETER’S BASILICA, oil painting on canvas,
signed lower right, signed titled and dated on verso, 40 x 30”, with
massive elaborate frame.
$1500/2500
170
Heinie Hartwig (b. 1939) Californian
EARLY
LIGHT, oil painting on Masonite, signed lower left, 6 x 12”, framed.
$300/500
171
Viveca & Otto Heino (20th Century) American
Hand-painted ceramic vase, signed by both artists and dated 1995
underneath, 13” tall.
$800/1200
172
Cesar Hernandez (1909-1996)
OUTSIDE
THE CIRCUS TENTS, watercolor on paper, signed lower left, sight 10 x
13”, framed with glass, discretely dedicated “to Carlton O’Hara”
lower right.
$1000/1500
173
John
Hilton (1904-1983) Californian
SUNRISE, oil painting on canvas, signed lower
right, 24 x 28”, small wear with associated losses lower right
corner, hairline craquleur upper center and upper right corner, edge
wear, otherwise in good condition.
$1500/2500
174
E. Hutchins (19th/ 20th Century)
HOMEWARD BOUND, watercolor on paper, signed and dated “08” lower
left, 10 x 22”, framed, laid down on card, sun staining, otherwise
in good condition.
$100/200
175
Masuo Ikeda (b. 1934) Japanese
FEMALE NUDE WITH HAT from the NOBEL PRIZE
portfolio, 1975, color mezzotint, signed in pencil, from the
numbered edition 100, image 15 ¾ x 11 ¾”, full margins, a few soft
handling creases, otherwise in good condition.
$600/900
176
Masuo Ikeda (b. 1934) Japanese
THE NIGHT #2, 1957, etching, signed & dated in
pencil, image 6 x 8”, sheet 8 ½ x 9 ¼”, framed.
$800/1200
177
Robert
Indiana
(b. 1928) American
THE AMERICAN DREAM from American Dream
Portfolio, 1997, color screenprint, signed in pencil, from the
numbered edition 395, sheet 18 ¾ x 16”, framed.
$500/700
178
Selected Relics of Japanese Art, Volume XII
(with 35 woodcuts &
collotypes)
SELECTED RELICS OF JAPANESE
ART, Volume XII, 1906, Nippon Shimbi Kyokwai
publishing, contents include illustrations of Kano, Kishi, Daishi,
Hsu His, Sozu, Yen Tzu-Ping, Fujiwara, Chun-tse, Yen-I and more,
totaling thirty five woodcuts and collotypes, in linen-covered case,
some faint scattered foxing, strong impressions with bright fresh
colors.
$400/600
179
Jenik
(20th Century) Armenian
UNTITLED, two oil paintings on canvas, each signed, 18 x 24”. (2)
$400/600
180
Jenik
(20th Century) Armenian
UNTITLED (CURLS), acrylic painting on canvas, signed lower right, 36
x 36”. $600/900
181
Jenik
(20th Century) Armenian
UNTITLED #281, acrylic painting on canvas, signed lower right, 36 x
40”. $600/900
182
Jenik
(20th Century) Armenian
UNTITLED, acrylic painting on canvas, signed lower right, 30 x 40”.
$600/900
183
Tiefen
Jiang (b.1938) Chinese
FLIGHT, color screenprint, signed in marker,
from the numbered edition 260, sheet 30 x 30”, framed.
$500/800
184
Bob Kane
(1914-1998) American
NIGHT
VIGIL
OVER
GOTHAM; THE DARK KNIGHT, 1991, two color prints, each signed in
pencil, from the numbered editions 950 & 1284, sheets 30 ½ x 22”,
published by First Team Press, a few creased corners, Dark Knight
with small tear lower left corner, otherwise in
good condition. (2)
$200/400
185
Bob Kane
(1914-1998) American
BATMAN:
PENGUIN’ REVENGE; A DANGEROUS GAME OF
CAT &
BAT, CATWOMAN, 1992, the set of two color prints, each signed in
gold marker, sheets 25 ½ x 20 ½” & 20 ½ x 25 ½”, from the Gold
Signature edition of 950, with gold stamps lower center margin,
published by First Team Press, a few soft handling creases,
otherwise in good condition. (2)
$200/400
186
Ann
Marie Karlson (20th Century) American
OUR
FATHER, color iris print, signed in pencil, artist’s proof aside
from the numbered edition, image 32 ½ x 29 ½”, full margins, printed
by Muse X, framed.
$400/600
187
Ann
Marie Karlson (20th Century) American
HER
HIGHNESS, color iris print, signed in pencil, artist’s proof aside
from the numbered edition, image 32 ½ x 29 ½”, full margins, printed
by Muse X, framed.
$400/600
188
Robert Kasimir
(1914-2002) Austrian
U. S. CAPITAL BUILDING, c.1950, color etching,
signed in pencil, from an unnumbered limited edition, image 17 ½ x
13 ¼”, full margins, framed with glass.
$100/200
189
Alex Katz
(b. 1927) American
STILL
LIFE
(M.73), 1974, color aquatint & drypoint etching, signed in pencil,
from the numbered edition 62, sheet 22 ¼ x 31”, framed, soft creases
lower right corner, some faint toning at perimeter, ¼” tear at right
deckled edge, a few tiny discoloration speckles, otherwise in good
condition. $600/900
190
Willem De Kooning
(1904-1997) Dutch
FOR
LISA, 1984, color screenprint, from the edition of about 500 with
signature in the design (aside from the signed and numbered edition
of 200 without margins), with the artist’s copyright stamp on the
verso, image 18 ¼ x 23 ¼”, with full margins, sheet 25 ¼” x 29 ½”,
published by The Los Angeles Children’s Museum, printed by Brand X
Studio with their blind stamp in the lower left margin.
$500/700
191
Mark
Kostabi (b. 1960) American
NATURAL
HISTORY, 1986, color screenprint, signed in pencil, artist’s proof
15 aside from the numbered edition, sheet 42 ½ x 30 ¼”, Editions
Sheridan Bardin stamp on verso.
$500/800
192
Mark Kostabi (b. 1960) American
THE
MAN
ON TOP, 1987, ink marker drawing on paper, signed and dated lower
center, 24 x 18”.
$700/900
193
Anatole
Krasnyansky (b. 1938) Russian
STREET OF OLD WARSAW, watercolor on paper,
signed lower left, 16 ½ x 22 ½”, framed.
$300/500
194
Lafayet
(20th Century)
VENICE,
oil painting on canvas, signed lower right, 48 x 36”, scattered
speckling on verso, otherwise in good condition.
$200/400
195
Alain Le Foll (1935-1981) French
EROTIC BOTANICALS, four color lithographs, each
signed in pencil, from the numbered editions 150, (3) sheets 26 ¾ x
20 ¾” to 31 x 22 ½”, one image 29 x 21” with full margins, three
with Galerie Lumiere blindstamps, one with another blindstamp, soft
handling creases, one with pale toning, otherwise in good condition.
(4) $300/400
196
Fernand
Leger (1881-1855) French
FIGURE ON YELLOW BACKGROUND, color lithograph,
signed in pen (faded), from an unnumbered edition, image 16 ¼ x 13”,
sheet 23 x 18”, framed, creases and soft creases, mild discoloration
in the margins, otherwise in good condition.
$1000/2000
197
Misha
Lenn (b. 1962) Russian/American
(three)
WALKING BEAUTY, watercolor with collage on
paper, signed lower right, 19 ½ x 23 ½”, framed; Together with WINDY
CITY
and EVENING PROMENADE, two color giclees with screenprint, each
signed in pen, from numbered editions 450, images 14 ½ x 22” & 16 x
22”, both with full margins and framed (no glass). (3)
$800/1200
198
Jesus
Leuus (1948-2008) Mexican
LA FAMILIA, oil painting with sand on Masonite,
signed lower right, 20 x 16”, some surface scuffs and scrapes,
mainly in lower left, otherwise in good condition.
$1000/2000
199
Mark Lewis
(20th Century) American
MARION DAVIES, acrylic painting on canvas
transfer, signed in ink lower right, 50 x 40”, framed.
$500/800
200
Mark Lewis
(20th Century) American
JAMES DEAN, acrylic painting on canvas
transfer, signed in ink lower right, 27 x 40”, framed.
$500/800
201
Igor
Loshkarev (20th Century)
BUBBLES, 2000, gouache on paper, signed and
dated lower right, signed and titled on verso, 15 x 18 ½”.
$200/400
202
Beverly
Lohman (20th Century) American
TABLE STILL LIFE,
oil painting on canvas, 60 x 50”, signed lower right, framed.
$800/1200
203
Lucebert (1924-1994) Dutch
UNTITLED, color lithograph on silk scarf, signed in design, with
unfinished edges, image 27 x 24”.
$100/200
204
Stanton
MacDonald Wright (1890-1973) American
STANDING FEMALE NUDE, pencil drawing on buff paper, sight 15 ¾ x 9
½”, framed. Purchased from Adele Bednarz Gallery,
Los Angeles $1500/2500
205
A. Makk
(20th Century)
THE BAR
MITZVAH, oil painting on canvas, signed lower right, 35 ½ x 23 ½”,
framed. $1500/2500
206
A. Makk
(20th Century)
THE
GREETING, oil painting on canvas, signed lower right, 35 x 23”,
framed. $1500/2500
207
A. Makk
(20th Century)
THE
PARTY COMPANIONS, oil painting on canvas, signed lower left, 36 x
24”, a 4” scuff and some smaller scuffs lower center, hailine
cracking center right edge, otherwise in good condition, framed.
$1500/2500
208
Cristian Marambio
(b. 1965) Chilean
COUPLE
WITH UMBRELLA; TOPSY TURVY; ARROW;
FIRE; &
FAREWELL; 1987, five acrylic paintings on paper, each initialed
lower right, four at 15 x 11” and one 13 ¾ x 9 ¾”. (5)
$8001200
209
Andre
Masson (1896-1987)
French
THE GARDEN, 1944, pastel and chalk on paper, 25
x 19”, signed lower right, in gold leaf frame, with studio pin-holes
and soft creases, otherwise in good condition. Provenance: Studio
Due Ci Arte, Moderna
$15,000/20,000
210
Roberto
Matta (1912-2002) Chilean
ON SE LASSE DE TOUT SAUF DU CIBTRAURE (S.371),
1974, from the NOBEL PRIZE portfolio, color aquatint etching, signed
in pencil, from the numbered edition 100, image 16 x 22 ½”, full
margins, mild toning, faint discoloration speckles, small tideline
stain lower right corner, soft handling creases, otherwise in good
condition.
$500/800
211
Roberto
Matta (1912-2002) Chilean
UNTITLED, color lithograph, signed in pencil,
artist’s proof aside from the numbered edition, sight 18 ½ x 26 ¾”,
framed with glass.
$300/500
212
Thomas McKnight (b. 1941) American
MYTHOLOGIES: Nubian Fisher; Fallen Knight; Ophelia; Atlas, 1994, the
set of four color screenprints with hot foil stamping, each signed
in pencil, from the numbered editions 200, images 16 x 18”, full
margins, a few small creases in the corners, one with minor soiling
at the sheet edge, otherwise in good condition.
(4) $800/1200
213
Igor
Medvedev (20th Century) Russian
GARDEN STAIRWELL, 1995, acrylic painting with
sand on paper, signed and dated lower left, 30 ½ x 23”.
$800/1200
214
Jan Michelini
(20th Century) European
JESUS WEPT, 2004, acrylic painting on black
foam core, signed lower right, 40 x 32”, framed.
$1000/2000
215
Jan Michelini
(20th Century) European
FIX OUR
EYES
ON JESUS, 2004, acrylic painting on black foam core, signed lower
right, sight 19 ½ x 14 ½”, framed, a few scuffs visible at certain
angles, otherwise in good condition.
$800/1200
216
Jan Michelini
(20th Century) European
THE LORD TURNS MY DARKNESS, 2004, acrylic
painting on black foam core, signed lower right, sight 30 x 20”;
Together with a print of the same image and another, all framed. (3)
$1000/2000
217
Jan Michelini
(20th Century) European
THE CROWN OF THORNS, 2004, acrylic painting on
black foam core, signed lower right, 30 x 20”, framed, creases lower
left corner, two 3 ½” scratches upper right, otherwise in good
condition.
$800/1200
218
Mid-Century
School
BEACHED
BOATS, oil painting on canvas board, signed lower left?, 9 x 11”;
together with Ogier, CAFÉ PARIS, color lithograph, signed in
pencil, from the numbered edition 260, image 13 ¼ x 16 ¼”, full
margins, mat staining, both framed. (2)
$200/400
219
Joan Miro
(1893-1983) Spanish
LES PENALITES Series (C.188), 1974, color
lithograph, signed in pencil, from the numbered edition 50, sheet 10
½ x 29 ¼”, with centerfolds as issued, printed and published by
Maeght, Paris, framed.
$2000/4000
220
Joan Miro
(1893-1983) Spanish
LES PENALITES Series (C.188), 1974, color
lithograph, signed in pencil, from the numbered edition 50, sheet 10
½ x 29 ¼”, with centerfolds as issued, printed and published by
Maeght, Paris, framed.
$2000/4000
221
Joan Miro
(1893-1983) Spanish
LES PENALITES Series (C.188), 1974, color
lithograph, signed in pencil, from the numbered edition 50, sheet 29
¼ x 10 ½”, with centerfolds as issued, printed and published by
Maeght, Paris, framed.
$2000/4000
222
Joan Miro
(1893-1983) Spanish
LES PENALITES Series (C.188), 1974, color
lithograph, signed in pencil, from the numbered edition 50, sheet 10
½ x 29 ¼”, with centerfolds as issued, printed and published by
Maeght, Paris, framed.
$2000/4000
223
Modern
School
(20th Century)
BUST OF
MAN,
cast and patinated bronze sculpture, 13” tall, mounted to 3 ½” wood
base. $1000/1500
224
Montangerand & Marczmar
(two)
MARKET
PLACE, oil painting on canvas, signed on verso, 5 ½ x 7”; Together
with Marczmar, WEDDING, oil painting on board, signed lower
right, 5 x 6”, both framed. (2)
$200/400
225
Marcel Mouly
(1918-2008) French
POLO, color lithograph, signed in pencil,
artist’s proof aside from the numbered edition, image 17 x 24”,
framed, mild sun toning, otherwise in good condition.
$100/200
226
Nautical Print
(19th/20th Century)
18th
CENTURY SHIPS, engraving with hand-coloring, modern edition, image
18 ¼ x 28 ¼”, full margins, with French mats and handsome burlwood
frame with glass.
$100/200
227
LeRoy Neiman
(b. 1927) American
WINNERS, color screenprint, signed in pencil,
from the numbered edition 500, image 24 x 39 ¾”, full margins,
framed, very very pale natural ink saturation around perimeter of
image, otherwise in good condition.
$1500/2500
227A
LeRoy Neiman
(b. 1927) American
DAN GURNEY, oil painting with collage on paper, signed by LeRoy
Neiman lower right, signed by Dan Gurney on his chest, sight 32 ½ x
24”, framed, small tear near left sheet edge with associated tape
stain, otherwise in good condition.
$15,000/20,000
228
Ernst
Neizvestny (b. 1926) Russian
UNTITLED from the NOBEL PRIZE portfolio,
etching, with artist’s signature stamped in design, inscribed and
signed (?) in ink on verso, from the numbered edition 100, image 18
x 23 ¾”, full margins, circlular crease left margin, otherwise in
good condition.
$200/400
229
Helmut Newton
(1920-2004) German
SUMO, 1999, Taschen,
hardbound book, signed, from the numbered edition of 10,000, dust
jacket, published by Taschen, soiling, creases and scuffs on dust
jacket, front cover loose at binding, otherwise in good condition.
$3000/5000
230
Nobel
Portfolio Various Artists
(six)
Artists include Krishna Reddy, Espolin Johnson,
Swen Jonson, Martins, Nolan, Smith, a group of six, each UNTITLED
from the NOBEL PRIZE portfolio, two color lithographs, two color
etching, two color screenprints, each signed in pencil, from the
numbered editions 100, sheets 22 x 30”, a few soft handling creases,
otherwise in good condition. (6)
$400/600
231
H. De Nyme?
(19th/20th Century) European
PONT DE
LA
MAIN
D’OR BRUGES, oil painting on wood panel, signed lower right, 8 ¼ x
7”, framed. $300/500
232
Nathan
Oliveira (b. 1928) American
HEAD
#3, 1959, watercolor and pencil on paper, signed and dated lower
right, 12 x 9 ¼”, framed. Provenance: Manny Silverman Gallery,
Los Angeles
$3500/4500
233
Arkady
Ostritsky, Alexander Chen &
Joanne Netting
(three)
LA COURONNE RESTAURANT, color screenprint,
signed in pencil, from the numbered edition 350, image 23 ¼ x 34 ½”,
full margins, framed (no glass); Together with
Alexander Chen, GOLDEN
GATE, color print, signed in pencil, artist’s
proof I 187/195, aside from the numbered edition, image 17 x 22”,
full margins; Together with
Joanne Netting, FLOWER MART, color print, signed in pencil, from
the numbered edition 2500, image 9 x 12”, full margins, framed with
glass. (3)
$100/200
234
Arkady
Ostritsky (b. 1948) Moldovan
(four)
LE CREPEIER (two); LA COURONNE RESTAURANT; LA
BRILLIANT, four color screenprints, each signed in pencil, from the
numbered editions 350, 50 HC & 30 PP, images 24 ½ x 37” & 23 ½ x 34
½”, the first (2) with soft handling creases and stray ink on verso,
the second three dimples (one with small tear), one with wear lower
right corner, otherwise in good condition. (4)
$300/400
235
Max
Papart (1911-1994) French
PRIMAVERA, embossed color lithograph, signed in
pencil, from the numbered edition 100, image 25 ½ x 17 ½”, full
margins, framed.
$200/300
236
Violet Parkhurst (1921-2008) Californian
REFLECTIONS, oil painting on canvas, signed lower right, 24 x 48”,
framed, overall craqueleur, surface soiling, otherwise in good
condition. $400/600
237
Victor Pasmore (1908-1998) British
UNTITLED, color lithograph, signed in pencil, from the numbered
edition 70, image 21 x 37”, full margins, gold leaf framed, some
accretions upper right image, otherwise in good condition.
$600/900
238
Pascal
(Suzanne Regan Pascal) (b.
1914) American
VISAGE, carved,
chiseled and polished glass slag glass sculpture, signed, 16” tall,
14” wide, with 14” custom welded brushed steel stand and a 39 ½ x 12
½ x 16 ¼” custom-made Plexiglas stand, 1” thick with tapered edges.
$1000/2000
239
Pascal
(Suzanne Regan Pascal) (b.
1914) American (three)
SEATED FIGURE; TORSO
& LEGS; TIGHT-ROPE WALKER, 1983-84, three cut and polished steel
metal sculptures, all signed, two dated, sizes 11 ¼” tall, 16” tall
& 18” tall, all mounted to steel bases. (3)
$300/600
240
Pascal
(Suzanne Regan Pascal) (b.
1914) American
WOMAN IN GARDEN, oil
painting on fiborous wood board, signed lower left, 20 x 23 ½”,
framed.
$300/500
241
Pascal
(Suzanne Regan Pascal) (b.
1914) American
BOUQUET OF FLOWERS IN
BLUE
VASE, acrylic painting on fiborous wood board, 36 x 25”, framed.
$300/500
242
Pascal
(Suzanne Regan Pascal) (b.
1914) American
WHITE FLOWERS, oil
painting on canvas, 23 ½ x 18”, framed; GIRL WITH HAT, color print,
signed in pencil and inscribed artist’s proof, image 18 ½ x 15 ½”,
Liscot blindstamp lower left, full margins, framed with glass. (2)
$200/400
243
Pascal
(Suzanne Regan Pascal) (b.
1914) American
FLOWERS IN WHITE
VASE, oil painting on canvas, signed lower left, 18 x 15”, framed.
$200/400
244
Phil
Pearlstein (b. 1924) American
TEMPLE OF HATSHEPSUT, 1979, color aquatint
etching, signed in pencil, from the numbered edition 55, image 24 x
33 ½”, full margins, a few soft handling creases, otherwise in good
condition.
$1000/2000
245
Alex
Perez (20th Century) Chilean
(five)
LANDSCAPES, five color screenprints, each
signed in pencil, from the numbered editions 350 and hors commerce
50, three images 12 x 16”, one 15 ¾ x 21 ¼”, & 32 x 34 ½”, all with
full margins, a few soft handling creases, the largest with creases
and associated cracking in ink and an ½” tear in the lower margin,
otherwise all in good condition. (5)
$200/400
246
Edith
Caitlin Phelps (1875-1961) American
STILL
LIFE
WITH MUMS & PERSIMMONS, oil painting on canvas, signed lower left,
signed on verso, 24 x 18”, framed.
$1500/2500
247
Edith
Caitlin Phelps (1875-1961) American
CITY
PASSAGEWAY, oil painting on canvas, signed upper left, 16 ¼” x 13”,
framed. $2000/3000
248
Peter Phillips
(b. 1939) American (two)
ART-O-MATIC,
1972-74, a color screenprint with collage on canvas and an embossed
color etching with collage, both artist’s proof aside from the
numbered editions, images 27 ¼ x 39” & 23 ¾ x 37 ¼”, both with full
margins, both with cockling and discoloration from exposure to
moisture, the second with skinning on verso from previous hinge
removal, remnants of
ATG
tape, three small tears in the margins at sheet edge, otherwise in
good condition. (2)
$500/800
248 A
Pablo Picasso
(1881-1973) Spanish
PICADOR (AR.418), 1959, painted and glazed earthenware charger, with
Empriente Originale de Picasso and Madoura Plein Feu stamps underneath,
from the numbered edition 50, 16 ½” diameter, surface soiling, otherwise
in good condition.
$4000/5000
248 B
Pablo Picasso
(1881-1973) Spanish
TORMENTED FAUN’S FACE (AR.318) 1956, earthenware charger, with
Empriente Originale de Picasso and Madoura Plein Feu stamps and
inscribed “C110” underneath, from the numbered edition 100, 16 ½”
diameter, surface soiling, otherwise in good condition.
$3000/4000
249
Jean-Claude Picot (b. 1933) French
VU SUR LE
PANTHEON, oil painting on canvas, signed lower left, 25 ½ x 21 ½”,
framed.
$800/1200
250
Stan
P.
Poray &
Contemporary
School
(two)
STILL
LIFE
WITH TANG HORSE, oil painting on canvas mounted to panel, signed
lower right, 15 x 18”, framed, surface soiling, lacquer yellowed
with age; Together with Contemporary School, HORSES, monotype
with foil collage, signed lower right, 11 x 38”, framed with glass,
some discoloration in margins, otherwise both in good condition.
$400/600
251
Portrait Miniature (late 19th Century)
MOTHER
& CHILD, portrait miniature painting, sight 3 x 2 ¼”, framed with
glass. $400/600
252
Portrait Miniature (late 19th Century)
PORTRAIT OF A WOMAN, portrait miniature painting, signed “Bireland”
center left, sight 3 x 4”, framed. $400/600
253
Portrait Miniature (late 19th Century)
FELIX
RODRIQUEZ
AGE
21, 1844, portrait miniature painting, signed center left, dated
center right, 2 x 1 ¾”, framed with glass.
$400/600
254
Pre-Columbian Drawing
by Hasso Von Winning (20th Century)
STUDY DRAWING, pencil drawing on paper, 8 x 5
½”, inscribed “fig. 12”, framed. Hasso Von Winning is the author of
the 388 page Abrams coffee table book “Pre-Columbian Art of
Mexico
and Central America”
$200/300
255
Bertram
Priestman
(1868-1951) British
THE
SEA
AT GORLESTON, 1906, oil painting on canvas board, signed and dated
lower left, 6 ½ x 10 ½”, framed with glass, surface soiling,
otherwise in good condition.
$600/900
256
Bertram
Priestman
(1868-1951) British
BRIDGE
OVER
THE STOUR RIVER, 1911, oil painting on wood panel, initialed and
dated lower right, 8 ¼ x 10 ½”, framed, some surface soiling, tiny
nick impression upper right edge otherwise in good condition.
$600/900
257
George Thompson Pritchard
(1878-1962) American
MARKET
SCENE, oil painting on canvas, signed lower right, 25 x 30”, framed.
$1000/2000
258
Joachim Probst (1913-1978) American
CHRIST
HEAD, thickly painted oil painting on canvas, signed on verso, 10 x
10”, framed, some cracking and minor chips, otherwise in good
condition; Together with a collection of correspondences with
inscriptions and handwork from the artist, all framed. (5)
$800/1200
259
Rafael
(20th Century) &
another
(two)
PLEGADON, 1999, oil on unstretched canvas,
signed and dated lower right, 25 ½ x 43 ¼”; Together with
Contemporary School,
MAN MOON AND
WOMAN, oil and sand on unstretched canvas, 30 x 37 ½”, small losses
and creases from improper storage, otherwise in good condition. (2)
$200/400
260
Jean-Francoise Raffaelli (1850-1924) French
AT REST
IN THE GARDEN, color etching, signed in pencil, image 4 ½ x 6”, full
margins, framed with glass, some toning, otherwise in good
condition. $400/600
261
Richard Ranft (1862-1931) Swiss
THE
BATHERS, c.1900, color aquatint etching, signed in pencil, from the
numbered edition 50, image 10 ¼ x 23”, full margins, unevenly
trimmed large margins,repaired tear right sheet edge, surface
soiling, faint toning, mild discoloration, otherwise in good
condition. $700/900
262
Robert Rauschenberg (1925-2008) American
PEOPLE HAVE ENOUGH
TROUBLE WITHOUT BEING INTIMIDATED BY AN ARTICHOKE, 1979, color screenprint with silk collage, signed in pencil, from the
numbered edition 100, sheet 30 ½ x 23”, Styria blindstamp lower
left, a few soft handling creases, crease upper left corner, faint
surface soiling, possible faint speckles in the silk collage only,
otherwise in good condition.
$1800/2500
263
Ben Ray
(20th Century) American
MELT DOWN, acrylic painting on canvas, signed
lower left, titled and signed on verso, 36 x 30”, minor surface
dust, otherwise in good condition
$800/1200
264
Hal Reed, Irish McCalla & McBride
(three)
PORTRIAT OF A MAN,
acrylic painting on Masonite, signed lower right, 15 x 12”, artist’s
label on verso, minor cracking; Together with Irish McCalla,
OVER
THE HILL, watercolor on card, signed lower left, 12 x 15 ¾”, minor
surface soiling; Together with McBride, NUDE, color pastel on blue
paper, signed lower right, 8 x 6”, all framed, one with glass. (3)
$200/400
265
Wade Reynolds
(b. 1929) American
MOTHER
AND
CHILD, oil painting on canvas, signed lower right, 24 x 18”, framed.
$400/600
266
Almery Lobel Riche (1880-1950) French
APRES LE BAIN; CHEVALIER MODERN, two engravings,
each signed in the plate, sheets 11 ½ x 7 ¾” & 11 ½ x 7 ½”, Romagnol
Editions, with soft handling creases, old tape remnants on verso,
first with small glue stain upper right corner, the second with
staining in margins, otherwise both in good condition. (2)
$200/300
267
J. J. Rigal (1926-1997) French
LES
CAPITALES DU MARCHE COMMUN ET LONDRES, portfolio of seven color
aquatint etchings, each signed in pencil, from the numbered editions
100, average image 14 x 20 ¼”, full margins, with tirage sheet, in
portfolio case, a few soft handling creases, otherwise in good
condition. $300/500
268
Mary Rigat & Jacques Rigat
(20th Century)
RETURN
OF THE SALMON, color lithograph, signed in pencil, from the numbered
edition 125, image 18 x 26”, full margins, framed.
$100/200
269
Sergei Rimoshevski (Rimeshevsky) (b. 1964) Russian
GIRL
WITH PROCUPINE, oil painting on canvas, signed lower left, 27 ½ x 23
¾”, framed.
$4000/6000
270
Larry
Rivers (1923-2002) American
ASTAIR
IN THE
AIR,
1990, color screenprint with hand coloring, signed in pencil, from
the numbered edition 65, sheet 55 x 40”, faint fingerprint smudges
on verso, otherwise in good condition.
$2500/3500
271
Julian
Robles (b. 1933) American
GIRL
WITH GERANIUMS, oil painting on canvas board, 18 x 14”, framed.
$2500/3500
272
Norman
Rockwell (1894-1978) American
KENNEDY, 1976, color lithograph, signed in
pencil, artist’s proof aside from the numbered edition, image 18 x
13”, full margins, framed.
$500/700
273
Norman
Rockwell (1894-1978) American
FONDLY DO WE REMEMBER from Four Ages of Love
Series, 1977, color lithograph, signed in pencil, from the numbered
edition 200, image 17 x 17 ½”, full margins, published by Ettinger,
with blindstamp, framed.
$600/900
274
Norman
Rockwell (1894-1978) American
THE GOLDEN AGE
from Poor Richard’s Almanac, c.1972, color lithograph, signed in
pencil, from the numbered edition 200, image 16 ½ x 13 ¾”, full
margins, published by Circle Gallery with blindstamp lower left,
faint light toning from previous framing, soft creases, small dimple
impression lower left, otherwise in good condition.
$500/800
275
Ralph Rosenborg (1913-1992) American
STILL
LIFE
WITH FLOWERS, 1970, color pastel with gouache on paper, signed lower
right, framed, some minor cracking in gouache, otherwise in good
condition. $500/800
276
Georges Rouault (1871-1958) French
SQUELETTE from LES FLEURS DU
MAL
(C.222), 1926, etching, signed in plate, from the numbered edition
425, published by Vollard, image 13 ¾ x 10”, full margins, framed
with glass, mild toning, otherwise in good condition.
$200/400
277
Robert M. Rucker (1932-2001) American
FEEDING
BIRDS IN THE FRENCH QUARTER, 1950, watercolor on paper, signed and
dated lower right, 10 x 8”, framed with glass, some yellowing,
otherwise in good condition.
$800/1200
278
Ethan Russell
(20th Century)
American
MICK JAGGER & KEITH
RICHARDS, silver gelatin print, signed lower right, from the
numbered edition 750, 14 x 11”, with case.
$1000/2000
279
Sade
(20th Century) Cuban & another
(two)
UNTITLED, oil painting on canvas, signed lower
right, 19 x 25”, framed, surface scuffs and small scratches, some
surface soiling; Together with
Cuban School (Arostica?),
FESTIVAL DE LA DIA
DE LOS REYES, acrylic painting on paper, initialed lower right ?,
sight 9 ½ x 12 ½”, both framed, both in otherwise good condition.
(2)
$200/400
280
Sade
(20th Century) Cuban
DOMINOES, acrylic painting on canvas, signed
lower right, 39 x 28”, framed, surface soiling, otherwise in good
condition.
$200/300
281
Sade
(20th Century) Cuban
CUBAN STREET,
oil painting on canvas, signed lower right, 29 x 24 ½”, framed,
surface soiling, otherwise in good condition.
$200/300
282
Gino Salviati (1911-1998) Italian
NEW
YORK,
WASHINGTON BRIDGE, oil painting on canvas, signed on verso, 19 x 27”, framed, minor
surface soiling, otherwise in good condition.
$1000/2000
283
Tom Savage (b. 1953) American
UNTITLED GRAY, 1996, acrylic, charcoal and graphite on paper,
initialed and dated lower right, 22 x 19”, in good studio condition
as received from the artist.
$1000/1500
284
Tom Savage (b. 1953) American
UNTITLED
GOLD,
1996, acrylic, charcoal and graphite on paper, initialed and dated
lower right, 22 x 19”, in good studio condition as received from the
artist. $1000/1500
285
Roger Selden
(b. 1945) American
HEARTS,
1978, acrylic painting on canvas with collage and appliqué, signed
and dated lower left, signed and dated on verso, 29 ½ x 25 ½”,
Gennanio label on verso, stamped Barba Crespi, Milano.
$1200/1800
286
Ben
Shahn & Long Looi Lee
(seven)
BESIDE
THE DEAD, THE
SEA
ITSELF from For The Sake Of A Single Verse, a pair of lithographs,
each signed on the stone, sheets 22 ½ x 17 ½”, printed by Mourlot;
Together with Long
Looi Lee, RHYTHM OF THE
WIND;
A GROUP OF
FIVE;
TWO GIRLS; A GROUP OF THREE; VOICE OF HARMONY, five lithotone prints
with hand remarques, all signed and titled in pencil, one artist’s
proof and four from numbered editions of 275, 250 & 325, sheets from
7 ¼ x 10 ½” to 26 x 10 ¼”, Shahn’s Sea with uneven toning along
right edge, Head with mild toning along right edge, both with a few
soft handling creases and minor toning on verso, otherwise all in
generally good condition. (7)
$400/600
287
Calman
Shemi (b. 1939) Argentinean
JAZZ NOTES,
color screenprint on canvas, signed in pencil, from the numbered
edition 150, image 15 x 16”, full margins, framed.
$100/200
288
Sichelle
(20th Century)
JAMES DEAN, 1996, acrylic painting on canvas,
signed and dated lower right, 36 x 24”, framed, surface scuffs and
light scratches, otherwise in good condition.
$100/200
289
Littorio
Del Signore (b. 1938) Italian
ISABELLE, color screenprint on black paper,
signed in pencil, from the numbered edition 350, image 31 ½ x 24 ¾”,
full margins, framed with glass.
$100/200
290
Littorio
Del Signore (b. 1938) Italian
UNE FILLE ROMANTIQUE, 1999, acrylic painting on
canvas, signed lower right, titled signed and dated on verso, 24 x
30”, framed.
$1000/1500
291
Littorio
Del Signore (b. 1938) Italian
PROMENADE SOUS LA PLUIE, oil painting on
canvas, signed lower right, titled and signed on verso, 30 x 15”,
framed.
$1000/1500
292
Ted
Sizemore (20th Century) American
FOR MOTHER, WITH LOVE, oil painting on canvas,
initialed lower right, 28 ½ x 17 ¾”, framed.
$1000/2000
293
David Smyth
(b. 1943) American
UNTITLED, 1996, acrylic and fabric and paper collage on canvas,
signed and dated top edge, 30 x 23 ½”.
$1000/2000
294
Francisco Sobrino (b. 1932) Spanish
UNTITLED, a pair of color screenprints on coated stock, each signed
in pen, from the numbered editions 200, first image 6 x 47”, sheet
15 ½ x 46 ¾”, the second image 8 ½ x 40 ¾”, sheet 13 x 55 ½”, both
with blindstamps lower left. (2)
$200/400
295
Joseph Stabilito
(b. 1936) American
NYC,
acrylic painting on canvas, signed lower right, titled and signed on
verso, 15 ¾ x 20”, canvas has some slack, otherwise in good
condition. $800/1200
296
Steve Stein
(20th Century) American
THINKING OF YOU, acrylic and oil pastel on paper, signed, 22 x 28”,
framed. $600/900
297
Steve Stein
(20th Century) American
YOU
WOULDN’T BELIEVE, 2005, oil painting on canvas, signed lower right,
30 x 24”. $1000/1500
298
Steve Stein
(20th Century) American
THE
HAPPENING, acrylic and ink marker on paper, signed lower right,
titled and signed on verso, 26 x 20”.
$800/1000
298 A
Itzchak Tarkay
(b. 1935) Israeli
THREE
FOR DESSERT, color screenprint, signed in pencil, from the numbered
edition 350, image 10 ½ x 14 ¼”, full margins, framed with glass,
faint rubbing in margins, visible under raking light, pale
discoloration lower right and upper right margin area, otherwise in
good condition.
$200/400
298 B
Itzchak Tarkay
(b. 1935) Israeli
CELESTE, color screenprint, signed in pencil,
from the numbered edition 350, image 10 ¾ x 10 ¾”, full margins,
framed with glass, faint erasure lower margin, otherwise in good
condition.
$100/200
299
Theo Tobiasse
(b. 1927) French
ENTRE MYRTE ET FLEUR DE CANNELLE series, color
lithograph, signed in pencil, from the numbered edition 200, image
26 x 19 ½”, full margins, framed, a few unobtrusive soft handling
creases, otherwise in good condition.
$200/400
300
Theo Tobiasse
(b. 1927) French
ENTRE MYRTE ET FLEUR DE CANNELLE series, color
lithograph, signed in pencil, from the numbered edition 200, image
18 ½ x 27”, full margins, framed, a few creases and
soft handling creases mainly in margins, otherwise in good
condition.
$200/400
301
Theo Tobiasse
(b. 1927) French
UNTITLED from SONG OF SONGS series, color lithograph, signed in
pencil, from the numbered edition 200, image 19 ¼ x 25 ¾”, full
margins, framed with glass, faint toning from sunlight, slipped in
frame, otherwise in good condition.
$100/200
302
John Valadez
(b. 1951) American
FISH
AND
INSECTS, oil painting on canvas, signed on verso, 63 x 56 ¾”,
framed.
$2000/4000
303
John Valadez
(b. 1951) American
SYMPTOM OF THE
UNIVERSE, 1986, oil painting on canvas, signed and dated lower
right, 72 x 50”, framed.
$2000/4000
304
John Valadez
(b. 1951) American
122 PERCENT, 1978,
ink drawing on paper with cut-out figures, signed and dated lower
right, 9 x 8”, a few discoloration spots, otherwise in studio
condition. $200/400
305
John Valadez
(b. 1951) American
PLEASE HELP THE
BLIND, 1978, pencil drawing on paper, signed and dated lower right,
sight 11 x 13”, framed with glass.
$200/400
306
John Valadez
(b. 1951) American
(three)
GIRL WITH SHOPPING
BAG; MAN
WITH HARDHAT, 1980, each a color pencil drawing on paper, signed and
dated lower right, sight 14 ¾ x 11 ½” & 14 ½ x 10”, both framed with
glass, the first with some discoloration spots and speckles, minor
cockling, the second with diagonal crease lower left, scotch tape
and small discoloration spots, otherwise both in good condition;
Together with three post cards in one frame, one signed lower right.
(3)
$300/500
307
B. Valentine (20th Century) British
FISHING
BY THE RIVER, 1940, ink drawing on paper, signed and dated lower
left, 20 ½ x 11 ¼”, framed with glass, some toning and discoloration
spots, otherwise in good condition.
$100/200
308
Jorge
Vallejos (20th Century) American
MAN
& DOG, acrylic painting on Masonite, signed lower right, signed on
verso, 8 x 8”, framed.
$200/300
309
Jorge
Vallejos (20th Century) American
PERSONEYES CON SANDIA, 2008, acrylic painting on wood panel, titled
signed and dated on verso, 8 x 8”, framed.
$200/300
310
Victor Vasarely (1908-1997) Hungarian
KAABA
II, color screenprint, signed in pencil, from the numbered edition
250, image 36 ¼ x 20 ¾”, full margins, framed.
$600/900
311
Victor Vasarely (1908-1997) Hungarian
VE
GOGTA, color screenprint, signed in pencil, from the numbered
edition 250, image 32 ½ x 16 ¼”, framed.
$600/900
312
Victor Vasarely (1908-1997) Hungarian
CUBE, color screenprint, signed in pencil, artist’s proof aside from the
numbered edition, sheet 25 ¾ x 21 ½”, creases upper left corner,
edge wear, scuff lower right, other scuffs visible in raking light,
otherwise in good condition.
$200/400
313
Alberto Ruiz Vela (1920-2006) American
COURTYARD, oil painting on Masonite, signed lower left, 15 x 22”,
framed, small amount of flaking, minor surface soiling, otherwise in
good condition.
$100/200
314
Vietnamese Arts (early to mid-20th Century) Cao Lan,
Tay, and San Chay artisans
(six)
A group
of two ink drawings on rice paper by a Cao Lan artisan and two
Shamanic pages of ink scripts on rice paper by the a Tay artisan,
sizes from 9 x 9” to 9 ½ x 10”; Together with an early 20th
century carved and lacquered wood Shamanic dragon (San Chay), 2 x
8”; Together with two Shamanic future telling “dice”, each 5” long,
all framed with glass. (6)
$200/400
315
Jacques
Villon (1875-1963) French
LONDRES (after Maximilien Luce), 1929, color
aquatint etching, signed in pencil, from the numbered edition 200,
image 14 x 20”, full margins, framed, a few soft handling creases,
otherwise in good condition.
$2000/4000
316
Jacques
Villon (1875-1963) French
PORTRAIT, color etching, signed in pencil, from
an unnumbered edition, plate 8 ½ x 6 ½”, full margins, fainted toned
from previous framing, otherwise in good condition.
$400/600
317
Konrad Wachsman (1901-1980) German American
ARCHITECTURAL DESIGN, 1963, lithograph on buff paper, signed in
pencil, from the numbered edition 50, image 11 x 17 ½”, framed with
glass, toning, otherwise in good condition.
$200/300
318
Max Weber
(1881-1961) American
WOMAN WITH BANJO, 1949, gouache on paper, 6 x 4
¼”, signed and dated lower right, framed.
$1500/2500
319
Baje Whitehorn Sr. (b. 1950) Native American
LAST OF
THE LONG HAIRS, 2005, cast and patinated bronze sculpture, signed
and dated and numbered 10/30, 12 ½” tall, 11” wide, on wooden base.
$800/1200
320
Wilcock
& Sacha
(two)
MARX BROTHERS, watercolor with ink on paper,
sight 21 x 16”; Together with
Sacha, CLOWN, oil painting on canvas, signed ‘Sacha De
Pishala’?, upper right, 24 x 18”, both framed, clown with minor
hairline craqueluer, otherwise both in good condition. (2)
$100/200
321
Stefan
Yanev (20th Century) Bulgarian
YELLOW
BUILDING, oil painting on canvas, signed
lower left, 20 x 22”, framed.
$500/800
322
Yuroz (Yuri Gevorgian) (b. 1956) Armenian/ American
COUPLE
EMBRACING, color screenprint on black paper, signed in white pencil,
from the numbered edition 60, sight 59 x 39”, blindstamp lower left,
framed. $300/500
322 A
attributed to Eugene
Zak (1884-1926) Polish
WOMAN IN GOWN, color pastel on paper, signed lower left, sight 12 x
9”, framed with glass, moderate toning on verso, perimeter with
strips of dried masking tape, glue staining visible on recto when
sought after, otherwise in good condition.
$2000/4000
323
Zox
(20th Century)
California
HOPE,
1989, color screenprint, signed in pencil, from the numbered edition
175, image 30 x 30”, full margins, published by Schwartz/Cierlak
Gallery, framed.
$100/200
324
Francisco Zuniga (1912-1998) Costa Rican
MUJER
CON NINO (B.84), 1982, first state lithograph, signed in white
pencil, from the numbered edition 45, sheet 23 x 19”, Kyron
blindstamp lower right, framed.
$1500/2000
