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Fine Art Estate Auction Saturday July 26th at Noon

 

The Catalog Text Only

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1

African Art

Carved wood narrative panel with animals, birds and crocodiles, 73” tall, 25” wide, in good to generally good condition.  $500/1000

 

 

 

2

African Art

A massive striped carved wood mask, 32” tall, in good to generally good condition.  $300/600

 

 

 

3

African Art (three)

Carved two-face wood mask with stand, 27 ½” tall including stand, some losses; A carved wood mask with hair collar, 31”; Together with a Bobo Fing tribe hair collar, all in good to generally good condition. (3)  $300/600

 

 

 

4

African Art (two)

A pair of large carved wood masks, 51” & 41” tall, both in good and generally good condition. (2)  $300/600

 

 

 

5

African Art (four)

Two carved wood stools, 21” & 12 ½”; A carved wood woman sitting on stool, 25” tall; Together with hand-painted narrative cloth, 39 x 58”, mounted for hanging, all in good to generally good condition. (4)  $400/600

 

 

 

6

African Art (four)

Carved and painted wood mask with seashell eyes, 29 ½” tall; A carved figure of man with loin-cloth, 40 ½” tall; A carved wood man with stone eyes, 23 ½” tall; Together with an Indonesian wood carving, 24 ¾” tall, all in good to generally good condition. (4)  $200/400

 

 

 

7

African Art (two)

Two carved wood Chiwaras, one with hair and fabric appointments, each 36 ½” tall, in good to generally good condition. (2)  $200/400

 

 

 

8

African Art

Large carved and painted wood mask with straw hair and beard, overall 70” tall, a loss at end of left horn, otherwise in good to generally good condition.  $300/500

 

 

 

9

Yaacov Agam (b. 1928) Israeli

IMAGE OF THE WORLD, 1981, Agamograph, color screenprint laminated to lenticular plastic, signed in ink, from the numbered edition 99, image 14” diameter, published by Martin Lawrence, framed, natural craquelure, some possible mild toning, otherwise in apparently good condition. Provenance: Martin Lawrence Galleries.  $400/800

 

 

 

10

Yaacov Agam (b. 1928) Israeli

UNTITLED COLOR LINES, color lithograph, signed in pencil, artist’s proof aside from the numbered edition, sight 10 x 12”, mild toning, otherwise in apparently good condition.  $100/200

 

 

 

11

Norman Akers (b. 1958) American

MADRID HIKE II, acrylic painting on canvas, signed lower right, 38 x 36”, framed, in good studio condition.  $300/600

 

 

 

12

Sunol Alvar (b. 1935) Spanish

WOMAN WITH FLOWERS & MUSICIANS, embossed color lithograph, signed in pencil, artist’s proof aside from a numbered edition, sheet 26 ¾ x 19 ¾”, framed with glass, in apparently good condition.  $200/400

 

 

 

13

Sunol Alvar (b. 1935) Spanish (three)

VILLAGE DE LA MONT AGNE; VILLAGE DE LA COTE, both from Deux Villages, two embossed color lithographs on Japan paper, each signed in pencil, from the Roman numeral editions 90, sheets 19 x 25” & 19 ½ x 25 ½”, colors in accompanying brochure appear more vibrant on both prints, La Cote with tiny scrapes, mainly in lower area, otherwise both in apparently good condition; SUNOL ALVAR, signed and dated 1983, hardbound book, published by Edmund Newman, full color plates, dust jacket, in like new condition. (3)  $500/800

 

 

 

14

Joe Andoe (b. 1955) American

SEATED WOMAN, oil painting on canvas, signed lower left, 40 x 30”, framed, in good studio condition.  $2000/4000

 

 

 

15

Nobuyoshi Araki (b. 1940) Japanese

NUDE #5, c.1990, original Fuji crystal print mounted to Sintra, 38 x 48”, a BAT (fit to print) proof for an unrealized edition, framed, a few tiny nicks, a small scratch, otherwise in good condition.  $3000/5000

 

 

 

16

Hans Jean Arp (1886-1966) French

This lot has been withdrawn pending further research.

 

 

 

17

Hans Jean Arp (1886-1966) French

UNTITLED YELLOW & RED, color lithograph, artist’s estate stamp lower right, from the edition Roman numeral 30, image 25 ½ x 20”, full margins, framed with glass, in apparently good condition.  $400/600

 

 

 

18

Artist Unidentified (pair)

JAPANESE MAN AND WOMAN, diptych, Sumi ink, oil and collage on wood panels, each 33 x 11 ½”. From the Jean Davis Collection. (2)  $300/500

 

 

 

18 A

Daniel Authouart (b. 1943) French

ON ABBEY ROAD CORNER, color lithograph, signed in pencil, from the numbered edition 175, image 26 ½ x 33”, publisher’s stamp on verso, a few soft handling creases, otherwise in very good condition.  $200/400

 

 

 

18 B

Daniel Authouart (b. 1943) French

EAST OF EDEN, color lithograph, signed in pencil, from the numbered edition 175, image 22 ½ x 29 ½”, publisher’s stamp on verso, a few soft handling creases, otherwise in very good condition.  $200/400

 

 

 

18 C

Daniel Authouart (b. 1943) French

PARIS PEKING, color lithograph, signed in pencil, from the numbered edition 250, sheet 35 ¼ x 24 ¾”, publisher’s stamp on verso, a few soft handling creases, mainly visible in raking light, otherwise in very good condition.  $200/400

 

 

 

18 D

Daniel Authouart (b. 1943) French

LE MERCEDES DE CASINO, color lithograph, signed in pencil, from the numbered edition 175, image 23 ¾ x 29 ¾”, full margins, publisher’s stamp on verso, a few soft handling creases, mainly visible in raking light, otherwise in very good condition.  $200/400

 

 

 

19

Bailey (20th Century) American

CLEO DORMAN, pastel drawing on paper, signed lower center, 32 x 24”, framed with glass, small silverfish marks on hands, creases and apparently toned, otherwise in generally good studio condition.  $200/400

 

 

 

20

Will Barnet (1911-2012) American

REFLECTION, color screenprint, signed in pencil, from the numbered edition 225, image 22 x 14 ½”, full margins, framed with glass, shades of toning from previous framing in margins, otherwise in apparently good condition.  $200/400

 

 

 

21

Francesco Bartolozzi R.A. (1727-1815) Italian

ACCURATE PERSPECTIVE VIEW OF THE OUTFIDE OF THE ROYAL EXCHANGE LONDON, 1788, engraving with hand-coloring, plate 18 ½ x 22 7/8”, published by J. Chapman, date unknown, framed with glass, some sun toning, otherwise in good condition.  $200/400

 

 

 

22

Uta Barth (b. 1958) German

Ground #60, 1995, chromogenic print on panel, signed dated and numbered in ink on verso, from the numbered edition 8, size 10 ½ x 12”, light surface soiling, with narrow felt accretions around perimeter and minor edge ware on right side, otherwise in good studio condition. Provenance: ACME gallery Santa Monica.  $2000/3000

 

 

 

23

Uta Barth (b. 1958) German

Ground #71, 1996, chromogenic print on panel, signed dated and numbered in ink on verso, from the numbered edition 8, size 24 ½ x 29 ½”, light surface soiling, with narrow felt accretions around perimeter and a small crease lower left corner, otherwise in good studio condition. Provenance: ACME gallery Santa Monica.  $4000/6000

 

 

 

24

Malin Basil (20th Century) Scandinavian

MIDDLE EASTERN TOWN, 1978, oil painting on canvas, signed and date lower left, 23 ¾ x 31 ½”, framed, in very good condition.  $500/800

 

 

 

25

Leonard Baskin (1922-2000) American

PORTRAIT, etching, signed in pencil, from the numbered edition 100, image 17 ¾ x 17 ½”, full margins, framed with glass, in apparently good condition.  $100/300

 

 

 

26

Howard Behrens (b. 1933) American

MEDITERRANEAN VIEW, 1989, color screenprint, signed in pencil, from the numbered edition 250, image 29 x 42 ½”, full margins, framed with hand-painted custom color matting, in apparently good condition.  $200/400

 

 

 

27

Tom Bennett (b. 1928) Californian

UNTITLED, 1982, cast bronze sculpture, signed dated and inscribed artist’s proof, 14 ¾” tall with base, with black marble base, some tarnishing, a few small scratches, otherwise in good studio condition.  $300/600

 

 

 

28

Tony Berlant (b. 1941) American

UNTITLED, 1989, color printed sheet-metal, signed in marker, from the numbered edition 250, size 13 x 35”. Provenance: LA Louver Inc.  $200/400

 

 

 

29

David Bierk (1944-2002) Canadian/ American

AFTER KEITH, MAJESTY OF OAKS AND CLOUDS, 1985, oil painting on canvas wrapped over panel, initialed lower right, signed titled and dated on verso, 11 ½ x 12 ½”, in good studio condition. Provenance: Jan Turner Gallery.  $800/1200

 

 

 

30

Arbit Blatas (1908-1999) American

SNOW SCENE, oil painting on Masonite, signed lower right, 40 x 50”, framed, minor dust accumulation in thick paint areas, otherwise in good condition.  $6000/9000

 

 

 

31

Salvatore Bosco (b. 1942) Italian

BASKET WITH FRUIT AND SQUASH, oil painting on panel, signed lower right, 23 ½ x 27 ½”, minor edge wear from frame, blistering on panel from exposure to moisture creating texture on recto, otherwise in good condition. Provenance: Bellini Fine Art Gallery, La Jolla.  $300/600

 

 

 

32

after Constantin Brancusi (1876-1957) Romanian

MADEMOISELLE POGANY II, 1913, polished bronze sculpture, from an edition of 250, height 14 ½” including wood base, published by Museum Collections, very minor tarnishing, a some surface scratches, otherwise in good condition.  $800/1200

 

 

 

33

Bernard Buffet (1928-1999) French

FACE, ink drawing on paper, signed in pencil center right, sheet 25 ½ x 19 ½”, framed with glass, some pale discoloration, small tideline stain lower center, otherwise in good studio condition.  $2000/4000

 

 

 

34

Charles Burdick (b. 1924) American

TWO HORSES, watercolor and ink on paper, signed lower right, sight 9 x 7”, framed with glass, some faint discoloration, otherwise in apparently good condition.  $100/300

 

 

 

35

Linda Burnham (b. 1950) Californian

UNTITLED, 1990, oil and pastel on paper, signed and dated lower right, 26 x 19 ¾”, framed, in good studio condition. Provenance: Jan Baum Gallery.  $300/600

 

 

 

36

Mary Campbell (b. 1955) American

METAL GOBLET GOLD, 1990, casein, acrylic, and oil painting on canvas, signed and dated on verso, 24 x 18”, in good studio condition. Provenance: Goldeen Gallery, Santa Monica.  $300/600

 

 

 

37

Karen Carson (b. 1943) Californian

BLUE RIDGE, 1987, acrylic painted wood construction, 11 ¾ x 18”, some dust accumulation, in good studio condition. Provenance: Rosamund Felsen Gallery.  $1500/2500

 

 

 

38

Karen Carson (b. 1943) Californian

EYE DAZZLER, 1988, acrylic painted wood construction, 24 ½ x 40 ¼ x 2 ¼”, some dust accumulation, in good studio condition.  Provenance: Rosamund Felsen Gallery.  $2000/3000

 

 

 

39

after Marc Chagall (1887-1985) Russian/ French (four)

BAY OF ANGELS (S.pg.38), 1962, Sorlier color lithograph poster, 39 x 24”, from the edition 5000, printed by Mourlot, published by French Tourist Commission, bearing complimentary signature and inscription in purple pencil, sheet reduced from 39 x 25”, bottom sheet edge folded ½” for framing but intact, some color diminished, minor toning, otherwise in good condition; LITHOGRAPHIE III, color lithograph proof without folds aside from the book edition, with artist’s name in design, 13 ½ x 20 ¼”, crease lower left corner, cockling, otherwise in good condition; Together with THE MAGIC FLUTE, color lithographic interpretation after a Chagall poster, sheet 40 x 26 ½”, with center fold and laid down on board; Together with a 1978 color exhibition poster, 33 x 23”, all framed, two with glass (one cracked). (4)  $400/800

 

 

 

40

Alister Santos Chavez (1934-2001) Chilean

PINK WOMAN & MOON, 1968, color xilographia, signed in pencil, from the numbered edition 60, image 24 x 19 ½”, full margins, staining in margins under mat, otherwise in good condition.  $100/200

 

 

 

41

C. F. Chilton (20th Century) American

DESERT SCENE, oil painting on Masonite, signed lower right, sight 17 ¼ x 23 ½”, framed, light surface soiling, otherwise in good studio condition.  $200/400

 

 

 

42

D. H. Chiparus (1886-1947) Romanian

CROUCHING PANTHER, cast spelter sculpture with green patina, incised name on top tier of two tier marble base, 9 ½ x 21 x 6”, top tier marble has filled chip center edge, separate bottom tier has some reattached and missing fragments, not effecting spelter, otherwise in good condition.  $2000/4000

 

 

 

42 A

Alexander Chistov (b. 1986) Russian (two)

STILL LIFES, two oil paintings on panel, one signed lower right, one initialed upper right, both 8 x 10”, both framed and in good studio condition. (2)  $500/800

 

 

 

43

Jean Cocteau (1889-1963) French

WOMAN WITH HAT, 1956, lithograph on Arches script watermarked paper, signed and dated on the stone, from the numbered edition 150, sight 25 x 19”, Cocteau oval stamp lower right, framed with glass, some handling creases, otherwise in good condition.  $200/400

 

 

 

44

Camille Cornelius (20th/ 21st Century) American

SIDE STEP, 1988, mixed media on wood, signed and dated on verso, 48 x 23 ½”, in good studio condition. Provenance: LACMA Sales Gallery.  $300/600

 

 

 

45

Camille Cornelius (20th/ 21st Century) American

THE THIRD OF VENICE, 1988, oil painting & mixed media on wood, signed and dated on verso, 24 ¼ x 24 ¼”, in good studio condition. Provenance: Merging One Gallery.  $200/400

 

 

 

46

Kinuko Craft (b. 1940) Japanese/ American

GOBLIN MARKET #4, 1973, oil painting on artist’s board, sight 13 ½ x 13 ½”, from the Playboy Collection, framed with glass, in apparently good studio condition. This artwork won an award for excellence in illustration from the Society of Publication Designers in 1974 and an award from the Artist's Guild of Chicago that same year. Sold: The Playboy Auction, Butterfields, 2002.  $1000/2000

 

 

 

47

D. Cuevas (20th Century)

UNTITLED FEMALE FIGURE, oil painting on linen, signed and dated lower left, 24 x 20”, framed, in good studio condition.  $200/400

 

 

 

48

Fern Cunningham Stone (1889-1975) California

SEASCAPE, oil painting on canvas board, signed lower center left, 9 x 12”, framed, light surface soiling, otherwise in good studio condition.  $100/300

 

 

 

48 A

Tony Curtis (1925-2010) American

TABLE STILL LIFE, 1980, white ink drawing on black paper, signed lower right, dated lower left, sight 11 ½ x 17 ½”, framed, in apparently good condition. Provenance: Center Art Galleries, Hawaii.  $200/400

 

 

 

48 B

Tony Curtis (1925-2010) American

DESTINY, extensively hand-watercolored etching, signed in pencil and inscribed artist’s proof, image 11 ½ x 17 ¾”, full margins, framed, pale spotting lower margin, mild cockling, otherwise in apparently good studio condition.  Provenance: Center Art Galleries, Hawaii.  $200/400

 

 

 

49

Jim Dailey (20th/ 21st Century) American

NIGHT OF THE SPIRAL, 1988, oil painting on panel, signed dated and titled on verso, 18 x 16”, framed, in good studio condition. Provenance: Roy Boyd Gallery, Los Angeles.  $200/400

 

 

 

50

Salvador Dali (1904-1989) Spanish

PRINCE OF CUPS (M.1517; F.79-15), 1979, color lithograph, signed in pencil, from the numbered edition 65 Hors Commerce, image 23 x 17”, full margins, published by Levine & Levine, DalArt blindstamp lower left corner, creases, soft creases, smudges, aggravated water stain upper left margin, strips of masking tape remnants verso, otherwise in good condition. Bruce Hochman OS has kindly confirmed the authenticity of this lot.  $400/600

 

 

 

51

Salvador Dali (1904-1989) Spanish

KABUKI DANCER (M.1435; F.73-1), 1973, color lithograph, signed in pencil, from the Roman numeral edition 200 on Japan paper, published by EGI, printed by Desjobert, sheet 30 x 21 ½”, framed, in apparently good condition. Bruce Hochman OS has kindly confirmed the authenticity of this lot.  $500/1000

 

 

 

52

Bouvier de Cachard (b. 1929) French

CORBEAU A LA JONQUILLE No. 3, 1965, oil painting on canvas, signed upper left, 30 x 24”, framed, with the G. Roberson preparation stamp on the verso, some surface soiling, otherwise in good studio condition.  $600/900

 

 

 

53

Decorative Arts: Asian carving

BOAT, carved sculpture, 12” long, a few of the figures are missing heads, missing attachments for peg-holes on ships topside, otherwise in good condition, comes with rosewood stand.  $100/300

 

 

 

54

Decorative Art: Cameos

A collection of sixty plaster cameos, sizes from 2 x 2 ½” to 1 ¼ x 1”, mounted to board, framed with painted glass, a few with small nicks at the edges, otherwise in apparently good condition.  $400/800

 

 

 

55

Decorative Arts: San Polo, Italian Ceramics

THREE HORSES, painted and glazed ceramic plaque, inscribed “San Polo, Made In Italy, 0/9455” on the side, 18 x 22 x 5 ½”, some repair visible when inspected closely, otherwise in apparently good condition.  $200/400

 

 

 

56

Decorative Arts: Sculpture

ABORDAGE, cast spelter sculpture after L. Raphael, 23” tall with wood base, with surface oxidation and wear, oars slightly bowed, otherwise in good condition.  $100/300

 

 

 

57

Decorative Arts: Chamonix Skiing prints (four)

SKIING, 1946, four color pochoirs, overall size 17 ¼ x 14 ½” with matching period frames, with paper mats and no glass, in overall good to generally good condition. (4)  $100/200

 

 

 

58

Alfred Defossez (b. 1932) French

PURPLE VASE, oil painting on canvas, signed lower right, 14 x 10 ¾”, in good studio condition. Provenance: acquired directly from the artist.  $200/400

 

 

 

59

Alfred Defossez (b. 1932) French (seven)

VARIOUS, five color lithographs, each signed in pencil, from the numbered editions 200, 150 and an artist’s proof, sheets from 22 x 17 ½” to 15 x 18”; Together with two color exhibition posters, some soft handling creases, otherwise all in good condition. (7)  $300/500

 

 

 

60

Laddie John Dill (b. 1943) Californian

UNTITLED #17, 1987, mixed media with pigment, glass and cement on wood, 3 ½ x 9 ½”, in good studio condition. Provenance: Merging Gallery, Santa Monica.  $200/400

 

 

 

61

Laddie John Dill (b. 1943) Californian

UNTITLED, 2002, color giclee, signed in pencil, from the numbered edition 250, image 17 x 33 ½”, full margins, framed, in apparently good condition.  $200/400

 

 

 

62

Laddie John Dill (b. 1943) Californian

UNTITLED, 1987, color screenprint, signed in pencil, from the numbered edition 150, image 14 x 36”, full margins, printed by Jeff Wasserman, framed with glass, in apparently good condition.  $200/400

 

 

 

63

Christel Dillbohner (b. 1956) Californian

REMEMBRANCE, 1989, mixed media portfolio of eight panels, each signed and dated on verso, each 8 ¼ x 5 ¼ x 1 ¼”, with carrying case, 10 x 13 x 16”, in good studio condition.  $300/600

 

 

 

64

Mary Dooley (20th/ 21st Century) American

WAITING, acrylic painted burlap, wood and tile construction, artist’s label underneath, 17 x 15 x 11”, in Plexiglas box display case, in good studio condition.  $100/300

 

 

 

65

T. K. Douglas (20th Century) (two)

LANDSCAPE; SEASCAPE, two oil paintings on canvas, signed lower right or left, both 12 x 20”, framed, both in good studio condition, seascape frame with broken liner.(2)  $200/400

 

 

 

66

Robert Dowd (1936-1996) California

HUNDRED-DOLLAR RESERVE NOTE, 1994, color lithograph, signed in pencil, from the numbered edition 200, sheet 22 x 40”, hand-print blindstamp lower right, creases and soft handling creases in margins, otherwise in good condition.  $100/200

 

 

 

67

Joe Doyle (b. 1941) Californian

CORIUM, 1986, acrylic painting over monoprint and screenprint, signed and dated lower right, from a series edition of 48 unique works, sheet 27 ¾ x 33 ¼”, framed, in good studio condition. Provenance Editions Press.  $200/400

 

 

 

68

Albrecht Durer (1471-1528) German

ST. BARTHOLOMEW (CD.97, B.47; M.45A), 1523, engraving, initialed in plate, sheet 4 5/8 x 2 7/8”, framed, a some light spots mainly in right background, otherwise in apparently good condition. Provenance: W. Russell Button Gallery, Chicago, with a copy of bill of sale stating it is a first edition. From the collections of B. Hansmann and Beldinger & Blanchard Randall.  $2000/3000

 

 

 

69

Albrecht Durer (1471-1528) German

CHRIST BEFORE CAIAPHAS (B.6), 1512, engraving, initialed in plate, sheet 4 5/8 x 2 7/8”, framed with glass, very fine impression in apparently good condition.  $1500/2500

 

 

 

70

Brad Durham (b. 1952) Californian

MEMORY, 1987, oil on wood panel, 18 ½ x 18 ½ x 2” including artist’s design lead covered frame, signed and dated on verso. Provenance: Karl Bornstein Gallery.  $200/400

 

 

 

71

Alfred Eisenstaedt (1898-1995) American

VLADIMIR HOROWITZ, NATHAN MILSTEIN & GREGOR PIATIFORSKY, 1932, gelatin silver, signed in ink lower right margin, from the numbered edition 50, published by Time Inc. in 1979, with their stamp and artist’s stamps on verso, image 7 x 9”, framed with glass, in apparently good condition.  $1500/2500

 

 

 

72

 

NO LOT

 

 

 

73

 

NO LOT

 

 

 

74

NO LOT

 

 

 

75

NO LOT

 

 

 

76

Erte (1892-1990) French

BROWN BOOT (L.50), 1974, color screenprint, signed in pencil, artist’s proof aside from the numbered edition 260, image 13 x 10”, published by Circle Gallery, full margins, framed with glass, in apparently good condition.  $200/400

 

 

 

77

Erte (1892-1990) French

UNTITLED, color screenprint, signed in pencil, from the numbered edition 300, image 23 ½ x 17”, “S” blindstamp lower left, full margins, framed with glass, printer’s crease left margin, natural ink halo around perimeter of image, very mild cockling, otherwise in apparently good condition.  $400/00

 

 

 

78

Carlo Ferrari (b. 1946) Italian

STUDY 27, 2000, oil painting on canvas, signed and dated on verso, 27 ¾ x 27 ¾”, framed, small chip, otherwise in good studio condition. Provenance: Bellini Fine Art Gallery, La Jolla.  $800/1200

 

 

 

79

Lisa Ferrante (20th/ 21st Century) American

CRUCIFIXION WITH MOON, 1987, oil painting on canvas, signed and dated lower left, 24 x 18”, in artist’s hand-painted frame, in good studio condition. Provenance: Art Space.  $200/400

 

 

 

80

Leonor Fini (1908-1996) Argentinean (two)

VISAGE, color lithograph, signed in pencil, from the numbered editions 250, image 23 x 18 ¼”, full margins, framed with glass, minor cockling, otherwise in apparently good condition. WITCH, color lithograph, inscribed E. A. (artist’s proof), sight 21 ½ x 14 ½”, framed with glass, in apparently good condition. (2)  $200/400

 

 

 

81

Vernon Fisher (b. 1943) American

BIRD AT 45 DEGREES, 1990, oil and acrylic painting on paper, signed dated and titled lower right, 30 ¼ x 33 ¾”, framed, good studio condition. Provenance: Works Gallery South, Crystal Court.  $700/900

 

 

 

82

Daniele Fissore (b. 1947) Italian

GREEN, color lithograph, signed in pencil, from the numbered edition 150, sight 20 ½ x 54”, framed, a small touched up blemish in the sky, otherwise in apparently good condition.  $200/400

 

 

 

83

Gerard Fitreman (b. 1945) & Georges Dussau (b. 1947) (ten)

Gerard Fitreman, VARIOUS, four color etchings, each signed in pencil, three from the numbered edition 90, one from the edition 10 artist’s proofs, sheets 30 x 22 ¼” & 22 ¼ x 30”, with some natural ink saturation on verso from age; Together with Georges Dussau, VARIOUS, two color screenprints, and four color etchings from A Week In September, all signed in pencil, from the numbered edition 100 & 99, sheets 30 ¼ x 22 ½” & 22 ½ x 30 ¼”, with some natural ink saturation on verso from age, otherwise all in good condition. (10)  $800/1200

 

 

 

84

Chung Ray Fong (b. 1934) Chinese

UNTITLED, 1982, oil painting on canvas, signed lower right, signed and dated on verso, 36 x 48, in good studio condition. Provenance: M & M Shinno Gallery, Los Angeles.  $6000/12,000

 

 

 

85

Louis Fox (b. 1929) Canada/ American

CUP #1, 1988, oil painting with turpentine and charcoal on wood, signed and dated on verso, 16 x 16”. Provenance: Koplin Gallery.  $200/400

 

 

 

86

Sam Francis (1923-1994) American

UNTITLED (SFS.132; S.3), color screenprint, signed in pencil, from the numbered edition 100, sheet 30 x 22 ¼”, published and printed by Gemini G. E. L., with their blindstamp lower right, framed, pale tideline stain lower sheet edge, otherwise in apparently good condition.  $2000/3000

 

 

 

87

Sam Francis (1923-1994) American

UNTITLED (SFE.400; I.29), 1982, aquatint, signed in pencil, artist’s proof aside from the numbered edition 20, sheet 23 x 24 ½”, printed and published by 3EP Palo Alto with blindstamp, with a few soft handling creases in margins visible in raking light on the verso, otherwise in good condition.  $700/900

 

 

 

88

Sam Francis (1923-1994) American

UNTITLED (SFE.200; I.11), 1981, aquatint, signed in pencil, from the numbered edition 20, sheet 22 ½ x 26 ½”, printed and published by 3EP Palo Alto with blindstamp, in good condition.  $900/1200

 

 

 

89

Sam Francis (1923-1994) American

UNTITLED (SF.189; L.170), 1974, five-color lithograph, signed in pencil, from the numbered edition 30, sheet 22 ¼ x 30”, printed by George Page, published by the Litho Shop, blindstamp, in good condition.  $1000/1500

 

 

 

90

Sam Francis (1923-1994) American

UNTITLED (SF.211; L.203), 1976, lithograph, signed in pencil, from the numbered edition 30, sheet 28 x 36”, printed by George Page, published by the Litho Shop, blindstamp, with a few soft handling creases upper left corner, otherwise in good condition.  $800/1200

 

 

 

91

John Franklin (b. 1955) American

TOBACCO, 1991, inked cotton ribbon, paint chart and lacquer on birch plywood, signed and dated on verso, 16 ½ x 9 ½”, in good studio condition. Provenance: Richard Green Gallery, Santa Monica.  $200/400

 

 

 

92

Francesca Gabiani (b. 1965) Canadian

CLUB TEEYEE, 2001, color screenprint, signed in pencil, from the numbered edition 30, Angeles Press blindstamp lower left, sheet 18 x 26”, framed with glass, slipped in frame, otherwise in apparently good condition.  $200/400

 

 

 

93

A. A. Gasparyan (20th/21st Century) Russian

RED HARLEQUIN, 2006, oil painting on canvas, signed and dated lower left, signed and dated on verso, 30 ½ x 25”, in good studio condition.  $300/600

 

 

 

94

Candice Gawne (20th/ 21st Century)

CUP/FIRE, 1988, color pastel on paper, signed and dated on back of frame, 30 x 22”, framed with glass, in good studio condition. Provenance: Koplin Gallery, Los Angeles.  $200/400

 

 

 

95

Jill Giegerich (b. 1951) American

UNTITLED, 1992, acrylic painting and paint stick on photocopy on paper, 20 x 15”, signed on verso?, framed, in good studio condition. Provenance: Richard Green Gallery.  $200/400

 

 

 

96

Lawrence Gipe (b. 1962) American

CANALS, 1987, oil painting on canvas, signed and dated on verso, 12 x 9”, framed, in good studio condition. Provenance: Shanti Foundation, West Hollywood.  $400/600

 

 

 

97

Lawrence Gipe (b. 1962) American

UNTITLED #4 from Ferriss Series (Davis), 1987, oil painting on canvas, signed and dated on verso, 30 x 24”, framed, in good studio condition. Provenance: Karl Bornstein Gallery, Santa Monica.  $800/1200

 

 

 

98

Lawrence Gipe (b. 1962) American

NORTH FACTORY STUDY C, 1987, oil painting on paper, signed and dated upper right, 30 ½ x 44”, framed, in good studio condition. Provenance: Karl Bornstein Gallery, Santa Monica.  $1000/1500

 

 

 

99

Lalique glass

DOVE DISH, thick frosted and clear crystal dish, signed underneath, 4 ¾” tall, 4 ½” diameter, customary scuffs underneath.  $200/400

 

 

 

100

Gnocchi (20th Century) European

COUNTRY VILLAGE, oil painting on linen, signed lower right, 27 ¾ x 39 ½”, framed, in good studio condition.  $200/400

 

 

 

101

R. C. Gorman (1932-2005) Native American

ESTA state 1 (A. page 192), 1981, color screenprint, signed in pencil, from the numbered edition 150, sheet 35 x 28”, artist’s blindstamp lower center, printed by Editions Press San Francisco with their blindstamp lower right,, framed with glass, slipped in frame, otherwise in apparently good condition.  $300/600

 

 

 

102

Patrick Graham (b. 1943) Irish

MASK, 1986, mixed media on paper and card, signed and dated lower left, 31 ½ x 43 ½”, in good studio condition. Provenance: Jack Rutberg Gallery, Los Angeles.  $1500/2500

 

 

 

103

Eugene Grassett (1845-1917) Swiss

L’ANDALOUSIE AU TEMPS DE MAURES, Exposition de 1900, color lithograph poster, signed on stone lower right, sheet 50 ½ x 69”, thin linen backing, small nicks and tears, some color diminished, toned, otherwise in generally good condition.  $500/1000

 

 

 

104

Phyllis Green (b. 1950) American

FORWARD, 1988, carved and painted wood & concrete, signed and dated, 41 ½ x 30 x 27”, lacking stand otherwise in good studio condition. Provenance: Jan Baum Gallery, Los Angeles.  $400/800

 

 

 

105

Phyllis Green (b. 1950) American (two)

BACKWARD FALL, 1986, carved and painted wood & concrete wall mount, signed and dated underneath, 14 x 9 x 6”; BORDER, 1986, carved and painted wood & concrete wall mount, signed and dated underneath 13 x 9 x 8”, both in good studio condition. Provenance: Jan Baum Gallery, Los Angeles. (2)  $300/600

 

 

 

106

Giuseppe Guerreschi (1929-1985) Italian

FIORI, 1955, oil painting on canvas, signed and dated lower left, 40 x 25”, framed, surface soiling, hairline cracks and contraction craquelure, chips, small fragment losses, otherwise in generally good condition.  $1500/2500

 

 

 

107

D. J. Hall (b. 1951) American

STILL LIFE, color screenprint, signed in pencil, from the numbered edition 250, image 22 x 27 ¼”, full margins, printed at Wasserman, blindstamp lower right, framed, some color may possibly be diminished, otherwise in apparently good condition.  $200/400

 

 

 

108

Madden Harkness (20th/ 21st Century) & another (two)

UNTITLED, 1988, mixed media on drafting film, 60 x 42”, framed, some minor cockling otherwise in apparently good studio condition. Provenance: Roy Boyd Gallery; Together with a color photograph of Harkness by another. (2)  $400/800

 

 

 

109

Fielden W. Harper (20th/ 21st Century) American

SPRING STREET, 1988, acrylic painted wood and shingle construction, signed and dated on verso, 48 ½ x 39”, in good studio condition.  $300/600

 

 

 

110

John Haskins (b. 1938) British

POLO MATCH, oil painting on canvas, signed lower right, 24 x 30”, framed, in very good studio condition.  $600/900

 

 

 

111

John Haskins (b. 1938) British

BEACH SCENE, oil painting on canvas, signed lower right, 24 x 30”, framed, in very good studio condition.  $800/1200

 

 

 

112

Peter Hess (b. 1955) Californian

PRIMATE III, 1985, acrylic painting with collage on paper with wood construction, signed and dated lower left, 36 x 26 x 1”, framed with glass, in good studio condition. Provenance: Koplin Gallery, Los Angeles.  $300/600

 

 

 

113

Greg Hessel (20th/ 21st Century) American

ARCHES & SKY, 1984, 3D paper construction, 37 ½ x 24 ½ x 2 ½”, signed and dated lower right, framed. Provenance: Del Mano Gallery, Los Angeles.  $200/400

 

 

 

114

Ando Hiroshige (1797-1858) Japanese (three)

100 FAMOUS VIEW OF EDO; 53 STATIONS OF THE TOKAIDO ROAD; 69 STATIONS OF THE KISOKAIDO ROAD, three color woodblock prints from a later editions, each with character stamps in design, sheets 14 ½ x 9 ¾” & 15 ¼ x 10”, all in good condition. (3)  $200/400

 

 

 

115

Peter Hamlett (1919-1972) American

SEASCAPE, oil painting on canvas, signed lower left, 18 x 36”, framed, light surface soiling, otherwise in good studio condition.  $300/500

 

 

 

116

James Hueter (b. 1925) Californian

VISAGE, 1987, acrylic, watercolor and color pencil on paper with metal, signed and dated lower right, 9 x 9”, framed with glass. Provenance: Toby Moss Gallery, Los Angeles.  $200/400

 

 

 

117

Larry G. Hurst (b. 1949) American

UNTITLED C-8, 1985, mixed media and wood construction, with artist’s label and signed and dated on verso, 23 x 20 x 1 ½”, a few scuffs and smudges in outer white area, otherwise in good studio condition. Provenance: Roy Boyd Gallery.  $200/400

 

 

 

118

Louis Icart (1888-1950) French

GITANE (H.477), 1939, color aquatint etching, signed in pencil, artist’s blindstamp lower left,  image 17 ½ x 21 ½”, full margins, framed with glass, pale toning, otherwise in apparently good condition. Provenance: Raydon Gallery, NY  $700/900

 

 

 

119

Impressionist style (20th Century) American

SAILBOAT ON BAY, oil painting on canvas, signed John Maris? lower right, 10 x 8”, framed, in good studio condition.  $100/200

 

 

 

120

Seta Injeyan (20th/ 21st Century) Californian

GRAPEVINE MOUNTAINS, pastel with collage on thin transparent plastic, 12 x 18”, framed, in good studio condition. Provenance: Merging One Gallery.  $100/300

 

 

 

121

Italian Artist (17th Century?)

STUDY OF THE RAPE OF THE SABINE, watercolor on paper, 5 x 10 ¼”, framed with glass, in apparently good condition.  $400/800

 

 

 

122

Nancy Jackson (b. 1956) American

DEEP WATER BRIDGE OVER WATER, 1984, acrylic painting on wood construction, signed dated and titled on verso, 19 ¼ x 17 ¼ x 2”, in good studio condition. Provenance: acquired directly from artist.  $300/600

 

 

 

123

Nancy Jackson (b. 1956) American

GUARD #1, 2001, tempera & gouache on ceramic in three pieces on wood stand, initialed and dated on back of neck, 62 x 15 ¼ x 14” with stand, some scuffs and a few hairline cracks in fingers and wrist, dust accumulation, otherwise in good studio condition. Provenance: Rosamund Felson Gallery.  $1000/2000

 

 

 

124

Jacobson (20th Century)

UNTITLED, 1978, color pastel on colored paper, signed and dated lower right, 19 ½ x 25 ½”, framed, in apparently good studio condition.  $100/300

 

 

 

125

Eduardo Jones (20th/ 21st Century) American

TWO PEOPLE ON A BENCH, 1974, wire, tin can and scrap metal sculpture, signed and dated on tin can, 11 x 15 x 8 ½”, in good studio condition with natural aging.  $100/200

 

 

 

126

Paula Kadunc (20th/ 21st Century) Brazilian

UNTITLED PURPLE, 2014, acrylic painting on canvas, signed and dated on verso, 39 ½ x 39 ½”, framed (wood cracked), in good studio condition.  $400/800

 

 

 

127

Paula Kadunc (20th/ 21st Century) Brazilian

UNTITLED BLACK/GRAY/ WHITE/ RED, 2011, acrylic painting on canvas, signed and dated on verso, 35 ½ x 23 ½”, framed, in good studio condition.  $400/800

 

 

 

128

Norman Kao (20th/ 21st Century)

TWO BOTTLES, 1987, gouache and pastel on paper, 12 ½ x 15”, artist’s character stamp upper left, framed, in apparently good studio condition. Provenance: Art Space, Los Angeles.  $100/300

 

 

 

129

Kaws (b. 1974) American

DISSECTED COMPANION, 2006, painted vinyl, artist’s stamp and date underneath, from the edition of 500, height 16”, a few scuffs and some surface soiling, otherwise in good condition.  $300/600

 

 

 

130

William Keith (1838-1911) Scottish/ American

UNTITLED LANDSCAPE, oil painting on canvas, signed lower left, 36 x 60”, framed, edge wear, some perimeter chips, crack with some edge loss lower right edge, some professional restoration including re-lining, otherwise in good condition.  $20,000/40,000

 

 

 

131

William Kent (1919-2012) American

FIRST TRI-COLOR LONE STAR FLAG, TEXAS - 1835, 1964, color intaglio print, signed in pencil, from the numbered edition 20 (smudged), image 10 ¼ x 29”, full margins, framed with glass, creases, soft handling creases, cockling, evidence of paper stress at plate mark, otherwise in apparently good condition.  $200/400

 

 

 

132

Rollin Kirby (1875-1952) American & Honore Daumier (1808-1879) French (five)

Rollin Kirby, LOST IN DEATH VALLEY, 1941, pencil drawing and white highlight on paper, sight 16 x 13”, marked lower left “Ed(itorial) page Tuesday”, some staining and discoloration; Together with Honore Daumier, MAC-ADAM ET BINEAU AUX ENFERS, 1860; ACTUALITES; UNTITLED, three lithographs as published in the Charivari, two initialed in the design, average image 9 x 11”, full margins, all framed with glass, all in generally good condition. (5)  $100/300

 

 

 

133

Tsuchiya Koitsu (1870-1949) Japanese

THE INLAND SEA (TK-WN-8), 1940, color woodblock print, character stamps lower right and in left margin, sheet 15 ½ x 10 ½”, in good condition.  $300/500

 

 

 

134

Tsuchiya Koitsu (1870-1949) Japanese

NARA NO IKE (The Pond of Sarusawa, Nara on a Rainy Evening) (TK-BN-15), 1941, color woodblock print, character stamps lower right and in lower right and left margins, sheet 15 ¾ x 10 ½”, in good condition.  $300/500

 

 

 

135

Kathe Kollwitz (1867-1945) German

TOD STURZT AUF KINDER, 1934, lithograph, signed in pencil, from the numbered edition 100, sheet 23 ½ x 18 ¼”, framed with glass, a few speckles, minor discoloration and creases, hinging impressions, mild cockling, otherwise in apparently good condition.  $500/1000

 

 

 

136

Jeff Koons (b. 1955) American

PADDLE BALL GAME, 2000, die-cut wood with mixed media, stamped on verso, from the edition of 900, size 12 ¾ x 8 ½ tapering to 2 ½”, published by Deutsche Guggenheim, dings, scuffs and wear from use, otherwise in good condition.  $500/1000

 

 

 

137

Ann Krestenson (20th/ 21st Century)

VESSEL, painted and glazed ceramic, initialed underneath, 11” diameter, 9: tall, in good studio condition. Provenance: Mariposa Gallery, Albuquerque.  $100/300

 

 

 

138

Richard La Dow (20th Century) American

VIEW Series, 1967, oil painting on canvas, signed lower left, 50 ¾ x 45 ½”, framed, in good studio condition. Provenance: acquired directly from artist.  $300/600

 

 

 

138 A

Walter Lantz (1899-1994) American

ANDY PANDA, c.1942, original production drawing framed, signed in ink lower right, sight 9 ½ x 11 ½”, framed, small puncture lower center, not effecting image, soft handling creases, otherwise in apparently good production condition. Provenance: Center Art Galleries, Hawaii.  $200/400

 

 

 

139

Walter Lantz Studios

GUESS WHO WOODY, 1982, hand-painted studio cel, signed in ink “ Walter Lantz” lower right, with studio stamp lower left, sight 9 ¼ x 12”, framed, in apparently good studio condition.  $100/200

 

 

 

140

Rico Le Brun (1900-1964) Californian (three)

DRAWINGS FOR DANTE’S INFERNO, 1968, loose leaf portfolio with seven lithographs, each signed in pencil, one framed with glass, from the numbered edition 100, sheet 17 x 12 ¾, published by Kanthos Press, in original portfolio case, some soiling to portfolio case, discoloration on list of plates page, otherwise in good condition; Together with DRAWINGS FOR DANTE’S INFERNO, 1968, hardbound book, with four loose-leaf lithographs, each signed in the plate, from the edition of 2000, published by Kanthos Press, with slip cover, some soiling on cover, some breaks in binding of slip case, otherwise in good condition; Together with RICO LEBRUN DRAWINGS, 1961, University of California Press, hardbound book, spine sun-stained, otherwise in generally good used condition. (3)  $400/800

 

 

 

141

Fernand Leger (1881-1955) French

UNTITLED FIGURES ON YELLOW BACKGROUND, color lithograph, signed in ink (faded), image 16 ¼ x 13”, full margins, framed, crease lower right image, faint perimeter toning, handling creases and speckles in margins, otherwise in apparently good condition.  $1000/2000

 

 

 

142

Roy Lichtenstein (1923-1997) American

CHEM 1A (C.100), 1970, color screenprint, signed in pencil, from the numbered edition 100, image 24 x 14 3/8, sheet 30 x 20 2/16” (Corlett calls for 5/16”), published and printed by Gemini G. E. L., with their blindstamp lower right, framed with glass, soft handling creases in margins, very minor cockling in margins, otherwise in good condition.  $5000/7000

 

 

 

143

David Ligare (b. 1945) American

VANITAS, 1984, oil painting on canvas, signed lower right, signed dated and titled on verso, 20 x 24”, framed, in good studio condition. Provenance: Koplin Gallery, Los Angeles.  $6000/9000

 

 

 

144

Lladro

DANCERS FROM THE NILE (Golden Re-Deci), 2013, partially glazed and painted porcelain sculpture, stamped underneath, from the edition of 500, height 20”, in very good condition.  $1000/2000

 

 

 

145

Swen Lund (20th Century)

LANDSCAPE, oil painting on Masonite, signed lower left, 9 x 12”, framed, light surface soiling, otherwise in good studio condition.  $200/400

 

 

 

146

Norman Lundin (b. 1938) American

STUDY OF JAR, 1989, gouache and water-soluble crayon on paper, signed lower right, sight 9 x 15 ½”, framed, in apparently good studio condition. Provenance: Space Gallery, Los Angeles.  $300/600

 

 

 

147

Aldo Luongo (b. 1940) Argentinean

TWO CHILDREN ON THE SAND, acrylic painting on canvas, signed upper right, titled and signed on verso, 36 x 48”, framed, in good studio condition.  $1000/2000

 

 

 

148

Aldo Luongo (b. 1940) Argentinean

EL ABUELO, acrylic painting on canvas, signed center right, titled and signed on verso, with artist’s copyright on verso, 36 x 48”, framed, in good studio condition.  $1000/2000

 

 

 

149

Aldo Luongo (b. 1940) Argentinean

RED BENCH, color screenprint, signed in pencil, from the numbered edition 275, image 38 x 30”, full margins, framed, creases at lower sheet edge, otherwise in apparently good condition.  $200/400

 

 

 

150

Aldo Luongo (b. 1940) Argentinean

BAR UNION, color screenprint, signed in pencil, from the numbered edition 275, image 24 ½ x 43 ½”, full margins, framed, in apparently good condition.  $200/400

 

 

 

151

Aldo Luongo (b. 1940) Argentinean

DIXIELAND, color screenprint, signed in pencil, from the edition hors commerce, aside from a numbered edition, image 26 ¼ x 36 ½”, full margins, framed, in apparently good condition.  $200/400

 

 

 

152

Aldo Luongo (b. 1940) Argentinean (two)

HAWK AND BROTHERS KENNEDY, color screenprint, signed in pencil, from the hors commerce edition 25, aside from a numbered edition, image 24 x 32”, full margins, framed, in apparently good condition; Together with TED KENNEDY, 1981, color exhibition poster, signed in white pencil, image 16 x 29”, framed. (2)  $200/400

 

 

 

153

Bill Mack (b. 1949) American

PICASSO, cast bonded sand and resin, signed lower left, from the numbered edition 130, with publishers’ designed frame, overall 41 x 52 x 8”, surface soiling and dust accumulation, with surface toning from continued exposure to sun, otherwise in good condition.  $500/1000

 

 

 

154

after Aristide Maillol (1861-1944) French

FEMME AU CRABE, cast bronze sculpture, artist’s monogram in design lower right, height 6 ½”, possibly a Dina Viernry edition, worn patina, otherwise in good condition.  $2000/4000

 

 

 

155

Antonio Marchese (b. 1947) Italian

WOMAN WITH TWO URNS, oil painting on panel, signed lower left, 11 ¾ x 15 ¾”, framed, in good studio condition. Provenance: Bellini Fine Art Gallery, La Jolla.  $100/300

 

 

 

156

Ralph Massey (b. 1938) Californian

WATER NYMPH, unique cast bronze sculpture with 18K gold plate, signed on artist’s label underneath, 35 ¼” tall with multiple marble base, in good studio condition.  $2000/3000

 

 

 

157

Ralph Massey (b. 1938) Californian

MAY FAIRY, unique cast bronze sculpture, signed and inscribed number one from an unrealized edition of 30, height 24 ¾” with marble base, in good studio condition.  $2000/3000

 

 

 

158

Ralph Massey (b. 1938) Californian

PROTECTIVE COLORING, acrylic painting on panel, signed on side, 32 ¾ x 25 ¼”, in good studio condition.  $2000/3000

 

 

 

159

Ralph Massey (b. 1938) Californian (two)

BARREL WALKER; HOPPERS, 2006, each a gouache on paper, signed and dated lower right, 12 x 9 ¼” & 10 x 14”, both framed, both in good studio condition. (2)  $800/1200

 

 

 

160

Ralph Massey (b. 1938) Californian

GUN PLAY, 2003, gouache on board, signed and dated lower right, 29 x 21 ½”, framed, in good studio condition.  $1500/2000

 

 

 

161

Peter Max (b. 1937) German/ American

WITHOUT BORDERS, 1991, color lithograph, signed in white pencil, from the numbered edition 300, image 40 x 32”, full margins, artist’s blindstamp lower left, framed, in apparently good condition.  $500/1000

 

 

 

162

Peter Max (b. 1937) German/ American (two)

BEAUTY & FAUVE, 1990, suite of two color lithographs, each signed in pencil, with matching numbers from the numbered edition 300, images 40 x 30”, full margins, both framed with glass, both in apparently good condition. (2)  $1000/2000

 

 

 

163

Kathe McCord, Mary Hobbs & R. Williams (20th/ 21st Century) Americans (three)

Kathe McCord, HOLLYHOCKS, 1987, etching, signed in pencil, artist’s proof aside from the numbered edition, image 7 x 5”, full margins; Together with Mary Hobbs, PATRICK, 1980, color lithograph, signed in pencil, from the numbered edition 100, image 8 ¼ x 12 ¼”, full margins; Together with R. Williams, No. 34, 1998, color lithograph, signed in pencil and inscribed A.P. (artist’s proof), sheet 10 ½ x 22”, all framed with glass and in apparently good condition. (3)  $200/400

 

 

 

164

Michael McMillen (b. 1946) & Martha Alf (b. 1930) (two)

Michael McMillen UNTITLED, 1991, color screenprint, signed in pencil, from the numbered edition 250, sheet 16 ¾ x 18”, Wasserman blindstamp lower right; Together with Martha Alf APPLE, 1998, black & white print, signed in pencil, from the numbered edition 250, image 10 ½ x 13 ½”, full margins, both framed and in apparently good condition. (2)  $200/300

 

 

 

165

Leo Meiersdorf (1934-1999) American (two)

JAZZ MUSICIANS, two color lithographs, each signed in pencil, from the numbered editions 350, images 20 x 27” & 20 x 28 ¼”, both with full margins and framed with glass, one with rub spot in margins and faint toning, otherwise both in apparently good condition. (2)  $200/400

 

 

 

166

Jose Montanes (1919-1998) Spanish

CARNIVAL OF CLOWNS, oil painting on canvas, signed lower center, 30 x 36”, framed, in good studio condition, with certificate from artist’s estate.  $1500/2500

 

 

 

167

Jose Montanes (1919-1998) Spanish

YOUNG MOTHER, 1994, oil painting on canvas, signed and dated lower left, 24 x 24”, framed, in good studio condition, with certificate from artist’s estate.  $600/900

 

 

 

168

Jose Montanes (1919-1998) Spanish

MANY CARDS TO PLAY, oil painting on canvas, signed upper left, 24 x 20”, framed, in good studio condition, with certificate from artist’s estate.  $600/900

 

 

 

169

Jose Montanes (1919-1998) Spanish

MUSIC ON THE MOVE, 1996, oil painting on canvas, signed and dated lower left, 48 x 36”, titled on verso, in good studio condition, with certificate from artist’s estate.  $2000/4000

 

 

 

170

Rodolfo Morales (1925-2001) Mexican

UNTITLED, color print, signed in pencil, from the numbered edition 200, image 20 x 23 ¾”, full margins, framed with glass, in apparently good condition.  $500/1000

 

 

 

171

Tomoharu Murakami (b. 1938) Japanese

UNTITLED, 1991, oil painting on paper 12 ½ x 9”, signed and dated on verso, framed with glass, glass touching surface of painting at certain points, otherwise in apparently good condition. Provenance: James Corcoran Gallery, Santa Monica.  $1000/1500

 

 

 

172

LeRoy Neiman (1921-2012) American

NUDE, 1975, watercolor and ink on paper, signed and dated lower right, 25 x 17 ¾”, framed with glass, colors diminished, otherwise in apparently good studio condition. Provenance: Hammer Galleries: Drawing. A Retrospective, 35 Years, 1946-1981, Catalog #44.  $6000/9000

 

 

 

173

LeRoy Neiman (1921-2012) American

HARRY’S WALL STREET BAR (K.II.44), 1985, color screenprint, signed in pencil, from the numbered edition 600, image 25 x 37 ½”, full margins, framed with glass, some sun toning with background violet color partially diminished, otherwise in apparently good condition.  $1000/2000

 

 

 

174

Leonardo Nierman (b. 1932) Mexican

COSMIC SHIP, 1964, oil painting on Masonite, signed and dated lower left, 9 ½ x 17”, in good studio condition, framed tarnished.  $300/600

 

 

 

175

Michael Norton (b. 1953) Californian

UNTITLED #6, 1992, egg tempera on panel, signed and dated on verso, 12 x 18”, in good studio condition. Provenance: Acme gallery.  $300/600

 

 

 

176

Michael Norton (b. 1953) Californian

UNTITLED #7, 1997, egg tempera on panel, signed and dated on verso, 16 x 23”, in good studio condition. Provenance: Acme gallery; Exhibited University of Illinois in 1997.  $500/800

 

 

 

177

Michael Norton (b. 1953) Californian

UNTITLED #14, 1995, egg tempera on panel, signed and dated on verso, 19 x 16”, in good studio condition. Provenance: Acme gallery; Exhibited University of Illinois in 1997.  $400/800

 

 

 

178

Echiko Ohira (20th/ 21st Century) Japanese

GREEN DUSK, 1990, acrylic painted mixed media assemblage, signed and dated on spine, 21 x 6 x 6”, in good studio condition. Acquired directly from artist.  $100/300

 

 

 

178 A

Alexander Orlov (20th Century) Russian (four)

LAKE BALBOA I, II & III; WINTER SUNSET, four oil paintings on panels, each 6 x 6”, signed lower right or left, all framed and in good studio condition. (4)  $1000/1500

 

 

 

179

Ann Page (20th/ 21st Century) American

ORDER OF THINGS, (title page) study from Straits of Aphasia, mixed media assemblage, signed and dated on verso, 10 ½ x 6 ½ x 4”, in good studio condition. Provenance: Goldeen Gallery.  $100/200

 

 

 

180

Cheri Pann (20th/ 21st Century) Californian

APPLE #25, 1987, oil painting on canvas, signed dated and titled on verso, 12 x 12”, in good studio condition. Provenance: Art Space, Los Angeles.  $100/300

 

 

 

181

Stephen Paulsen (b. 1947) American

STORAGE CHAMBER, 1985, cut, carved and turned wood, signed and dated lower right, 9 x 11 x 3”, with artist’s box frame, with glass, in good studio condition. Provenance: Del Mano Gallery.  $200/400

 

 

 

182

Pablo Picasso (1881-1973) Spanish

JEUNE HOMME AU MASQUE DE TAUREAU, FAUNE ET PROFILE DE FEMME (B.279), 1936, etching, stamp signed, from the numbered edition 50, published in 1961, plate 8 ½ x 12”, full margins, framed, in apparently good condition.  $3000/4000

 

 

 

183

Luigi Pigalle (20th Century) European

TOWN SQUARE, oil painting on burlap, signed lower right, 27 ¾ x 39 ½”, framed, in good studio condition.  $200/400

 

 

 

183 A

Luigi Pigalle (20th Century) European

VENICE CANAL, oil painting on burlap, signed lower right, 27 ¾ x 39 ½”, framed, in good studio condition.  $200/400

 

 

 

184

Giovanni Battista Piranesi (1720-1788) Italian

CARCERI D’INVENZIONE, plate 16, c.1750, etching on chain-laid paper, from an edition of unknown date, inscribed “Piranesi F. XVI” lower right, image 15 x 21 ½”, sheet 21 ½ x 30 ¼”, collectors stamp “ R. K. Mayer” on verso, framed with glass, mild toning and discoloration in margins, one small thin area upper left margins, otherwise good condition.  $2000/3000

 

 

 

185

Giovanni Battista Piranesi (1720-1778) Italian (two)

VEDUTA DEGLI AVANZI DI FABBRICA MAGNIFICA SEPULCRALE CO’FU ROVINE, TOM II, LX; VEDUTA DEGLI AVANZI; SOPRA TERRA DELL’ ANTICO USTRINO, TOM III, VI, both from Antiquities De Roma, 1756, two etchings, plates 15 ¾ x 20 ¾” & 16 x 24”, both with full margins and framed with glass, the first with discoloration spots, the second with a couple small discoloration spots, both otherwise in apparently good condition. (2)  $400/800

 

 

 

186

Giovanni Battista Piranesi (1720-1778) Italian (two)

PROSPETTO ESTERNO DELL AVANZO DE PORTICI, TOM. IV from Antiquities De Roma, engraving, sheet 20 x 51”, framed with glass, toning, discoloration, creases, tideline staining, otherwise in apparently generally good condition; SCHEMATA EMISSARII LACUS ALBANI, Figures I, II, III, Table 30, etching, inscribed Piranesi F. lower left, image 15 ½ x 44 ½”, full margins, framed with glass, toning, discoloration, tideline staining, creases, otherwise in apparently generally good condition. (2)  $400/800

 

 

 

187

Shmuel Ra’ayoni (b. 1922) Lithuanian/ Israeli & another (two)

Shmuel Ra’ayoni, UNTITLED, gold paint and ink on fabric, signed lower left, 6 x 5 ½”, in apparently good studio condition. Provenance: Ein Hod Village Gallery. Together with Israeli Artist Unidentified, FAMILY WITH BIRD, painted and glazed ceramic sculpture, initialed K. D. underneath, 13 ¾” tall. (2)  $200/400

 

 

 

188

Ramon Ramirez (20th/ 21st Century) Californian

SUPER SONIC, 2003, oil painting with collage on canvas, signed dated and titled on frame verso, 24 x 42”, framed, in good studio condition.  $200/400

 

 

 

189

Jim R. Reed (20th/ 21st Century) American

A MUSE, 1985, mixed media construction with cast paper, plastic and neon, signed and dated lower right, in Plexiglas box, overall 22 x 16 x 8”, electricity in working order, in good studio condition. Provenance: Del Mano Gallery.  $100/300

 

 

 

190

Miguel Angel Reyes (b. 1964) Mexican/ American

MEL HERST, 1994, oil painting on canvas wrapped over wood, signed and dated lower center, 11 ¼ x 11 ¼”, small impact tear upper left corner, otherwise in good studio condition. Provenance: LACMA Sales Gallery.  $100/300

 

 

 

191

Todd Rich (b. 1949) American

HOLLOW MAN, 1988, mixed media with glass, wood and straw, inscribed on verso in silver marker, 21 x 13”, in good studio condition. Provenance: Merging One Gallery.  $100/200

 

 

 

192

Bruce Richards (b. 1948) Californian

WITNESS, 1992, color lithograph, signed in pencil, from the numbered edition 45, image 18 x 14 ½”, full margins, published by LACMA Graphic Arts Council, printed by Watermark Press, framed, in apparently good condition.  $200/400

 

 

 

193

Norman Rockwell (1894-1978) American

BLACKSMITH, lithograph on Arches script watermarked paper, signed in pencil, from the numbered edition 200, sheet 14 ¼ x 30”, published by Circle Fine Art, framed with glass, moderate toning recto and verso, otherwise in good condition.  $300/600

 

 

 

194

Nancy Romero, Jack Beal & Sueellen Ross (three)

Nancy Romero FROGS, oil painting on board, signed lower left, 10 x 10”, minor wear in corners, otherwise in good studio condition; Together with Jack Beal SPOTTED SALAMANDER, color lithograph, signed in pencil and inscribed AP 12, sheet 11 x 14 ½”, faint discoloration on recto from hinges on verso; Together with Sueellen Ross TRUMAN CAPOULTRY, hand-colored etching, signed in pencil, from the numbered edition 350, image 4 ¾ x 4 ¼”, sheet 10 x 9 ½”, framed, in apparently good condition. (3)  $200/300

 

 

 

195

Adam Ross & Masako Takahashi (20th/ 21st Century) (two)

Adam Ross, UNTITLED, 1990, oil painting and alkyd on wood, signed and dated on verso, 7 ½ x 7 ½ x 2 ½”, in good studio condition. Provenance: Goldeen Gallery, Santa Monica; Together with Masako Takahashi TO PRIMO LEVI, APRIL 1987, acrylic painting on paper, signed lower right, 6 x 6”, framed with glass, in good studio condition. Acquired directly from the artist. (2)  $200/400

 

 

 

196

Georges Rouault (1871-1958) French

YELLOW CLOWN from Cirque de L’Etoile (CR.247), 1934, color aquatint etching, initialed lower left, image 12 x 8”, with large margins, framed with glass, in apparently good condition.  $2000/3000

 

 

 

197

Kent Rush (b. 1948) Californian

GUSSET, 1985, cyanotype graphite on paper stretched over wood liner, signed and dated lower center, 20 x 15”, some minor edge wear, otherwise in good studio condition.  $200/400

 

 

 

198

Betye Saar (b. 1926) Californian (two)

ALISON, 1963, etching, signed in pencil, from the numbered edition 15, image 7 ½ x 6”, full margins, framed with glass, a few inconspicuous speckles, otherwise in apparently good condition. A rare early work depicting the artist’s daughter at age seven; LES ENFANTS DEL LA LUNE, etching, signed in pencil, artist’s proof aside from the numbered edition, image 6 x 7 ½”, full margins, framed with glass, in apparently good condition. A scarce work circa 1963. (2)  $1000/2000

 

 

 

199

David Salle (b. 1952) American

LEMON TWIG, 2002, color lithograph, signed in pencil, from the numbered edition 50, image 20 ½ x 14 ½”, full margins, some smudges on verso, otherwise in good condition.  $300/600

 

 

 

200

David Salle (b. 1952) American

SALAMI WITH LANDSCAPE, 2002, diptych, color lithograph, signed in pencil, from the numbered edition 50, sheets 29 ¾ x 22” each, overall 59 ½ x 22”, in good condition.  $500/1000

 

 

 

201

Tom Savage (b. 1953) American

SOLID, 2012, acrylic and charcoal on wood panel, signed and dated on verso, 36 ¼ x 26”, in good studio condition.  $1000/1500

 

 

 

202

Tom Savage (b. 1953) American

JUST A MINUTE, 2010, acrylic and charcoal on wood panel, signed and dated on verso, 36 x 36”, in good studio condition.  $1200/1600

 

 

 

203

Mary Schairer (20th/ 21st Century) Californian (two)

NICKELODEON, 1987, collage, signed and dated lower right, 17 ½ x 21”, framed with glass, in good studio condition; PINK PAN, 1986, collage on paper, signed and dated lower center, 11 ½ x 7 ¼”, framed, colors naturally diminished with age, otherwise in good studio condition. Provenance: Art Space. Los Angeles. (2)  $200/400

 

 

 

204

Mildred Bruce Scofield (1889-1983), James Parker & another (three)

Mildred Bruce Scofield, ONIONS, c.1945, oil painting on canvas, signed lower right, 9 x 12”, lacquer is yellowed, canvas has hardened in an un-taut state, otherwise in good condition. Provenance: Gallery 170, Los Angeles; Together with James Parker, PACIFICA, oil painting on canvas board, signed lower left, 10 x 8”, in good studio condition; Together with Artist Unidentified, RIDER AND CART, 1945, acrylic painting on paper, signed and dated lower left, 9 ½ x 13 ½”, framed, paper toned and mounted to card, otherwise in apparently good condition. (3)  $200/400

 

 

 

205

Richard Sedivy (b. 1948) American

PICTORIAL AMERICA (American Dream), 1991, oil and varnish on Masonite, signed and dated on verso, 30 x 39 ¼”, in artist’s constructed frame, scuff lower right, otherwise in good studio condition. Provenance: Ruth Bachofner, Santa Monica.  $1000/2000

 

 

 

206

Richard Sedivy (b. 1948) American

BIRTH, 1988, oil painting and varnish on wood construction, signed and dated on verso, 19 ¾ x 19 ½ x 2”, small nick on eyelet, otherwise in good studio condition. Provenance: Art Space, Los Angeles.  $300/600

 

 

 

207

Bill J. Shaddix (b. 1931) American

POND IN FORREST, oil painting on Masonite, signed lower right, sight 14 ½ x 29 ½”, framed, otherwise in good studio condition.  $400/600

 

 

 

208

Ohara Shoson aka Ohara Koson (1877-1945) & Kaoru Kawano (1916-1965) (two)

Ohara Shoson EGRETS AND WILLOWS IN RAIN, 1926, color woodblock print, character stamps lower right, Watanabe Shozaburo publisher seal, sheet 15 ½ x 10 ½”, in good condition; Together with Kaoru Kawano BIRDS, color woodblock print, character stamp lower right, image 6 x 4 ¼”, full margins, framed with glass, a few speckles lower margin, otherwise in apparently good condition. (2)  $100/300

 

 

 

209

Luciano Spazzali (b. 1911) Italian

SEATED WOMEN WITH APPLES, 1957, oil painting on textured panel, signed and dated lower right, signed dated and titled on verso, 15 ¾ x 20 ¼”, framed, minor surface soiling, otherwise in good studio condition.  $800/1200

 

 

 

210

Sports Memorabilia: Tour De France

USPS 2002 AMERICAN TOUR DE FRANCE CYCLE TEAM BANNER, printed nylon banner, signed by all 2002 team members including Lance Armstrong, 3 x 5’, framed, in apparently good condition.  $200/600

 

 

 

211

Antoni Tapies (b. 1923) Spanish (two)

UNTITLED RED BACK GROUND; UNTITLED RED SHOE, two color lithographs, each signed in pencil, from the numbered editions 75, images 12 ½ x 18 ½” & 13 x 17 ½”, both with large margins and framed, a few soft handling creases, otherwise both in apparently good condition. (2)  $1000/2000

 

 

 

212

Naomi Tashiro (20th/ 21st Century) Japanese/ American

CROUCHING WOMAN WITH BOWED HEAD, ceramic sculpture, 26 ½” tall, in good studio condition. Acquired directly from artist.  $100/300

 

 

 

213

Theo Tobiasse (b. 1927) French

GRANDE DAME AU CHAPEAU, color lithograph, signed in pencil, from the numbered edition 310, image 22 x 34”, full margins, framed with glass, sealed in mat, possibly laid-down, otherwise in apparently good condition.  $200/400

 

 

 

214

Theo Tobiasse (b. 1927), Abraham Rattner (1895-1978) & another (three)

Theo Tobiasse MELODIE POUR UN OISEAU, color carborundum gravure, signed in pencil, from the numbered edition 75, image 25 x 19 ¼”, full margins, discoloration spots recto and verso, mainly in margins, soft handling creases; Together with Abraham Rattner I GO UNDISMAYED from the Beggar’s Opera, color lithograph, signed in pencil, artist’s proof aside from the numbered edition, sheet 25 ¾ x 19 ¾”, soft creases at margins, pale toning on verso; Together with artist unidentified E**TURE 104, 1969, color etching, signed in pencil, from the numbered edition 50, image 11 ½ x 15 ½”, full margins, soft handling creases, scuffs, smudges in margins, spray adhesive stain on verso, otherwise all in good condition. (3)  $200/400

 

 

 

215

Joyce Tremain (1922-1991) & Suzuki (two)

DUCK POND, extensively hand-colored color etching, signed in pencil, from the numbered edition 125, image 17 ½ x 11 ½”, full margins; Together with Suzuki, ANCIENT SONG, lithograph, signed in pencil, from the numbered edition 9, sheet 20 ¾ x 30 ¾”, small dimple lower left, otherwise both in apparently good condition, both framed with glass (the later chipped). (2)  $200/400

 

 

 

216

Victor Vasarely (1908-1997) French/ Hungarian

JAPAN, 1979, color screenprint, signed in pencil, from the numbered edition 250, image 25 ½ x 25 ½”, full margins, framed with glass, in apparently good condition.  $300/500

 

 

 

217

Victor Vasarely (1908-1997) French/ Hungarian

HELIO, 1981, color screenprint, signed in pencil, from the numbered edition 200, image 10 ¼ x 10 ¼”, full margins, framed with glass, in apparently good condition.  $200/300

 

 

 

218

Waring (20th Century) American

PORTRAIT OF TWO PRAIRIE HOMES, acrylic painting on canvas, signed lower right, 36 x 48”, framed, surface soiling and stretcher bar impressions, small chips lower left edge, otherwise in good studio condition.  $200/400

 

 

 

219

Darren Waterston (b. 1965) American

IN A WORLD OF ABSOLUTES, 1989, oil painting on Masonite, signed and dated on verso, 24 x 24”, framed, in good studio condition. Provenance: Jan Baum Gallery, Los Angeles. $1000/1500

 

 

 

220

Michael Wheelden (20th/ 21st Century) Californian

NEIGHBORHOOD WATCH, LANDSCAPE #2, UNIVERSITY HEIGHTS, 1985, acrylic painting on three custom stretched canvases with wood inlay, signed dated and titled on verso, 21 x 36”. Provenance: Ankrum Gallery.  $300/600

 

 

 

221

Martin Whist (b. 1967) Canadian

YELLOW CLOUD, 1997, oil painting on canvas, 12 x 12”, in good studio condition. Provenance: Acme gallery.  $100/200

 

 

 

222

G. Leonard Woodruff (1880-1970) American

BANANAS, oil painting on panel, signed lower left, 9 ¼ x 11 ¼”, framed, surface soiling, a few abrasions, one small gouge upper center subject, otherwise in good studio condition.  $200/400

 

 

 

223

Tsukioka Yoshitoshi (1839-1882) Japanese

FAMOUS PLACES IN THE EAST, triptych, color woodblock prints, each with character stamps and inscriptions lower left on the left panel and on the right side of right panel, overall 14 ¼ x 29”, edge tears, crinkles, masking tape on hairline margins, creases, otherwise in good condition with strong colors.  $300/500

 

 

 

224

Victor Hugo Zayas (b. 1961) Mexican/ American

UNTITLED COLOR STUDY, 1987, acrylic painting on a sheet of canvas, signed on verso?, 9 ½ x 14 ¼”, framed with glass, in apparently good condition. Provenance: Art Source, L.A.  $200/400

 

 

 

225

August Zeidler (1892-1963) Austrian

LANDSCAPE, 1929, oil painting on canvas, 24 ½ x 36 ¼”, signed and dated lower right, framed, craquelure and contractions, surface soiling, a few chips, otherwise in good studio condition.  $200/400

 

 

 

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