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Saturday May 21st 2016 at Noon

1

Clinton Adams (1918-2002) New Mexico

UNTITLED, 1985, color lithograph, signed in pencil, numbered 70/75, image 23 x 14”, sheet 25 x 16 ½”, printed by Tamarind, matted, in good condition.  $200/300

 

 

 

2

John Altoon (1925-1969) Armenian/ American

UNTITLED, lithograph, signed in pencil, numbered 57/100, sheet 19 x 38”, printed by Gemini G. E. L. with their blind stamp, framed, extremely pale toning at sheet edge, crease lower right, otherwise in apparently good condition.  $400/800

 

 

 

3

John Altoon (1925-1969) Armenian/ American

UNTITLED, 1966, color lithograph, signed in pencil, numbered 25/40, sheet 29 ½ x 41 ¼”, printed by Gemini G. E. L. with their blind stamp, framed, small creases lower in corners, otherwise in apparently good condition. Literature: Los Angeles Prints 1883-1980 LACMA, catalogue #88.  $500/1000

 

 

 

4

John Altoon (1925-1969) Armenian/ American

UNTITLED, lithograph, signed in pencil, numbered 38/100, sheet 19 x 19”, printed by Gemini G. E. L. with their blind stamp, framed with glass, a few soft handling creases, otherwise in apparently good condition.  $300/600

 

 

 

5

Raul Anguiano (1915-2006) Mexican

MATERNIDAD, 1999, charcoal drawing on paper, signed and dated lower left, 27 ½ x 19 ½”, framed with glass, in good studio condition.  $500/1000

 

 

 

6

Raul Anguiano (1915-2006) Mexican

SOLDADO, color pastel, signed lower left, 27 ½ x 19 ½”, framed with glass, in good studio condition. Provenance: Heritage Gallery, Pacific Palisades.  $800/1200

 

 

 

7

Raul Anguiano (1915-2006) Mexican

EL BRUJO, charcoal drawing on paper, signed upper right, 27 ½ x 19 ½”, framed with glass, in good studio condition. Provenance: Lewis C. Morton, Mexico City; Heritage Gallery, Pacific Palisades.  $500/1000

 

 

 

8

Karel Appel (1921-2006) Dutch

THREE FACES LIKE CLOUDS, color lithograph, signed in white pencil, numbered 20/160, sheet 22 x 30”, unframed, in good condition.  $500/1000

 

 

 

9

Arman (1928-2005) French

FOLK SONG, color screenprint, signed in pencil, numbered 12/150, sheet 30 x 22”, unfamed, in good condition.  $500/1000

 

 

 

10

Hans Jean Arp (1886-1966) German/ French

FRAGMENT DE’UNE PLATE BANDE (A/C.134), 1950, lithograph, signed in pencil, image 15 ¼ x 11”, sheet 18 ½ x 12 ¼”, published by Maeght, framed with glass, professionally repaired tears lower and upper margins, slightly extending into image, otherwise in good condition.  $200/400

 

 

 

11

Artist Unidentified

CHURCH, watercolor on paper, 20 x 25”, framed, masking tape on perimeter verso, otherwise in apparently good condition.  $200/400

 

 

 

12

Mario Avati (1921-2009) French

TREIZE A LA DORAINE, mezzotint, signed and titled in pencil, numbered 50/60, image 12 x 18 ½”, full margins, framed with glass, pale discoloration in margins, otherwise in apparently good condition.  $200/400

 

 

 

13

Ernst Barlach (1870-1938) German

KINDERTOD (S.157; L.60), 1919, woodblock print, signed in pencil, numbered 77/100, image 9 ½ x 14 ¼”, sheet 14 ¼ x 17 ¾”, matted, extremely pale toning in margins, faint small amounts of adhesive residue at lower sheet edges, otherwise in good condition  $500/1000

 

 

 

14

Karl Baumann (1911-1984) Californian

GREEN LANDSCAPE, 1941, watercolor on paper, signed and dated lower right, 12 x 18”, framed, artist’s estate stamp on verso, in apparently good studio condition. Provenance: Maxwell Galleries; George Gretsky Galleries, San Francisco.  $200/400

 

 

 

15

Billy Al Bengston (b. 1934) American

DRACULA LANAIS, 1981, die-cut color lithograph collage, signed and dated in pencil, numbered 43/100, sheet 32 ¾ x 20 ¾”, published by Mirage Editions, framed, in apparently good condition.  $300/600

 

 

 

16

Billy Al Bengston (b. 1934) American

CONEJO VALLEY ART MUSEUM, 1979, color screenprint, signed and dated in pencil, numbered 17/200, image 17 x 12 ¾”, full margins, framed with glass, in apparently good condition.  $200/300

 

 

 

17

Eugene Berman (1899-1972) Russian/ American

MEXICAN CATHEDRAL, OCTOBER 28th, 1948, ink drawing on colored paper, signed and dated lower center, 18 x 13 ½”, framed with glass, light speckling upper margins, otherwise in apparently good studio condition.  $200/400

 

 

 

18

Eugene Berman (1899-1972) Russian/ American (two)

PISAN FANTASY, 1951, lithograph, signed and dated and titled in pencil, numbered 50/100, image 12 ¾ x 9 ½”, full margins, printed by Kistler with blind stamp lower left, framed with glass, one speckle in center, otherwise in apparently good condition. Literature: Los Angeles Prints 1883-1980 LACMA, catalogue #66; VERONA, 1951, color lithograph, signed and dated and titled in pencil, image 15 ½ x 11 ½”, full margins, printed by Kistler with blind stamp lower right, framed with glass, small brown spot and a few speckles right margin, otherwise in apparently good condition. (2)  $200/400

 

 

 

19

Eugene Berman (1899-1972) Russian/ American (two)

BUILDING WITH COLUMNS, color lithograph, signed in pencil, numbered 15/100, image 13 x 9”, full margins, printed by Kistler with blind stamp lower left, framed with glass, small brown spot and a few speckles right margin, otherwise in apparently good condition; UNTITLED, lithograph, signed in pencil, numbered 18/25, image 12 ¼ x 8”, full margins, printed by Kistler with blind stamp lower left, framed with glass, in apparently good condition. (2)  $200/400

 

 

 

20

Attributed to: Ralph Blakelock (1847-1919) New York

LANDSCAPE, oil painting on unstretched canvas without margins, 5 ¾ x 10 1/8”, no signature found, framed, canvas waxed, in aged condition.  $500/1000

 

 

 

21

Frank Brangwyn (1856-1956) Dutch/ British

VENICE, etching, signed in pencil, plate 19 ¼ x 9”, full margins, framed with glass, printing stress damage lower and upper at plate, pale tideline stains on mat, otherwise in apparently good condition.  $200/400

 

 

 

22

William Brice (1921-2008) Californian

THREE MEN, 1951, lithograph, signed in pencil, numbered 23/25, image 13 x 17 ¼”, full margins, printed by Kistler with blind stamp lower left, framed with glass, some discoloration upper right, otherwise in apparently good condition.  $200/400

 

 

 

23

Nicholas Brigante (1895-1989) Italian

UNTITLED, 1961, watercolor and mixed media on paper, signed and dated lower center, 30 x 23 ½”, framed, in apparently good studio condition.  $300/600

 

 

 

24

Nicholas Brigante (1895-1989) Italian

ROAN STALLION (Landscape), 1927, watercolor on paper, signed and dated and dedicated in pen, sight 13 x 9 ½”, framed, in apparently good studio condition.  $300/600

 

 

 

25

Hans Burkhardt (1904-1994) Swiss Californian

UNTITLED, 1979, oil painting on canvas, signed and dated lower right, 19 7/8 x 23 7/8”, framed, in good studio condition.  $2000/4000

 

 

 

26

Hans Burkhardt (1904-1994) Swiss Californian

SEATED BEAUTY, 1940, color pastel, signed and dated lower right, 24 x 18”, artist’s blind stamp lower right, matted, in good studio condition.  $800/1200

 

 

 

27

Hans Burkhardt (1904-1994) Swiss Californian

THREE WOMEN, 1958, color pastel on buff paper, signed and dated and inscribed lower right, sight 24 x 17”, framed with glass, in good studio condition.  $500/1000

 

 

 

28

Hans Burkhardt (1904-1994) Swiss Californian

BLUE WOMAN & RED WOMAN, 1961, color pastel on paper, signed and dated lower right, sight 22 ½ x 17 ½”, framed with glass, some discoloration lower right, otherwise in apparently good studio condition.  $500/1000

 

 

 

29

Hans Burkhardt (1904-1994) Swiss Californian

SEATED WOMAN, 1965, color pastel on paper, signed and dated lower right, sight 22 ½ x 16 ½”, framed with glass, in apparently good studio condition.  $500/1000

 

 

 

30

Hans Burkhardt (1904-1994) Swiss Californian

CUBIST NUDE WITH PAINTING, 1969, color pastel on paper, signed and dated and inscribed lower right, sight 25 x 19”, artist’s blind stamp lower right, framed with glass, in apparently good studio condition.  $500/1000

 

 

 

31

Hans Burkhardt (1904-1994) Swiss Californian

ABSTRACT YELLOW ORANGE BLUE FIGURE, color pastel on paper, unsigned, 25 x 19”, in good condition.  $400/800

 

 

 

32

Hans Burkhardt (1904-1994) Swiss Californian

ABSTRACT WITH YELLOW, BLUE, RED AND FUCHSIA WITH PURPLE BACKGROUND, 1982, color pastel on paper, signed and dated lower right and inscribed in pencil, sight 9 ½ x 12 ½”, framed with glass, some discoloration speckles, otherwise in good studio condition.  $300/500

 

 

 

33

Hans Burkhardt (1904-1994) Swiss Californian (four)

WOMAN ON RED, 1972; TWO WOMEN ON BLACK, 1972; SEATED WOMEN, 1958; PARENT WITH CHILD, 1970, three linocuts and one lithograph, all signed and dated in pencil, Woman On Red numbered 13/16, one inscribed To Blochi, images 13 ½ x 8 ½”, 14 x 9 ¼”, 12 x 15 ¾” & 12 ½ x 10 ½”, all with full margins and framed with glass, all with small masking tape hinges verso , otherwise all in apparently good condition. (4)  $300/500

 

 

 

34

Hans Burkhardt (1904-1994) Swiss Californian (four)

HAPPY NEW YEAR, 1975; UNTITLED OCHRE & GREEN, 1976; UNTITLED BLUE & YELLOW, 1977; UNTITLED FLOATING IMAGE, 1972, four color linoleum cuts, each signed and dated in pencil, numbered 11/12, 5/5, 4/10 & 8/8, images 10 x 9”, 10 x 14”, 8 x 16” & 11 ½ x 12 ¼”, all with full margins, one with artist’s blind stamp lower right, all framed with glass, probably all with small masking tape hinges verso, otherwise all in apparently good condition. (4)  $300/500

 

 

 

35

Hans Burkhardt (1904-1994) Swiss Californian (four)

UNTITLED, 1979, color monoprint, signed and dated in pencil and inscribed 1/1 and annotated in the margins, image 7 x 10”, sheet 11 ¼ x 15”; ABSTRACT BOUQUET, 1979; ABSTRACT BLUE RED GREEN, 1979, two color linocuts, each signed and dated in pencil, numbered 3/6 & 11/12, image 15 ½ x 10” & 14 x 10”, Bouquet with mild toning and discoloration in margins; CHILDREN OF TODAY, 1967, color etching, signed and dated and titled in pencil, image 7 x 12”, all with full margins and framed with glass, probably all with small masking tape hinges verso, otherwise all in apparently good condition. (4)  $300/500

 

 

 

36

Francisco Moreno Capdevila (1925-1995) Spanish/ Mexican

EXODO, aquatint etching, signed and titled in pencil, image 10 x 13”, full margins, framed with glass, in apparently good condition.  $300/400

 

 

 

37

Francisco Moreno Capdevila (1925-1995) Spanish/ Mexican

AUN NO AMANECE, etching, signed and titled in pencil, image 9 x 16”, full margins, framed with glass, in apparently good condition.  $300/400

 

 

 

38

Jean Charlot (1898-1979) French/ Mexican, Miguel Zuniga, Pablo O’Higgins (1904-1983) Mexican (four)

LUZ PICTURE BOOK #9 (M.129), 1933, color lithograph, signed in pencil, image 8 x 6”, full margins; PRAKRITI: NUDE (M.28), 1933, color lithograph, signed in pencil, image 6 ¼ x 3 ½”, full margins, second with specking in margins; Together with Guillermo Zuniga MUJER, etching, signed in pencil and inscribed A.P., plate 7 ½ x 4 ¼”, full margins, extremely pale toning in margins, some stray ink; Together with Pablo O’Higgins CACTUS, 1950, lithograph, signed and dated on stone, image 11 ½ x 17 ¼”, full margins, toning, discoloration, evidence of silver-fish; All framed with glass and all in otherwise apparently good condition. (4)  $200/400

 

 

 

39

Lee Chesney (b. 1920) Hawaiian California

HOMAGE TO CAMUS, c.1963, color etching, signed and titled in pencil, numbered 7/10, image sight 15 ½ x 15 ¾”, only bottom margin visible, framed with glass, in apparently good condition.  $100/200

 

 

 

40

Elanor Colburn (1866-1939) Ohio/ Californian (two)

SEASCAPE; LANDSCAPE, two oil paintings on sheets of canvas, both with artist’s estate stamp on verso, each 7 ½ x  ½”, both framed with glass, the first with a scrape lower right, the second with cracking upper left and collateral unobtrusive surface loss on upper left hill, otherwise both in good studio condition. (2)  $400/800

 

 

 

41

Collection of Unidentified Artists (six)

FISHERMAN’S CATCH, watercolor on paper, signed F. Ivey lower right, sight 7 ¼ x 17”, toning; LIGHTHOUSE, pencil drawing on paper, sight 9 x 7”; EUROPEAN STREET SCENE, color etching, inscribed in the plate lower left, sight 4 ¾ x 5 ½”; HARBOR WITH TALL SHIPS, etching, initialed WRC? in the plate lower left, image 5 ½ x 6 ¾”, full margins; COLLEGE CAMPUS, pencil drawing on paper, sight 8 ½ x 5 ½”; THE HARBOUR POOLE, color etching, signed Workman and titled in pencil, 3 ½ x 5 ¼”, full margin; All framed with glass, some with minor condition issues otherwise in good condition. (6)  $200/400

 

 

 

42

Contemporary Artist Unidentified (20th Century) (two)

SEASON’S #2; SHELF #2, acrylic and mixed media paintings on paper, each signed Ka***lower right and titled lower left in pencil, images 12 x 24” & 14 x 12”, both with full margins, framed and in apparently good studio condition. (2)  $200/400

 

 

 

43

Contemporary Artist Unidentified (1960’s)

UNTITLED RED & ORANGE, 1968, color aquatint etching, signed and dated in pencil, numbered 66/160, image 19 ½ x 23 ¾”, full margins, framed with glass, water staining on mat, otherwise in apparently good condition. $100/200

 

 

 

44

Colin Campbell Cooper (1856-1937) Pennsylvania/ Californian

FIGURE IN RUINS, color pastel on paper, artist’s estate blind stamp lower right, sight 13 x 10 ½”, framed with glass, in apparently good studio condition.  $500/1000

 

 

 

45

John Cotton (1868-1931) Californian

LANDSCAPE WITH TALL TREES & BUILDINGS, color aquatint etching, signed in pencil, image 13 ¾ x 8 ¾”, full margins, framed with glass, some discoloration lower left margin, otherwise in apparently good condition. $400/800

 

 

 

46

John Cotton (1868-1931) Californian

CATHEDRAL AT NIGHT, 1914, color aquatint etching, signed and dated in pencil, numbered 48/50, image 14 ¾ x  9 ¾”, full margins, framed with glass, in apparently good condition. $400/800

 

 

 

47

John Cotton (1868-1931) Californian

CATHEDRAL IN DISTANCE, etching, signed in pencil, plate 7 ½ x 6 ¾”, full margins, framed with glass, in apparently good condition.  $200/400

 

 

 

48

Henry Herman Cross (1837-1918) Californian

LANDSCAPE WITH WINDMILL, oil painting on panel, signed lower right, 17 x 9 ¼”, framed, hairline woodgrain cracks, surface soiling, otherwise in good condition.  $200/400

 

 

 

49

Watson Cross (1918-1997) Californian

LANDSCAPE WITH ROCKS, 1945, watercolor on paper, signed and dated lower right, sight 14 x 21”, framed with glass, in apparently good studio condition. $100/200

 

 

 

50

Jose Luis Cuevas (b. 1932) Mexican

UNTITLED, 1972, color lithograph with collage, signed in pencil, numbered 31/150, sheet 30 x 22 ¼”, published by Graphic Arts Council, LACMA, with their blind stamp, unframed, in good condition.  $300/500

 

 

 

51

Jose Luis Cuevas (b. 1932) Mexican

POET IN THE DINING ROOM, 1972, color lithograph, signed and dated in pencil, numbered 87/100, sheet 22 x 30”, framed, in apparently good condition.  $200/400

 

 

 

52

Jose Luis Cuevas (b. 1932) Mexican

RASPUTIN, 1968, color lithograph, signed and dated in pencil, numbered 44/100, sheet 22 x 30”, framed, some pale discoloration sheet edges, otherwise in good condition.  $200/400

 

 

 

53

Jose Luis Cuevas (b. 1932) Mexican

DREAMS OF RASPUTIN, 1968, color lithograph, signed in pencil, Roman numeral 25/25, sheet 22 x 30”, in display frame, in apparently good condition.  $200/400

 

 

 

54

Jose Luis Cuevas (b. 1932) Mexican & others (three)

PORTRAIT OF THE ARTIST, third state, lithograph printed on the backside of another lithograph by another artist (probably a test print), faintly signed in pencil and inscribed Third State, image 12 x 15 ¼”, sheet 15 x 18”, framed with glass, discoloration and it appears to have been over-cleaned, otherwise in good condition; Artist Unidentified PORTRAIT, lithograph, signed in pencil, numbered 10/20, image 8 ¼ x 6 ¾”, sheet 15 x 11”, printed by Tamarind, with their blind stamp, framed with glass, pale discoloration, otherwise in apparently good condition; Artist Unidentified BLUE PROFILE, monoprint, sheet 11 ½ x 9 ½”, framed with glass, two tiny spots of masking tape residue on verso, otherwise in apparently good condition. (3)  $200/300

 

 

 

55

Honore Daumier (1808-1879) French & others (four)

Honore Daumier ACTUALITIES #188; ACTUALITIES #336 as published in the Charivari, 1871-72, two lithographs, signed on the stone, sheets 11 ½ x 9 ¼” & 11 ¾ x 11 ¾”, both matted, both in good aged condition; Archibald Thornberg TWO BIRDS, 1903, photogravure, signed in pencil lower left, image 7 x 11 ¼”, framed with glass, toned?, otherwise in apparently good condition; Together with US Geological Survey Print, Mono-Craters from Williams Butte, 8th Annual Report, plate 39, c.1887, engraving on two adjoining sheets, overall 11 ¼ x 14 ¼”, some pale toning at sheet edges. (4)   $100/200

 

 

 

56

Tony Delap (b. 1927) Californian

CHYALO, 1982, lithograph, signed and dated in pencil, numbered 17/38, image 17 ¾ x 16 ½”, full margins, framed with glass, discoloration in margins at mat, otherwise in apparently good condition.  $100/200

 

 

 

57

Boris Deutsch (1892-1978) Californian & Otto Dix (1891-1969) German (two)

Boris Deutsch SAGE, 1944, color monoprint, signed and dated and titled in pencil, image 9 ¾ x 8”, full margins, framed with glass, pale discoloration in margins, otherwise in apparently good condition; Otto Dix JESUS HEALING THE SICK, lithograph with German text on verso, sheet 11 ½ x 9”, framed with glass, in apparently good condition. (2)  $100/200

 

 

 

58

Francisco Dosamantes (1911-1986) Mexican

DESTRUCCION DE LA CULTURA: WAR, 1939, lithograph, signed in pencil, numbered 23/30, sheet 25 x 19”, matted, pale toning in margins, otherwise in good condition.  $300/600

 

 

 

59

Warner Drewes (1899-1985) American/ German

DESERT MESA, 1977, color woodblock print, signed in pencil, numbered 28/XXX, image 11 x 14 ¼”, full margins, framed with glass, in apparently good condition.  $300/600

 

 

 

60

Warner Drewes (1899-1985) American/ German

ARIZONA EVENING RED ROCKS (R.175), 1956, color woodblock print, signed in pencil, image 11 ½ x 21”, full margins, framed with glass, some ink saturation in margins at edge of image, otherwise in apparently good condition.  $300/600

 

 

 

61

Werner Drewes (1899-1985) American/ German

FOREST (R.195), 1959, color woodblock print on Japan paper, signed in pencil, edition of 250 published by the Print Club of Cleveland, image 11 x 24 ½”, full margins, framed with glass, creases and a few speckles in the margins, otherwise in apparently good condition.  $300/600

 

 

 

62

Warner Drewes (1899-1985) American/ German

PORTRAIT, etching, signed in pencil, numbered 3/XV, image 4 ¾ x 4”, full margins, framed with glass, in apparently good condition.  $200/400

 

 

 

63

Kerr Eby (1889-1946) American

INFANTRY CHATEAU THIERRY (G.45), 1920-21, lithograph, signed in pencil, from the edition of 100, image 9 ½ x 12 ½”, full margins, framed with glass, in apparently good condition.  $400/800

 

 

 

64

Leonard Edmundson (1916-2002) Californian

WINTER GARDEN, 1957, color etching, signed and dated and titled in pencil, inscribed p/p, image 11 x 7 ¾”, full margins, framed with glass, some pale discoloration in margins, otherwise in apparently good condition.  $200/300

 

 

 

65

Francis De Erdely (1904-1959) Hungarian. Californian

UNTITLED FIGURE, watercolor on paper, signed lower left, sight 24 ½ x 19 ½”, framed with glass, discoloration speckles lower left, otherwise in apparently good studio condition.  $400/800

 

 

 

66

Francis De Erdely (1904-1959) Hungarian. Californian

MAN IN PRAISE, watercolor on paper, signed lower right, sight 23 x 18”, framed with glass, creases, some edge tears, appears to have some toning, otherwise in apparently good studio condition.  $200/400

 

 

 

67

William A. Eskey (1891-1937) Californian; Oliver Hall (1896-1957) British; Marion Holden Pope (1872-1958) Californian; John Lawrence Stoner (1906-1976) American (four)

William A. Eskey SUNSET GLOW, color etching, signed and titled in pencil, image 9 x 12”, full margins, some mild toning and discoloration; Oliver Hall LANDSCAPE, etching, signed in pencil, image 7 ¼ x 9”, full margins, pale discoloration; Marion Holden Pope EVENING ON GRAND CANAL, VENICE, etching, signed and titled in pencil, image 3 x 4 ½”, full margins, pale discoloration in margins; John Lawrence Stoner DESERT HOMESTEAD, wood engraving buff Japanese paper, signed in pencil, titled and numbered 5/50, image 6 x 8”, sheet 9 x 11”, spot mounting to mat on recto; All framed with glass and otherwise in good condition. (4)  $200/400

 

 

 

68

Sorel Etrog (1933-2004) Canadian

FAMILY GROUP (The Dancers), 1969, color lithograph, signed in pencil, numbered 24/50, image 15 ½ x 14”, sheet 25 ½ x 18 ¼”, matted, crease upper left corner, small skin spot and old traces of hinge adhesive on verso, pale discoloration at sheet edges, otherwise in good condition.  $200/400

 

 

 

69

Sorel Etrog (1933-2004) Canadian

UNTITLED, 1969, etching, signed and dated in pencil, inscribed a. p. (artist’s proof), plate 12 ½ x 9 ½”, full margins, framed with glass, in apparently good condition.  $200/300

 

 

 

70

Edgar Ewing (1913-2006) Californian

ICON FOR MARIA, 1968, acrylic and oil painting on board, signed lower right, 12 x 9”, contraction craquelure throughout, surface soiling, otherwise in good studio condition. Provenance: Artist’s label on verso.  $200/400

 

 

 

71

Hermann Fechenbach (1897-1986) German (two)

AHASVER; THE INTERNMENT, 1940, two color woodblock prints, each signed in pencil, one dated and titled, image 7 ¾ x 5 ½” & 7 ¾ x 5 ¾”, both with full margins and framed with glass and in apparently good condition. (2)  $300/500

 

 

 

72

Anya Fisher (1905-1992) Russian/ American (three)

FEMALE NUDE, watercolor on paper, signed lower left, sight 10 x 8”; ABSTRACT, watercolor and pastel on paper, signed lower left, sight 11 ½ x 7 ½”; PORTRAIT OF A FIGURE, 1959, ink drawing on paper, signed and dated, sight 9 ½ x 7 ½”; all framed with glass and in apparently good studio condition. (3)  $200/400

 

 

 

73

Sam Francis (1923-1994) California

UNTITLED (L.210; SF.225), 1976, color lithograph, signed in pencil, numbered 1/16, from the numbered edition 16, sheet 27 x 35”, printed by George Page and published by The Litho Shop with their stamp in the lower right corner, in good condition.  $1500/2000

 

 

 

74

Sam Francis (1923-1994) California

SELF PORTRAIT (A.50; SF.051), 1976, lithograph, signed in pencil, numbered 1/30, sheet 30 x 22”, printed by George Page, published by The Litho Shop, in good condition.  $700/900

 

 

 

75

Sam Francis (1923-1994) California

UNTITLED, (I.35; SFE.003), 1982, color aquatint etching, signed in pencil, one of 12 color trial proofs aside from the numbered edition of 20, image 23 ¾ x 17 ¾”, printed by Jacob Samuel, published by the Litho Shop, faint printing lines in the margins, otherwise in good condition.  $1000/1500

 

 

 

76

Sam Francis (1923-1994) California

UNTITLED (SFE.292, 292A), 1984-1993, aquatint, signed in pencil and inscribed TP, a working trial proof aside from the numbered edition, image 35 ½ x 23 ½”, sheet 42 x 29 ½”, printed and published by Gemini G. E. L., with blind stamp lower right, smudges in margins, pin holes in corner and handling creases from being handled by artist and collaborators as a working proof, a few small edge tears, otherwise in good studio condition.  $1000/1500

 

 

 

77

Sam Francis (1923-1994) California

UNTITLED (L.214; SF.244), 1976, color lithograph, signed in pencil, artist’s proof Roman numeral I of 7, aside numbered edition 25, sheet 51 x 51 7/8”, published by Gemini G. E. L. with their blind stamp lower left, printed by Edward Henderson, mild toning, otherwise in good condition.  $2000/4000

 

 

 

78

Sam Francis (1923-1994) California

UP AND DOWN (SF.98A; L.92), 1967, lithograph, signed in pencil, numbered 3/25, sheet 30 x 22 ¼”, printed and published by Irwin Hollander with blind stamp lower left, faint toning at sheet edge and small printer’s crease lower right visible in raking light, a sliver of discoloration at the extreme upper sheet edge, otherwise in good condition.  $1000/1500

 

 

 

79

Leonel Gongora (1932-1999) Columbian

SOU PERMISO DE VELASQUEZ, 1963, oil, ink and gouache on paper, signed and dated and titled upper right, sight 12 ½ x 9 ½”, framed with glass, in apparently good studio condition.  $800/1200

 

 

 

80

Marion Greenwood (1909-1970) New York/ New Mexico (two)

WOMAN WITH GUITAR, MEXICO, watercolor on paper, signed and inscribed Mexico lower right, sight 13 ½ x 10 ½”, framed with glass, in apparently good studio condition; ASIAN WOMAN WITH FAN, lithograph, signed in pencil, image 12 ¼ x 8 ¾”, full margins, framed with glass, in apparently good condition. (2)  $300/600

 

 

 

81

Hendrik Grise (1914-1982) Californian

UNTITLED, acrylic painting on paper, signed lower right, sight 34 ½ x 22 ½”, framed with glass, in apparently good studio condition.  $200/400

 

 

 

82

Richard Haines (1906-1984) Californian

MINERS, 1948, lithograph, signed and dated in pencil, numbered 34/53, image 12 ¾ x 9 ¾”, full margins, printed by Kistler with blind stamp lower right, framed with glass, in apparently good condition. Provenance: Sullivan Goss Gallery, Santa Barbara.  $100/200

 

 

 

83

Hasui Kawase (1883-1957) Japanese

PAGODA, color woodblock print, signed in pencil, character stamps, image 14 ¼ x 9 ½”, full margins, framed with glass, very pale discoloration in margins, otherwise in apparently good condition.  $300/600

 

 

 

84

George Herms (b. 1935) Californian

UNTITLED, collage with rubber stamp on stationery, signed lower right, sight 10 ¾ x 8”, framed with glass, in apparently good studio condition.  $300/600

 

 

 

85

Joseph Hirsch (1910-1981) Philadelphia

BASS PLAYER, lithograph, signed in pencil, image 14 ¼ x 9”, full margins, framed with glass, mild toning, a few speckles in the margins, otherwise in apparently good condition.  $100/200

 

 

 

86

Helen Hyde (1868-1919) Californian

TRAVELING COUPLE, 1912, color aquatint etching, signed in pencil and inscribed 125, image 11 ½ x 4 ¼”, full margins, framed with glass, in apparently good condition.  $200/400

 

 

 

87

Impressionist Artists Unidentified (three)

THE PALACE OF FINE ART, SAN FRANCISCO; CITY PARK SCENE; GRAND CANYON, three, each an oil painting on board, 10 x 12 ½” & 10 ½ x 13 ½” & 9 x 12”, signatures not found but Grand Canyon inscribed “Edith Hart” on verso, all framed, all with some surface soiling, Park Scene with losses at upper edges from previous framing, otherwise all in good studio condition. (3)  $300/600

 

 

 

88

Japanese Artist Unidentified (20th Century)

FIRE BIG BAMBOO-TORCH LIGHTS, 1980, color screenprint, signed and dated and titled in pencil, numbered 5/75, image 15 ¾ x 21”, full margins, framed with glass, in apparently good condition.  $100/200

 

 

 

89

Ynez Johnston (b. 1920) Californian

FIGURE WITH KNIFE AND PLATE, 1948, color pastel and mixed media on paper, signed and dated lower right, sight 23 ½ x 18”, framed with glass, some hairline cracking, otherwise in apparently good studio condition.  $500/1000

 

 

 

90

Ynez Johnston (b. 1920) Californian

DYNAMIC SCENE, 1965, color etching, signed and dated and titled in pencil, inscribed artist’s proof, image 11 ¼ x 9”, full margins, framed with glass, pale discoloration in margins, otherwise in apparently good condition.  $200/400

 

 

 

91

Ynez Johnston (b. 1920) Californian

DESERT OF ONE LIONS, 1955, color etching, signed and titled in pencil, numbered 21/30, image 11 x 14”, full margins, framed with glass, some discoloration in margins, otherwise in apparently good condition. Provenance: Adele Bednarz Galleries, Los Angeles.  $200/400

 

 

 

92

Ynez Johnston (b. 1920) Californian

EXPEDITION, 1989, color woodcut, signed and dated and titled in pencil, numbered 8/15, image 15 x 20 ¼”, full margins, framed with glass, some printer’s creases in margins, otherwise in apparently good condition.  $200/400

 

 

 

93

Ynez Johnston (b. 1920) Californian

PROCESSION WITH SUN AND CLOUD, color etching, signed and titled in pencil, numbered 6/35, image 13 ¾ x 17 ¼”, full margins, framed with glass, in apparently good condition.  $200/400

 

 

 

94

John Paul Jones (1924-1999) Oregon

LANDSCAPE, linocut print, signed and titled in pencil, numbered 44/75, image 9 ¼ x 12”, full margins, framed with glass, in apparently good condition.  $200/400

 

 

 

95

Charles Keck (1913-2003) Californian

ALASKA ARMY BARRACKS, 1942, watercolor on paper, signed lower right, artist’s estate stamp verso, sight 9 x 12”, framed with glass, in apparently good studio condition.  $200/300

 

 

 

96

Wolf Kibel (1902-1938) South African

CHRIST AND HIS FOLLOWERS, etching, signed in pencil, numbered 4/7, image 4 ¼ x 5”, sheet 6 x 6”, matted, some old paper tape hinge residue verso upper sheet edge, minor soiling in margins, otherwise in good condition. Provenance: Leslie Sacks Fine Art, Brentwood. $200/400

 

 

 

97

Wolf Kibel (1902-1938) South African

THREE MEN, lithograph, signed by the widow in pen on verso, sheet 10 x 12”, matted, a few minor imperfections at the sheet edge, otherwise in good condition. Provenance: Wolpe Gallery, Cape Town.  $200/400

 

 

 

98

Wolf Kibel (1902-1938) South African

FIGURES GATHERING AROUND CROSS, woodcut, signed in pencil by the widow lower left, image 4 ¾ x 6”, sheet 5 ¾ x 6 ¾”, matted, extremely pale discoloration in corners, otherwise in good condition. Provenance: Leslie Sacks Fine Art, Brentwood.  $200/400

 

 

 

99

Emory Ladanyi (1902-1986) Hungarian (five)

WAR, 1936, woodblock print, signed in pen, numbered 9/15, sheet 13 x 11 ¾”, creases and soft handling creases; EQUATORIAL, 1965, color woodblock print, signed and dated and titled and numbered 24/30 in pen, image 18 x 13 ¼”, sheet 23 ¾ x 16 ½”, some tears in margins, creases and soft handling creases; INTEGRAL, color woodblock print, signed and titled and numbered 2/10 in pen, image 21 ½ x 16”, sheet 23 ½ x 18”, creases and soft handling creases; COR, 1962, woodblock print, signed and dated titled and numbered 2/10 in pen, image 16 x 12”, sheet 24 x 18”, some mild toning, discoloration, tape stains from previous masking tape hinges; CHILDREN, 1936, woodblock print, signed and numbered 18/20 in pen, image 11 ¾ x 7 ¾”, sheet 16 ¾ x 12”, four small masking tape hinges on verso; Otherwise all in good condition. (5)  $1000/1500

 

 

 

100

Rico Lebrun (1900-1964) Italian/ Californian

RUNNING FIGURE, 1941, ink and color pastel drawing on buff paper, signed and dated lower right, sight 24 x 18”, framed with glass, some toning, otherwise in apparently good studio condition.  $500/1000

 

 

 

101

Rico Lebrun (1900-1964) Italian/ Californian

HORSE, color pastel on paper, signed lower right, sight 25 x 19”, odd cut corner mat, framed with glass, in apparently good condition.  $500/1000

 

 

 

102

Rico Lebrun (1900-1964) Italian/ Californian

TWO SITTING FIGURES, 1962, watercolor on paper, signed and dated lower right, sight 27 x 39”, framed with glass, in apparently good studio condition.  $1000/2000

 

 

 

103

Rico Lebrun (1900-1964) Italian/ Californian

TRICCA BALLACCO, 1958, watercolor on paper, signed and titled and dated lower left, sheet 25 ½ x 19 ¾”, sandwiched glass frame, pale discoloration at sheet edges, old paper tape hinges on verso, otherwise in apparently good studio condition.  $500/1000

 

 

 

104

Rico Lebrun (1900-1964) Italian/ Californian

RAIN OF ASHES, 1945, color lithograph, signed and titled in pencil, illegibly numbered 60/75 in pencil, image 13 ¼ x 17”, full margins, framed with glass, in apparently good condition. Literature: Los Angeles Prints 1883-1980 LACMA, catalogue #55.  $300/500

 

 

 

105

Fernand Leger (1881-1955) France (thirty)

LES ILLUMINATIONS, 1949, double portfolio, with fifteen lithographs on thin chain laid paper each signed in pencil and inscribed Suite X, plus the same fifteen lithographs unsigned, aside from the numbered and bound editions, published by Editions des Gaules, sheets 13 x 10”, some with creases and one with a small tear, otherwise in good condition. (30)  $3000/6000

 

 

 

106

David Levine (1910-2005) California

THREE FIGURES, color monoprint, signed lower right, image 3 ½ x 5”, full margins, framed with glass, some pale discoloration, otherwise in apparently good studio condition.  $100/200

 

 

 

107

Allen Lewis (1873-1957) New York (three)

ROCKY LANDSCAPE, 1913, etching, signed in pencil and inscribed first state ****, image 6 ½ x 8”; CLIMBING BOY, 1908, etching, signed and titled in pencil, image 7 ½ x 4 ¾”; FIGURES IN BOAT WITH STORM APPROACHING, etching, signed in pencil, image 5 x 7”; all with full margins and framed with glass, all in apparently good condition. (3)  $300/600

 

 

 

108

Frank Lobdell (b. 1921) American

UNTITLED, lithograph, initialed and inscribed bon a tier (fit to print), sheet 19 x 25 ½”, Tamarind blind stamp lower left, framed, in apparently good condition. Provenance: Tobey Moss Gallery, Los Angeles.  $300/600

 

 

 

109

Frank Lobdell (b. 1921) American

4.9.94, lithograph, signed and titled in pencil, numbered 4/5, image 14 x 17 ¾”, full margins, framed with glass, in apparently good condition.  $300/600

 

 

 

110

Frank Lobdell (b. 1921) American

10.23.86, etching, aquatint and soft ground, signed and titled in pencil, numbered 8/35, image 13 ¾ x 17 ¾”, sheet 22 ½ x 30”, printed by David Kelso, with his blind stamp lower right, matted, a few soft handling creases, a few speckles left margin, otherwise in good condition.  $300/600

 

 

 

111

Stephen Longstreet (1907-2002) California (three)

SELF-PORTRAIT AS SOLDIER, FRANCE 1944; THE FIRST MACHO; MAYOR DALEY, CHICAGO, 1968, three watercolors, the first on card, later two on paper, each signed, sizes 24 x 12”, 14 x 8 ½” & 11 x 8 ½”, Macho with some tears and unevenly mounted to support paper, otherwise all in good studio condition. (3)  $300/600

 

 

 

112

Luca (20th Century)

SINGERS, gouache on paper, signed lower right, signed and titled on the verso, sight 7 ½ x 9 ½”, framed with glass, in apparently good studio condition.  $100/200

 

 

 

113

Dan Lutz (1906-1978) Chacago

VENDADORA DE PAPAGAYO, 1959, oil painting on canvas, signed and dated lower right 20 x 16”, framed, in good studio condition. Provenance: Dalzell Hatfield Galleries, Ambassador Hotel, Los Angeles.  $1000/1500

 

 

 

114

Marino Marini (1901-1980) Italian

COLOR TO FORM, plate IX (G.L.100), 1969, color lithograph, signed in pencil, numbered 36/50, image 15 ½ x 20 ½”, sheet 18 7/8 x 24 7/8”, framed, colors probably attenuated, pale toning in margins, crease upper right corner, otherwise in good condition, framed.  $500/1000

 

 

 

115

Marino Marini (1901-1980) Italian

THE SHIELD (G.L20), 1943, lithograph, signed in pencil and inscribed ‘poura ol artista’, aside from the numbered edition 10, image 15 x 11 ¾”, full margins, printed by Stamperia Salvioni, framed, in apparently good condition.  $300/600

 

 

 

116

Marino Marini (1901-1980) Italian

CAVALLO (G.A224), 1979, color aquatint etching, signed in pencil, numbered 121/125, image 24 ½ x 18 ¼”, full margins, printed and published by Grafica Dei Greci, framed, in apparently good condition.  $500/1000

 

 

 

117

Marino Marini (1901-1980) Italian

ORIZZONTE (G.L136), 1979, color lithograph, signed MM in blue pencil, numbered 39/75, image 28 ¼ x 20 ½”, full margins, printed and published by Graphis Arte, framed, in apparently good condition.  $500/1000

 

 

 

118

Marino Marini (1901-1980) Italian

GIOCOLIERI plate 8 from Tout Pres de Marino (G.A.138), 1971, color etching on Japan paper, signed in pencil, numbered II/XV, image 11 ¾ x 9 ¾”, sheet 22 x 15”, matted, in good condition.  $300/600

 

 

 

119

James McBey (1883-1959) British

ZERO, A SIXTY-FIVE POUNDER OPENING FIRE, 1918-20, etching, signed and numbered XXVIII in ink, image 8 ¼ x 12”, full margins, matted, pale toning, fingerprints and smudges in margins, otherwise in good condition.  $300/600

 

 

 

120

James McBey (1883-1959) British

BRIDGE, etching, signed in ink and inscribed “C”, image 6 ¼ x 10 ¾”, full margins, framed with glass, faint discoloration lower left margin, otherwise in apparently good condition.  $200/400

 

 

 

121

James McBey (1883-1959) British

CARPENTER OF HESDIN, 1917, etching, signed in pen and inscribed ‘A*?’, image 7 ¾ x 12”, full margins, framed with glass, some pale discoloration and speckles, otherwise in apparently good condition.  $200/400

 

 

 

122

Leopold Mendez (1902-1969) Mexican (two)

LA VENGANZA DEL PUEBLO, 1942, linocut print, signed in pencil, image 10 x 8”, sheet 12 ½ x 11 ½”; LIBERTE, c.1930, linocut, signed in pencil, image 6 ¼ x 6 ¼”, sheet 8 ¼ x 9”; both published by Taller De Graphic Popular, both matted, the first with creases, pale discoloration around perimeter margins, the second with soft creases and a few speckles in margins, otherwise both in good condition. (2)  $500/1000

 

 

 

123

Mortimer Menpes (1855-1938) Australian & Paul Geissler (1881-1965) German/American (two)

Mortimer Menpes CHILD IN CRADLE etching, signed in pencil, image 11 ¾ x 8”, sheet 18 ¼ x 9 ¼”, unframed, tear upper sheet edge, some mild toning, discoloration, fingerprints on verso, otherwise in good condition; Paul Geissler EUROPEAN TOWN, etching on chine colle, signed and inscribed in pencil, plate 10 ¾ x 8 ¾”, full margins, framed with glass, toning and discoloration, otherwise in apparently good condition. (2)  $100/200

 

 

 

124

Arnold Mesches (b. 1923) New York

BEFORE & AFTER, 1961, ink and acrylic drawing on paper, signed and dated lower right, sight 10 x 6 ½”, framed with glass, mild toning, otherwise in apparently good condition.  $100/200

 

 

 

125

Ben Messick (1891-1981) Californian (three)

MAN’S HEAD, crayon drawing on paper, initial stamp lower right, sight 4 x 3 ½”, framed with glass, in apparently good studio condition; WOMAN SINGING, 1939, lithograph, signed and dated on the stone, estate signed in pencil, artist’s estate stamp lower right, sheet 12 x 9 ¼”, matted, some indentations lower left corner, otherwise in apparently good condition; HEAD OF A CLOWN, offset lithograph, estate signed in pencil lower right, sight 11 ¾ x 6 ¾”, framed with glass, some faint toning at mat, faint speckling on mat, otherwise in apparently good condition. (3)  $200/300

 

 

 

126

Arthur Moore (1840-1913) New York

LANDSCAPE, watercolor on paper, signed lower left, sight 8 ½ x 11 ½”, framed with glass, a few small scrapes and small loss upper right corner, probably toned, otherwise in apparently good studio condition.  $100/200

 

 

 

127

Henry Moore (1898-1986) British

STONEHENGE plate 2 (C.209), 1974, color lithograph, signed in pencil, numbered 20/60, image 11 ¼ x 17 ¾”, full margins, printed by Wolfensberger, published by Ganymed Original Editions LTD., framed with glass, faint discoloration speckles in the margins, otherwise in apparently good condition.  $300/600

 

 

 

128

Joseph Emil Morhardt (b. 1906) Californian & another (two)

LANDSCAPE, watercolor on paper, signed lower right, sight 13 x 19 ½”, slipped in mat; Together with Artist Unidentified CABIN IN THE WOODS, watercolor on paper, signed lower right, sight 15 x 19”; Both framed with glass and in apparently good studio condition. (2)  $200/400

 

 

 

129

Ed Moses (b. 1926) California

UNTITLED, 1983, lithograph with collage, signed and dated in pencil, numbered 37/40, sheet 40 x 26”, printed by David Kelso, 3EP Ltd. blind stamp lower right, framed with glass, some soft handling creases and hinge impressions, otherwise in apparently good condition.  $300/600

 

 

 

130

Lawrence Murphy (1872-1947) Californian

LANDSCAPE WITH FIGURES & HORSE, oil painting with graphite on paper, a signature not found, sight 18 x 23”, authentication stamp from Herbert Jepsen on verso, framed with glass, in apparently good studio condition.  $500/800

 

 

 

131

Jules Olitski (1922-2007) Ukrainian/ American

UNTITLED, 1971, color screenprint, signed and dated in pencil, numbered 6/45, sheet 26 x 35”, framed with glass, in apparently good condition.  $500/1000

 

 

 

132

Nathan Oliveira (1928-2010) Californian

TWO HEADS, 1972, lithograph, signed and dated and titled in pencil, numbered TS 3/35, sheet 29 ¾ x 22 ½”, framed, in apparently good condition. Provenance: Tobey Moss Gallery, Los Angeles.  $400/800

 

 

 

133

Nathan Oliveira (1928-2010) Californian

TWELVE INTIMATE FANTASIES: GIACOMETTI AND THE DEVIL, 1964, lithograph, signed and titled in pencil, numbered 24/60, sheet 20 x 15”, framed with glass, in apparently good condition. Provenance: Tobey Moss Gallery.  $400/800

 

 

 

134

Douglas Parshall (1899-1990) New York

MULTIPLE FIGURES ON THE ROCKS, watercolor on paper, signed lower right, sight 13 ½ x 10 ½”, framed with glass, in apparently good studio condition.  $300/600

 

 

 

135

Douglas Parshall (1899-1990) New York

RESTING NUDE, ink and wash on paper, signed lower center, 6 x 7”, framed with glass, in apparently good studio condition. Provenance: Maureen Murphy Fine Art, Montecito, Californian.  $200/400

 

 

 

136

Douglas Parshall (1899-1990) New York

SEATED WOMAN WITH DRAPES, watercolor and collage on paper, signed lower left, sight 7 x 9”, framed with glass, in apparently good condition. Provenance: Sullivan Goss, Santa Barbara, California.  $200/400

 

 

 

137

Douglas Parshall (1899-1990) New York

LANDSCAPE, watercolor on paper, signed lower right, sight 9 ½ x 13”, with Montecito framing label on verso, framed with glass, in apparently good studio condition.  $300/600

 

 

 

138

Douglas Parshall (1899-1990) New York

RED LANDSCAPE, acrylic painting on paper, signed lower right, sight 6 x 8”, framed with glass, in apparently good studio condition.  $200/400

 

 

 

139

Douglas Parshall (1899-1990) New York

DARK ABSTRACT, pigment on paper, signed lower center, sight 12 ½ x 10 ½”, framed with glass, in apparently good studio condition.  $300/600

 

 

 

140

Pierre Paulus Du Chatelet (1881-1959) Belgium

FUNERAILLES DE GUERRE, 1918, lithograph, signed in pencil, numbered 10/100, image 12 ¼ x 16 ½”, sheet 16 ¼ x 20”, matted, pale tideline staining upper left margin, otherwise in good condition.  $200/400

 

 

 

141

Channing Peake (1910-1989) Californian

ARTIST PAINTING A HORSE, ink drawing on paper, signed lower right, sight 10 ½ x 13 ½”, estate stamp on verso visible on recto lower right, framed with glass, in apparently good studio condition.  $100/200

 

 

 

142

Jay Penrose (20th Century) American

MOUNTAIN WITH GREEN HILLS, watercolor on paper, signed lower right, sight 14 x 19”, framed, in apparently good studio condition.  $100/200

 

 

 

143

Heinrich Pfeiffer (1874-1960) Massachusetts

PROVINCETOWN, MA, oil painting on canvas board, signed lower left, 12 x 10”, framed, minor surface soiling, otherwise in good studio condition.  $400/800

 

 

 

144

Max Pollak (1886-1970) Austrian (two)

HUDDLED REFUGEE, 1914, etching, signed and titled in pencil, numbered 13/75, image 3 ½ x 3 ½”, sheet 11 ¼ x 9 ¾”, small adhesive stain upper right corner; IM BARAKENLAGER HEI NIKOLSBURG (Mother & Child Sleeping), 1914, etching, signed and dated and titled in pencil, numbered 13/75, image 3 ¼ x 5”, sheet 11 ¼ x 9 ¾”, paper hinge remnants along upper edge recto, a few discoloration spots in recto, both matted, otherwise both in good condition. (2)  $300/500

 

 

 

145

Carl Schmidt (1899-1989) Californian

STORMY DAY, oil painting on canvas, 15 x 18”, signed lower left, framed, surface soiling, hairline cracks, otherwise in good studio condition. Provenance: Vander Molen Fine Art.  $300/600

 

 

 

146

Jason Schoener (1919-1997) Cleveland

UNTITLED ORANGE, RED, BROWN WHITE, oil painting on canvas, signed lower center, 32 x 40”, framed, in good studio condition.  $500/1000

 

 

 

147

Jason Schoener (1919-1997) Cleveland

GREEN LANDSCAPE WITH TREES, oil painting on canvas, signed lower right, 36 x 24, framed, scuff lower left, otherwise in good studio condition.  $400/800

 

 

 

148

Jason Schoener (1919-1997) Cleveland

BRIDGE, oil painting on canvas, signed lower left, 18 x 36”, framed, minor surface soiling, otherwise in good studio condition.  $300/600

 

 

 

149

Jason Schoener (1919-1997) Cleveland

MAINE IN FULL MOON, 1970, gouache on paper, signed lower right, sight 21 x 28”, framed with glass, in apparently good studio condition.  $200/400

 

 

 

150

Jason Schoener (1919-1997) Cleveland

AIR-CONTROL TOWER AND GASOLINE DUMP, 1944, watercolor on paper, signed and dated lower left, 11 ¾ x 17 ¾”, framed, in apparently good studio condition.  $200/400

 

 

 

151

Jason Schoener (1919-1997) Cleveland (eight)

NAVAL & AIRCRAFT MILITARY SCENES, 1945, eight watercolors on paper, all signed and dated lower right, one dated 1944, two 15 ½ x 22 ½”, six average 12 x 18”, six matted, one with masking tape around perimeter verso, otherwise all in good studio condition. (8)  $1000/1500

 

 

 

152

Jason Schoener (1919-1997) & John Kelly (nine)

SOLDIER’S LIFE, six pencil drawings on paper, all signed, sights 13 x 9 ½” to 7 x 10 ¼”, all framed with glass, Portrait of G.I. with some smudging and discoloration otherwise all in good studio condition; Together with John Kelly WAR PLANES, three lithographs, sheets 10 x 13”, printed by Kistler with blind stamp lower right, unframed and in good condition. (9)  $500/1000

 

 

 

153

Jason Schoener (1919-1997) Cleveland

STANDING NUDE, watercolor on paper, signed lower left, 21 ½ x 14”, framed, in apparently good studio condition.  $200/400

 

 

 

154

David Siqueiros (1896-1974) Mexican

JESUS CHRISTO, color lithograph, signed in pencil, numbered XVII/XXV, image 21 ¼ x 15 ½”, full margins, framed with glass, in apparently good condition.  $300/600

 

 

 

155

David Siqueiros (1896-1974) Mexican

MATERNIDAD from the Mexican Masters, color lithograph, signed in pencil, numbered 61/100, printed by Collectors Press with their blind stamp lower left, sheet 22 x 29 ½”, framed, pale discoloration at sheet edge, otherwise in apparently good condition.  $300/600

 

 

 

156

David Siqueiros (1896-1974) Mexican

MATERNIDAD from the Prison Fantasies, color lithograph, signed in pencil, numbered 175/250, image 18 ¼ x 14”, sheet 22 x 15”, framed lacking glass, pale discoloration and toning, hinges upper margins verso faintly visible on recto, otherwise in apparently good condition.  $200/400

 

 

 

157

David Siqueiros (1896-1974) Mexican

FANTASY FIGURES, color lithograph, signed in pencil, numbered 37/300, image 20 x 16 ½”, full margins, framed with glass, mild toning, discoloration at sheet edges at mat, otherwise in apparently good condition.  $300/600

 

 

 

158

David Siqueiros (1896-1974) Mexican

FANTASY FIGURES, color lithograph, signed in pencil, numbered 37/300, image 21 x 16 ½”, full margins, framed with glass (cracked), mild toning, discoloration in the outer margins at mat, otherwise in apparently good condition.  $300/600

 

 

 

159

David Siqueiros (1896-1974) Mexican

FANTASY FIGURES, color lithograph, signed in pencil, numbered 37/300, image 21 x 16 ½”, full margins, framed with glass, mild toning, discoloration in the outer margins at mat, otherwise in apparently good condition.  $300/600

 

 

 

160

David Siqueiros (1896-1974) Mexican

PRISON FANTASIES, color lithograph, signed in pencil, numbered 235/250, image 18 x 14”, full margins, framed with glass, mild toning, otherwise in apparently good condition.  $200/400

 

 

 

161

David Siqueiros (1896-1974) Mexican

MAN ON TREE, lithograph, signed in pencil, numbered X/5, image 11 ¾ x 9”, full margins, framed with glass, some speckling, otherwise in apparently good condition.  $200/400

 

 

 

162

Theophile Steinlen (1859-1923) Swiss

THE GOODBYE, 1916, lithograph, signed in pencil, numbered 114/400, image 15 x 12”, sheet 22 ½ x 17 ¾”, some discoloration mainly at sheet edges, otherwise in good condition.  $200/400

 

 

 

163

Graham Sutherland (1903-1980) British

THREE FIGURES IN A GARDEN (T.55), 1953, color lithograph, signed in pencil, numbered 100/125, sheet 11 ¾ x 8 ¾”, framed with glass, in apparently good condition.  $800/1200

 

 

 

164

Sam Tchakalian (1929-2004) Californian

UNTITLED, 1968, color screenprint, signed and dated in pen lower right, sheet 5 ½ x 9 ½”, printed by the artist on white card, framed with glass, in good studio condition.  $100/200

 

 

 

165

Mark Tobey (1890-1976) American

SELF PORTRAIT, 1967, color lithograph, signed and dated in pencil, numbered 126/150, image 8 x 6”, full margins, framed with glass, in apparently good condition.  $300/600

 

 

 

166

Mark Tobey (1890-1976) American

WOVEN WORLD, color lithograph, signed in pencil, numbered 19/150, image 10 x 17 ¾”, full margins, published by Transworld Art, framed with glass, pale toning in margins, otherwise in apparently good condition.  $500/800

 

 

 

167

Francisco Toledo (b. 1940) Mexican

FABLE, color lithograph, signed in pencil, numbered LXIX/LXXV, image 15 ½ x 20 ½”, full margins, framed with glass, in apparently good condition.  $500/1000

 

 

 

168

Joyce Treiman (1922-1991) Californian

UNTITLED LANDSCAPE #3, 1984, oil painting on panel, signed and dated lower right, 8 x 16”, with Donald Treiman stamp on verso, framed, in apparently good studio condition. Provenance: Fairweather Hardin Gallery, Chicago; Louis Stern Fine Arts, West Hollywood; Tortue Gallery, Santa Monica.  $400/800

 

 

 

169

Joyce Treiman (1922-1991) Californian

THE KEY, color lithograph, signed in pencil, numbered 15/90, image 28 x 22”, sheet 36 x 30 ½”, framed, in apparently good condition.  $200/400

 

 

 

170

Arla Ivah Tully (1891-1984) California

LARGE BOUQUET, oil painting on canvas, signed lower right, 25 x 30”, framed, small surface scuffs and abrasions, otherwise in good studio condition.  $200/400

 

 

 

171

Edouard Vysekal (1890-1939) California

CALIFORNIA LANDSCAPE, 1931, watercolor on paper, signed and dated lower left, sight 14 x 22”, framed with glass, pale toning from previous framing, otherwise in apparently good condition.  $400/800

 

 

 

172

Lynd Ward (1905-1985) New Jersey & Arthur William Heintzelman (1891-1965) Rhode Island (two)

Lynd Ward SEEDLING, 1949, wood engraving, signed dated and titled in pencil and inscribed For George A Coe, image 8 x 6”, full margins, framed with glass, discoloration mainly in margins, otherwise in apparently good condition; Arthur William Heintzelman PORTRAIT OF OLD WOMAN, etching, signed in pencil and inscribed 10, image 3 x 2 ¼”, full margins, framed with glass, pale toning and discoloration, otherwise in apparently good condition. Provenance: The Print Room Inc., San Francisco. (2)  $100/200

 

 

 

173

Howard Warshaw (1920-1977) Californian

SEATED WOMAN IN ORANGE (Olive Carey), 1968, color pastel and charcoal on paper, signed and dated lower right, sight 25 ¼ x 17 ½”, framed with glass, in apparently good studio condition aside from odd discoloring in background.  $400/800

 

 

 

174

Howard Warshaw (1920-1977) Californian

ABSTRACT, 1962, acrylic painting on paper, signed and dated lower right, sight 19 x 18 ½”, framed with glass, in apparently good studio condition.  $400/800

 

 

 

175

Howard Warshaw (1920-1977) Californian

ABSTRACT, 1948, mixed media with ink wash drawing and chalk on paper, signed and dated lower right, 12 ¼ x 8 ¾”, framed with glass, in apparently good studio condition. Provenance: Heritage Gallery, Pacific Palisades.  $300/600

 

 

 

176

Howard Warshaw (1920-1977) Californian

RECLINING FIGURE, c.1954, watercolor with ink and chalk on paper, signed and dated lower right, 7 x 10”, framed with glass, in apparently good studio condition.  $200/400

 

 

 

177

Howard Warshaw (1920-1977) Californian

CRUCIFIXION, pencil drawing on paper, signed HW 58 lower right, sight 25 x 10”, framed with glass, some discoloration, a few crinkles, otherwise in apparently good studio condition.  $200/400

 

 

 

178

Howard Warshaw (1920-1977) Californian

FIGURES WITH OWL, 1956, etching, signed in pencil and inscribed For M L + G D from HW, image 11 ¾ x 17 ½”, full margins, framed, some discoloration in margins, tape on verso showing through on recto lower right corner, otherwise in apparently good condition.  $100/200

 

 

 

179

Adele Watson (1873-1947) California & another (two)

UNIDENTIFIED POINT, lithograph, signed and titled in pencil and numbered 12-30, image 8 ½ x 10 ¾”, some pale discoloration in margins at mat; FISHERMAN’S WHARF, lithograph, signed Robert War****t and titled in pencil, image 9 ½ x 13 ¼”, discoloration, speckling, small blemish in margin; both with full margins, framed with glass and in otherwise apparently good condition. (2)  $100/200

 

 

 

180

Ray Wilson (1906-1972) California

MOTHER, watercolor on paper, signed lower center, sight 19 x 24 ½”, framed with glass, in apparently good studio condition.  $300/600

 

 

 

181

Emerson Woelffer (1914-2003) California

FOR KEITH, 1961, color lithograph, signed in pencil, numbered 3/20, sheet 22 x 17”, printed by Tamarind with their blind stamp lower left, framed with glass, pale discoloration near margins, otherwise in apparently good condition.  $200/400

 

 

 

182

Robert E. Wood (1926-1999) Californian

MOUNTAIN SCAPE, watercolor on paper, signed lower right, sight 14 ½ x 21 ¾”, framed with glass, in apparently good condition.  $400/800

 

 

 

183

Frederick Wright (1902-1986) Californian

SANTA MONICA MOUNTAINS, May 7th, 1980, oil painting on canvas, signed titled and dated on verso, 45 ½ x 51”, slat frame, in good studio condition.  $2000/4000

 

 

 

184

Frederick Wright (1902-1986) Californian

SUNSET OVER MOUNTAIN, April 12th, 1980, oil painting on two attached canvases with metal insert, signed titled and dated on verso, 39 x 59”, scuffs lower right, otherwise in good studio condition.  $2000/4000

 

 

 

185

James Couper Wright (1906-1969) California

IRISES, 1934, watercolor on paper, signed and dated upper right, image 16 x 21”, framed with glass, in apparently good condition.  $200/400

 

 

 

186

James Couper Wright (1906-1969) California (two)

ROW BOAT; SHIPYARD, two, each a watercolor on paper, signed lower right, sight 10 ¾ x 14 ¼” & 4 ½ x 6 ½”, framed with glass, in apparently good studio condition.  (2)  $200/400

 

 

 

187

Milford Zornes (1908-2008) Californian

WOMEN WITH BASKET, 1943, ink drawing on acrylic background, signed dated and inscribed India lower right, sight 13 ½ x 7”, framed with glass, in apparently good studio condition.  $200/400

 

 

 

188

Francisco Zuniga (1912-1988) Costa Rican

FAMILY INDIGENA I (B.26), 1976, color lithograph, signed and dated in pencil, numbered 75/125, sheet 25 x 36”, printed by Kyron, with their blind stamp lower right, published by Graphic Arts Council, LACMA, framed with glass, in apparently good condition.  $1500/2500

 

 

 

189

Francisco Zuniga (1912-1988) Costa Rican

PAISAJE DEL PEDREGAL c.1955, pen and brushed ink on paper, with MALE FIGURAL STUDIES on verso, 1962, signed and dated on verso, sheet 14 ¼ x 20”, discoloration, mild toning, some skinning in corners, otherwise in good studio condition. The landscape is almost identical to PAISAJE DEL PEDREGAL III. 1955 (Z. 691) and the figural study quite common with the multi-figural studies the artist was doing in 1962. Special thanks to Mr. Ariel Zuniga for kindly authenticating this work which will appear in the catalogue raisonne volume V.  $2000/4000

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