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Catalogue Without Illustrations (printable)

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 Please use the links at the bottom of this page for the illustrated catalogue pages.

 

 

1

19th Century Bronze

THE THORN, cast bronze sculpture with patina, 12” tall, mounted to 1” tall marble base, total height 13” tall, pitting and discoloration in finish, otherwise in good condition.  $200/400

 

 

2

Raymond C. Abst (20th Century) American FAIA

CLARK FORKS, STANISLAUS, watercolor on paper, signed lower right, sight 28 x 21”, Modesto Art Center 2003 Spring Show label on verso, framed with glass.  $100/200

 

 

3

Raymond C. Abst (20th Century) American FAIA

TIOGA PASS, watercolor on paper, signed lower right, sight 27 ¾ x 21 ¾”, Central Californian Art League 2001 label on verso, framed with glass.  $100/200

 

 

4

Raymond C. Abst (20th Century) American FAIA

TIOGA PASS #2, watercolor on paper, signed lower right, sight 20 ¼ x 28 ¼”, framed with glass.  $100/200

 

 

5

Raymond C. Abst (20th Century) American FAIA

BEACH SCENE AT SUNSET, watercolor on paper, signed lower right, sight 23 ½ x 33 ½”, framed with glass.  $100/200

 

 

6

Raymond C. Abst (20th Century) American FAIA

CLIFFS & TREES, watercolor on paper, signed lower right, sight 23 ¾ x 30 ¾”, framed.  $100/200

 

 

7

African Art: Mali (mid 20th Century)

Mali, Dogon, carved wood stool, with carved Nommo ancestors, 15 ½” tall.  $200/400

 

 

8

Yaacov Agam (b. 1928) Israeli

PURPLE & BLUE, color screenprint, signed in pencil, from the numbered edition 252, image 9 ½ x 11”, full margins, framed with glass.  $100/200

 

 

9

Yaacov Agam (b. 1928) Israeli

UNTITLED, color screenprint, signed in pencil, from the numbered edition 180, image 24 ¼ x 35 ¼”, full margins, framed, tiny unobtrusive stray printer’s ink only found when inspected for, very mild cockling, otherwise in good condition.  $600/900

 

 

10

Dan Allison (b. 1953) American

MORNING, color aquatint, signed and numbered in blue pencil, from the numbered edition 40, sheet 17 ¼ x 22 ¾”, in Plexiglas box frame.  $200/300

 

 

11

Otmar Alt (b. 1940) German

DAS GEHEIMNIS, 1975, color aquatint etching with embossing, signed in pencil, from the numbered edition 75, image 21 ½ x 19 ½”, with Galerie Schmucking blindstamp, full margins, creases lower left and upper right corner, otherwise in good condition.  $300/500

 

 

12

Sunol Alvar (b. 1935) Spanish

OFFERING, color lithograph, signed in pencil, from the numbered edition 225, image 28 ¾ x 21 ½”, full margins, framed, faint toning in margins, otherwise in good condition.  $200/400

 

 

13

Sunol Alvar (b. 1935) Spanish

MIRACLE QUOTIDEN, color lithograph, signed in pencil, from the numbered edition 225, image 33 ½ x 24 ½”, full margins, framed, faint toning in margins from mat, otherwise in good condition.  $200/400

 

 

14

Sunol Alvar (b. 1935) Spanish & M. Depre (three)

WOMAN WITH VIOLIN; MIRACLE QUOTIDEN, a color etching and a color lithograph, each signed in pencil, the first inscribed artist’s proof, the later from the numbered edition 225, images11 ¾ x 8 ¼” & 33 ¼ x 24 ¼”, first with toning in margins from matting, possibly faded, the second with sun toning and colors faded; Together with M. Depre, BALLERINA, color lithograph, signed in pencil, from the numbered edition 150, image 25 ¼ x 17 ¾”, sun toning, colors possibly faded, all with full margins and framed with glass, otherwise all in good condition. (3)  $300/500

 

 

15

American School

UNTITLED, cut and sculpted wood, 39 ½ x 24 x 3 ½”, some losses, otherwise in good condition, with an old Jack Feldman Auctioneer tag on verso.  $200/400

 

 

16

Americana: Vintage Sign

THE WOODMAN, post-war vintage hand-painted double-sided metal sign from NYC pub, 24 x 29 ¾”, with natural wear.  $200/400

 

 

17

Teimur Amiry (b. 1958) Iranian

STRAWBERRY STILL LIFE, oil painting on board, signed lower left, sight 9 ¾ x 12 ¾”, framed. Provenance: Acquired directly from the artist by the previous owner. $6000/8000

 

 

18

Teimur Amiry (b. 1958) Iranian

ROSES, oil painting and pastel on paper, signed lower left, sight 25 ¼ x 19 ¼”, framed with glass. Provenance: Acquired directly from the artist by the previous owner.  $8000/9000

 

 

19

Glenna Anderson (20th Century) Californian

TAOS PEPPERS, watercolor on paper, signed lower left, sight 29 x 21 ½”, framed with glass.  $100/200

 

 

20

Glenna Anderson (20th Century) Californian

TAOS PEPPERS, oil painting on Masonite, signed lower left, 24 x 16”, framed.  $100/200

 

 

21

William Anthony (20th Century) American (four)

WIND, 1987; COUPLE DANCING, 1988; AFTER DAVID, 1975, AFTER BECKMANN, 1986, four pencil drawings on paper, each signed and dated, 5 x 5”, 5 ½ x 5”, 6 ½ x 6”, 8 ¾ x 5”, all framed with glass. (4)  $400/600

 

 

22

William Anthony (20th Century) American (three)

CONESSEUIERE, 1992; PRAYING, 1992, ROCKEFELLER BESTOWING A DIME, three color pastel and pencil drawings on paper, each signed and dated, 9 x 6”, 8 x 6 ½”, 5 x 7 ½”, all framed, the first lacking glass. (3)  $400/600

 

 

23

Richard Anuszkiewicz (b. 1930) American

CELEBRATION, 1973, color screenprint, signed in pencil, from the numbered edition 300, image 28 ¾ x 22 ¼”, full margins, framed, sun toning, otherwise in good condition.  $200/400

 

 

24

Nobuyoshi Araki (b. 1949) Japanese

WOMAN IN BED, test c-print on medium wove paper, image 24 x 35 ½”, small margins on top and bottom, soft handling creases, otherwise in good condition.  $800/1200

 

 

25

Allan D’Archangelo (1930-1988) American

EXPORT MADONA, color screenprint, signed in pencil, from the Roman numeral edition 25, sheet 40 x 30”, a few soft handling creases, hairline scratches lower left, crease lower right corner, otherwise in good condition.  $400/600

 

 

26

Arman (1928-2005) French

HOMMAGE A MARCEL DUCHAMP, 1972, color aquatint etching, signed in pencil, from the numbered edition 125, sheet 15 x 11”.  $300/500

 

 

27

John Taylor Arms, Jean Francois Raffaelli, Arthur Heintzelman & Charles Bragg (four)

FROG OF TOUR CHARLES VIII, #6 from the Gargoyle Series, 1921, etching, signed in pencil, from the numbered edition 40, plate 8 ½ x 5 ½”, a few discoloration spots, minor surface rubs; Together with Jean Francois Raffaelli, HINITERLAND LANDSCAPE, etching, signed in pencil and inscribed 12, image 5 ¾ x 8 ¾”, framed with glass, creases at corner and soft creases; Together with Arthur Heintzelman, LA FARANDOLE ST. JEAN DE LUZ, etching, signed in pencil, from the numbered edition 100, image 10 x 12”, a few dimple impressions, a few scuffs, toning from previous mat, glued to backboard in small area; Together with Charles Bragg, GUTHRIE DYLAN, etching, signed in pencil, from the numbered edition 100, image 8 ¾ x 11 ¾”, minor surface soiling, two old masking tape remnants on verso, all with full margins, otherwise all in good condition. (4)  $500/800

 

 

28

Asian Arts: Antique Chinese Style Urn between (Meiji (1868-1911)/ Taisho (1912-1925) Era

19th / early 20th Century antique ivory urn with animal mask and rings in the Chinese style (probably carved in a Japanese studio at the time), carved between 1868 and 1925, signed Hozan underneath two components, total height 11” tall, with 2” carved base and seat, professionally cleaned and repaired.  $800/1200

 

 

29

Micha Bar-Am (b. 1930) Israeli

THE SCRIBE, silver gelatin print, signed in pen, from the numbered edition 300, 20 x 16”, full margins, framed with glass.  $300/500

 

 

30

Jean Michel Basquiat (1960-1988) American

ACADEMIC STUDY OF THE MALE FIGURE, 1983, screenprint printed on natural (?) speckled paper, a publisher’s proof aside from the numbered edition OF 20, sheet 40 x 31 ¼”, with the New City Editions blindstamp lower right, framed, vertical crease in center and at right sheet edge, otherwise in apparently good condition.  $3000/5000

 

 

31

Charles Bell (1935-1995) American

DOUBLE BUBBLE, color Giclee on thick paper, signed in pencil, from the numbered edition 150, image 26 x 26”, full margins, published by Robert Bane Ltd, with additional top lacquer printing.  $800/1200

 

 

32

Charles Bell (1935-1995) American

LUCKY LADY, color Giclee on thick paper, estate signed, from the numbered edition 200, image 20 x 38 ¾”, full margins, published by Robert Bane Ltd.  $800/1200

 

 

33

Bennett Brothers (20th Century) Californian

CELESTE, cast bronze sculpture, signed, from the numbered edition 150, height 38 ½”, mounted to 1 ½” marble base, a couple of nicks, discoloration, rust on face, needs to be cleaned and polished, otherwise in good condition.  $3000/4000

 

 

34

Albert Besnard , Edouard Manet & after James Whistler (three)

Albert Besnard, FILS DE L’ARTISTE (D.43), drypoint etching, sign in pencil, plate 5 ½ x 3 ½”, pale toning; Together with Edouard Manet, LE CHAT ET LE FLEURS (H.65iii), 1869, etching with aquatint, signed in plate, image 6 5/8 x 5”; Together with after James Whistler, SEATED WOMAN, lithograph on brown paper, initials on stone, sight 10 ½ x 7 ¾”; two with full margins, all framed with glass. (3)  $300/500

 

 

35

Leo Blackman (20th Century) American

CLOWN WITH CYMBOLS, 1970, cast bronze sculpture with brown patina, signed and dated, 6 ¼” tall, mounted to 2” wood base, stamped ‘originals by Leo Blackman’, also signed and inscribed in marker underneath.  $200/400

 

 

36

Streeter Blair (1888-1966) American

PRAIRIE UNTUTORED, 1963, oil painting on canvas, signed and dated lower left, 18 x 14”, framed. Provenance: Sari Heller Gallery, Beverly Hills  $600/900

 

 

37

Debi Bonsack (20th Century) Californian

EMPTY LOAD, oil painting on canvas, signed lower right, 28 x 40 ¾”.  $100/200

 

 

38

Debi Bonsack (20th Century) Californian

I GOOD TASTE, oil painting on canvas, signed lower left, 28 x 36”, Modesto Art Center 2000 Spring Show label on verso.  $100/200

 

 

39

Michael Bisbee (20th Century) American

UNTITLED, 1990, oil painting on canvas, signed on verso, 60 ½ x 44”. Provenance: Karl Bornstein Gallery, Santa Monica; Shea & Beker, NYC.  $800/1200

 

 

40

Graciela Rodo Boulanger (b. 1935) Bolivian

ARABESQUE, From the Ballerines Portfolio, 1973, color aquatint etchings on Japan paper, signed in pencil, from the Roman numeral edition 30, image 12 ½ x 9 ½”, full margins, with small archival tape hinges on verso, otherwise in good condition with bright fresh colors.  $400/600

 

 

41

Graciela Rodo Boulanger (b. 1935) Bolivian

ADAGIO, From the Ballerines Portfolio, 1973, color aquatint etchings on Japan paper, signed in pencil, from the Roman numeral edition 30, image 12 ½ x 9 ½”, full margins, with small archival tape hinges on verso, otherwise in good condition with bright fresh colors.  $400/600

 

 

42

Charles Bragg (b. 1931) American

STEINEM COURT, photogravure with etching, signed in pencil, from the numbered edition 300, plate 11 ½ x 22”, full margins, framed with glass.  $400/600

 

 

43

Charles Bragg (b. 1931) American

1870-1910, two photogravures with etching on one sheet, signed in pencil, from the numbered edition 150, plates average 8 ¾ x 5 ¾”, full margins, framed.  $200/300

 

 

44

Bernard Buffet (1928-1999) French

WOMEN OF PARIS, color lithograph, signed in pencil, from the numbered edition 250, image 21 ½ x 15 ¾”, sheet 28 ¾ x 19 ½”, possible reduced margins, framed with glass, soft creases, faint toning, one small discoloration speck lower left, toning on verso from framing, tape residue stains on extreme edge, stray cellophane tape lower left, otherwise in good condition.  $1500/2500

 

 

45

Alexander Calder (1898-1976) American with Carlos Franqui

LO OBSCURO INVADE, color lithograph, signed in pencil, from the numbered edition 500, sheet 28 ¼ x 41 ¼”, faint ghosting from storage with other of the same prints, otherwise in good condition.  $800/1200

 

 

46

California School (20th Century

COUNTRY HILLTOP oil painting on board, signed lower left, 13 7/8 x 17”, framed.  $100/200

 

 

47

Wallace B. Carroll (20th Century) Californian

STANISLAUS SEPTEMBER, oil painting on Masonite, signed lower left, 9 x 12”, Modesto Art Center 2003 Spring Show label on verso, framed.  $100/200

 

 

48

Wallace B. Carroll (20th Century) Californian

FOOTHILL SPRINGS, oil painting on Masonite, signed lower left, 8 x 10”, Central Californian Art League 2001 label on verso; framed.  $100/200

 

 

49

Ben Carre (1883-1978) California

UNTITLED, ink and wash on paper, stamped lower left, sight 6 x 9”, framed with glass, mild toning, otherwise in good condition.  $500/800

 

 

50

Vija Celmins (b. 1938) Latvia

OCEAN WITH CROSS, #1, 2005, screenprint, signed in pencil, from the numbered edition 108, sheet 28 ¾ x 24 ¼”, image 22 ½ x 17 ½”, printed by Brand X with blindstamp lower right, framed.  $8000/10,000

 

 

51

Ed Cesena (20th Century) Californian

SMACK, 2000, watercolor, ink and collage on paper, signed and dated lower right, sight 10 ½ x 13 ½”, Central Californian Art League 2000 label on verso, framed with glass.  $100/200

 

 

52

Chae (20th Century) Korean (three)

CAROUSEL; DANCERS ON THE BEACH; HONEYMOONERS; three color screenprints, each signed in pencil, from numbered editions 250, images 29 ¾ x 21”, 20 ½ x 27 ½”, 24 ¾ x 22”, all with full margins, two with finger prints in margins, otherwise in good condition. (3)  $200/400

 

 

53

Marc Chagall (1897-1985) Russian/French

MOUNTING THE EBONY HORSE, from the ARABIAN NIGHTS, plate 12 (M.47), 1948, color lithograph, signed in pencil and inscribed pl. 12, from the numbered edition 90, image 14 ½ x 11”, sheet 16 ¼ x 12” reduced from 16 7/8 x 13”, genuine gold leaf frame, toned on verso, mild toning on recto, otherwise in good condition.  $20,000/25,000

 

 

54

Marc Chagall (1897-1985) Russian/French (three)

LITHOGRAPHIE I SERIES (M.285, 289, 292), 1960, one black & white and two color lithographs, from the unsigned edition published in Chagall’s lithograph catalogue raisonne volume I, aside from the signed and numbered edition with full margins, sheets 12 ½ x 9 ½”, framed. (3)  $600/900

 

 

55

Edgar Chahine (1874-1947) French/ Armenian

LA VICTORIA, 1907, etching on Japan paper, signed in pencil, from the edition 50, plate 10 x 18 ¼”, full margins, framed with glass, some small pale discoloration spots in margins, otherwise in good condition.  $800/1200

 

 

56

Edgar Chahine (1874-1947) French/ Armenian

CARRIAGE HORSES RESTING, aquatint etching, signed in pencil, plate 6 ¾ x 18 ¼”, full margins, framed with glass, faint toning at mat, otherwise in good condition.  $600/900

 

 

57

Edgar Chahine (1874-1947) French/ Armenian

BECHELLERIE MAISON, 1923, 2nd state, drypoint etching with chine applique, signed in pencil, from the numbered edition 50, image 8 ½ x 12 3/8”, full margins, framed with glass, some faint discoloration upper left corner, small discoloration spots upper right margin, otherwise in good condition.  $200/400

 

 

58

Michael Challenger (b. 1939) British

UNTITLED, 1970, color screenprint, signed in pencil, from the numbered edition 100, sheet 28 x 40”, London Arts blindstamp, framed with glass, very mild cockling, otherwise in good condition.  $100/200

 

 

59

Fredericus Jacobus Rossum Du Chattel (1856-1917) Dutch

RIVER SCENE, oil painting on wood panel, signed lower right, 7 ¼ x 8 ½”, framed, lacquer yellowed, overall surface soiling, some discoloration in sky area with loss of media, otherwise in good condition.  $300/500

 

 

60

Jules Cheret & Henry Gabriel Ibels (two)

REDOUTE DES ETUDIANTS (A.85), plate 85, image 12 ¾ x 9,; Together with Henry Gabriel Ibels, PIERREFORT (A.102), plate 102, image 8 ¼ x 11 ¼”, both printed by Chaix and from Les Maitres De Affiche with the blindstamps lower right, both framed with glass and with soft handling creases, otherwise good condition. (2)  $300/500

 

 

61

Giorgio De Chirico (1888-1978) Greek

TESEO (B.5), 1971, color soft ground etching, signed in pencil, from the numbered edition 50, image 17 x 14 3/8”, artist’s blindstamp lower left, published by Alberto Caprini with blindstamp lower right, full margins, a few soft handling creases, otherwise in good condition.  $1500/2000

 

 

62

Javacheff Christo (b. 1935) Bulgarian

WRAPPED STATUES, AEGENA TEMPLE, project for the Munich Glyptotek, 1988, screenprint with photo collage, signed in pencil, from the numbered edition of 300, sheet 35 x 27”, a soft handling crease lower right, otherwise in good condition.  $1500/2500

 

 

63

John K Claes (20th Century) Californian

TANGLE, 1999, charcoal drawing on paper, titled signed and dated on verso, 36 ¼ x 38”, framed.  $200/400

 

 

64

Sue Coe & Hiliary North (four)

PORKPOLIS, 1989; etching, signed in pencil and numbered 18, plate 12 ½ x 9”, full margins; THE NEW WORLD ORDER, 1991, etching, signed in pencil, plate 13 ¾ x 10 ½”, full margins; MICKEY HAS BEEN GENETICALLY ALTERED TO DEVELOP CANCER, etching, signed in pencil, image 5 x 2 ¾”, sheet 18 ¾ x 11 ¾”, all three with artist’s blindstamp and rubber stamps, two framed with glass, Porkpolis a few discoloration spots in margins, New World Order a few soft creases in margins; Together with Hiliary North, THE ANNUNCIATION, linocut, signed in pencil, from the numbered edition 5, image 8 x 10”, full margins, creases and soft handling creases, minor discoloration in margins, otherwise in good condition. (4)  $400/600

 

 

65

Judy Coleman (b. 1944) American

UNTITLED, 1989, the portfolio of six silver gelatin prints mounted to archival boards, from the numbered edition of 50, each signed, titled, dated and numbered on the verso, each board size 29 ½ x 23 ½”, titles include “Awakening Nude”, “Sanctum”, “Waking Dream”, “Renaissance Head”, “Repose”, “Interlude”, published by G. Ray Hawkins Gallery, Los Angeles, in black-linen covered portfolio case.  $3500/4500

 

 

66

Veronica Constantine (20th Century) American

FEMALE STRENGTH, acrylic and watercolor and charcoal painting on paper, signed lower right, 30 x 22”, framed.  $400/600

 

 

67

Contemporary Print Collection (thirty-two)

VARIOUS, thirty-two mixed media on paper, each signed “Benson”, sheets range from 24 x 18” to 30 x 22”. (32)  $300/600

 

 

68

Contemporary School

COUPLE, oil painting on canvas, signed “D. Goojvin” ?, lower right, 30 x 23 ¾”, 2” surface scratch, some rubbing spots in gold area outside figures, surface rubs, otherwise in good condition.  $100/200

 

 

69

Contemporary School

DESERT JET, acrylic painted plastic with applique and mixed media sculpture, 35 ½ x 9 ½ x 14”, a couple small losses and chips, otherwise in good condition.  $200/400

 

 

70

Contemporary School

DESERT HELICOPTER, acrylic painted plastic with applique and mixed media sculpture, 29 x 11 ¾ x 6”, a few small chips and losses, otherwise in good condition.  $200/400

 

 

71

Allen Gilbert Cram (1886-1947) Californian

SEASCAPE, oil painting on canvas board, signed lower right, 16 x 20”, framed, surface soiling, small chips around perimeter from framing, small impact lower left corner, otherwise in good condition.  $500/700

 

 

72

Jose Luis Cuevas, Leonard Baskin & Makoto Ouchi (three)

UNTITLED from Crime, 1968, color lithograph, signed in pencil, from the edition Roman numeral 25 on Japan paper, sheet 22 x 30”, scattered foxing and discoloration; Together with Leonard Baskin, STILL LIFE, etching, signed in pencil, from the numbered edition 50, image 18 x 14 ¾”, full margins, toning, a few discoloration speckles; Together with Makoto Ouchi, OKAME, 1973, color woodblock print, signed in pencil, from the numbered edition 60, image 17 ½ x 16”, all framed with glass, perimeter cockling, foxing and discoloration from exposure to moisture, mainly in lower margins. (3)  $200/400

 

 

73

Ronnie Cutrone (b. 1948) American (three)

WHITE KNIGHT; BUGSY MIRANDA; BIRD’S EYE VIEW, three color screenprints, each signed in pencil, from the numbered editions 250, sheets 30 x 22 ½” & 22 ½ x 30”. (3)  $600/900

 

 

74

Ronnie Cutrone (b. 1948) American

AMERICAN ARTIST (SPIRALS), 1988, acrylic painting and ink marker over color screenprint, signed and dated in pencil, image 38 ¼ x 24 ¾”, full margins, handling creases in right margins, discoloration lower center margin, otherwise in good condition.  $800/1200

 

 

75

Salvador Dali (1904-1989) Spanish

DALI DE DRAEGER, 1968, text in French by Gerard, publisher Draeger, Paris, hardbound book with color and black & white plates, numbered 596 of 1500, with “Melted Watch” in metal affixed to cover, complete with “Unicorne Dionysiaque” 3 ½” diameter removable bronze medallion, numbered 596 (of 1500), signature in design, with a roll of two-sided reproductions in tube case, complete with portfolio box, wear and minor loss to cover-plate of portfolio box, natural wear on ends of rolled prints, otherwise in good condition.  $600/900

 

 

76

after Salvador Dali (1904-1989) Spanish & others (twelve)

CHARLES DE GAULLE (see M.720 appendix), 1974, heliogravure, with a pencil signature of Dali’s name signed by another, sheet 34 ½ x 24”, toning, soft handling creases, discoloration; Together with two Marilyn Monroe classic prints, Together with an MCA ephemera print (some damage); Together with color etching signed Gillart?, small tear and creases; Together with Disney’s “Great Locomotive Chase” lobby card; Together with a Keith Haring unassembled paper Christmas ornament, tear not affecting ornament; Together with five small etchings by various artists; together with Cecile Johnson, FOREST HILLS, color print, faded, signed in pencil, framed with glass, all in otherwise good to fair condition. (12)  $100/200

 

 

77

Peggy Darrow & European School (two)

SHIPS AT BAY, oil painting on canvas, 24 x 36”; Together with European School, WILLOW TREES, oil painting on canvas, signed lower right, 27 x 39”, both framed. (2)  $200/400

 

 

78

Decorative Art (20th Century)

ROMAN-STYLE, four stencil paintings (two of each subject) on wood, each panel measures 42 3/8 x 17 3/8” and is mounted in wood frame, overall wear and losses from age. (4)  $400/600

 

 

79

Auguste Donnay & others (three)

GLACIERES MODELS, small format color lithograph, signed on stone, image 9 ¼ x 13 ¼”, with margins, framed with glass, with a pressed out center-fold, a tiny tear lower center margin, a couple of small discoloration spots, otherwise in good condition; Together with POURELLE, lithograph, and LA PAIMPOLAISE, color lithograph on music sheet, signed on stone, both sight 11 ½ x 8 ¼”, both printed by Crevel Apres, Paris, framed with glass. (3)  $300/500

 

 

80

Jacques Donnay (20th Century)

COMPOSITION, oil painting on board, signed lower center, titled and signed on verso, 27 ¾ x 31 ½”, framed.  $300/500

 

 

81

Jacques Donnay (20th Century)

MONTZEH, oil painting on board, signed lower center, titled and signed on verso, 15 ¾ x 19 ¾”, framed.  $100/200

 

 

82

Jacques Donnay (20th Century)

POINT BAROUGH, oil painting on board, signed lower center, titled signed and dated on verso, 23 ½ x 23 ½”, framed.  $200/400

 

 

83

Stephen Douglas (b. 1949) Californian

BLACKWELL, 1990, charcoal drawing on paper, initialed and dated lower right, 18 x 14”, framed.  $200/300

 

 

84

Stephen Douglas (b. 1949) American

SEATED NUDE WITH CROSSED ARMS AND TIMER, 1994, oil painting on canvas, signed and dated lower left and on verso, 52 x 39”, framed.  $5000/7000

 

 

85

Arthur Wesley Dow (1857-1922) American

MODERN ART (A.36), plate 36, color lithograph from Les Maitre de L'Affiches series, with blindstamp lower right, signature in design, image 10 x 7”, printed by Imprimerie Chaix, Paris, 1896, framed with glass.  $600/900

 

 

86

after Ernest Deutsch Dryden & S. M. Dil (two)

CHAMPAGNE V. VE. A. DEVAUS, linen-backed color lithograph poster, 23 x 17 ½”, filled in blemish under the  “N”, small blemish lower center, speckle upper left; Together with a S. M. Dil, L’ECOLE DES BEAUX ARTS, BAL, 1934, smaller format of larger color lithograph poster, sight 16 x 10 ½”, published by Affiche D’ Interieur; both framed. (2)  $200/400

 

 

87

Tony Duquette (1914-1999) American

HORIZONTAL SUNBURST, fabricated brass sculpture with three votive holders, 26 ½ x 26 ½” including 4” base, in studio condition as received from the artist. Provenance: Acquired directly from the artist by the owner.  $2000/3000

 

 

88

Tony Duquette (1914-1999) American

SUNBURST, fabricated brass sculpture with three votive holders, 36 x 22”, with stand, in studio condition as received from the artist. Provenance: Acquired directly from the artist by the owner.  $3000/4000

 

 

89

Tony Duquette (1914-1999) American

SUNBURST, fabricated brass sculpture with three votive holders, 36 x 22”, with stand, in studio condition as received from the artist. Provenance: Acquired directly from the artist by the owner. $3000/4000

 

 

90

Georges Dussau (b. 1947) French (four)

UNTITLED, four color etchings, each signed in pencil, from the numbered editions 99, images 7 x 9 ½” & 9 ¾ x 7”, full margins, each framed with glass. (4)  $400/800

 

 

91

Jan Ehrenwoth; K. Wakeshima & another (six)

LUMINESCENSE; SPHERICAL INTERLUDE; QUADRILLS, 1973-1979, three color intaglio prints, each signed in pencil, numbered editions 30 & 15, images 20 ¾ x 20 ¾”, full margins; Together with K. Wakeshima, OVER THE SIERRA; MOJAVE, two color screenprints, both signed in pencil, from the numbered editions 50 & 25, images 24 x 18” & 18 x 24”; Together with another, UNTITLED, 1982, color lithograph, signed in pencil, artist’s proof aside from the numbered edition, image 22 ¾ x 17”; all with full margins, creases and soft handling creases, one with tear in margin (Chenoweth), Wakeshimas have nicks and scuffs, cellophane tape on sheet edges, the last with large crescent crease in margin, all in otherwise good condition. (6)  $100/200

 

 

92

Chet Engle (1918-1994) Californian

DAUGHTERS OF OCEANUS, oil painting on Masonite, signed and titled on verso, 16 x 12”, artist’s copyright on verso, framed.  $300/500

 

 

93

Chet Engle (1918-1994) Californian

SEA MAIDEN, oil painting on Masonite, signed and titled on verso, 14 x 11”, artist’s copyright on verso, framed.  $300/500

 

 

94

Chet Engle (1918-1994) Californian

GRACE OF YOUTH, oil painting on Masonite, signed and titled on verso, 10 x 8”, artist’s copyright on verso, framed.  $200/300

 

 

95

Max Ernst (1891-1976) German

COMPOSITION (S&L.54), 1952, color etching, signed in pencil, from the numbered edition 38, image 9 x 7”, sheet 19 x 13”, toning at left and upper sheet edge only, small discoloration spot lower right margin, otherwise in good condition .  $4000/5000

 

 

96

Max Ernst (1891-1976) German

RHYTHMES, color lithograph, signed in pencil, from the edition Roman numeral 15, image16 ¾ x 10 ½”, sheet 22 x 15”, published by Guilde de Gravure, blindstamp lower left, very faint toning from previous framing, otherwise in good condition.  $3500/4500

 

 

97

Juan Escoda (b. 1920) Spanish

BULL FIGHTER, oil painting on canvas, signed lower right, 39 ¼ x 28 ¼”, framed, surface soiling, otherwise in good condition.  $500/700

 

 

98

Juan Escoda (b. 1920) Spanish

MATERNIDAD, oil painting on canvas, signed lower right, 39 ¼ x 28 ¼”, framed, small scratch under chin, surface soiling, crack and a chip lower right and lower center, the latter with yellowed lacquer form repair, otherwise in good condition.  $500/700

 

 

99

European Printmakers & Levon West (three)

Levon West, VENICE, 1931, etching, signed in pencil and numbered 62, plate 15 ½ x 8 ½”, full margins; Together with European Printmakers, STREET SCENE, 1920, etching, signed in pencil, initialed “RG” and dated in plate, image 11 ¾ x 8 ½”, full margins, soft handling creases, stress tear at plate from printing; Together with HOUSE BY RIVER, etching, signed “Ernest Davis?” in pencil, image 7 ¾ x 21 ¾”, with maquet drawing lower center in margin, discoloration in image and toning from mat, all framed with glass, all in otherwise good condition. (3)  $400/800

 

 

100

Fanch Ledan (b. 1949) British

TAJ MAHAL IN SAUSALITO, color lithograph, signed in pencil, from the numbered edition 275, image 24 ¾ x 19”, full margins, framed with glass.  $100/200

 

 

101

Andreas Feininger (1906-1999) American

REAR VIEW OF A TRAPDOOR SPIDER, CYCLOCOSMIA TRUNCATA, from Forms of Nature, Volume II, 1951, silver gelatin print, 9 ½ x 12” mounted to 14 x 17” card, signed in pencil and numbered on the card, from the numbered edition of 100, printed in 1976. $1000/1500

 

 

102

Andreas Feininger (1906-1999) American

BATS, from Forms of Nature, Volume II, 1954, silver gelatin print, 9 ½ x 11”, mounted to 14 x 17” card, signed in pencil and numbered on the card, from the numbered edition of 100, printed in 1976. $1000/1500

 

 

103

Andreas Feininger (1906-1999) American

TREES, from TREES Portfolio, Volume III, 1951, silver gelatin print, 12 ½ x 9 ½”, mounted to 17 x 14” card, signed in pencil and numbered on the card, from the numbered edition of 100, printed in 1976. $1000/1500

 

 

104

Andreas Feininger (1906-1999) American

TREES, from TREES Portfolio, Volume III, 1951, silver gelatin print, 12 ½ x 9 ½”, mounted to 17 x 14” card, signed in pencil and numbered on the card, from the numbered edition of 100, printed in 1976. $1000/1500

 

 

105

Felix Felmart, Alex Bou**aire & Bertoldo Taubert (three)

MOTHER AND CHILD, oil painting on canvas, signed lower center, 39 x 32”, with surface soiling, craqueleur, an impact dent with small collateral loss, small losses along right side; Together with GIRL CHASING BUTTERFLY, oil painting on canvas, signed “Alex Bou**aire?” lower right, 34 x 18”; with a screw-eye tear and minor surface soiling; Together with, Bertoldo Taubert, CHILDREN IN THE FIELD, 1973, color lithograph, signed in pencil, from the numbered edition 190, image 19 ½ x 15”, full margins, framed with glass, toning in margins and mat, all otherwise in good condition. (3)  $200/400

 

 

106

Jill Figler (20th Century) Californian NWS

WHITE ORCHIDS, 1996, watercolor on paper, signed and dated lower right, sight 13 ½ x 18”, MLAA exhibition tag on verso, framed with glass.  $100/200

 

 

107

Herb Fillmore (20th Century) American (fifty)

QUIXOTE OF LA MANCHA, fifty of the same color screenprints, each signed in pencil, from the numbered editions 30 artist’s proof, image 33 x 23”, full margins, Accent Studio blindstamp in margins, a few minor smudges and soft handling creases, otherwise in good condition. (50)  $500/1000

 

 

108

Gary Franklin (1928-2007) American (six)

CELEBRITY GROUP #1, ACTORS: Tom Cruise, William Shatner, Dudley Moore, Robert Duvall, Michael Keaton, & James Woods, six silver gelatin prints, all either signed or initialed, each 8 x 10”, Tom Cruise with smudge at signature and title, otherwise all in good condition. (6)  $800/1200

 

 

109

Gary Franklin (1928-2007) American (seven)

CELEBRITY GROUP #2, VARIOUS: Henry Mancini, Ted Kopple & David Brinkley, Roy Disney, Tom Hulce, John Hausman, Morton Downey Jr., Gary Franklin (self-portrait), seven silver gelatin prints, all either signed or initialed, each 8 x 10”, Hausman and Hulce without margins and minor wear at edges, otherwise all in good condition. (7)  $800/1200

 

 

110

Sam Francis (1923-1994) American

UNTITLED (SFE.084), 1992, 25-color aquatint etching, signed in pencil, from the numbered edition 20, image 36 x 24”, sheet 45 x 31”, printed by Jacob Samuel, published by The Litho Shop, framed.  $7000/9000

 

 

111

Sam Francis (1923-1994) American

AN OTHER SET-X from The Pasadena Box (L.65; SF.73), 1963, color lithograph on Shirakawa rice paper mounted on silk roll, roll 52 x 19”, image 31 x 18 ½”, published by The Pasadena Art Museum, framed.  $4000/6000

 

 

112

Sam Francis (1923-1994) American

UNTITLED (SFE.071, L.I105), 1989, color aquatint & monoprint, signed in pencil, from the numbered edition 18 variants, image 19 ¾ x 17 ¾”, full margins, printed Jacob Samuel and published by The Litho Shop, framed, soft handling creases, old Filmoplast hinges on verso, some tiny printers and other small discoloration spots in margins, mild rubbing in margins, surface scuff in center visible in raking light at certain angels, otherwise in good condition.  $3000/4000

 

 

113

Sam Francis (1923-1994) American

UNTITLED (L.208; SF.222), 1976, one color lithograph, signed in pencil, from the numbered edition 30, sheet 28 ¼ x 41”, printed by George Page, published by Litho Shop, publisher’s blindstamp lower right.  $1000/1500

 

 

114

Sam Francis (1923-1994) American

UNTITLED (L.209; SF.223), 1976, two-color lithograph, signed in pencil, from the numbered edition 30, sheet 27 ¼ x 37”, printed by George Page, published by The Litho Shop, publisher’s blindstamp lower right.  $800/1200

 

 

115

Sam Francis (1923-1994) American

UNTITLED (L.170; SF.189), 1974, five-color lithograph, signed in pencil, from the numbered edition 30, sheet 22 ¼ x 30”, printed by George Page, published by Litho Shop, publisher’s blindstamp lower right, two tiny color speckles on verso.  $1000/1500

 

 

116

Sam Francis (1923-1994) American

UNTITLED (L.173; SF.195A), 1974, one color lithograph, signed in pencil, from the numbered edition 20, sheet 30 x 22”, printed by George Page, published by The Litho Shop, publisher’s blindstamp lower right.  $700/900

 

 

117

Sam Francis (1923-1994) American

UNTITLED (L.202; SF.210), 1976, two-color lithograph, signed in pencil, from the numbered edition 30, sheet 22 x 30”, printed by George Page, published by Litho Shop, publisher’s blindstamp lower right.  $700/900

 

 

118

Sam Francis (1923-1994) American

UNTITLED (L.211; SF.238), 1976, two-color lithograph, signed in pencil, from the numbered edition 30, sheet 35 x 27”, printed by George Page, published by Litho Shop, publisher’s blindstamp lower right.  $800/1200

 

 

119

Sam Francis (1923-1994) American

UNTITLED (L.200; SF.208), 1976, one color lithograph, signed in pencil, from the numbered edition 30, sheet 33 x 25”, printed by George Page, published by Litho Shop, publisher’s blindstamp lower right.  $600/800

 

 

120

Yannis Gaitis (1923-1984) Greek & Evelyn B. Johnson (two)

PROFILES, 1974, color intaglio, signed in pencil, from the numbered edition 250, image 19 ½ x 25 ¼”, published by Circle Gallery, full margins, Plexiglas box frame, mild toning at sheet edge and mild cockling; Together with Evelyn B. Johnson , META II, color screenprint, signed in pencil, from the numbered edition 40, image 27 x 20”, full margins, framed with glass, a few soft handling creases, a few scuffs visible at certain angles in raking light, otherwise both in good condition. (2)  $200/400

 

 

121

Giacento Gigante (1806-1876) Italian

STROLLING IN THE TEMPLE RUINS, 1872, watercolor on paper, 10 ½ x 15 ½”, signed and dated lower left, in period frame with antique glass (broken), with pencil lined off perimeter probably for framing, the sheet was probably reduced causing the tip of the loop of the first initial to be truncated, otherwise in good condition.  $6000/9000

 

 

122

Walter Girotto (20th Century) Italian (five)

WAITING FOR SUNBEAM, five of the same color screenprints on Deluxe black paper, each signed in gold ink, from the numbered edition 195, images 33 x 43”, full margins, Robert Bane Editions. (5)  $200/400

 

 

123

Goldberg & Howard Troller (b. 1923) American (two)

TWIN TOWERS, 1976, color photograph, signed and dated on mat, 11 x 14”, framed with glass, faded, otherwise in good condition; Howard Troller, FLAT IRON BUILDING, NYC, silver gelatin print, 9 ½ x 7 5/8”, mounted to board, speck lower left near edge, some small line impressions, card soiled, otherwise in good condition. (2)  $100/200

 

 

124

Greg Gorman (b. 1949) American (eight)

NUDE MALE Series (3); ANDY WARHOL; IGGY POP (2); TATTOOED SKIN; DAVID HOCKNEY; eight color and black & white Iris prints (seven images), one signed in pencil on verso (Nude Male), five annotated “RTP” (ready to print) and two annotated “OK” (ok to print) in marker, two with additional annotations and staple holes in margins, images average 16 ½ x 13”, seven with full margins, Tattoo Skin has no annotations and uneven margins, a couple of fingerprints and production smudges in margins, otherwise in good condition. (8)  $1000/2000

 

 

125

Grace (20th Century) American (three)

RUNNERS, 1987, oil painting on canvas, signed and dated upper right, 30 x 40”, several surface scratches, one with small losses; AFRICAN WOMEN, 1989, two pencil drawings on paper, each signed and dated, sights 12 ½ x 6 ¼” & 12 ½ x 7”, framed, discoloration from mat, some creases, otherwise all in good condition. (3)  $200/300

 

 

126

Lynne Green (20th Century) Californian

ASCENT, watercolor on paper, 14 ½ x 20”, framed with glass.  $100/200

 

 

127

Sydney Gross (1921-1969) American

ON THE RIVER, 1951, oil painting on canvas, signed and dated lower right, 30 x 40 ½”, artist’s label on verso, framed, surface soiling, scuffs, impact dent upper left, otherwise in good condition.  $800/1200

 

 

128

Sidney Gross (1921-1969) American

LIGHTHOUSE, oil painting on canvas, signed lower right, 24 x 36”, framed, surface soiling, otherwise in good condition.  $600/900

 

 

129

Sidney Gross (1921-1969) American

BOARDWALK, 1945, oil painting on canvas, signed and dated lower right, 24 x 36 ¼”, framed, surface soiling, small scratch lower center, otherwise in good condition.  $600/900

 

 

130

Sydney Gross (1921-1969) American

THE RELEASE, oil painting on canvas, signed lower right, 22 x 17 ¼”, framed, surface soiling, otherwise in good condition.  $200/400

 

 

131

Sydney Gross (1921-1969) American

UNTITLED, oil painting on canvas, signed lower left, 22 x 17 ¼”, framed, surface soiling, scuffs, stray paint streak lower center, otherwise in good condition.  $200/400

 

 

132

Daniel Sayre Groesbeck; Max Slevgot; Packard; Michelin Saundermann; & George Clask (five)

VOLGA BOATMAN, color monotype, signed in pencil, image 12 ¼ x 10”, full margins, framed with glass, a few small discoloration spots, pinholes, otherwise in good condition; Max Slevgot, DER BILDERMANN, 1967, lithograph, sight 5 ½ x 7 ½”, framed with glass, some discoloration at mat, otherwise in good condition; Packard, SHAPE AT NOYO, color woodblock print, signed in pencil and inscribed artist’s proof, sight 14 ½ x 22 ½”, framed with glass, a few small discoloration spots lower margin, otherwise in good condition; Michelin Saundermann, RABBI, color aquatint etching signed in pencil, from the numbered edition 150, image 9 x 7 ½”, full margins, framed with glass, some small scattered spotting, thin lines of toning at plate, otherwise in good condition; George Clask, SEARCH FOR PEACE #3, woodblock print, signed in pencil, image 15 ½ x 13 5/8”, full margins, framed with glass, natural cockling, small hinges on verso becoming visible on recto. (5)  $800/1200

 

 

133

Carl Grupp (b. 1939) American (five)

PROSPEROUS GARDEN; GENESIS I (two images); MAGIC TABLE; ROADSIDE REST II; two etching and three lithographs, each signed in pencil, from editions 40, 50 and 2 trial proofs, sheets average 22 ¼ x 24” to 30 x 22”, some with tape residue in margins, soft handlings creases, otherwise in good condition. (5)  $100/200

 

 

134

Charles Gruppe (b. 1928) American

NEW ENGLAND BOATS, oil painting on paper, signed lower right, sight 21 x 28”, framed.  $400/600

 

 

135

Charles Gruppe (b. 1928) American

EASTERN POINT, GLOUCESTER, oil painting on paper, signed lower right, sight 21 x 28”, framed.  $400/600

 

 

135 A

Yozo Hamaguchi (1909-2000) Japanese

CALIFORNIA CHERRY, 1987, color mezzotint, signed in pencil, from the numbered edition 150, image 1 ½ x 1 ½”, full margins, framed.  $700/900

 

 

136

Gary Hansmann (20th Century) American (four)

VARIOUS, four watercolor and ink drawings on paper, each signed and inscribed, sizes average 9 ¼ x 11 ¼”. (4)  $600/1200

 

 

137

Hansen (20th Century) American

COCONUT, oil painting on Masonite, signed lower right, 11 x 14”, framed, a few hairline surface scratches visible at certain angles in raking light, otherwise in good condition.  $300/500

 

 

138

Hansen (20th Century) American

WINE AND GRAPE, oil painting on Masonite, signed lower right, 11 x 14”, framed, gold rubbing at edges from framed, surface scuff upper right visible at certain angles in raking light, otherwise in good condition.  $300/500

 

 

139

Amy Ada Haratani (20th Century) Californian

DAYS END, oil painting on Masonite, signed lower right, 12 x 24”, Central California Art League 2001 label on verso, framed.  $150/250

 

 

140

Amy Ada Haratani (20th Century) Californian

YELLOW CARPET, oil painting on Masonite, signed lower right, 12 x 16”, Central Californian Art League 2001 label on verso, framed.  $100/150

 

 

141

Frederick Hart (1943-1999) Californian

COUNTERPOINT, 1997, cast acrylic sculpture, signed, from the numbered edition of 350, 15” tall, 18”wide, 6” deep, with-rotating box top illuminated base, 42 x 16 x 12”, a few small hairline surface scratches noticeable when sought after.  $3000/5000

 

 

142

Frederick Hart (1943-1999) Californian

ECHOES OF SILENCE, 1992, cast acrylic sculpture, signed, from the numbered edition of 350, 22” tall, 12” wide, 7” deep, a few small hairline surface scratches noticeable when sought after.  $4000/6000

 

 

143

Frederick Hart (20th Century) American

CROSS OF THE MILLENNIUM, 1995, cast acrylic sculpture, second state, from the numbered edition 15,000, signed, 11 ½” tall, with illuminating stand.  $1500/2000

 

 

144

Paul Helleu (1859-1927) French & another (two)

JEUNE FEMME AU CHAPEAU, drypoint etching with hand-coloring, signed in pencil, plate 13 x 12”, full margins, framed with glass, foxing, sun toning, a small tear outside the image lower left and another lower right within plate, in otherwise good condition; Together with European Printmakers, RECLINING WOMAN, etching, signed in pencil, image 8 ½ x 6 ¾”, full margins, horizontal crease, rub mark, handling creases in otherwise good condition; both framed with glass. (2)  $1000/2000

 

 

145

Julian Hills (20th Century) American

RED CHAIR, 1992, oil painting on canvas, 28 x 22”, framed. Provenance: Newspace Gallery  $200/400

 

 

146

Hollywood Illustration

MARQUIS DE SADE , oil painting on canvas, 24 x 20”, framed, surface soiling, small chips and losses, otherwise in good condition.  $200/400

 

 

147

after Jean-Antoine Houdon (1741-1828) French (two)

LE BAISER; SATYR KISSING MAIDEN, pair of silver sculptures, each inscribed “Houdin” and stamped “Susse F GG”, 4 x 3 ½ x 4 ½”, mounted to marble bases, total height 13”, both tarnished, Satyr with damaged to base only. (2)  $1000/2000

 

 

148

Robert Indiana (b. 1928) American

55555 (S.38), 1967, rubberstamp print, signed in pencil, from the edition 225, sheet 9 ½ x 6 ½”, printed by William Katz, published by Indianakatz, NYC, framed with glass, originally printed in blue ink on off-white Rives paper tipped onto another sheet of the same paper, faded, faint hinge impressions in corners, otherwise in good condition.  $200/300

 

 

149

Jackson (20th Century)

PORTRAIT, oil painting on canvas, signed lower right, 20 x 16”, framed.  $100/200

 

 

 

 

150

Jenik (20th Century) Armenian

UNTITLED LARGE RED, acrylic painting on canvas, signed lower right, 57 ½ x 65.  $1000/2000

 

 

151

Jenik (20th Century) Armenian

FREE FIELD, acrylic painting on canvas, signed, 48 x 60”.  $1000/2000

 

 

151A

Jenik (20th Century) Armenian

UNTITLED CUT-OUTS, acrylic painting on canvas, signed, 48 x 60”.  $1000/2000

 

 

151B

Jenik (20th Century) Armenian

UNTITLED MEDIUM BLUE, acrylic painting on canvas, signed lower right, 24 x 36”, framed.  $600/900

 

 

151C

Jenik (20th Century) Armenian

UNTITLED SMALL BLUE, acrylic painting on canvas, signed lower right, 22 x 27 ¾”, framed.  $500/800

 

 

152

Tiefen Jiang (b.1938)

PARROTS, color screenprint on canvas, signed in marker, from Roman numeral edition 75, 36 x 36”, framed.  $500/700

 

 

153

Tiefen Jiang (b.1938)

ZEBRA, color screenprint on canvas, signed in marker, from the Roman numeral edition 75, 36 x 36”, framed.  $500/700

 

 

154

Guily Joffrin (1909-2000) French

SUR LA PLAGE, oil painting on canvas, signed lower right, 6 ¼ x 9 ¼”, framed, minor surface soiling, otherwise in good condition.  $800/1200

 

 

155

Alfred Cheney Johnston (1884-1971) American

ZIEGFRIED FOLLIES DANCER, vintage silver gelatin print, artist’s stamp on verso, 13 ¼ x 10 ¼”.  $1000/2000

 

 

156

Gary Kaelon (-2002) American

ARABIAN HORSE, oil painting on marble, signed lower right, 19 ¾ x 22 x 1”, with wood easel stand.  $200/300

 

 

157

Gary Kaelon (-2002) American

DORCUS GAZELLE, oil painting on marble, signed lower right, 16 ¼ x 14 ¾ x 1”, with wood easel stand.  $100/200

 

 

158

Ann Marie Karlson (20th Century) American

OUR FATHER, color iris print, signed in pencil, artist’s proof aside from the numbered edition, image 32 ½ x 29 ½”, full margins, printed by Muse X, framed.  $200/400

 

 

159

Ann Marie Karlson (20th Century) American

HER HIGHNESS, color iris print, signed in pencil, artist’s proof aside from the numbered edition, image 32 ½ x 29 ½”, full margins, printed by Muse X, framed.  $200/400

 

 

159A

Steve Kaufman (20th Century) American

EINSTEIN, 1995, color screenprint on canvas, signed on verso, from the numbered edition 195, published by Martin Lawrence Editions, MLE stamp on verso along with Hebrew University copyright stamp, 36 ¼ x 36 ¼”, otherwise in good condition.  $300/500

 

160

Risaburo Kimura (b. 1924) Japanese

UNTITLED, 1970, color screenprint, signed in pencil, from the numbered edition 120, sheet 18 ½ x 26 ¾”.  $100/200

 

 

161

Mark King (b. 1931) American (two)

RIDERS; THE HUNT, a pair of color screenprints, each signed in pencil, from the numbered editions artist’s proof 75, images 20 x 15” & 19 ¾ x 14 ¾”, Martin Lawrence Editions, both with full margins and framed with glass. (2)  $300/400

 

 

162

Rex L Klein & Ryerson (two)

STONE LADY, silver gelatin print, signed on the mat, 20 x 16”, framed with glass, with a small discoloration spot in center area probably as issued from artist; Together with Ryerson,  ROCK & ROLL, print, signed in ink, from the numbered edition 13, image 18 x 24 ¾”, full margins, both framed with glass. (2)  $100/200

 

 

163

Willem De Kooning (1904-1997) Dutch

FOR LISA, 1984, color screenprint, from the stone signed edition of about 500 (aside from the signed and numbered edition of 200 without margins), with the artist’s copyright stamp on the verso, image 18 ¼ x 23 ¼”, with full margins, sheet 25 ¼” x 29 ½”, published by The Los Angeles Children’s Museum, printed by Brand X Studio with their blind stamp in the lower left margin.  $500/700

 

 

164

Alfred Kubin (1877-1959) Czech

STRASSENSZENE (R.214), 1923, lithograph, signed in pencil, from the numbered edition 100, sight 9 x 14”, framed with glass, rub spot lower left margin, soft handling creases, otherwise in good condition. Provenance: St. Etienne Galerie, NY  $300/500

 

 

165

Alfred Kubin & Honore Daumier (two)

DER WILDE JAGER (R.260), 1923, lithograph, signed on the stone, from an edition of 150, sight 13 ½ x 11 ½”, framed with glass, soft handling creases. Provenance: St. Etienne Galerie, NY; Together with Honore Daumier, LES BAIGNEUSES, plate 4, lithograph as published in the Charivari, initialed on the stone, image 7 5/8 x 9 7/8”, margins, framed with glass, centerfold, creases, discoloration, both in otherwise in good condition. (2)  $400/600

 

 

166

Pierre Lacombe (b. 1931) French

FANTASY ISLAND, 1989, oil painting on panel, signed and dated lower left, 24 x 18 ¼”, framed.  $4000/5000

 

 

167

Lanier (School of Paris) French

STILL LIFE, 1966, oil painting on canvas, signed and dated lower right, 24 x 18”, framed.  $100/200

 

 

168

Lawrence Lebduska (1894-1966) American

BLACK BUFFALO, 1960, oil painting on canvas, signed and dated lower left, 24 ½ x 30”, artist’s label with title on verso, framed.  $1500/2500

 

 

169

Lawrence Lebduska (1894-1966) American

ZEBU, 1961, oil painting on Masonite, signed and dated lower left, 24 x 30”, artist’s label with title on verso, frame, surface soiling, scratches and chips upper left corner, another chip lower left, scuff and small scratch right edge, surface scuff center manger area, otherwise in good condition.  $1500/2500

 

 

170

Alois Lecoque (1891-1981) Czech

BRIDGE, approximately 230 of the same color screenprints, artist’s signature in the design, proofs aside from the numbered edition, image 18 x 24”, full margins, a few soft handling creases, most in very good condition. (230)  $1000/3000

 

 

171

Fernand Leger (1881-1955) French

STILL LIFE WITH FRUIT, 1948, color lithograph with initials in design, from the numbered edition 300, image 10 x 13”, full margins, framed, some faint toning in margins, otherwise in good condition.  $800/1200

 

 

171A

after Tamara Lempicka (1898-1980) Polish/ American

ADAM & EVE, color screenprint, estate stamp lower right, from the numbered edition 195, sight 45 ¼ x 27 ½”, framed with glass.  $1500/2000

172

Auguste-Louis Lepere, Seymour Hayden, William Walcott (three)

INAUGURATION, 1885, engraving, initialed in plate, image 2 ¾ x 6”; Together with Seymour Hayden HARBOUR SCENE, etching, signed and dated in the plate, image 5 ½ x 8 1/8”, some discoloration and mottling in sky area; Together with William Walcott, NEWCASTLE, etching, signed in pencil, image 3 ½ x 5 ½”, faint toning at mat, all with full margins and framed with glass, all in otherwise good condition. (3)  $500/800

 

 

173

Charles Levier (1920-2003) French

FLEURS SUR LA CAMPAGNE, 1982, oil painting on canvas, signed lower left, titled signed and dated on verso, 30 ¼ x 24 ½”, framed.  $800/1200

 

 

174

Charles Levier (1920-2003) French

WOMAN WITH HARLEQUIN, 1971, oil painting on canvas, signed lower right, titled signed and dated on verso, 30 ½ x 25”, framed, hairline cracking, otherwise in good condition.  $800/1200

 

 

175

Roman Loranc (20th Century) Californian

VALLEY BEFORE THE RAIN, WESTLY, 2001, silver gelatin print, signed lower right, titled and signed on verso & numbered 2/50, framed with glass.  $200/300

 

 

176

Lorenz (20th Century) Californian

MOUNTAINS & WATER, watercolor on paper, signed lower right, sight 14 ½ x 20 ¾”, framed with glass.  $100/200

 

 

177

Judy Lynd (20th Century) Californian

MOONSTONE BEACH, CAMBRIA, watercolor and color pastel on paper, signed lower left, sight 21 x 22 ½”, framed with glass.  $200/300

 

 

178

Ben Macala (1938-1997) South African

PORTRAIT OF A WOMAN WITH BIRD, color pastel on paper, signed lower right, 40 x 25”, framed (no glass), nicks from broken glass, otherwise in good condition.  $400/600

 

 

179

Richard MacDonald (b. 1946) American

DAWN (The Awakening), cast bronze sculpture, signed and numbered 21/65, 15 ¼” tall, 24” long, 15” wide.  $6000/9000

 

 

180

Richard MacDonald (b. 1946) American

COURSING CHEETAHS, 1996, cast bronze sculpture, signed and numbered 29/75, 18” tall, 39” wide, 12 ½” deep, mounted to 3” tall tiered marble base, overall height 21”.  $6000/9000

 

 

181

Richard MacDonald (b. 1946) American

DREAMS (Reclining Woman), cast bronze sculpture, signed and numbered 28/175, 24” long, 12” wide, 7” tall, all measurements include marble base.  $3000/4000

 

 

182

Richard MacDonald (b. 1946) American

RECLINING NUDE, FACE UP, 1997, cast bronze sculpture, signed dated and numbered 44/150, 27” long, 13” wide, 8 ¾” tall, all measurements include tiered marble base.  $3000/4000

 

 

183

Richard MacDonald (b. 1946) American

THE GYMNIST, 1995, cast bronze sculpture, signed dated and numbered “S II - 45/175”, 32” tall, 30” wide, 12” deep, mounted to 4 ½” tiered marble base, total height 36 ½”.  $5000/8000

 

 

184

Richard MacDonald (b. 1946) American

U. S. OPEN MONUMENT, cast bronze sculpture, signed and numbered 58/100, 25” tall, 24 ½” wide, mounted to 4” tall marble with base with a 14 ½”diameter, overall 29” tall.  $8000/12,000

 

 

185

Richard MacDonald (b. 1946) American

JAZZ DANCER, 1992, cast bronze sculpture, signed dated and numbered 31/175, 21” tall, 24” wide, 10” deep, with wood cleat for wall mounting.  $2000/3000

 

 

186

Richard MacDonald (b. 1946) American

RECLINING NUDE, color lithograph, signed in pencil, from the numbered edition 250, sight 19 ¾ x 22 ¾”, framed with glass.  $200/400

 

 

187

Richard MacDonald (b. 1946) American

RECLINING NUDE, lithograph, signed in pencil, from the numbered edition 175, sight 24 ¼ x 36 ¼”, framed.  $200/400

 

 

188

after Rene Magritte (1898-1967) French

TWILIGHT, color lithograph, estate stamped "Magritte" lower right and signed in pencil by Georgette Magritte lower left, from the numbered edition 200, image 16 ¾ x 20”, with full margins, a Lion blindstamp lower right, some soft handling creases, otherwise in good condition.  $1200/1600

 

 

189

Rene Marcil (1917-1993) Canadian

FASHION ILLUSTRATION, ink and wash drawing on paper, signed lower right, sight 16 x 11 ½”, framed.  $800/1200

 

 

189A

Marino Marini (1901-1980) Italian

GIOCOLIERI (G.A.136), 1971, drypoint etching and color aquatint on Arches Script watermarked paper, signed in pencil, from the edition Roman 40, image 11 ¾ x 9 ½”, full margins, framed with glass, toning from sunlight, toning from non-archival mat, otherwise in good condition.  $500/800

 

190

Henri Matisse, WWI, Vintage & Mid-Century Poster Collection (six)

THE SCULPTURE OF MATISSE, TATE GALLERY, 1953, color lithograph exhibition poster, 30 x 20”, creases, pinholes in corners, some loss lower right corner, small tears lower left corner, faint toning mainly on verso; Together with Ellsworth Young (Rawls page 28), REMEMBER BELGIUM, WWI, two of the same color lithograph posters, sheets 30 x 20 ¼”, both with tear upper center extending 1” into image, other small tears and losses at sheets edges; Together with THE ENQUIERER, two of the same early 20th century color lithographs by Job Printing Co. Ohio, sheets 29 1/8 x 21 ½”, both with tears and small losses at edges, brown paper tape on verso, strip of masking tape residue on verso; Together with Maurice Binder, MOGENSEN/ COMBS, color lithograph poster, 22 x 17”, crease upper right corner, soft handling creases, otherwise all in good condition. (6)  $500/800

 

 

191

Christine McArthur (b. 1953) Scottish

HOUSE WIVES CHOICE, A-Z, mixed media gouache and collage, overall 28 x 29”, framed with glass. Provenance: Roger Billcliffe Fine Art  $800/1200

 

 

192

Paula McGaffee (20th Century) Californian (two)

GETTING READY, watercolor on paper, signed lower left, sight 16 ¾ x 23 ¾”; BRILLIANT DAY RUN, watercolor on paper, signed lower left, sight 21 ½ x 27 ¼”, both with Central Californian Art League 2000 labels on the verso, framed. (2)  $100/200

 

 

193

Eduardo Medici (b. 1949) Argentinean

CRUZ Y FICCION, 1987, oil painting on canvas, titled, signed and dated on verso, 66 x 47”, framed, minor wear upper left corner, some edge wear, otherwise in good condition.  $800/1200

 

 

194

Michael Michailovsky (20th Century) Russian

MAN AND DOGS, 1997, oil painting on canvas, signed and dated on verso, 39 ½ x 39 ¼”, framed, small nail hole left side center and bottom center, hairline cracking, tiny chip at the upper Castle roof, small repaired area center sky area, otherwise in good condition.  $500/800

 

 

195

Middle Eastern Style (20th Century)

COUPLE, 1935, watercolor on paper, signed “W. E. Fa*er?” and dated lower right, 30 x 14”, framed with glass, some spotting and discoloration outside image, otherwise in good condition.  $300/500

 

 

196

MOCA Photography Portfolio curated by Cindy Sherman

PORTFOLIO, incomplete portfolio of nine of ten color photographs on Fujicrystal paper, artists include Cindy Bernhard, Keith Boadwee, Donigan Cumming, Renee Green, Lyle Ashton Harris, Susan Jennings, Martin Kersels, Gail Le Boff, Bruce & Norman Yonemoto, each signed and numbered from the edition 250 on verso, some dated, average size 19 ½ x 13 ½”, each matted, published by MOCA for their 20th anniversary, in Lucite case. Lacking the Neshat, in mint condition.  $2000/4000

 

 

197

Henry Moore (1898-1986) British

SEATED MOTHER AND CHILD (C.588), 1980-81, color aquatint etching with roulette, signed in pencil, from the numbered edition 25 Roman numeral, aside from the numbered edition 150, image 13 ½ x 10 ¼”, large margins, printed by Collyer and Crossley, published by Raymond Spencer Co. Ltd., framed.  $4000/5000

 

 

198

Cuauhtemoc (Temo) Moreno (b. 1969) Mexico

HONDO WALKING HOME, 1998, two-piece cut-out oil painting on Masonite, signed and dated lower right, overall 48 x 30 x 5”, with wood cleat for mounting.  $200/400

 

 

199

Jules-Alexis Muenier & Etienne Moreau-Nelaton (two)

COMING HOME, lithograph, signature in design, image 10 ½ x 13 ¾”, full margins; Etienne Moreau-Nelaton, EXPOSITION DES ARTS DE LA FEMME (A.58), plate 58, color lithograph from Les Maitre de L'Affiches series, initialed in design, with blindstamp lower right, image 10 x 6”, printed by Imprimerie Chaix, Paris, 1896, both framed with glass. (2)  $200/400

 

 

200

Adrienne Munn (20th Century) Californian

KUAII BEACH, oil painting on canvas, initialed lower right, 36 x 24”, Central Californian Art League 2000 label on verso, framed.  $100/200

 

 

201

Niki Munroe (20th Century) American (seven)

CHERRY TREE; VEGAS; TINSEL; HOT GIRLS; CURTAIN; POOL; & BED, seven color c-prints on Fuji crystal archive paper, 33 ¼ x 48 ½”, each signed and inscribed ‘RTP’ on verso, a few soft handling creases, otherwise in good condition. (7) $1000/2000

 

 

202

Peter Nagel (b. 1941) German

JUNGLE GYM, 1972, color etching, signed in pencil, from the numbered edition 100, image 19 ½ x 19 ½”, full margins, with Galerie Schmucking blindstamp, a few soft handling creases, old paper-hinge remnants on verso, otherwise in good condition.  $300/500

 

 

203

Tadashi Nakayama (b. 1927) Japanese

HORSE, 1966, color woodblock print, signed in pencil, from the numbered edition 65, image 27 x 22 ½”, full margins, framed with glass, some discoloration, some creases and printer’s creases in margins, otherwise in apparently good condition.  $200/400

 

 

204

Graham Nash (b. 1942) British

JONI MITCHELL 1969, 1989, iris print, signed in pencil on recto and verso, from the numbered edition 25, image 20 ½ x 20 ¼”, sheet 24 ½ x 22 ½”, artist’s medieval rubber stamp on verso.  $600/800

 

 

205

Graham Nash (b. 1942) British

DAVID'S DREAM 1969, 1989, iris print, signed in pencil on recto and verso, from the numbered edition 25, image 20 ¼ x 21 ½”, sheet 22 ½ x 24 ½”, artist’s medieval rubber stamp on verso.  $600/800

 

 

206

LeRoy Neiman (b. 1927) American

NEIMAN’S MONTREAL 76’ (K.125), 1977, color screenprint, signed in pencil, from the numbered edition 600, image 31 ½ x 48”, full margins, framed, toning from natural ink saturation around image, mild toning in margins from mat, otherwise in good condition.  $1500/2500

 

 

207

LeRoy Neiman (b. 1927) American

MARK MCGUIRE, color screenprint, signed in pencil by LeRoy Neiman and Mark McGuire, 100 artist’s proof, image 40 x 26”, full margins, framed.  $1000/2000

 

 

208

Beaumont Newhall (1908-1993) American

FLAT IRON BUILDING NYC, 1978, c-print, titled signed and dated on verso, 14 x 11”, small crease upper left corner margin, otherwise in good condition.  $800/1200

 

 

209

Kay Nixon (1895-1988) British

WELL OVER, gouache on paper, signed lower left, 19 ½ x 13 ½”, framed with glass.  $400/600

 

 

210

Bill Owens (b. 1938) American

SWIMMING POOL, from Suburbia, c.1970, silver gelatin print, printed in 1999, signed on verso, artist’s stamp on verso, from numbered edition 15 (plus 3 artist’s proofs), 11 x 14”, matted.  $1500/2500

 

 

211

Alfredo Palmero De Gregorio (1901-1991) Spanish

SENORITAS IN COACH, oil painting on Masonite, signed lower right, 23 ½ x 28 ¼”, framed, surface soiling, hairline craqueleur, otherwise in good condition.  $3000/4000

 

 

212

Gordon Parks (1912-2006) African American

SUNSET BLVD. FASHIONS, 1959, for Life Magazine, silver gelatin print, stamped on verso, 13 ¼ x 10 ¼”, creases mainly in the lower right, some small edge wear, otherwise in good condition.  $1000/2000

 

 

213

Ed Paschke (1939-2004) American

PINK LADY 2, 1993, color screenprint, signed in pencil, from the edition Roman numeral 20, image 34 x 27”, full margins, soft handling creases, stray creases and a small discoloration upper left margin, otherwise in good condition.  $800/1200

 

 

214

Jacob Pell (1898-1991) American

CITY SCENE, 1928, oil painting on paper on Masonite, signed and dated lower right, 20 x 24”, framed, a couple of small nicks lower left, otherwise in good condition.  $500/800

 

 

215

Santiago Perez (b. 1950) American

THE IMP’S TALE, oil painting on canvas, signed lower right, 60 x 48 ½”.  $3000/5000

 

 

216

Dan Peterson (20th Century) Californian

SIERRA SUDS, watercolor on paper, signed lower right, sight 24 x 39 ¼”, framed.  $400/600

 

 

217

Dan Peterson (20th Century) Californian

STORM'S END, watercolor on paper, signed lower left, sight 39 ¼ x 24 ¼”, framed.  $400/600

 

 

218

Dan Peterson (20th Century) Californian

CLEARING ON ASPEN STREAM, watercolor on paper, signed lower right, sight 24 ¾ x 39”, framed.  $400/600

 

 

219

Dan Peterson (20th Century) Californian

SHADEROCK COVE, watercolor on paper, signed lower right, sight 32 ½ x 24 ¼”, framed with glass.  $300/500

 

 

220

Pablo Picasso (1881-1973) Spanish

BULL (AR.255), 1955, a turned earthenware pitcher painted in colors, 12 “ tall, 8” diameter, inscribed “Editions Picasso 11/100 Madoura”, from the numbered edition of 100, with the Editions Picasso and Madoura stamps underneath, light natural surface soiling, possible 1/8” natural nick in handle, otherwise in very good condition. From the David Bright collection $25,000/30,000

 

 

221

Pablo Picasso (1881-1973) Spanish (five)

A LOS TOROS AVEC PICASSO (B.1014-1017), 1961, four lithographs (one in color), each dated on the stone; average images 8 x 10”, all framed, the color lithograph with skinning and tear right and left sides, others with fain smudging, otherwise in good condition; Together with L’AGE DE SOLEIL (B.680), 1950, etching, from the edition after the plate was beveled, signature in plate, plate 7 x 9”, with full margins. (5)  $600/900

 

 

222

Thomas Pradzynski (b. 1951) Polish

PASSIGE DU CAIRE, color screenprint, signed in pencil, from the numbered edition 200, image 31 x 45 ½”, full margins, framed.  $600/900

 

 

223

Thomas Pradzynski (b. 1951) Polish

GALLERIE BOUTIQUAINE, color screenprint, signed in pencil, from the numbered edition 200, image 51 x 31 ¾”, full margins, framed.  $600/900

 

 

224

Thomas Pradzynski (b. 1951) Polish

LIBRAIRIE L'ARBRE, color screenprint, signed in pencil, from the numbered edition 200, image 25 ¼ x 38 ½”, full margins, framed.  $500/800

 

 

225

Thomas Pradzynski (b. 1951) Polish

COUR STE HELENE, color screenprint, signed in pencil, from the numbered edition 200, image 45 x 35”, full margins, framed.  $600/900

 

 

226

L. Prasch (20th Century)

PORTRAITS OF THOROUGHBRED SEATTLE SLEW AND OTHERS, gouache and watercolor on paper, signed lower right, image 11 ½ x 16”, framed with glass.  $400/600

 

 

227

Pre-Columbian Artifacts

A collection of four ceramic fragments, sizes 1 ½” to 2 ¾” tall, from the Hasso Von Winning Collection, most with his hand-inscribed inventory numbers on the back, each with a decorative wood stand.   $200/300

 

 

228

Pre-Columbian Drawing by Hasso Von Winning (20th Century)

STUDY DRAWING, pencil drawing on paper, 6 ½ x 8 ½”, framed. Hasso Von Winning is the author of the 388 page Abrams coffee table book “Pre-Columbian Art of Mexico and Central America  $400/600

 

 

229

Robert Rauschenberg & Ed Ruscha collaboration

STAY SAFE, 1978, color poster, signed in pencil by Rauschenberg and Ruscha, sheet 35 x 23”, published by Change, Inc, framed with glass.  $600/900

 

 

230

Ben Ray (20th Century) American

WORM HOLE, acrylic painting on canvas, signed lower left, titled and signed on verso, 31 x 41”, minor surface dust, otherwise in good condition  $800/1200

 

 

231

Ben Ray (20th Century) American

MELT DOWN, acrylic painting on canvas, signed lower left, titled and signed on verso, 36 x 30”, minor surface dust, otherwise in good condition  $800/1200

 

 

232

Tori Richards & Alexi Ravski (two)

WOMAN WITH FAN, acrylic painting and airbrush on board, signed lower left, 24 x 40”, Together with Alexi Ravski, THE SLEEPING MUSICIAN, giclee print on canvas, 20 x 24 ½”, both framed (the latter with glass). (2)  $300/500

 

 

233

Pierre Gaston Rigand (1874-1949) French

THE AMBULATORY OF BOURGES CATHEDRAL, oil painting on board, signed lower left, 15 x 11 ¼”, framed, three small scratches lower right and one lower center, otherwise in good condition.  $1000/2000

 

 

234

Larry Rivers (1923-2002) American

CARNEGIE HALL, 1990, color screenprint, signed in pencil, from the numbered edition 60, sheet 57 ¼ x 40 ½”, mild cockeling, otherwise in good condition.  $2000/3000

 

 

235

Henri Rivier (1864-1951) French & European Printmakers (two)

VIEW OF NOTRE DAME ALONG THE SIENE, color lithograph, signed on the stone, image 20 ½ x 32”, full margins, framed with glass, in good condition; Together with European Printmakers, COUNTRY HOUSE, engraving, image 14 ½ x 20 ¾”, full margins, framed with glass, with centerfold as published, faint discoloration, small circular stain, both in otherwise good condition. (2)  $600/900

 

 

236

Delores Roberts (20th Century) American

PUEBLO VILLAGE, 1988, watercolor on paper, signed and dated lower right, 20 ½ x 29 ½”, Plexibox frame.  $600/900

 

 

237

Romanov (20th Century) Russian

AUTUMN TREES AT A CLEARING, 1996, oil painting on canvas, signed and dated lower right, titled in Russian, signed and dated on verso, 27 ½ x 32”, framed.  $400/600

 

 

238

Romanov (20th Century) Russian

MIRROR LAKE WITH AUTUMN TREES, 1998, oil painting on canvas, initialed and dated lower right, titled in Russian, signed and dated on verso, artist’s stamp on verso, 27 ¾ x 31”, framed.  $300/500

 

 

239

Romanov (20th Century) Russian

CLEARING IN THE WOODS, 1993, oil painting on canvas, initialed and dated lower right, titled in Russian, signed and dated on verso, artist’s stamp on verso, 21 ¾ x 24 ¾”, framed.  $200/400

 

 

240

Romanov (20th Century) Russian

FARM HOUSES, 1993, oil painting on canvas, initialed and dated lower right, titled in Russian, signed and dated on verso, artist’s stamp on verso, 20 x 24”, framed.  $200/400

 

 

241

Frank Romero (b. 1941) Mexican/ American

FANTASY, 1993, ink drawing on paper, signed and dated lower left, 22 x 29 ½”, framed with glass, soft handling creases, otherwise in good.  $500/800

 

 

242

Frank Romero (b. 1941) Mexican/ American

ARDEN, 1992, ink drawing on paper, signed and dated lower left, 22 x 29 ½”, soft handling creases, otherwise in good.  $400/600

 

 

243

Georges Rouault (1871-1958) French

FILLE AU GRAND CHAPEAU (CR.29-3/3; W.310) from Réincarnations du Père Ubu, 1928, etching, initialed and dated 1928 on plate, from the edition of 305, image 11 ¾ x 8”, full margins, published by Ambrose Vollard, with watermarked paper, framed with glass.  $700/900

 

 

244

Reuben Rubin (1893-1974) Israeli (two)

BIBLICAL CHARACTERS, c.1970, two color lithographs, each signed in pencil, from the numbered edition 200, sight 24 x 19” & 23 ¾ x 19 ¾”, both framed with glass, toned, colors faded, otherwise in good condition. (2)  $200/400

 

 

245

Edward Ruscha (b. 1937) American

ELECTRIC PALET, 1988, acrylic painting on paper, 29 x 24”, signed and dated lower right, framed. Provenance: Acquired directly from the artist by the previous owner.  $150,000/200,000

 

 

246

George Russin (b. 1910) American

ASIAN CHARACTERS, 1978, oil painting on Masonite, signed and dated and dedicated lower left, 36 x 24”, framed, surface soiling, otherwise in good condition.  $400/600

 

 

247

George Russin (b. 1910) American

THE TAILOR, oil painting on Masonite, signed lower left, 24 x 20”, framed, surface soiling, otherwise in good condition.  $300/500

 

 

248

Frank L. Sandford (19th/20th Century) American

BACKYARD, oil painting on board, signed lower left, 12 x 16”, framed, surface soiling, stray white spots, otherwise in good condition.  $600/900

 

 

249

Arthur Sarnoff (1912-2000) American

GUARDING THE ROCKIES, oil painting on canvas, signed lower left, titled and signed on verso, 30 x 40”, framed, minor surface soiling, otherwise in good condition.  $3000/4000

 

 

250

Tom Savage (b. 1953) American

UNTITLED, 1994, acrylic, charcoal and graphite painting on paper, initialed and dated lower left, 50 x 38”, in good studio condition as received from the artist.  $1000/1500

 

 

251

Tom Savage (b. 1953) American

UNTITLED, 2000, oil, acrylic and graphite on canvas, signed and dated on verso, 26 x 20”, framed, in good studio condition as received from the artist.  $1500/2500

 

 

252

Francesco Scavullo (1921-2004) American

RENE RUSSO 1974, silver gelatin print mounted to Masonite, 80 x 42”, one of only two printed in this extra large format by the artist in 1984 for his solo exhibitions at Light Gallery New York and G. Ray Hawkins Gallery Los Angeles, framed, some scratches and scuffs and some edge wear; together with a signed book on the artist.  $3000/4000

 

 

253

Jean Pierre Serrier (1934-1989) French

HARLEQUINS, 1964, oil painting on canvas, signed lower right, 40 x 33”, framed, several scratches and small scrape with some loss of medium, otherwise in good condition.  $500/800

 

 

254

Houshang Seyhoun (b. 1920) Iranian

STILL LIFE WITH CALLAS, 1995, watercolor and ink on paper, signed and dated lower right, 30 x 22”, framed.  $800/1200

 

 

255

Judith Simonian (20th Century) American

AFTER BALTHUS, 1994, acrylic painting on door-skin panel, signed and dated lower left, 60 x 48”, a few tiny chips around perimeter, scuffs, otherwise in good condition. Provenance: Estate of Stuart Katz  $1000/2000

 

 

256

Barry Simons (b. 1932) American

THE TIRE, 1991, oil painting on canvas, titled signed and dated on verso, 40 x 30”.  $500/800

 

 

257

Barry Simons (b. 1932) American

UNTITLED, SELF-PORTRAIT, 1993, oil painting on canvas, titled signed and dated on verso, 30 x 24”.  $500/800

 

 

258

Gustave Singier (1909-1984) French

SAND + WATER, 1969, color aquatint etching, signed in pencil, from the numbered edition 120, image 27 x 21”, full margins, a few soft handling creases, a few tiny discoloration spots in the margins, otherwise in good condition.  $300/500

 

 

259

Anton Sipos (20th Century) Italian (five)

MORNING IN CAPRI, five of the same color screenprints, each signed in gold ink, from the numbered edition 250, images 34 x 36”, full margins, Robert Bane Editions. (5)  $200/400

 

 

260

W. Eugene Smith (1918-1978) American

LISTENING TO A PLAYBACK AT THE MET, vintage silver gelatin print, artist’s stamps on verso, 9 ½ x 13 ½”, mounted to 20 x 16” card, tear in card lower right far away from image, otherwise in good condition.  $1000/1500

 

 

261

Luciano Spazzali (20th Century) Italian

MUSICIANS, 1957, oil painting on paper with elements of collage on mounted to panel, signed lower right, 13 x 10”, framed (discoloration in mat), tiny chip lower center, otherwise in good condition.  $300/500

 

 

262

Fred Stein (1909-1967) American

ALBERT EINSTEIN, PRINCETON, 1946, black & white photograph, 14 x 11”, from the numbered edition 450, published in 1994 by Peter Stein, photograph’s son, with estate stamp and authorized signature.  $300/400

 

 

263

Theophile A. Steinlen & Paul Gavarni (three)

WOMEN FIGHTING, color lithograph, signature in design, image 10 x 9”, with a small tear lower left and creases otherwise in good condition; MOTHU ET DORIA, plate 46, color lithograph from the edition published by Verlag von Gerhard Kuthmann, Dresden, image 7 ¾ x 6”, both framed with glass; Together with Paul Gavarni, OLD MAN & GIRL, 1848, lithograph on chine applique, signed on stone, image 10 x 7”, full margins, framed with glass. (3)  $400/600

 

 

264

after Frank Stella (b. 1936) American

UNTITLED (RABAT) (A.A.p.170), from Ten Works For X Painters, 1964, color screenprint, edition of 500, sheet 24 x 20”, blindstamp lower right, published by Wadsworth Athenium, printed Ives-Sillman Inc., Plexiglas box frame, very mild cockling, otherwise in good condition. Stella considers this an after piece because it was made from a gouache that he submitted for the project. However, he did approved the colors prior to printing and it is included in his catalog raisonne of prints.  $600/900

 

265A

Brett Livingston Strong (b. 1953) Australia

MICHAEL JACKSON, color offset and screenprint, collaged onto embossed white paper, signed by Strong & Jackson, also initialed in blue by Jackson, proof before the from the Japan Deluxe Edition of 125, sheet 39 ½ x 29 ½”.  $1500/2500

 

 

265

George J. Stengel (1872-1937) American

TOWN BRIDGE, watercolor on paper, signed lower right and inscribed lower left, sight 6 3/8 x 9 1/8”, framed with glass.  $300/500

 

 

266

Josef Sudek (1896-1976) Czech

SELF PORTRAIT, vintage silver gelatin print, signed in pencil, sheet 9 ½ x 7”, wear lower left corner, blemish right sheet edge not effecting image, old linen hinges on verso, otherwise in good condition.  $1000/1500

 

 

267

Brian Swanders (20th Century) Californian

BLUE BOWL, 2000, oil painting on canvas, signed lower right, titled signed and dated on verso, 40 x 36”, framed.  $800/1200

 

 

268

Brian Swanders (20th Century) Californian

UNTITLED, 1995, oil painting on canvas, signed and dated lower right, 60 x 54”.  $1000/2000

 

 

269

Brian Swanders (20th Century) Californian

ROMAN WARRIORS, 2003, oil painting on canvas, signed and dated lower right, 47 ¼ x 96 ¾”.  $1000/2000

 

 

270

Brian Swander (20th Century) Californian

BUNCHIE SWIMMING, 1999, watercolor on paper, signed and dated lower right, 8 x 12”, framed, indigenous accretion lower left, otherwise in good condition.  $100/200

 

 

271

Brian Swander (20th Century) Californian

POSTCARD/ALTAMONT, 1998, oil painting on etching, signed and dated lower right, 7 ¾ x 6 ½”, framed with glass.  $100/200

 

 

272

Hiroyuki Tajima (1911-1984) Japanese (two)

DISTANT SKY, 1972; THE RAIN, 1973, pair of color woodblock prints, each signed in pencil, from the numbered editions 50, images 11 1/8 x 9” & 12 ¾ x 10”, both with full margins and framed with glass, faint toning, some discoloration spots, some creases, otherwise both in good condition. (2)  $200/400

 

 

273

Rikio Takahashi (b. 1917) Japanese

WAIT. AGAIN, 1964, color woodblock print, signed in pencil, from the numbered edition 30, diameter 18 ¾”, full margins, creases and soft creases in the margins, otherwise in good condition.  $200/400

 

 

274

Ara Tevkantz (b. 1956) Armenian

STILL LIFE ON BLUE, oil painting on canvas, signed lower right, 32 x 38”, faint surface soiling, otherwise in good condition.  $600/900

 

 

275

Wayne Thiebaud (b. 1920) American

CIGARS from Recent Etchings, 1979, color aquatint etching, signed in pencil, from the numbered edition 50, image 15 ¾ x 19 ¾”, full margins, printed and published by Crown Point Press, with blindstamp, framed.  $3000/4000

 

 

276

Arthur Tress (b. 1940) American

MALE NUDE ON STAIRS, silver gelatin print, signed in pen, 20 x 16”.  $1000/1500

 

 

277

Arthur Tress (b. 1940) American

MALE NUDE ON SLIDE, NEW YORK, 1980, silver gelatin print, signed in pen, 20 x 16”.  $1000/1500

 

 

278

Arthur Tress (b. 1940) American

SLEEPING BOY, silver gelatin print, signed in pen, 20 x 16”.  $1000/1500

 

 

279

Arthur Tress (b. 1940) American

MAN IN PATHWAY, silver gelatin print, signed in pen, 20 x 16”.  $1000/1500

 

 

280

Ernest Trova & Richard Anuszkiewicz (five)

UNTITLED BACK TO BACK MEN, 1973, color screenprint, signed in pencil, from the numbered edition 150, sheet 70 x 37 ½”, image 64 ½ x 32 ½”, some soft handling creases, mild toning on verso from storage in a tube; SAVE OUR PLANET, 1971, color screenprint poster, 34 x 34”, signed in ink lower right, toning, a few strains of duck-tape lower right, soft handling creases; Together with Richard Anuszkiewicz, LINCOLN CENTER, 1968, three color screenprint posters, sheets 51 x 35”, all published by List Art, all with creases and soft creases at edges, two more so than the third, otherwise all in good condition. (5)  $600/900

 

 

281

Viggo Vake (b. 1970) American

DELUXE 7, 2005, acrylic painting on canvas, signed and dated lower right, 24 x 48”.  $200/300

 

 

282

Viggo Vake (b. 1970) American

BEAT OF ONE DRUM, 2005, acrylic painting on canvas, signed and dated lower right, 24 x 48”.  $200/300

 

 

283

Viggo Vake (b. 1970) American

LONDON DEER #10, 2006, c-print photograph, signed and inscribed artist’s proof, 30 x 20”, framed.  $400/600

 

 

284

Anahit Vartanian (20th Century) Iranian

FLOWER, oil painting on canvas, signed lower left, 28 x 22”, framed, minor surface scuff, faint soiling, otherwise in good condition.  $500/800

 

 

285

Victor Vasarely (1908-1997) Hungarian

MULTI-COLOR CUBE DESIGN, color screenprint, signed in pencil, from the numbered edition 250, image 33 ¾ x 25 ¼”, full margins, framed, small stray printer’s ink streak lower right, faint surface scuffs visible at certain angles in raking light, otherwise in good condition.  $600/900

 

 

286

Victor Vasarely (1908-1997) Hungarian

UNTITLED YELLOW BLUE, color screenprint, signed in pencil, from the numbered edition 295, image 37 ¼ x 25”, full margins, framed.  $600/900

 

 

287

Victor Vasarely (1908-1997) Hungarian

QUADRATURE, color screenprint, signed in pencil, from the numbered edition 275, image 24 x 24”, full margins, framed with glass.  $600/900

 

 

288

Victor Vasarely (1908-1997) Hungarian

UNTITLED PURPLE GREEN BLUE, color screenprint, signed in pencil, from the numbered edition 250, image 32 x 16”, full margins, framed with glass, mild cockling, faint sun toning, faint surface scuffs visible at certain angles in raking light, otherwise in good condition.  $600/900

 

 

289

Victor Vasarely (1908-1997) Hungarian

UNTITLED, color screenprint on silver stock, signed in pencil, from the numbered edition of 20 artist’s proofs aside from the numbered edition, sheet 30 x 27 ½”, framed, creases and soft creases, scuffs and scratches, with some loss of media, otherwise in good condition.  $200/300

 

 

290

Marcel Vertes (1895-1961) French

WOMAN WITH ROSE AND DOVE, c.1930, watercolor on Brownie board, signed lower right, 30 x 20”, some pale toning at edges, otherwise in good condition.  $800/1200

 

 

291

Verve Magazine Volumes 1, 2, 4 (three)

VERVE MAGAZINE, Volume One, Number 1, December 1937, with lithographs by Leger, Miro, Rattner, & Bores, lithographs printed by Mourlot, sheets 14 x 10 ¼”, with original glassine protectors, with original binding, some toning on Leger, binding is becoming loose between first and second pages, small impact dent at corner of cover, otherwise in good condition; VERVE MAGAZINE, Volume One, Number 2, Spring, 1938, lithographs by Kandinsky (2), & Masson (2), lithographs printed by Mourlot Freres, sheets 14 x 10 ¼” with original glassine protectors, with original binding, small loss at spine upper edge, surface soiling on cover, otherwise in good condition; VERVE MAGAZINE, Volume One, Number 4, January – March, 1939, lithographs by Matisse, Derain, & Italian School, lithographs printed by Mourlot Freres, with original glassine protectors, with original binding, normal crease at spine, otherwise in good condition. (3)  $600/900

 

 

292

A. Villard (style of Levier) European (two)

MAN ON STAIRCASE, oil painting on canvas, signed lower right, 30 x 24 ½”; FISHING THE SIENE, oil painting on canvas, signed lower right, 20 ¼ x 24”, both with copyrights stamp on verso, framed, both with hairline cracks, otherwise in good condition. (2)  $300/500

 

 

293

Alex Vilumson (20th Century)

UNTITLED, acrylic painting on canvas, signed lower right, 32 x 29”, framed.  $200/400

 

 

294

Maurice de Vlaminck (1876-1958) French & A. Volpi (two)

RUE DE LA TOURILLIERE, etching, initialed in the plate, plate 10 x 12 ¼”, full margins, framed with glass, toning in margins at mat, tiny scattered speckles, otherwise in good condition; Together with A. Volpi, MAN AND WOMAN SITTING, watercolor and mixed media on paper, signed upper left, 11 ½ x 8”, framed. (2)  $300/500

 

 

295

Maurice Vlaminck, Joan Miro & Mabel Sharp (three)

UNTITLED, etching, edition of 250, plate 10 ¼ x 13 ¾”, full margins, with colophon page on frame’s verso, toning, some discoloration; Together with Joan Miro, UNTITLED, 1953, double page lithograph with centerfold as issued, sheet 12 ¼ x 19”, published by Mourlot; Together with Mabel Sharp, NUDE WOMAN, 1937, charcoal drawing collaged to board, signed and dated, 19 ¾ x 25”, foxing, discoloration, toning, two framed with glass. (3)  $200/300

 

 

296

Carlos Walbeck (20th Century)

SHIPS IN STORM, oil painting on canvas, signed lower right, 24 x 30”, framed, small chip upper left, natural paint contraction, otherwise in good condition.  $200/300

 

 

297

Andy Warhol (1928-1987) American

JACKIE I (FS.13), 1966, screenprint printed in silver ink on white wove paper, with the Andy Warhol stamped signature on verso, inscribed in pencil the Roman numeral 5 on the verso (there are 50 artist’s proofs numbered in Roman numerals in pencil on the verso), aside from the numbered edition of 200, sheet size 24” x 20”, printed by KMF Inc. New York, published by Original Editions for the portfolio “Eleven Pop Artists Volume I”, there is cockling and discoloration and some mildew from exposure to moisture, the stamp signature has some minor bleeding on the verso only, there is a ¼” tear at the lower sheet edge and an impact dimple in the lower right margin, otherwise it is in good condition.  $5000/7000

 

 

298

Robert Weatherford (20th Century) American

THE ROADRUNNER, oil painting on canvas, signed lower right, 12 x 16”, framed.  $100/200

 

 

299

Max Webber (1881-1961) American

WOMAN WITH BANJO, 1949, gouache on paper, 6 x 4 ¼”, signed and dated lower right, framed.  $1500/2500

 

 

300

Alfred Wertheimer (b. 1929) American

ELVIS PRESLEY FACING LEFT, 1956, vintage silver gelatin print, stamps from artist, Topix, London Express News, and Elvis Presley, creases and handling creases in margins, smuding on verso, faint toning at sheet edges, otherwise in good condition.  $800/1000

 

 

301

Alfred Wertheimer (b. 1929) American

ELVIS PRESLEY FACING RIGHT, 1956, vintage silver gelatin print, stamps from artist, Topix, London Express News, and Elvis Presley, creases upper sheet edge, faint toning at sheet edges, otherwise in good condition.  $800/1000

 

 

302

Pamela K Wilhelm (20th Century) American

STILL LIFE WITH GARLIC, watercolor on paper, signed lower right, sight 14 ¼ x 19 ¼”, framed with glass.  $100/200

 

 

303

Pamela Wilson (20th Century) American

UNTITLED LADY WITH MANNEQUIN, oil painting on panel, signed lower right, 84 x 36”, framed, couple of impact dents resulting in small cracks, nicks and tiny chips, otherwise in good condition. Provenance: Estate of Stuart Katz  $1000/2000

 

 

303 A

Pamela Wilson (20th Century) American

UNTITLED RAILROAD TRACKS, photograph with collage and brushwork, signed lower right, 25 ¾ x 30 ¼”, framed with glass. Provenance: Estate of Stuart Katz  $600/900

 

 

304

Garry Winogrand (1928-1984) American (two)

WOMEN ARE BEAUTIFUL series, a pair of silver gelatins prints, each signed in pencil on verso, each from numbered editions of 80, sheet 11 x 14” framed. (2)  $2000/4000

 

 

305

Paul Wonner (1920-2008) American

STILL LIFE, 1982, color lithograph, signed in pencil, from the numbered edition 75, sheet 30 x 22 ½”, printed by Editions Press with their stamp on the verso, a few soft handling creases visible on the verso only in raking light, paper tape hinges and associated skinning on the upper verso sheet edge, otherwise in good condition.  $400/600

 

 

306

Grant Wood (1891-1942) American

APPROACHING STORM, 1940, lithograph, signed in pencil, plate 11 ¾ x 8 7/8”, sheet reduced to 13 x 10 7/8”, with unevenly trimmed margins, mild toning from previous framing, a few discoloration speckles, otherwise in good condition.  $6000/7000

 

 

307

Paul Wunderlich (b. 1927) German

RECLINING NUDE, color lithograph, signed in pencil, from the numbered edition 75, image 26 x 19 ½”, framed with glass, mild toning, otherwise in good condition.  $600/900

 

 

308

Hodaka Yoshida (b. 1926) Japanese

THE MARLBORO NUDES, 1974, color woodblock print, signed in pencil, from the numbered edition 50, image 17 ¼ x 13”, full margins, a few soft handling creases, otherwise in good condition.  $500/700

 

 

309

Larry Zox (1936-2006) American (three)

UNTITLED ORANGE; UNTITLED GREEN, three color screenprints (two of the same), all signed in pencil, from the numbered editions 150 & 100, image 17 ¼ x 22 ¼” & 18 x 31” (2), all with full margins, Green with blindstamp stamp from London Arts, all with creases and soft handling creases, Green with scuffs visible at certain angles, cockling from exposure to moisture, all in otherwise good condition. (3)  $100/200

 

 

310

Francisco Zuniga (1912-1998) Costa Rican

FAMILIA INDIGENA (B.26), 1976, color lithograph, signed in pencil, from the numbered edition 125, sheet 25 x 36”, printed at Kyron, published by LACMA, framed.  $2000/3000

 

 

311

Francisco Zuniga (1912-1998) Costa Rican

ROSTRO CON MANOS (B.23), 1976, lithograph, signed in pencil, from the numbered edition 16, total edition 24 including proofs, printed and published by Kyron, sheet 16 ½ x 13 ½”, framed.  $1500/2000

 

 

 

Click Here for Artists Index

 

1-25 | 26-50| 51-75 | 76-100 | 101-125 | 126-150

 

151-175 | 176-200 | 201-225 | 226-250 | 251-275 | 276-300

 

301-325 | 326-350 | 351-375 | 376-400 | 401-425 | 426-450

 

451-475 | 476-500 | 501-525 | 526-550 | 551-575 | 576-600

 

601-625 | 626-650 | 651-675 | 676-700 | 701-725 | 726-750

 

751-775 | 776-800 | 801-825 | 826-850 | 851-875 | 876-900

 

901-925 | 926-950 | 951-975 | 976-1000 | 1001-1025

1026-1050 | 1051-1075 1076-1100 | 1101-1125

 

1151-1175 | 1176-1200

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Auction lots are in both numerical and alphabetical order.