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Fine Art Estate Auction Saturday October 25th at Noon

 

The Catalog Text Only

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1

Peter Adams (b. 1950) Californian

SUNSET AT GRIFFITH PARK, c.1975, color pastel, signed upper right, 9 ½ x 11 ½”, framed with glass, apparently in good studio condition. Provenance: gifted from the artist to the present owner.  $800/1200

 

 

2

Peter Adams (b. 1950) Californian

DUSK AT OCEANSIDE, c.1975, color pastel, signed lower right, 9 ½ x 11 ½”, framed with glass, apparently in good studio condition. Provenance: gifted from the artist to the present owner.  $500/800

 

 

3

African Mask

A massive Songe carved wood mask, 32” tall, in good to generally good condition.  $300/600

 

 

4

African Stone Carving

UNTITLED, carved and polished stone, signed “Hlabiswana” lower backside, 34 ½” tall, weighing 90 pounds, in good condition.  $400/800

 

 

5

Yaacov Agam (b. 1928) Israeli

UNTITLED (Dark Blue), 1985, color screenprint, signed in pencil and inscribed Bon A Tier (fit to print), aside from the numbered edition, sheet 29 ½ x 14 ½”, framed, in apparently good condition.  $200/400

 

 

6

Yaacov Agam (b. 1928) Israeli

UNTITLED, 1985, color screenprint, signed in pencil and inscribed Bon A Tier (fit to print), aside from the numbered edition, sheet 29 ½ x 14 ½”, framed, in apparently good condition.  $200/400

 

 

7

Yaacov Agam (b. 1928) Israeli

DOUBLE METAMORPHOSIS SUITE, 1977, seven color screenprints, each signed in pencil, from the numbered edition 180, sheets 28 x 40”, Martin Lawrence Ltd. Editions, some soft handling creases, four with pale toning and extreme sheet edge toning from previous framing and two of which have small minor tideline staining at the lower sheet edge, otherwise in good condition, with discard-able portfolio case. (7)  $1500/2500

 

 

8

Yaacov Agam (b. 1928) Israeli

METAMORPHOSIS, color screenprinted mirror, signed, from the numbered edition 99, 30 x 37 ½”, framed, some fogging spots, otherwise in apparently good condition.  $300/600

 

 

9

Dennis Ainsley (1880-1952) American

NOTRE DAME, oil painting on canvas, signed lower right, 24 x 36", framed, artist's copyright stamp on verso, minor cracking in lower brown area, stray paint stroke center, a few stray paint speckles lower center, otherwise in good condition.  $500/1000

 

 

10

Paul Aizpiri (b. 1919) French & Carol Jablonsky (two)

JAZZ BAND, color lithograph, signed in pencil, from the numbered edition 120, image 19 x 26”, full margins, discard-able frame with glass, creases and soft handling creases, mild toning; Together with Carol Jablonsky, KINGDOM WITH MINERVA, color lithograph, signed in pencil, from the numbered edition 300, image 17 ¾ x 22 ¼”, full margins, published by Circle Fine Art, framed with glass, pale toning, otherwise both in apparently good condition. (2)  $100/200

 

 

11

Joe Andoe (b. 1955) American

SEATED NUDE GIRL, oil painting on canvas, signed lower left, 40 x 30”, framed, in good studio condition.  $2000/4000

 

 

12

Animation Cel Klasky and Csupo Studios

RUG RATS, original hand-painting production cel, signed by Arlene Klasky and Gabor Csupo, with studio label lower left, sight 8 ½ x 10 ½”, framed with glass.  $100/300

 

 

13

Antique Cart

Machinery and Power Department utility cart, use for San Francisco trolley car maintenance, with three shelves, 34 ½” x 34 ½” x 14 ¼”, with diagonal metal wheels, in working order and in used aged condition.  $100/300

 

 

14

Antique Document & John Cheever autograph (two)

British travel visa issued by the London Foreign Office to Sophie Beatrice Cook in 1892, with various destination stamps, 15 x 11”, with folds for pocket travel, otherwise in good aged condition; Together with John Cheever, a congratulatory letter on personalized letterhead from 1978, signed in ink, framed with glass, frame 12 ¾ x 9 ¾”. (2)  $80/120

 

 

15

Karel Appel 1921-2006) Dutch

UNTITLED, color lithograph, signed in pencil, from the numbered edition 200, image 25 ½ x 19 ¾”, full margins, framed with glass, mild toning in the margins, otherwise in apparently good condition.  $300/600

 

 

16

Art Books: Lucian Freud, John Sloan & Raphael Soyer (three)

Lucian Freud, 1996, Random House, hardbound book, text in English, scuffs on slip case otherwise in very good used condition; Joan Sloan, New York, 2007, Delaware Art Museum in associate with Yale University Press, hardbound book, text in English, in like-new condition; Raphael Soyer, Self Revealment: A Memoir, 1969, Random House, hard bound book, text in English, in fairly good used condition. (3) $100/200

 

 

17

Artist Unknown (Unidentified) (18th/19th Century)

SEATED NUDE WOMAN, 1908, oil painting on canvas, signed lower right, inscribed and dated 1908 on verso, 19 1/8 x 16 3/8”, framed, professionally stored with a clear reline, otherwise in good condition.  $500/1500

 

 

18

Artist Unknown (Unidentified)

IMPRESSIONIST BEACH SCENE, oil painting on canvas, 5 ¾ x 11 ¼”, framed, professionally restored and relined, otherwise in good condition.  $200/400

 

 

19

Artist Unknown (Unidentified)

DARK LANDSCAPE WITH FIGURES, oil painting on canvas, 16 x 20”, #42 Christie’s East label Feb. 24, 1982, framed, some surface scuffs, ingrained soiling, otherwise in good condition.  $500/1000

 

 

20

Artist Unknown (Unidentified)

SHIP YARD IN MOONLIGHT, oil painting on canvas, 20 x 60”, framed, light surface soiling, otherwise in good studio condition.  $400/800

 

 

21

Artist Unknown (Unidentified) 18th Century

PORTRAIT OF A GENTLEMAN, oil painting on canvas, 36 ½ x 25 ½”, discard-able frame, soiling, craquelure, a few small impact dents holes, probably from screw eyes, otherwise in generally good condition.  $500/1000

 

 

22

Artist Unknown (Unidentified) 19th Century British

GAZING WOMAN, oil painting on canvas, 14 x 12”, in period frame, stamped Geo. Rowney & Co., London on verso, small chips and scuffs, nicks, hairline cracking, otherwise in generally good condition.  $200/400

 

 

23

Artist Unknown (Unidentified)

RAINY DAY IN TOWN, oil painting on canvas, 41 ¼ x 35 ½”, framed, in good studio condition.  $500/1000

 

 

24

Artist Unknown (Unidentified) Mid-20th Century

RECLINING NUDE WITH BOOK AND LARGE VASE, 1965, oil painting on canvas, dated upper right, 24 x 48”, framed, minor surface soiling, surface scuffs, mild craquelure, otherwise in good studio condition.  $500/800

 

 

24 A

Artist Unknown (unidentified) 19th Century

PORTRAIT OF LADY, oil painting on canvas, 35 ¼ x 28 ¾”, framed, some professional restoration and relined, oval cracking pattern with some small losses mainly in the lower right from previous oval frame mat, some craquelure and tiny chips, otherwise in good condition.  $500/1000

 

 

25

Artist Unknown (Unidentified)

MAN ON BENCH, oil painting on canvas, 25 ½ x 21”, signed upper right, in Belgium-made frame, natural craquelure, surface soiling, a few scuffs, otherwise in good condition.  $200/400

 

 

26

Artist Unknown (Unidentified)

MOTHER & CHILD, cast bronze sculpture with reddish brown patina, inscribed Pia**i, 11 x 9 ½ x 8 ½”, in good studio condition.  $200/400

 

 

26 A

Daniel Authouart (b. 1943) French

ON ABBEY ROAD CORNER, color lithograph, signed in pencil, from the numbered edition 175, image 26 ½ x 33”, publisher’s stamp on verso, a few soft handling creases, otherwise in good condition.  $200/400

 

 

26 B

Daniel Authouart (b. 1943) French

EAST OF EDEN, color lithograph, signed in pencil, from the numbered edition 175, image 22 ½ x 29 ½”, publisher’s stamp on verso, a few soft handling creases, otherwise in very good condition.  $200/400

 

 

26 C

Daniel Authouart (b. 1943) French (two)

PARIS PEKING, PEKING PARIS, two color lithographs, each signed in pencil, from the numbered edition 250 & 35 artist’s proofs, sheets 35 ¼ x 24 ¾”, publisher’s stamp on verso, a few soft handling creases, mainly visible in raking light, otherwise in very good condition. (2)  $400/800

 

 

26 D

Daniel Authouart (b. 1943) French

LE MERCEDES DE CASINO, color lithograph, signed in pencil, from the numbered edition 175, image 23 ¾ x 29 ¾”, full margins, publisher’s stamp on verso, a few soft handling creases, mainly visible in raking light, otherwise in very good condition.  $200/400

 

 

27

Laura Avetisyan (20th /21st Century) Armenian

GRACE, oil painting on canvas, signed lower left, 20 x 16”, framed, in good studio condition. Provenance: acquired directly from artist by present owner.  $300/600

 

 

28

Laura Avetisyan (20th /21st Century) Armenian

METLING, 2004, mixed media on paper, signed and dated lower left, 20 x 15”, framed with glass, in good studio condition. Provenance: acquired directly from artist by present owner  $200/400

 

 

29

Ermanno Barovero (b. 1956) Italian (thirteen)

ROSE SERIES, seven color etchings, three images in different color variations, each signed in pencil and from the numbered edition 28, image 25 x 21 ¼”, sheets 31 ½ x 27 ½”; LONG STEM ROSES, set of three color etchings, each signed in pencil, from the numbered edition 22, images 34 ¼ x 17 ½”, sheets 41 x 23 ½”, tears lower margins 1-2” away from signature; SMALL ROSE, three of the same color etching, each signed in pencil, from the numbered edition 100, sheets 19 ½ x 16”; some soft handling creases, otherwise all in good condition. (13)  $500/1000

 

 

30

Malin Basil (20th Century) Scandinavian

DESERT TOWN, 1978, oil painting on canvas, signed and date lower left, 23 ¾ x 31 ½”, framed, in very good condition.  $500/800

 

 

30 A

Phoebe Beasley (b. 1943) Californian

SATISFACTION GUARANTEED, c.1970, collage on canvas, signed lower right, with the artist’s stamp on the verso, 24 x 30”, framed with glass, in good studio condition.  $1000/2000

 

 

31

George Bellows (1882-1925) American

THE LIFE CLASS (second stone) (M & A.160; M.43), 1917, lithograph on Japan paper, inscribed Roman numeral X lower left, one of 20(?) proofs aside from the edition of 49, image 13 7/8 x 19 3/8”, sheet 21 ¼ x 29 ¼”, framed with glass, some stray printer’s ink in the margins and a thin spot lower left, otherwise in good condition. Provenance: Butterfields 1996.  $2000/4000

 

 

32

Christian Berard (1902-1949) French/ American

BAROQUE FORAIRE, 1944, gouache & ink on paper, signed lower right, 10 ¼ x 7 ½”, framed with glass, small speckles, otherwise in apparently good condition.  $1000/2000

 

 

33

Eugene Berman (1899-1972) American (two)

LA FORZA DEL DESTINO, (Opening Night Curtain Dinner Menu, Metropolitan Opera Season 1952-53), brushed ink with pencil and collage, original menu design on two sheets of paper, double sided, cover design on one side, menu design on the other side, front cover design on sheet attached to another sheet with another design on verso of the top sheet, overall 13 x 20”, some collage elements lost over time, toning, discoloration, old glue remnants, otherwise in good studio/production condition; Together with the original printed menu. (2)  $1000/2000

 

 

34

Charles Bibbs (20th Century) American

THREE MEN, 1992, color print, signed in pencil, from the numbered edition 600, sight 33 ¾ x 22 ¾", framed with glass, in apparently good condition.  $200/300

 

 

35

Annibale Biglione (1923-1981) Italian

OCRA GIALIO BLANCO, 1961, thickly painted oil painting on canvas, signed and dated lower center, 51 x 63 ½”, framed, some surface soiling and hairline cracking, otherwise in good studio condition. Provenance: Galeria Dell’Ariete, Milano; David Bright Collection.  $1000/2000

 

 

36

Irving Block (1910-1986) Californian (three)

FLOWERS IN WATERING CAN, 1966, oil painting on wood mounted to wood, signed and dated lower left, overall 12 x 9 ½”, some surface soiling in the white background; PATIO WITH FLOWERS, 1966, oil painting on Masonite, signed and dated lower left, 9 ¾ x 11 ½”; NUDE, 1969, watercolor on paper, signed upper right, 4 1/8 x 3”, all framed and otherwise in good studio condition. Provenance: Ankrum Gallery. (3)  $800/1200

 

 

37

Jonathon Borofsky (b. 1942) American

MALE AGRESSION (G.1270), 1986, color screenprint, signed in pencil, from the numbered edition 19, sheet 43 x 46”, printed and published by Gemini G.E.L., framed, in apparently good condition.  $1000/1500

 

 

38

Jean Claude Bourgeois (b.1932) French

NATURE MORTE AUX COLOLQUINTES, oil painting on panel, signed lower left, 13 x 21 ½”, signed and titled on verso, framed, surface soiling, edge wear, otherwise in good studio condition.  $400/800

 

 

39

Charles Bragg (b. 1931) Californian (three)

SHIP OF FOOLS; HUNG JURY; GENERAL PRACTITIONER, three sepia etchings, each signed in pencil, two from the numbered editions 150, one from Roman numeral edition 100, images 11 ¾ x 9”, 6 x 8 ¾”, 5 x 8 ¼”, all with full margins and framed with glass, all with mild toning, otherwise all in apparently good condition. (3)  $100/200

 

 

40

Tycho De Brahe (1546-1601) Denmark & others (nine)

ASTRONOMIAE INSTAURATAE MACHANICA, c.1559, title page with portrait of De Brahe, hand-colored engraving, sight 16 ½ x 10 ½”; Together with Antique Print, LA CARCAJADA, BARCELONA, #32, September 19, 1872, color lithograph, sight 22 x 15”; Together with a collection of seven antique prints and engravings, various subjects include Soccer; New York; Animals & Genre Scenes, various sizes from 12 ½ x 20 ½” to 4 x 6 ½”, all framed with glass, some mild toning and discoloration, otherwise all in apparently good to generally good condition for age. (9)  $200/400

 

 

41

Regis de Bouvier de Cachard (b. 1919) French

PORTRAIT OF A GIRL, 1959, oil painting on canvas, signed and dated upper right, 30 x 22”, framed, surface soiling, otherwise in good condition.  $200/400

 

 

42

Maurilio Catalao (b. 1942) Italian (five)

GONDOLAS; BALLOONS; SINGLE GONDOLA, three acrylic paintings, two on canvas, one on panel, each signed, 19 ¾ x 27 ½”, 13 ¾ x 19 ¾” & 15 ¼ x 9 ¼”, some surface scuffs, otherwise in good studio condition; Together with GONDOLAS; SICILIA, two color screenprints, each signed in pencil and from an unnumbered edition, sheets 27 ½ x 29 ¼” & 27 ¼ x 36 ¼”, the first with creases and cracks, the second with scuffs and smudges, otherwise both in generally good condition. (5) Provenance: Bellini Fine Art Gallery, La Jolla.  $500/800

 

 

42 A

after Marc Chagall (1897-1985) Russian/French

ANGEL OF JUDGMENT (S.pg. 138), 1974, Sorlier color lithograph, printed by Mourlot, published by Chagall Biblical Message Museum, framed with glass (cracked), sheet reduced from 31 x 21” to 30 x 20”, two small screw-eye holes on left and right sheet edges, yellow color appears attenuated, otherwise in apparently good condition.  $100/300

 

 

43

Samuel Chamberlain (1895-1976) American

SIENA, etching, signed in pencil, from the edition 100, image 12 ¼ x 6”, full margins, framed with glass, toning in margins at mat, otherwise in apparently good condition.  $100/300

 

 

43 A

Samuel Chamberlain (1895-1976) American (two)

TOWN SCENES, two etchings, each signed in pencil, from the numbered editions 75, images 6 ¾ x 5” & 4 ¼ x 6 ¼”, both with full margins and framed with glass, toning in margins, otherwise both in apparently good condition. (2)  $100/300

 

 

44

Curtis Chamberlin (1852-1925) Californian

LAGUNA BEACH, oil painting on board, signed lower left, 6 ¾ x 10”, with artist’s label on verso, ingrained soiling and yellowing from cigarette smoke, otherwise in generally good condition.  $400/600

 

 

45

Curtis Chamberlin (1852-1925) Californian (three)

SEASCAPE; LANDSCAPES (2), three oil paintings on canvas board, first signed lower left, second and third initialed lower right or left and all with artist’s label on verso, 6 x 8”, 6 x 9” & 7 x 9”, two framed, ingrained soiling and yellowing from cigarette smoke, edge ware, the later with small chip loss right edge, otherwise in generally good condition. (3)  $500/800

 

 

46

D. H. Chiparus (1886-1947) Romanian

CROUCHING PANTHER, cast spelter sculpture with green patina, incised name on top tier of two tier marble base, 9 ½ x 21 x 6”, top tier marble has filled chip center edge, separate bottom tier has some reattached and missing fragments, not effecting spelter, otherwise in good condition.  $1000/2000

 

 

47

Jean Cocteau (1889-1963) French

NOEL COWARD, pencil drawing on paper, initialed lower right, 13 x 8 ½”, framed with glass, obscured Calcutta gallery label on verso, staining right sheet edge, faint discoloration, aged paper, otherwise in good condition.  $1500/2500

 

 

48

Jose Luis Cuevas (b. 1934) Mexican

INTERIOR WITH ARTIST, 1965, lithograph, signed in pencil, from the numbered edition 20, sheet 15 x 22 ¼”, printed by Tamarind, with their blindstamp lower left, framed, mild toning, mild discoloration, otherwise in apparently good condition.  $200/400

 

 

49

Jose Luis Cuevas (b. 1934) Mexican

ACTORS, WRITERS & ARTISTS, 1965, lithograph, signed in pencil, from the numbered edition 20, image 16 ¼ x 23 ¾”, Tamarind blindstamp lower left, full margins, framed, overall mild toning except where hinges are in the upper right and left corners under mat, otherwise in apparently good condition.  $200/400

 

 

50

Jose Luis Cuevas (b. 1934) Mexican (six)

THEY GAVE ME MY FIRST NOTION OF HOW THE HUMAN BODY IS PUT TOGETHER, 1961, lithograph, signed in pencil, from the numbered edition 100, sheet 16 x 22”, framed with glass, mild toning, otherwise good condition, plus five signed exhibition posters. (6)  $200/400

 

 

51

Tony Curtis (1925-2010) Californian (two)

ROYAL HAWAIIAN, color screenprint, signed in pencil, from the numbered edition 480, image 25 ½ x 33 ¼”, full margins, framed, small discoloration lower left margin; Together with THE YELLOW CAT, color print, signed in pencil, from the numbered edition 300, sheet 36 x 24”, framed, both otherwise in apparently good condition. (2)  $200/400

 

 

52

Jim Dailey (20th/ 21st Century) American

NIGHT OF THE SPIRAL, 1988, oil painting on panel, signed dated and titled on verso, 18 x 16”, framed, in good studio condition. Provenance: Roy Boyd Gallery, Los Angeles.  $200/400

 

 

52 A

Salvador Dali (1904-1989) Spanish

ALICE’S ADVENTURES IN WONDERLAND (M.321-333; F.69-5 A-M), 1969, the loose leaf portfolio with a color etching on a double sheet signed in pencil, and twelve color heliograuves with woodblock remarque and most with signatures in the design, from the numbered edition 2500, prints 17 x 11 3/8”, sheets 17 x 22 ¾” with centerfolds as issued, published by Random House New York, printed by Maecenas Press, with portfolio case and text and tirage page, case with wear and soiling and lacking small leather straps, prints in good condition.  $4000/5000

 

 

53

Salvador Dali (1904-1989) Spanish

CORCUATO DE CARSO from the Caprices De Goya Series, plate 77, (F.77-3-20; M.908), 1977, drypoint etching with heliogravure and color stencil, signed in pencil, from the numbered edition 200, image 7 ¼ x 5, sheet 18 x 12”, framed, in good condition.  $600/900

 

 

54

Salvador Dali (1904-1989) Spanish

GOYA from the Caprices De Goya Series, plate 63, (F.77-3-18; M.910), 1977, drypoint etching with heliogravure and color stencil, signed in pencil, from the numbered edition 200, image 7 ¼ x 5, sheet 18 x 12”, framed, in good condition.  $600/900

 

 

55

Salvador Dali (1904-1989) Spanish

VENUS A LA GIRAFFE, c. 1975, cast bronze sculpture, signed, from the numbered edition 350, with Venturi Arte stamp, 22 ¼” tall, with painted white finish with some chips, lacking small upper chest drawer, otherwise in apparently good condition. Bruce Hochman OS has kindly confirmed the authenticity of this lot.  $500/1000

 

 

56

William Dassonville (2) & Christine B Fletcher (4) (six)

THE VIOLINIST, platinum print, 9 ½ x 7 ½”, signed in ink lower right, toning, small loss lower right corner; WATERFALL, gelatin silver print, 6 ¾ x 4 ½”, mounted to paper, small nick and mild discoloration mainly upper sheet edge, otherwise both in good condition; Together with Christine B Fletcher PANSIES, platinum print, signed in ink, image 7 x 5 ¼”, sheet 10 x 8”, a few smudges, small accretion on verso; THE ROAD THAT LEADS TO THE SEA, platinum print, signed in blue ink lower left, 13 ¾ x 10 ¾”, signed and titled in pencil, on mat, pale discoloration and toning at perimeter from old scotch tape residue on verso; STILL LIFE WITH LARGE & SMALL VASE, gelatin silver print on textured stock, 13 ¾ x 11”, signed in pencil on mat, adhesive residue around recto perimeter, toning on mat; YELLOW FLOWERS, color pastel, signed lower right, 10 ¾ x 13 ¾”, possibly over a photograph, some small imperfections and some discoloration on verso, otherwise all in good studio condition. (6)  $800/1200

 

 

57

Decorative Items: Kosta Boda (three)

Kjell Engman Design, Large footed fruit bowl, 8 ½” tall, 14” diameter; Tall cone vase, 13 ½” tall, 6” diameter; Small cone bowl, 4 ¼”, 5 ¾” diameter, all signed and inscribed underneath, all retain Kosta Boda label, all in like new condition. (3)  $100/300

 

 

58

Decorative Items: Orrefors (3) & Kosta Boda (2) (five)

Orrefors, Light blue vase, 10 ¼” tall; Light blue dish, 6” diameter; Dark green to clear vase, 10” tall, all inscribed; Kosta Boda, Small bowl, 2 ¼” tall, 4 ¼” diameter, hallmark etched underneath, also retains Kosta Boda label; Baby Seal paperweight, 5 ½” diameter, inscribed underneath; all in like new condition aside from normal light scratches underneath. (5)  $100/300

 

 

59

Decorative Arts: Risqué tray

PEEK-A-BOO TRAY, bronze oval dish of woman on ladder picking apples with peek-a-boo scene on verso, 6”, surface soiling, otherwise in good condition.  $50/100

 

 

60

Decorative Arts: Sculpture

WOMAN IN CHARIOT WITH THREE HORSES, cast bronze sculpture with black patina, stamped 482 JB under chariot, 8 ¼” tall, threaded reigns truncated, on marble base, some wear, figure loose, otherwise in good condition.  $100/300

 

 

61

Decorative Arts: Sculpture

CLEOPATRA, cast spelter sculpture, with some patina, 28 ½” tall, some wear and detached necklace main portions, lacking earrings, otherwise in good condition.    $200/400

 

 

62

Decorative Arts: Sculpture

COMEDIE HUMAINE, 1877, cast spelter sculpture with patina, signed AMY and dated, 28 ½” tall, some minor wear, otherwise in good condition.    $200/400

 

 

63

Decorative Arts: Judaica

A hand written Megillah vellum scroll with carved white organic handle and top, 13 ¼” long, stick needs to be re-attached and core dowel needs to be replaced, cracks and wear to handle, shows signs of age.  $500/1500

 

 

64

Edwin Willard Deming (1860-1942) American

TWO DEER, oil painting on canvas, signed lower left, 16 x 20”, with Husberg Gallery, Sedona, AZ label on verso, framed, professionally restored and relined, otherwise in good condition.  $1500/2500

 

 

65

Laddie John Dill (b. 1943) Californian

UNTITLED, 1987, color screenprint, signed in pencil, from the numbered edition 150, sheet 20 ½ x 42”, printed by Jeff Wasserman, with blindstamp lower right, a few creases and soft handling creases, stray ink marks, a few dimples, otherwise in good condition with bright fresh colors.  $200/400

 

 

66

Robert Dowd (1936-1995) American

AIR 6 CENTS MAIL, 1966, color pencil and graphite drawing on acrylic painted paper collaged onto cardboard, signed and dated lower right, image 25 x 18 ½”, full margins, framed, in good studio condition.  $1000/1500

 

 

67

Robert Dowd (1936-1995) American

US AIR MAIL, watercolor and graphite drawing on paper, signed lower right, image 7 x 16”, full margins, framed, in good studio condition.  $800/1200

 

 

68

Robert Dowd (1936-1995) American

PICASSO DOLLAR, 1967, color pencil and graphite drawing on paper, signed and dated lower right, image 8 x 6 ½”, full margins, framed, in good studio condition.  $600/900

 

 

69

Robert Dowd (1936-1995) American

AIR MAIL 5 CENTS, 1967, watercolor and graphite drawing on acrylic painted paper, signed and dated lower right, image 9 ¼ x 15 ½”, full margins, framed with glass, in good studio condition.  $800/1200

 

 

70

Robert Dowd (1936-1995) American

STUDY FOR VAN GOGH DOLLAR, 1965, ink drawing on vellum, signed and dated lower right, titled and dated on verso, sight 7 ¾ x 6”, framed with glass, in good studio condition.  $600/900

 

 

71

Robert Dowd (1936-1995) American

E = MC 50, 1968, ink drawing on paper, signed and dated lower right, image 9 ½ x 14 ¼”, full margins, in Plexiglas box frame, in good studio condition.  $600/900

 

 

72

Robert Dowd (1936-1995) American

DOWD, 1968, ink drawing on paper, image 9 ¼ x 13 ½”, full margins, in Plexiglas box frame, in good studio condition.  $600/900

 

 

73

Robert Dowd (1936-1995) American

THUMBS, 1965, acrylic painting with collage on paper, signed and dated lower right, sheet 22 ½ x 21 ½”, framed, in good studio condition.  $800/1200

 

 

74

Robert Dowd (1936-1995) American

DANCING ELEPHANT, watercolor and color pencil drawing on paper, signed lower right, image 13 ¼ x 9 ¼”, full margins, framed with glass, in good studio condition.  $600/900

 

 

75

Robert Dowd (1936-1995) American

5 CENT CRASH, 1968, color pencil and graphite drawing on paper, signed and dated lower right, sight 5 x 7 ½”, framed with glass, in good studio condition.  $500/800

 

 

76

Robert Dowd (1936-1996) California (three)

HUNDRED-DOLLAR RESERVE NOTE, 1994, color lithograph, signed in pencil, from the numbered edition 200, sheet 22 x 40”, hand-print blindstamp lower right, in apparently good condition; Together with VAN GOGH DOLLAR, 1990, two of the same color posters, both signed in pencil, each 21 x 30”, one has some fading, the other some creases, all with matching frames with glass. (3)  $100/200

 

 

77

Richard Duardo (20th/ 21st Century) American

ROBOT, 1987, color screenprint, signed in colored pencil, from the numbered edition 40, sheet 21 ¼ x 20 ¼”, with Aztalan stamp lower left, a few soft handling creases, minor discoloration at sheet edge, otherwise in good condition.  $100/200

 

 

78

Raoul Dufy, Georges Rouault & others (six)

Raoul Dufy, ON THE BEACH, etching from an edition with beveled plate, signed in the plate, image 8 x 11 ½”, full margins, framed with glass; Together with Georges Rouault, FLOATING DRAGON from Reincarnations Du Pere Ubu Series, 1928, aquatint etching, initialed and dated on plate, plate 8 ½ x 12 1/8”, full margins, some staining, small speckles; together with an etching and a lithograph of Dufy, sheets 12 7/8 x 18 ½” & 12 ¾ x 19 ½”; together with after Rembrandt, PORTRAIT 1639, modern engraving, image 5 ¾ x 4”, large margins; together with after Henri Toulouse-Lautrec, HORSE AND RIDERS, color lithograph, image 10 x 7 ½”, full margins; some with soft handling creases or creases or small tears or combination, otherwise all in generally good condition. (6)  $100/150

 

 

79

after Raoul Dufy (1877-1953) French

FEE ELECTRICITEE, 1953, the set of ten Sorlier color lithographs on Arches paper, from the numbered edition of 350, each panel (sheet) 39 x 24 ¼”, all together forming a mural 39 x 242 ½”, with the tirage printed on verso of the first panel, printed by Mourlot, published by Pierre Beres Paris, signed by the publisher on the verso, seven sheets with tideline stain remains visible on the verso (some barely visible on the recto when sought out), one sheet with tape residue stains visible on the verso, otherwise in good condition with bright fresh colors and clean flat sheets.  Utilizing over 200 lithographic stones, this was the largest and most monumental lithographic project of its time. The project took 3 years to complete and was done under the supervision of Raoul Dufy who died shortly after its completion.   $6000/9000

 

 

80

Michael Dvortcsak (b. 1938) Californian

SINE QUA NOUN (The Pianist), 1978, acrylic painting on canvas, signed and dated lower left, signed dated and titled on verso, 51 x 69”, a few hairline cracks, stretcher bar impressions, otherwise in good studio condition.  $1000/2000

 

 

81

Alfred Eisenstaedt (1898-1995) American

VLADIMIR HOROWITZ, NATHAN MILSTEIN & GREGOR PIATIFORSKY, 1932, gelatin silver, signed in ink lower right margin, from the numbered edition 50, published by Time Inc. in 1979, with their stamp and artist’s stamps on verso, image 7 x 9”, framed with glass, in apparently good condition.  $1000/2000

 

 

82

Max Ernst (1891-1976) German

BALLADE DU SOLDAT, Georges Riemont, Dessaignes, 1972, portfolio of thirty-four color lithographs, signed in pencil by artist and author on exemplary page, from the numbered edition 199, text translated to English at Atelier Chave in 1989, in blue linen portfolio case, 16 x 12 x 1 ¾”, in very good like-new condition.  $700/1200

 

 

83

Daniele Fissore (b. 1947) Italian (nine)

GOLF SUBJECTS, nine color lithographs, each signed in pencil, from the numbered editions 60 & 150, sheets 27 ½ x 14 ¾” (2), 27 ½ x 25 ½” (4), 29 ½ x 38 ½” (2), one framed, sight 20 ½ x 54”, with a small touched up blemish in the sky, the two large unframed ones have creases and small tears in margins, otherwise all in good condition. (9)  $800/1200

 

 

84

Louis Fox (b. 1929) Canada/ American

CUP #1, 1988, oil painting with turpentine and charcoal on wood, signed and dated on verso, 16 x 16”. Provenance: Koplin Gallery.  $200/400

 

 

85

Sam Francis (1923-1994) American

UNTITLED (L. 177; SF.197), 1977, lithograph, signed in pencil, from the numbered edition 30, sheet 41 5/8 x 29 ½”, printed by George Page at The Litho Shop, framed, light ring stain on verso, soft crease upper left sheet edge and lower right corner, otherwise in good condition.  $1000/1500

 

 

86

Sam Francis (1923-1994) American

UNTITLED (SFE.003; I.35), 1982, color trial proof aquatint, signed in pencil and inscribed CTP, one of 12 color trial proofs aside from the regular numbered edition 20, image 23 ¾ x 17 ¾”, sheet 33 ¼ x 27”, printed by Jacob Samuels, published by the Litho Shop, blindstamp, framed, in apparently very good condition.  $1000/1500

 

 

87

Sam Francis (1923-1994) American

METAL FIELD I (I.5; 2C), 1973, gray and black aquatint etching, signed in pencil, from the numbered edition 10 artist’s proofs, aside from the numbered edition of 40, image 29 x 35 ½”, sheet 39 ¼ x 46 ½”, published by 2RC, Italy, a few small indentations upper left margin, pale toning at sheet edge, natural cockling, otherwise in good condition.  $1000/2000

 

 

88

Sam Francis (1923-1994) American

THIRD STONE (SF.98; I.86), 1966, lithograph, signed in pencil, artist’s proof aside from the numbered edition 30, sheet 22 x 30”, printed and published by Irwin Hollander, with blindstamp, framed, in apparently very good condition.  $1000/1500

 

 

89

French & English Illustrations (twenty-one)

Jacques Villon, Paul Balluriau, Hal Ludlow, and six prints from Illustrated News, c.1855; Together with twelve illustrations from Fantasio, sheets 16 x 11” to 11 x 8”, overall in generally good condition. (21)  $200/400

 

 

90

Candice Gawne (20th/ 21st Century)

CUP/FIRE, 1988, color pastel on paper, signed and dated on back of frame, 30 x 22”, framed with glass, in good studio condition. Provenance: Koplin Gallery, Los Angeles.  $200/400

 

 

91

Claude Gazier (b. 1952) French

LA MAIN AU COLLET (Grace Kelly), 1989, oil painting with sand, signed lower right, titled signed and dated on verso, 28 ¾ x 39 ¼”, edge chips, otherwise in good studio condition.  $1000/2000

 

 

92

Lawrence Gipe (b. 1962) American

UNTITLED #4 from Ferriss Series (Davis), 1987, oil painting on canvas, signed and dated on verso, 30 x 24”, framed, in good studio condition. Provenance: Karl Bornstein Gallery, Santa Monica.  $800/1200

 

 

93

Nikoly Golushko (20th /21st Century) Russian

HARVEST, oil painting on canvas, signed lower right, signed on verso, 10 x 14”, framed, in good studio condition.  $200/400

 

 

94

Natalia Goncharova (1881-1962) Russian

COSTUME DESIGN, pencil drawing on thin paper watermarked Vivarais, circular stamp lower right, sheet 10 11/16 x 5 14/16 (27 x 15cm), a few dabs of watercolor on verso, loss at lower right corner, creases mainly in left side, some pale sun toning from previous framing, remnants of pencil drawing on verso, otherwise in good studio/production condition.  $1500/2500

 

 

95

Leonel Gongora (b. 1932) Columbian

ROMEO & JULIET, 1969, color lithograph, signed in red ink, from the numbered edition 100, sheet 29 ½ x 20 ¼”, framed, possibly some fading, otherwise in good condition.  $200/400

 

 

96

Francisco de Goya (1746-1828) Spanish

EL DE LA ROLLONA, plate 4 from Los Caprichos, etching, plate 8 x 5 ¾”, full margins, discard-able frame with glass, moderate toning, otherwise in apparently generally good condition.  $200/400

 

 

97

Gregg (20th/ 21st Century) Northwest Coast/Inuit

LOVE SPIRIT, 1986, color lithograph, signed in pencil, from the numbered edition 47, sheet 20 x 25 ¾”, Plexibox frame, some soft handling creases, pale to moderate toning, speckles, small debris flecks inside frame, otherwise in apparently good condition.  $100/200

 

 

98

Jean Baptiste Armand Guillaumin (1841-1927) French

THE SWING, 1913, color pastel, signed and dated lower right, 24 ½ x 18 ¾”, framed, some discoloration spots, mainly in upper right, otherwise in apparently good condition. Provenance: Gene Mako Galleries, Los Angeles; Pitt & Scott Ltd. Paris transport tags from Galerie Andre Maurice and Hirschl Adler, New York.  $5000/10,000

 

 

99

Maja Van Hall (b. 1937) Holland

LOSKOMEND (Coming Free), 1981, cast bronze sculpture, signed, edition of 10, 8 ½” tall including black wood base.  $1000/2000

 

 

100

Peter Hamlett (1919-1972) American

SEASCAPE, oil painting on canvas, signed lower left, 18 x 36”, framed, light surface soiling, otherwise in good studio condition.  $300/500

 

 

101

Frank S. Herrmann (1866-1942) American

CAPITOL THEATRE (Looking south from 34th Floor from Park Central Hotel, 56th Street & 7th Ave, New York), oil painting on board, initialed lower right, 22 ½ x 28 ½”, annotated on verso, framed with glass, in apparently good studio condition.  $1000/2000

 

 

102

Peter Hess (b. 1955) Californian

PRIMATE III, 1985, acrylic painting with collage on paper with wood construction, signed and dated lower left, 36 x 26 x 1”, framed with glass, in good studio condition. Provenance: Koplin Gallery, Los Angeles.  $300/600

 

 

103

Edna Hibel (b. 1927) American

SOWING; RIPENING; HARVESTING; AND THE ARTIST WORDS, four color lithographs in one frame (with chips), overall 33 x 33”, with glass, each signed in pencil, from the numbered sub-edition of 132 of the greater edition of 396, all in apparently good condition. (4/1)  $200/400

 

 

104

Edna Hibel (b. 1927) American (two)

THE PRINCE; SEATED WISE MAN, two color lithographs, each signed in pencil, from the numbered editions 335 & 385, the later with gold Remarque in lower margin, images 19 x 14” & 16 x 9”, both with full margins and framed with glass, both in apparently good condition. (2)  $200/400

 

 

105

Edna Hibel (b. 1927) American

MAN IN RED WITH PLOW, color lithograph, signed in pencil, artist’s proof aside from the numbered edition, sight 40 x 29”, framed, in apparently good condition.  $200/400

 

 

106

Edna Hibel (b. 1927) American

DUTCH MOTHER AND TWO DAUGHTERS, color lithograph, signed in pencil, from the numbered edition 320, image 29 x 22”, full margins, framed with glass, in apparently good condition.  $200/400

 

 

107

Edna Hibel (b. 1927) American

ROYAL FAMILY, color lithograph, signed in pencil, artist’s proof aside from the numbered edition, image 18 x 15 ½”, full margins, framed with glass, a few soft handling creases, otherwise in apparently good condition.  $200/400

 

 

108

Edna Hibel (b. 1927) American (five)

MOTHER & CHILD, pair of painted and glazed Koninklijke porceleyne Fles plates, each signed and inscribed “I love it” or “lovely” on verso, both artists’ proof aside from the numbered edition, size 12 x 9 ¼” & 9 ¾” diameter; Together with DIANA, WOMAN WITH FLOWERS AND HAT & CHILD WITH PINK BERET, three limited edition color porcelain plates, produced and distributed by the Hibel Museum of Art, Palm Beach, 12”, 13” & 9 ½” diameters, all framed with glass, all in good condition (5)  $200/400

 

 

109

David Howard Hitchcock (1861-1943) Hawaiian

HAWAIIAN LANDSCAPE, 1896, oil painting on canvas, signed and dated lower left, 12 x 20”, framed, some hairline cracks, otherwise in good condition with a clean surface and verso.  $10,000/20,000

 

 

110

Italian Art Collection (20th/ 21st Century) (thirteen)

Artist Unidentified, STILL LIFE WITH FRUIT AND BASKET, oil painting on canvas, signed lower left, signed on verso, 15 ¾ x 19 ½”, partial artist’s certificate on verso, framed; Together with Marco Manzella, SPORTS FIGURE, 1999, oil painting on panel, signed and dated upper left, 11 ½ x 9 ½”, framed; Together with Marzani & Patrick, FLOWER FIELDS, two acrylic painted formed composites on panel, both signed in similar style on verso, one signed Manzani and the other Patrick, each 8 x 19 ¾”, both framed, Patrick with crack upper left corner; Together with Luigi Martorelli MARE A CAPO D’ORLANDO; TAVELLO ROSSO; PAESAGGIO; PAESAGGIO, four oil paintings on canvas, each signed lower right or left and signed and titled on verso, 11 ¾ x 23 ½” (1) & 11 ¾ x 11 ¾” (3) some surface scuffs; Together with Giuliano Trombini, GIRL IN BLUE DRESS, oil painting on canvas, signed upper left, signed on verso, 8 x 8”, some surface soiling; Together with E. Martini, STILL LIFE, oil painting on canvas, signed lower left, 7 x 9 ½”; Together with Antonio Navarra, LANDSCAPE, color print, signed in pencil, from the numbered edition 149, image 4 ½ x 4 ½”, full margins, framed with glass; Together with Neapolitan print, image 16 x 32 ½”, full margins, framed with glass; Together with Antique print, RASSEGNA D’ARTE, 1910, chromolithograph, 13 x 9 ½”, discoloration, all in otherwise in good studio condition. Provenance: Bellini Fine Art Gallery, La Jolla. (13)  $800/1200

 

 

111

Paula Kadunc (20th/ 21st Century) Brazilian

UNTITLED PURPLE RED BLUE, 2012, acrylic painting on canvas, signed and dated on verso, 27 ½ x 35 ½”, framed, in good studio condition.  $400/800

 

 

112

Paula Kadunc (20th/ 21st Century) Brazilian

UNTITLED BLACK/GRAY/ WHITE/ RED, 2011, acrylic painting on canvas, signed and dated on verso, 35 ½ x 23 ½”, framed, in good studio condition.  $400/800

 

 

113

Ferdinand Kallik (b. 1912) Czech

SAINT MARKS CATHEDRAL, oil painting on canvas, signed lower left, 24 x 20”, in ornate frame, in good studio condition.  $500/1000

 

 

114

Phyllis Kapp (20th Century) Santa Fe

SOUTHWEST LANDSCAPE, 1999, watercolor on paper, signed lower right, 23 x 30”, framed, in good studio condition.  $200/400

 

 

115

Luigi Kasimir (1881-1962) Hungarian

GATEWAY, etching on chine colle paper, signed in pencil, image 19 ¼ x 11 ½”, full margins, mounted to board, newly framed with glass, a few small foxing speckles, otherwise in good condition.  $200/400

 

 

116

Kcho (b. 1970) Cuban

UNTITLED, 1996, Chinese ink on wove paper, signed and dated lower right, 90 ½ x 55 ½”, framed, ATG framers tape strips on top and bottom verso for framing support, otherwise in good studio condition. Provenance: Fleischman Fine Art, Los Angeles: Study created for the exhibition “Todo Cambia” at MOCA, Los Angeles, Oct. 5th, 1997-Feb. 8th. 1998.  $5000/7000

 

 

117

Linda Le Kinff (b. 1949) American

WOMAN WITH FLOWERS, color screenprint, signed in pencil, from the numbered edition 350, image 28 ½ x 23 ½”, full margins, framed, in apparently good condition.  $100/300

 

 

118

William Keith (1838-1911) Scottish/ American

LANDSCAPE, oil painting on canvas, signed lower left, 36 x 60”, framed, edge wear, some perimeter chips, crack with some edge loss lower right edge, some professional restoration including re-lining, otherwise in good condition.  $15,000/30,000

 

 

119

Vernon Kerr (1938-1982) Californian

STILL LIFE WITH YELLOW ROSES, oil painting on canvas, signed lower right, 20 x 24”, framed, in good studio condition.  $200/400

 

 

119 A

Lalique

JAGUAR RAJAH, crystal, 14 ½” length, 4” tall, inscribed Lalique France underneath, with a clean break chip on the underside of the extended left paw, otherwise in good condition.  $500/1000

 

 

120

Leland, Nevada Wilson (1877-1961) American , David Smith, & Antonio Heras & another (five)

Leland, DUANE STREET, 1987, watercolor on paper, signed lower right, titled and dated lower left, sight 11 ½ x 9 ½”, in apparently good studio condition; Together with Nevada Wilson SEASCAPE, watercolor on paper, signed lower left, sight 7 ¼ x 9 ¼”, perimeter toning at mat, otherwise in good condition; Together with David Smith, TOWER OF LONDON, sepia etching, signed in pencil, image 3 x 4”, full margins; Together with Antonio Heras, CATHEDRAL TARRAGONA, BARCELONA, SPAIN, photograph, image 8 ½ x 5”, full margins; Together with a color print after John Gamble, all framed with glass, all in generally good condition. (5)  $200/400

 

 

121

Charles Levier aka Verrier (1920-2003) French Californian

STILL LIFE, oil painting on Masonite, signed lower right, 44 x 15”, Martin Lowitz label on verso, framed, minor surface soiling, a few unobtrusive scuffs, otherwise in good studio condition.  $300/600

 

 

122

Lladro

THE GIFT, 1988, painted and glazed porcelain figurine, 9 ¾” tall, Lladro hallmark and stamp underneath, in good condition.  $100/200

 

 

123

Lladro

LADY WITH FLOWER BASKET, 1985, painted and glazed porcelain figurine, Lladro hallmark and stamp underneath, 13 ¾” tall.  $100/200

 

 

124

Lladro

GIRL WITH WHEEL BARREL AND PUPPIES, 1987, painted and glazed porcelain figurine, Lladro hallmark and stamp underneath, 8 ½” tall.  $100/200

 

 

125

Lladro

THE SKIPPER, 1983, painted and glazed porcelain figurine, Lladro hallmark and stamp underneath, 13 ½”.  $100/200

 

 

126

Lladro (two)

CHILDREN SLEEPING, 1997, a pair of painted and glazed porcelain figurines, each with Lladro hallmark and stamps and commemorative City Of Hope 85th Anniversary emblem underneath, 6” long each. (2) $100/200

 

 

127

Lladro Porcelains (five)

GIRL WITH DOG; GIRL PICKING FLOWERS; GIRL WITH CELLO; GIRL AT SINK; DUTCH GIRL WITH BUCKETS, five painted porcelain figurines with mat finish, all with Lladro hallmark underneath, 12” to 7 ½” tall, with some dust accumulation, otherwise all in good condition. (5)  $300/600

 

 

128

Jorge Lopez Garcia (20th/21st Century)

UNTITLED, 1991, acrylic painting on paper, signed and dated lower right, 39 x 27 ½”, or 27 ½ x 39”, framed, in good studio condition.  $400/800

 

 

129

Bernard Lorjou (1908-1986) French

UNTITLED, color lithograph, signed in pencil, from the numbered edition 125, sight 27 ½ x 17 ¼”, framed with glass, mild toning, discoloration at sheet edges from matting, otherwise in apparently good condition.  $200/400

 

 

130

Niels Moleiro Luis (b. 1970) Cuban

TIN CAN ON PAPER, acrylic painting on canvas, signed lower right, 36 x 47 ½”, in good studio condition.  $2000/4000

 

 

131

Frank Magsino (b. 1937) Californian

FAR AWAY, 1990, oil painting on panel, signed and dated lower center, 16 x 12”, framed, small accretion on one of the window panes, otherwise in good studio condition.  $300/500

 

 

132

Frank Magsino (b. 1937) Californian

PERSIMMONS, 1988, oil painting on panel, signed and dated lower right, 9 x 12”, framed, in good studio condition.  $200/400

 

 

133

Frank Magsino (b. 1937) Californian

PEARS, 1988, oil painting on panel, signed and dated lower center, 12 x 9”, framed, in good studio condition.  $200/400

 

 

134

Bartholomeo Mako (1890-1970) California

OCEAN PARK PIER, pencil drawing on paper, signed lower right, sight 11 x 13 ¾”, framed with glass, mild to moderate toning, a few edge tears, otherwise in good condition.  $300/600

 

 

135

Antonio Marchese (b. 1947) Italian

SEATED WOMAN WITH URNS, oil painting on canvas, signed lower left, 15 ¾ x 35 ½”, in good studio condition. Provenance: Bellini Fine Art Gallery, La Jolla.  $200/400

 

 

136

Boris Margo (1902-1995) Ukrainian

MESSAGE III, 1970, color intaglio, signed in pencil, from the numbered edition 120, sheet 17 x 22 ¼”, framed with glass, mild toning and speckling, otherwise in apparently good condition.  $100/300

 

 

137

Marino Marini (1901-1980) Italian

HORIZON (G.L136), 1979-1980, color lithograph, signed ‘MM’ in blue pencil, from the numbered edition75, image 28 ¼ x 20 ¼”, printed and published by Graphis Arte with their blindstamp in margins, estate stamp and signature on verso, in apparently good condition.  $1500/2500

 

 

138

Reginald Marsh (1898-1954) American

MODERN 1939 VENUS, 1939, etching on cream wove paper, signed and dated in plate lower right, from the edition 100, image 7 ¾ x 11 ¾”, full margins, published by the Whitney Museum in 1969 with their blindstamp in the lower right margin, framed with glass, in apparently good condition.  $200/400

 

 

139

Reginald Marsh (1898-1954) American

GIRL IN FUR JACKET READING TABLOID, etching on cream wove paper, initialed in plate lower right, from the edition 100, image 11 ¾ x 5 ¾”, full margins, published by the Whitney Museum in 1969 with their blindstamp in the lower right margin, framed with glass, in apparently good condition.  $200/400

 

 

140

Reginald Marsh (1898-1954) American

HUBER’S MUSEUM (S.14), 1928, lithograph on chine colle, signed in pencil and inscribed “35 proofs”, image 8 ½ x 13 ½”, full margins, in apparently good condition.  $1200/1600

 

 

141

attributed to Reginald Marsh (1898-1954) American & two others (three)

ANATOMY STUDY, pencil drawing on paper, folded margins to fit frame visible sheet 10 x 12”, some crinkles, old tape on verso, otherwise in apparently good studio condition; ANATOMY STUDY, pencil drawing on paper, sight 10 x 6”, probably another work on verso; ANATOMY STUDY, ink drawing on paper, sight 16 ¾ x 12”, another work on verso, some crinkles, discoloration, pale stain, otherwise both in apparently generally good studio condition. Provenance: the late Bernt Rosen, student of Marsh, gifted by artist. We do not actually know which of the three is actually by Marsh. The estate believes that it is probably the first of the three. (3)  $500/1000

 

 

142

Caroline Martin (1903-1993) Californian

FARM, 1949, oil painting on canvas, signed lower left, 12 x 14”, framed, minor surface soiling, otherwise in good studio condition. Provenance: Francis Taylor Galleries Beverly Hill, CA. with original 1949 exhibition brochure.  $200/400

 

 

143

A. Martinez & Artist Unknown (Unidentified) (two)

A. Martinez, WOMAN WITH A BASKET, watercolor on paper, signed lower left, sight 20 ½ x 14 ½”, pale discoloration around perimeter, framed with glass; Together with Artist Unknown (Unidentified), LANDSCAPE WITH POND, oil painting on canvas, signed in blue lower right, 17 ½ x 17 ½”, framed, in good studio condition. (2)  $200/400

 

 

144

Ralph Massey (b. 1938) Californian (two)

ATTACK OF THE 50 FOOT WOMAN, 2006, gouache on shaped panel, signed and dated lower right, 21 ¼ x 19”, in good studio condition.  $500/800

 

 

145

Ralph Massey (b. 1938) Californian

RED DARKNESS SEPARATE WORLDS, 2006, gouache on shaped panel, signed and dated lower right, 32 x 30”, in good studio condition.  $600/900

 

 

146

Ralph Massey (b. 1938) Californian

LUMBAR REGION, 2006, gouache on shaped panel, signed and dated lower right, 42 x 20 ¼”, in good studio condition.  $600/900

 

 

147

Ralph Massey (b. 1938) Californian

SWAN LAKE, 1995, cast bronze sculpture, signed and inscribed 2/30 (from an unrealized edition of 30), only three casts were realized and the molds were destroyed, 10” tall, 21” long, 11” wide with travertine base, in very good studio condition.  $1000/2000

 

 

148

No Lot

 

 

149

V. P. Mescharijakov (20th /21st Century) Russian

ROCK CITY, oil painting on canvas, signed on verso, 39 ¼ x 31 ½”, framed, some minor touch-ups in sky area, otherwise in good studio condition.  $500/1000

 

 

150

Mexican Masks (three)

Three carved and painted wood masks, 9” to 11” length, wear from age. (3)  $100/200

 

 

151

Jose Montanes (1919-1998) Spanish

NEXT GENERATION, 1994, oil painting on canvas, signed lower left, 12 x 16”, framed in good studio condition. Provenance: The artist’s studio certificate.  $500/800

 

 

152

Jose Montanes (1919-1998) Spanish

FEELING THE SPRINGTIME, oil painting on canvas, signed lower left, 40 x 30”, framed, in good studio condition. Provenance: The artist’s studio certificate.  $1000/1500

 

 

153

Jose Montanes (1919-1998) Spanish

CARNIVAL OF CLOWNS, oil painting on canvas, signed lower center, 30 x 36”, framed, in good studio condition, with certificate from artist’s estate.  $1500/2500

 

 

154

Phillipe Morisson (1924-1994) French

DISTANCES, 1972, color screenprint, signed in pencil, from the numbered edition 175, image 22 x 25 ¼”, full margins, published by Denise Rene Paris with blindstamp lower left, framed with glass, soft hinge impressions and stray printer’s ink in the margins, otherwise in apparently good condition.  $100/200

 

 

155

Peter Moseami (20th Century) (three)

Three carved wood figures, 30 ¾” to 23 ½”, each signed and dated 1997 underneath, apparently in good studio condition. (3)  $100/200

 

 

156

Alfredo Muller (1868-1929) French

MOULIN ROUGE, color etching with hand-coloring, signed in pencil, image 25¾ x 16”, full margins, framed, some smudges in the margins, otherwise in good condition.  $800/1200

 

 

157

Franco Negro (b. 1947) Italian

CHIERI, oil painting on canvas, signed lower left, signed and with portrait sketch on verso, 39 ½ x 39 ½”, framed, in good studio condition. Provenance: Bellini Fine Art Gallery, La Jolla.  $400/800

 

 

157 A

LeRoy Neiman (1921-20012) American

PUNCHINELLO (K.200), 1972, color lithograph, signed in pencil, from the numbered edition 200, sheet 29 ½ x 21”, published by Circle Fine Art with blindstamp lower left, framed with glass, sun toning on recto and toning on the verso, otherwise in good condition.  $400/600

 

 

158

P. Norris (20th/ 21st Century) Italian (two)

FLORAL, a pair of oil paintings on panel, each signed lower right, 15 ¾ x 11 ¾”, in good studio condition. (2)  $200/400

 

 

159

Philippe Noyer (1917-1985) French

GIRL WITH TOUCAN, color lithograph on silk coated paper, signed in pencil, from the numbered edition 40, sheet 30 x 22”, framed with glass, in apparently good condition.  $100/200

 

 

160

Aldo Parmigiani (b. 1935) Italian

LANDSCAPES, set of 11 etchings, five subjects, two with hand watercolor, each signed in pencil, from the numbered edition 25, sheets 9 ¾ x 13 ¾”, a few smudges, otherwise in good condition. Provenance: Bellini Fine Art Gallery, La Jolla.  $200/400

 

 

161

Giuseppe La Parola (b. 1945) Italian (two)

PISCINA BAROCCA, 2003, oil painting on canvas, signed lower right, 31 ½ x 39 ½”, surface scuff in center visible only at certain angels in raking light, otherwise in good studio condition; PANTERA, 2002, oil painting on wood panel, signed and dated on verso, 12 x 31 ¾”,   Provenance: Bellini Fine Art Gallery, La Jolla.  (2)  $400/600

 

 

162

Alberto Perini (b. 1971) Italian (two)

ROUND KEY; SINGLE TREE, 2002, each an oil painting on canvas, signed lower left or right, 11 ¾ x 15 ¾” & 19 ½ x 15 ¾”, first framed, both in good studio condition. Provenance: Bellini Fine Art Gallery, La Jolla. (2)  $200/400

 

 

163

Alberto Perini (b. 1971) Italian (six)

ISLAND SUITE, two suites of the same, each with three color lithographs, all signed in pencil, from the numbered editions 300, sheets 13 ¾ x 39 ¼”, 13 ¾ x 19 ¾” & 19 ¾ x 13 ¾”, with the Seri Arte Bergamo blindstamp lower left, some soiling and smudging in some of the margins, otherwise all in good condition. Provenance: Bellini Fine Art Gallery, La Jolla. (6)  $100/300

 

 

164

Alberto Perini (b. 1971) Italian

SOLITARY KEY, 2000, oil painting on canvas, signed lower left, 12 x 35 ½”, framed, a few small accretions, otherwise in good studio condition. Provenance: Bellini Fine Art Gallery, La Jolla.  $200/400

 

 

165

Persian, Indian & Islamic Collection (eleven)

A two-sided hand written calligraphy from a 17th century Koran with commentary on boarder in Urdu 7 x 5”, and a two-sided hand written calligraphy from an 18th century religious dissertation in Urdu 11 ¾ x 8”, and a two-sided hand written Devanagari script calligraphy from a 19th century Bhagavad Gita 4 ¼ x 11 ¾”, and a Persian gouache in the Rajasthan style on 19th century parchment with script on both sides 11 x 6 ½”; Together with a hand written letter on vellum with a label stating it to be from 1467 in Alfurgia (of Arabic origin) 7 ½ x 9 ¼” with folds for travel and inscription and date on the outer side; Together with Deccani style SULTAN OF BJAPUR gouache on card 8 ½ x 5 ½”, and INTERIOR WITH HAMMOCK gouache on card 7 x 9”, and HUNTING SCENE gouache on card 10 x 7”; Together with three two-sided pages of Illuminated manuscript with gouache each 12 x 8 ¼”; All in good to generally good condition for age. Provenance four the first four items: Sotheby Parke Bernet Los Angeles #701845 lot 702. (11)  $1000/2000

 

 

165 A

Pablo Picasso (1881-1973) Spanish

RAPHAËL ET LA FORNARINA. I, from Series 347 (L.296, B.1776) 1968, etching, signed in pencil, from the numbered edition 50, image 11 x 15 ¼”, with full margins, framed, in apparently good condition. $5000/7000

 

 

166

Rafael Ubeda Pineiro (b. 1932) Spanish

THE PROMISE, oil painting on canvas, signed lower left, 28 ½ x 23 ½”, framed, in good studio condition. $2000/4000

 

 

167

Gianni Piva (b. 1967) Italian

ARGENTARIO, 2003, oil painting on canvas, signed lower left, signed dated and titled on verso, 39 ¼ x 70 ¾”, framed, mild center stretcher bar impression otherwise in good studio condition. Provenance: Bellini Fine Art Gallery, La Jolla.  $400/800

 

 

168

Gianni Piva (b. 1967) Italian

PALUDE, 2003, oil painting on canvas, signed lower right, 39 x 70 ¾”, in good studio condition. Provenance: Bellini Fine Art Gallery, La Jolla.  $400/800

 

 

169

Gianni Piva (b. 1967) Italian

TRAMONTO TUSCANO, oil painting on canvas, signed lower right, 63 x 23 ½”, framed, scuffs, dents in sky, otherwise in good studio condition. Provenance: Bellini Fine Art Gallery, La Jolla.  $300/600

 

 

170

Print collection (10) & another (eleven)

Artists included: Adolf Fleischmann, Gustave Singier, Ladislas Kijno (2), Paul Aizpiri, Willy Muller-Brittnau (2), Vander Sluis, Grasser, Zerner, a collection of ten color lithographs, screenprints and intaglio, each signed in pencil, from the numbered editions 25 to 150 and artist’s proofs, various sheets 14 x 12” to 29 ¾ x 22 ¼”, all in good to generally good condition, Singier and Aizpiri with hinges on verso visible on recto; Together with Monique Lis, DUCK IN WATER AT SUNSET, 2009, acrylic painting on canvas board, signed lower right, 18 x 24”, titled on verso, in good studio condition. (11)  $1000/1500

 

 

171

Giuseppe Puglisi (b. 1965) Italian

ATLETA, 1999, oil painting on canvas, signed dated and titled on verso, 31 ½ x 31 ½”, framed, in good studio condition. Provenance: Bellini Fine Art Gallery, La Jolla. $1000/2000

 

 

172

Giuseppe Puglisi (b. 1965) Italian

FIGURA LU PISCINA, 2000, oil painting on canvas, signed dated and titled on verso, 39 ¼ x 47”, in good studio condition. Provenance: Bellini Fine Art Gallery, La Jolla.  $1000/2000

 

 

173

Giuseppe Puglisi (b. 1965) Italian

NUOTATORE, 1998, oil painting on canvas, signed and dated lower right, 39 ¼ x 47”, framed, in good studio condition. Provenance: Bellini Fine Art Gallery, La Jolla.  $1000/2000

 

 

173 A

Jose Puyet (1922-2004) Spanish

GRATA COMPANIA, 1978, oil painting on canvas, signed lower left, signed and titled & date on the verso, 32 x 39”, framed, in good studio condition.  $800/1200

 

 

174

Vanni Quadzio (b. 1970) Italian

VARIOUS (eight Floral, Portrait of a Woman, & a Nude), 2001, portfolio of ten watercolors with pastel, each signed and dated, sheets 19 ¾ x 12 ¾”, in portfolio case, in good studio condition. Provenance: Bellini Fine Art Gallery, La Jolla.  $200/400

 

 

175

Anthony Quinn (1915-2001) Mexican Californian

DREAM GIRL, 1987, cast paper vellum bold relief, signed, from the edition of 95, 27 x 21 ½”, published by Bummy Huss Paper Company, distributed by Higgins Harte International, with certificate, Koa wood frame, in apparently good condition.  $200/400

 

 

176

Augusto Ranocchi (b. 1931) Italian

CALIFORNIA SERIES XXXVII, 1983, collage of acrylic on canvas and paper with yarn, signed and dated lower left, 60 x 24”, mounted to a linen framer’s board, comes with optional Plexiglas cover (damaged), in good studio condition.  $500/1000

 

 

177

after Frederick Remington (1861-1909) American (two)

RATTLE SNAKE; DESCENDING, two cast bronze sculptures, the first 22 ½” tall with golden brown patina, in good condition; the second 27” tall with weathered patina from exposure to elements, otherwise in good condition. (2)  $300/600

 

 

178

after Frederick Remington (1861-1909) American (ninety-five)

A collection of Harper’s Weekly pages with wood engravings, included are twenty-nine full sheets and two double-sheets, together with forty-two semi-illustrated full sheets and eleven double sheets and three half sheets; together with additional pages including illustrations by Farny, Woodville, Reinhart and others on five half sheets and three double sheets, all in generally good condition aside from age. (95)  $300/600

 

 

179

after Pierre August Renoir (1844-1919) French (three)

TULIPS (2), FEMME, three color lithographs, each stamp and estate signed, from numbered editions 950 & 1000, sheets 30 x 21 ½” & 21 ½ x 30”, all with blindstamps, all with a few soft handling creases and corner creases, otherwise all is good to very good condition. (3)  $300/600

 

 

179 A

Norman Rockwell (1894-1978) American

THE HORSESHOE FORGING CONTEST, 1976, color collotype, signed in pencil, artist’s proof aside from the numbered edition, image 12 ½ x 25”, sheet 18 x 30”, published by Eleanor Ettinger with blindstamp lower left, complete with portfolio case and text sheets, the print has some pale toning from storage in the portfolio case, mild exposure to moisture along the left sheet edge, otherwise in good condition, the case and text sheets have some of the same toning and some cockling and discoloration from exposure to moisture.    $1000/2000

 

 

180

Norman Rockwell (1894-1978) American (five)

THE ARTIST’S DAUGHTER, 1978; THE DEADLINE; THE OPTOMETRIST; LICKN’ GOOD BATH; DANCING PARTNERS, 1977, five color lithograph, each with the Norman Rockwell authorized trademark initials and signature embossed in gold and from the numbered edition of 200, all with the embossed Norman Rockwell seal of approval lower right, all printed and published by Eleanor Ettinger, New York, with blindstamp lower right corner, sheet sizes 33 ¼ x 28 ½” to 22 ¼ x 21”, a few soft handling creases and smudges, otherwise all in good condition. All lifetime works intended for regular hand signed editions. Rockwell’s failing health prevented the signing of the editions before his death the following year. (5)  $1000/1500

 

 

181

Norman Rockwell (1894-1978) American (six)

BEFORE THE DANCE; KISS; SUMMER’S START; AUTUMN HARVEST; MARBLES; WINTER MORNING, 1977, six color lithographs, each with the Norman Rockwell authorized trademark initials and signature embossed in gold, five from the numbered edition of 200 and one artist’s proof, all with the embossed Norman Rockwell seal of approval lower right, all printed and published by Eleanor Ettinger, New York, with blindstamp lower right corner, sheets average 26 ½ x 23 ¾”, a few soft handling creases and smudges, otherwise all in good condition. All lifetime works intended for regular hand signed editions. Rockwell’s failing health prevented the signing of the editions before his death the following year. (6)  $1200/1800

 

 

182

Michel Rodde (1913-2009) French

NATURE MORTE AU LA ORANGE, oil painting on canvas, signed lower right, titled on verso, 15 x 24”, framed, Arthur Lenars & Cie Paris transport label on verso, contractions in paint, a few small scuffs, otherwise in good studio condition.  $500/1000

 

 

183

Romano (20th Century) & Moor (20th Century) (two)

Romano, GREEN STOCKING, RED STOCKING, 1968, oil painting on board, signed and dated lower right, sight 13 ¾ x 11 ¾”, framed, surface soiling, lacquer yellowed with age, some possible indentations; Together with Moor, WOMAN WITH RED WRAP, ink and watercolor on Japanese paper, signed lower left, sight 23 ½ x 9 ½”, both in otherwise generally good studio condition Provenance: Raymond & Raymond Gallery, Beverly Hills; the collection of John Ireland, actor. (2)  $200/400

 

 

184

Adam Ross & Masako Takahashi & Seta Injeyan (three)

Adam Ross, UNTITLED, 1990, oil painting and alkyd on wood, signed and dated on verso, 7 ½ x 7 ½ x 2 ½”, in good studio condition. Provenance: Goldeen Gallery, Santa Monica; Together with Masako Takahashi TO PRIMO LEVI, APRIL 1987, acrylic painting on paper, signed lower right, 6 x 6”, framed with glass, in good studio condition. Acquired directly from the artist; Together with Seta Injeyan GRAPEVINE MOUNTAINS, pastel with collage on thin transparent plastic, 12 x 18”, framed, in good studio condition. Provenance: Merging One Gallery. (3)  $200/400

 

 

185

Kylliki Salmenhaara (1915-1981) Finland

PITCHER, painted and glazed stoneware, 8” tall, signed “KS Arabia” underneath, some fleabites otherwise in good studio condition.  $500/1000

 

 

186

Tom Savage (b. 1953) American

OHIO, 2011, acrylic painting on canvas, signed dated and titled on verso, 36 x 36”, in good studio condition.  $1200/1600

 

 

187

Tom Savage (b. 1953) American

IN THE AIR, 2012, acrylic painting on canvas, signed dated and titled on verso, 40 x 30”, in good studio condition.  $1200/1600

 

 

188

Mildred Bruce Scofield (1889-1983), James Parker & another (three)

Mildred Bruce Scofield, ONIONS, c.1945, oil painting on canvas, signed lower right, 9 x 12”, lacquer is yellowed, canvas has hardened in an un-taut state, otherwise in good condition. Provenance: Gallery 170, Los Angeles; Together with James Parker, PACIFICA, oil painting on canvas board, signed lower left, 10 x 8”, in good studio condition; Together with Artist Unknown (Unidentified), RIDER AND CART, 1945, acrylic painting on paper, signed and dated lower left, 9 ½ x 13 ½”, framed, paper toned and mounted to card, otherwise in apparently good condition. (3)  $200/400

 

 

189

Richard Sedivy (b. 1948) American & Ann Page (two)

BIRTH, 1988, oil painting and varnish on wood construction, signed and dated on verso, 19 ¾ x 19 ½ x 2”, small nick on eyelet, otherwise in good studio condition. Provenance: Art Space, Los Angeles. Together with Ann Page ORDER OF THINGS, (title page) study from Straits of Aphasia, mixed media assemblage, signed and dated on verso, 10 ½ x 6 ½ x 4”, in good studio condition. Provenance: Goldeen Gallery. (2)  $300/500

 

 

190

Doyle Shaw (b. 1947) Idaho

SENORA BEAUTY, 1982, oil painting on canvas, signed lower left, signed dated and titled on verso, 28 x 20”, framed, in good studio condition.  $500/1000

 

 

191

Clyde Singer, Raphael Soyer, John Sloan, Heuter, Bruno Voigt, J. Gage, James Kearns (4) & Artist Unknown (Unidentified) (eleven)

Clyde Singer MCSORLEY’S, 1990, lithograph, signed in pencil, inscribed proof 1/3, image 13 x 10”, full margins; Together with Raphael Soyer WOMAN COMBING HER HAIR, lithograph, signed in pencil, from the numbered edition 125, image 10 ½ x 8”, full margins; Together with John Sloan, FIFTH AVENUE CRITIC (M.128), 1905, etching on laid paper, print in the Gazette Des Beaux Arts, aside from the signed edition of 110, image 4 ½ x 6 ¾”, full margins, foxing and discoloration; Together with Heuter, GIRL READING, ink drawing on paper, signed upper right, sight 5 x 6 ¾”; Together with Bruno Voigt, CROWD OF PEOPLE, etching, signed in pencil, from the numbered edition?, image 12 ½ x 9 ¾”, full margins, discoloration and foxing; Together with J. Gage, SEATED WOMAN AT A TABLE, 1967, aquatint etching, signed and dated in pencil and inscribed 1st proof, image 13 ½ x 6”, with margins; Together with James Kearns, CIRCUS SCENES, four lithographs (three images), each signed in pencil, from the numbered editions 50 and four artist’s proofs aside from numbered editions, sheets 30 x 22” & 22 x 30”, a few soft handling creases, a few stray glue remnants from storage in non-archival sleeve; Together with Artist Unknown (Unidentified), RECLINING FIGURE, charcoal drawing on paper, sheet 19 x 16 ½”, signed lower right, pale toning, old masking tape hinges on verso, most framed with glass; all in otherwise generally good condition. (11)  $300/600

 

 

192

Anton Sipos (b. 1938) French Californian

MONTMARTE, oil painting on unstretched canvas, signed lower right 25 ½ x 16”, framed with glass, in apparently good studio condition. Provenance: Acquired directly from artist by the previous owner.  $200/400

 

 

193

Anton Sipos (b. 1938) French Californian

CASSIS, gouache on paper, sight 15 x 25”, framed with glass, in apparently good condition. Provenance: Acquired directly from artist by the previous owner.  $200/400

 

 

194

David Siqueiros (1896-1974) Mexican

PRISON FANTASY series, color lithograph, signed in pencil, from the numbered edition 200, image 18 ½ x 14”, full margins, framed with glass, mild toning in the margins, otherwise in apparently good condition.  $200/400

 

 

195

Southwest Artist (20th Century)

ADOBE VILLAGE, 1997, watercolor on paper, signed and dated lower right, 40 x 60”, framed, a few tiny deckled edge tears, otherwise in very good studio condition.  $500/1000

 

 

196

Stanley Spence (1891-1959) British

ANIMAL STUDY, pencil drawing on paper, signed lower center, sheet 9 x 8”, framed with glass, two small masking tape hinges on the verso, soft handling creases, otherwise in good studio condition.  $1000/2000

 

 

197

de Stefano (20th/ 21st Century) Italian

MAN ON THE GROUND, oil painting on canvas, signed lower right, 38 ½ x 46”, surface soiling, hairline cracks, otherwise in good studio condition. Provenance: Bellini Fine Art Gallery, La Jolla.  $300/600

 

 

198

Theophile Steinlen (1859-1923) Swiss/ French

MOTHU & DORIA, plate 46 from Les Maitres De Affiche, color lithograph, signature in design, image 12 x 9”, blindstamp lower right, printed by Chaix, full margins, framed with glass, a few soft handling creases, mild discoloration, otherwise in apparently good condition.  $100/200

 

 

199

Frank Stella (b. 1936) American

ECCENTRIC POLYGON SERIES: SUNAPEE (A.100), 1974, color lithograph and screenprint, signed in pencil, from the numbered edition 100, sheet 22 ¼ x 17 ¼”, printed and published by Gemini G. E. L, some mild toning and colors attenuated, otherwise in apparently good condition.  $2000/3000

 

 

200

Harold Arthur Streator (1861-1926) American

PORTRAIT OF A WOMAN IN A YELLOW DRESS. c.1920, oil painting on canvas, signed lower right, 40 x 30”, framed, professionally restored and relined, stretcher bar impressions, otherwise in good condition.  $500/1000

 

 

201

Rufino Tamayo (1899-1991) Mexican

APOCALYPSE series, 1962, color lithograph, signed in pencil, sight 12 x 9”, framed with glass, in apparently good condition. Provenance: Misrachi Gallery, Galleria De Arte, Mexico City.  $1000/1500

 

 

202

Robert Tanenbaum (20th/ 21st Century) American

MICKEY MANTLE, gouache painting on Crescent illustrator’s board, signed lower right, 20 x 20”, artist’s stamp on verso, original artwork used for Franklin Mint plate edition.  $600/900

 

 

203

Robert Tate (20th/ 21st Century) American

AFTER THE PARTY, oil painting on canvas, signed lower right, 30 x 40”, in good studio condition. Provenance: acquired directly from artist.  $2000/3000

 

 

204

Joe Tilson (b. 1928) British

UNTITLED, 1991, color screenprint, signed in pencil, from the numbered edition 45, sheet 49 x 46”, framed, in apparently good condition.  $600/900

 

 

205

James Twitty (1916-1994) American

GEMINI II, oil painting on canvas, signed lower right, 36 x 36”, framed, in good studio condition. Provenance: Comsky Gallery, Los Angeles.  $400/800

 

 

206

Alberto Vargas (1896-1982)

MARILYN, color offset lithograph, signed in pencil by the artist or the estate, from the numbered edition 500, image 21 ½ x 16 ½”, blindstamp lower left corner, full margins, discard-able frame with glass, a few soft handling creases, otherwise in apparently good condition.  $100/300

 

 

207

Victor Vasarely (1906-1997) Hungarian

HORSE, color screenprint, signed in pencil and inscribed E.A. (artist’s proof), aside from the numbered edition, image 17 ½ x 13 ½”, full margins, framed, in apparently good condition.  $300/500

 

 

208

Victor Vasarely (1906-1997) Hungarian

STUDIO, color lithograph, signed in pencil, from the numbered edition 250, image 32 ½ x 24 ½”, full margins, framed, a few soft handling creases in margins, otherwise in apparently good condition.  $400/800

 

 

209

Victor Vasarely (1906-1997) Hungarian French

UNTITLED, color screenprint, signed in pencil, from the numbered edition 250, image 32 ¼ x 16 ¼”, full margins, framed with glass, mild toning and a few soft handling creases in the margins, otherwise in apparently good condition.  $300/600

 

 

210

La Vie Parisienne covers from 1915-1927 (fifty-two)

Fifty-two magazine covers, most from 1919-1922, average 13 ¼ x 10 ¼”, in green plastic sleeves, two per sleeve, most in generally good condition, two mounted to card, two with secondary mounted to verso, six with apparently dormant black speckles mainly along sheet edges, some with scotch tape over small tears, otherwise all in generally good condition. (52)  $200/400

 

 

211

Cesar Vilot (b. 1900-    ) French

RECLINING NUDE, oil painting on canvas, signed lower left, 20 x 38”, framed with stain on mat, surface soiling, some hairline cracking, otherwise in good studio condition.  $500/1000

 

 

212

Andy Warhol (1928-1987) American

THE AMERICAN INDIAN SERIES, 1976, color poster, signed and inscribed in black marker, 46 ½ x 32”, published by Ace Gallery, Paris, dry-mounted to mat board, discard-able frame, creases, scratches, kinks, scuffs, otherwise in generally good condition.  $200/600

 

 

213

C. Werner (19th/ 20th Century)

OUT ON THE BANKS, oil painting on panel, signed lower left, artist name and titled inscribed on verso, with partial gallery tag, 7 x 11”, framed, surface soiling, couple of scuffs, otherwise in apparently good condition.  $100/200

 

 

214

Edmond Weill (1877-   ) New York

LANDSCAPE WITH DRY DOCKED BOAT, 1935, oil painting on canvas, signed and dated lower left, 20 x 24”, framed, old auction chalk marks on verso, moderate soiling, small puncture, some surface scrapes and small chips, otherwise in good studio condition.  $500/1000

 

 

215

Levon West, European Printmaker & Henri Farge (three)

Levon West, VENICE, 1931, etching, signed in pencil and numbered 62, plate 15 ½ x 8 ½”, full margins; Together with European Printmakers, STREET SCENE, 1920, etching, signed in pencil, initialed “RG” and dated in plate, image 11 ¾ x 8 ½”, full margins, soft handling creases, stress tear at plate from printing; Together with Henri Farge, PARTY GUESTS, etching, signed in pencil, from the numbered edition 50, image 12 ½ x 9 ½”, full margins, discard-able frame, with glass, some toning; otherwise all in apparently good condition. (3) $400/800

 

 

216

WWI Poster by Elsworth Young & Advertising Poster (three)

REMEMBER BELGIUM, WWI, (Rawls page 28), color lithograph poster, sheets 30 x 20 ¼”, tear upper center extending 1” into image, other small tears and losses at sheet edges; Together with Advertising Poster, THE ENQUIRER, early 20th century color lithographs by Job Printing Co. Ohio, sheet 29 1/8 x 21 ½”, tears and small losses at edges, brown paper tape on verso, strip of masking tape residue on verso, otherwise; together with Franck L. color exhibition poster from 1984, 27 x 19”, some pinholes and losses, otherwise all in good condition. (3)  $100/200

 

 

217

Victor Hugo Zayas (b. 1961) Mexican/ American

UNTITLED COLOR STUDY, 1987, acrylic painting on a sheet of canvas, signed on verso?, 9 ½ x 14 ¼”, framed with glass, in apparently good condition. Provenance: Art Source, L.A.  $200/400

 

 

 

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