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Fine Art Estate Auction Saturday May 16th at Noon

 

The Catalog Text Only

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1

Ben Abril (1923-1995) Californian

RANCH HOUSE IN AUTUMN, oil painting on canvas, signed lower left, 20 x 30”, framed, minor surface soiling, otherwise in good studio condition.  $500/1000

 

 

 

2

Ben Abril (1923-1995) Californian

BARN IN SPRING, oil painting on canvas board, signed lower right, 22 x 28”, framed, in good studio condition.  $500/1000

 

 

 

3

Ben Abril (1923-1995) Californian

BARN IN FALL, oil painting on canvas board, signed lower right, 22 x 27 ¾”, framed, minor surface soiling, otherwise in good studio condition.  $500/1000

 

 

 

4

Jules Adler (1865-1952) French

DAILY LIFE, two watercolors on paper and one pastel on paper, one signed lower right, the signed one 6 x 4 ½”, and two 4 x 4”, all in one frame, with inscriptions on back and faded gallery label, in apparently generally good condition.  $300/600

 

 

 

5

African Masks (two)

MULTI-FACED MASK, carved and painted wood mask with additional fabric, reed, metal, shell and wood accents, 15 x 12 x 8 ½”, with metal stand, in good aged condition; MASKED FIGURE, carved wood mask with feathers and reed accents, 23 ½ x 7 x 5”, some mud-filled areas, otherwise in good condition. (2)  $100/300

 

 

 

6

Yaacov Agam (b. 1928) Israeli

UNTITLED, color screenprint 3-D polymorph, signed, from the numbered edition 150, image 15 ½ x 21 ½”, white Plexiglas base 21 ½ x 28 ½”, in Plexibox framed, a few surface soiling spots, otherwise in apparently good condition. $600/1200

 

 

 

7

Young-Il Ahn (b. 1932) Korean

BRIDGE IN THE MORNING, oil painting with palette knife on canvas, 30 x 18”, signed lower left, framed, in good studio condition. Provenance: The Zachary Waller Gallery, Los Angeles.  $500/1000

 

 

 

8

Daniel Airam (b. 1958) France

CITE, 2008, oil painting on canvas with collage, signed and dated and titled on verso, 39 ½ x 39 ½”, framed, in good studio condition. Provenance: Galerie Breheret, Paris.  $500/1000

 

 

 

9

Daniel Airam (b. 1958) France

LES TUILERIES, 2008, oil painting on canvas with collage, signed and dated and titled on verso, 39 ½ x 39 ½”, framed, in good studio condition. Provenance: Galerie Breheret, Paris.  $500/1000

 

 

 

10

John Altoon (1925-1969) Californian

UNTITLED, ink drawing on illustration board, 30 x 40”, framed, smudges, a few discoloration spots, otherwise in good studio condition. Provenance: gifted directly from artist to present owner, who was Altoon’s neighbor.  $2500/4500

 

 

 

11

attributed to John Altoon (1925-1969) American

SEATED MAN, c.1953, oil painting on card, 11 ½ x 9”, framed with glass, in good studio condition.  $500/1000

 

 

 

12

Sunol Alvar (1935) Spanish

MYTHOLOGIQUE series, 1984, embossed color lithograph, signed in pencil, from the Roman numeral edition 100, sheet 26 ¼ x 20 ¼”, framed with glass, in apparently good condition.  $100/300

 

 

 

13

Sam Amato (b. 1924) Californian

NUDE, oil painting on canvas, signed on verso stretcher, 24 x 20”, framed, in good studio condition.  $100/200

 

 

 

14

Gregory Amenoff (b. 1948) New York

THROUGH THE FLOWER, 1999, color woodblock mounted to paper, signed in pencil, from the numbered edition 32, sheet 27 ½ x 29 ¾”, framed, in apparently good condition.  $500/1000

 

 

 

15

Karel Appel (1921-2006) Dutch

UNTITLED, 1958, color lithograph, signed in pencil, from the numbered edition 95, sight 27 x 20 ¾”, framed with glass, a few small creases in margins, pale toning, otherwise in apparently good condition.  $300/600

 

 

 

16

Charles Arnoldi (b. 1946) Californian

UNTITLED, 1987, oil painting and monotype on linen over wood, signed and dated on verso, 54 ¼ x 44”, framed, in good studio condition.  $7000/9000

 

 

 

17

19th Century Artist Unidentified

PROFILE OF A LADY IN WHITE GOWN, oil painting on canvas, signed lower left, 22 ¾ x 16 ¾”, framed, professionally restored and re-lined, minor contraction and craquelure, otherwise in good studio condition.  $1000/3000

 

 

 

18

Artist Unidentified

CITY SCENE, 1968, watercolor on paper, signed T. San****? and dated lower right, sight 14 ¾ x 9 ¼”, framed with glass, in apparently good studio condition.  $100/200

 

 

 

19

Asian Art (19th/ 20th Century) (two)

ARISTOCRATIC MAN AND WOMAN, two watercolors on paper, images 12 ¼ x 10 ¼”, both with silk boarders, both framed with glass, a few smudges on faces, otherwise both in apparently good condition. (2)  $100/300

 

 

 

20

John Axton (b. 1922) American

NO. II, 1956, color lithograph, signed in pencil, from the numbered edition, image 12 ½ x 19”, full margins, framed with glass, in apparently good condition.  $200/400

 

 

 

21

Nathaniel Huges John Baird (1865-1935) British

WATERING THE HORSES, watercolor and gouache on paper, monogrammed lower right, 22 ½ x 29 ¾”, framed with glass, unobtrusive discoloration spots, otherwise in apparently good condition. Label stating exhibited Royal Academy London, 1902.  $1000/2000

 

 

 

22

George Barris (b. 1928) American

MARILYN MONROE, ON THE BEACH WITH TOWEL, 1962, color photograph, sheet 14 x 11”, framed. Provenance: Hunsaker/ Scheslinger Associates.  $300/600

 

 

 

23

Phoebe Beasley (b. 1943) Californian

IN THIS DAY AND AGE, 1990, collage on canvas, signed lower right, 24 x 36”, artist’s labeling on verso, framed, in good studio condition.  $800/1200

 

 

 

24

Robert Beauchamp (1923-1995) American

COUPLE, 1963, oil painting on Masonite, signed and dated lower right, 18 ¼ x 23 ½”, framed, a few scuffs, otherwise in good studio condition.  $300/600

 

 

 

25

Attributed to James Carol Beckwith (1852-1917) American

PORTRAIT OF YOUNG GIRL WITH FEATHERED HAT, oil painting on canvas on oval canvas, 21 ½ x 17 ¾”, framed, two miniscule nicks on chin, professionally restored and re-lined, otherwise in apparently good condition.  $3000/6000

 

 

 

26

Dunbar Dyson Beck (1903-1986) American

PORT TOWN, oil painting on canvas, 16 ½ x 21”, in good studio condition. Provenance: from the artist’s family through an estate sale.  $500/1000

 

 

 

27

Dunbar Dyson Beck (1903-1986) American

VIEW FROM A WINDOW, oil painting on canvas (board?), sight 15 x 12 ½”, framed with glass, in apparently good studio condition. Provenance: from the artist’s family through an estate sale.  $500/1000

 

 

 

28

Billy Al Bengston (b. 1934) & Miriam Shapiro (two)

Billy Al Bengston UNTITLED, 1974, color lithograph, signed in pencil, from the numbered edition 62, image 14 x 14”, printed by Cirrus Editions, blindstamp lower left, small speckles lower right sheet edge, tiny stray pen mark lower left, otherwise in good condition; Miriam Shapiro DECEMBER 1974, color screenprint, initialed and dated in pencil, from an edition of unknown size, sheet 8 x 10”, in good condition. (2)  $500/1000

 

 

 

29

Arbe Berberyan (20th/ 21st Century) Armenian

ISLAND LOVE AFFAIR, oil painting with collage and gold foil on canvas, titled and signed on verso, copyrighted by artist, 36 x 48”, in good studio condition.  $1000/2000

 

 

 

30

Annibale Biglione (1923-1981) Italian

OCRA GIALIO BLANCO, 1961, thickly painted oil painting on canvas, signed and dated lower center, 51 x 63 ½”, framed, some surface soiling and hairline cracking, otherwise in good studio condition. Provenance: Galeria Dell’Ariete, Milano; From the David Bright Collection.  $1000/2000

 

 

 

31

Lars Bo (1924-1999) Danish (two)

UNTITLED, pair of color aquatint etchings, each signed in pencil and inscribed artist’s proof, images 13 x 11” & 12 ¼ x 18 ½”, both with full margins and framed with glass, both with some discoloration at mat, otherwise both in good condition. (2)  $300/600

 

 

 

32

Graciela Rodo Boulanger (b. 1935) Bolivian

GIRL WITH CAT, color aquatint etching, signed in pencil, from the numbered edition 100, image 18 ¾ x 25”, full margins, framed with glass, pale toning in margins at mat, otherwise in good condition.  $100/300

 

 

 

33

Byron Bratt (b. 1952) American

WHITE NOISE, color mezzotint etching, signed in pencil, from the numbered edition 195, image 8 x 10”, full margins, framed, in apparently good condition.  $200/400

 

 

 

34

Pierre Marie Brisson (b. 1955) French (two)

UNTITLED, original mixed media on manipulated paper, signed lower right, 29 ½ x 22”, framed, in good studio condition; UNTITLED, color etching, signed in pencil, from the numbered edition 100, sheet 8 ¼ x 6”, in apparently good condition. (2)  $300/600

 

 

 

35

Edgar Britton (1901-1982) American

YOUNG LOVERS, pencil drawing on paper, signed lower center right, sight 18 ½ x 24”, framed with glass, some line impressions and creases, otherwise in apparently good studio condition.  $200/400

 

 

 

36

George Loring Brown (1814-1889) American

ALBANO, 1848, oil painting on card mounted to canvas, signed and dated lower center left, inscribed on verso, 9 ¾ x 13 ¾”, framed, some small edge wear at the right side underneath the frame liner, otherwise in apparently good studio condition.  $1000/2000

 

 

 

37

Conrad Buff (1886-1975) Californian

LANDSCAPE, oil painting on Masonite, signed lower right, 15 ½ x 19 ¾”, framed, in good studio condition.  $1500/2500

 

 

 

38

Conrad Buff (1886-1975) Californian

MESA (Buff catalogue #0400), oil painting on Masonite, estate stamped signed lower right, estate stamp on verso, 16 x 20”, framed, in good studio condition.  $1500/2500

 

 

 

39

Conrad Buff (1886-1975) Californian

LANDSCAPE, oil painting on board, estate stamp signed lower right, estate stamp on verso, 6 ½ x 9 ½”, framed, in good studio condition.  $400/600

 

 

 

40

Conrad Buff (1886-1975) Californian

UNTITLED, oil painting on board, estate stamp signed lower right, estate stamped on verso, 3 x 11 ¼”, framed with glass, in apparently good studio condition.  $200/400

 

 

 

41

Conrad Buff (1886-1975) Californian

PIONEER TOWN, 1956, watercolor on paper, signed and dated lower center, sight 14 ¼ x 19 ¼”, framed, in apparently good studio condition.  $500/1000

 

 

 

42

Joseph Bulfield (1850-1921) British

MARKET PLACE IN BRITTANY, 1894, color pastel drawing on paper mounted to board, signed lower left, 10 ½ x 14 ½”, framed with glass, in apparently good studio condition. Provenance: Charles Cobb, Boston.  $500/1000

 

 

 

43

Dario Campanile (b. 1948) Italian

ROSSO MARTINI, 2001, oil painting on canvas, signed lower right, signed dated and titled on verso, 14 x 12”, framed, in good studio condition. Provenance: Lahaina Galleries, Inc.  $1000/2000

 

 

 

44

Marc Chagall (1897-1985) Russian/ French

SOLOMON (M.131; S.61), 1956, color lithograph on Arches paper, initialed in pencil and inscribed H.C. (hors commerce) in pencil, aside from the numbered edition of 75, sheet 14 x 10 ¼”, published by Verve, framed with glass, some minor toning and natural aging on verso, otherwise in good condition. Sorlier states on pages 207-208 of “Chagall Illustrated Books” that only the proofs on Arches paper without margins are signed by Chagall which this is one of.  $3000/4000

 

 

 

45

Christo (b. 1935) Bulgarian

RUNNING FENCE, SONOMA AND MARIN COUNTIES, CALIFORNIA 1972-1976 (F.87), 1977, color offset print, signed in marker, from the numbered edition 750, sheet 25 x 39”, framed with glass, in apparently good condition.  $200/400

 

 

 

46

Chivly Chup (20th Century) Cambodian Alaskan

ESKIMO DRUMMER, carved soapstone with organic face and drum stick, signed, 15 ¾” x 6 ¼ x 6”, in good studio condition.  $100/300

 

 

 

47

Sebastiano Ciarcia (b. 1948) Italian

COUPLE, color pastel over acrylic painting on canvas, signed lower right, 46 ¼ x 31 ¼”, framed, some staining and discoloration, otherwise in good studio condition.  $500/1000

 

 

 

48

Enzo Cini (1921-2002) Italian

ROMANS, 1964, oil painting on paper, signed and dated upper left, sight 19 x 25 ¼”, framed with glass, tear left edge center and top edge center, crease upper right corner, otherwise in apparently good studio condition.  $300/600

 

 

 

49

Enzo Cini (1921-2002) Italian

PARTY GOERS, 1967, watercolor on paper mounted to two sheets of paper, signed and dated lower right, sheet 13 ¾ x 10 ¼”, framed with glass, in apparently good studio condition.  $200/400

 

 

 

50

Clement (mid-20th Century) French

SEATED WOMAN, 1958, oil painting on canvas, signed lower right, 18 x 15”, framed, a few surface accretions and surface scratches, otherwise in good studio condition.  $200/400

 

 

 

51

Contemporary Sculptor unidentified

UNTITLED IN, fabricated metal sculpture, 24 ¾ x 9 x 3”, with clean surface, in good studio condition aside from a little rust on interior nuts, 50 lbs.  $500/1000

 

 

 

52

Contemporary Sculptor unidentified

UNTITLED OUT, fabricated metal sculpture, 24 ¾ x 9 x 3”, with clean surface, in good studio condition aside from a little rust on interior nuts, 40 lbs.  $500/1000

 

 

 

53

Keith Crown (1918-2010) Californian (three)

THE SETTING SUN, watercolor, pastel and charcoal on paper, signed lower right, 28 x 20”; BRIDGE, watercolor and acrylic painting on paper, signed lower right, 20 x 28”, a thin line gouge upper center; FORREST, gouache on paper, signed lower right, 20 x 28”, all framed, two with glass, all in otherwise apparently good studio condition. (3)  $750/1500

 

 

 

54

Jose Luis Cuevas (b. 1933) Mexican

THE GIANTS, 1971, five color lithographs forming one Giant image, signed in pencil from the numbered edition 100, plus cover, sheets 18 x 30 ¼” (4) & 22 ½ x 30 ¼”, overall 76 ½ x 30 ¼”, cover 22 ¾ x 30 ½”, printed by Collectors Press, with blindstamps, small skin spots on verso, larger sheet with some speckling mainly upper right corner, otherwise in good condition.  $400/800

 

 

 

55

Salvador Dali (1904-1989) Spanish

THREE GRACES OF COVA D’OR (M.791; F.75-16), etching, lithograph and Pseudoscopic relief, signed in pencil, from the numbered edition 90, sheet 23 x 31”, incased Plexiglas frame, some pale toning, small spot left woman’s knee, otherwise in apparently good condition.  $1200/1600

 

 

 

56

Salvador Dali (1904-1989) Spanish

THE FLOWERING OF INSPIRATION (M.1555; F.78-10-C) from Retrospective, 1978, color lithograph on Arches watermark paper, signed in pencil, from the numbered edition 350, image 22 ½ x 16 ¾”, published by Levine & Levine, with DalArt blindstamp lower right, full margins, framed, mild toning on recto, moderate toning on verso, otherwise in good condition.  $400/600

 

 

 

57

after Salvador Dali (1904-1989) Spanish

WESTERN WALL, cast bronze sculpture, signed, from the numbered edition 150, published by Lutece Art Editions, 13 ½ x 9”, mounted to Jerusalem Stone, 11 ½ x 3 x 1 ¼”, two repaired breaks on stone base, otherwise in good condition.  $300/600

 

 

 

58

Sammy Dawson (20th/ 21st Century) Kwakiutl Native

KWAKUITL EAGLE, 1987, carved and painted wood mask with reed attachments, signed and dated and titled on verso, 10 x 8 x 5 ½”, in good studio condition.  $300/600

 

 

 

59

Michel Delacroix (b. 1933) French

PARISIAN STREET SCENE, color lithograph on Japanese paper, signed in pencil, from the Roman numeral edition 100, image 18 ½ x 22 ¼”, full margins, framed with glass, in apparently good condition.  $100/300

 

 

 

60

Edwin Willard Deming (1860-1942) American

TWO DEER, oil painting on canvas, signed lower left, 16 x 20”, with Husberg Gallery Sedona AZ. label on verso, framed, professionally restored and relined, otherwise in good condition.  $1500/2500

 

 

 

61

Laddie John Dill (b. 1943) Californian

UNTITLED, 1987, color screenprint, signed in pencil, from the numbered edition 150, sheet 20 ½ x 42”, printed by Jeff Wasserman, with blindstamp lower right, a few creases and soft handling creases, stray ink marks, a few dimples, otherwise in good condition with bright fresh colors.  $200/400

 

 

 

62

Jim Dine (b. 1935) American

ARTIST’S BADGE, c.1958, ink and watercolor on paper, image 4 x 3 ½”, sheet 23 ¾ x 18”, framed, some discoloration, small edge loss lower sheet edge, minor cockling, otherwise in apparently good condition. Provenance: acquired from Betty Asher by previous owner Mickey Gribbin and then to his Estate; Exhibited: Sotheby’s New York Sept. 2007; Bonhams New York May 2013.  $500/1500

 

 

 

63

William Dole (1917-1983) American

NOCTURNE, 1963, watercolor on paper with collage, signed and dated lower right, 14 ½ x 20 ½”, framed with glass, in apparently good studio condition. Provenance: Rex Evans, Gallery, Los Angeles; Exhibited: Fine Arts Gallery of San Diego Retrospective 1960-1975; Santa Barbara Museum of Art, Retrospective, 1960-1975.  $1000/2000

 

 

 

64

Eyvind Earle (1916-2000) Californian

MYSTICAL BIG SUR, 1994, color screenprint, signed in blue ink, from the numbered edition 200, image 48 x 36”, full margins, printed and published by Joan & Eyvind Earle, framed, in apparently good condition.  $500/800

 

 

 

65

Francis De Erdely (1904-1959) Hungarian

HAND STUDY, charcoal drawing on paper, signed lower right, sight 18 ¾ x 9 ¾”, framed with glass, in apparently good studio condition.  $200/400

 

 

 

66

Francis De Erdely (1904-1959), James Jarvaise (b. 1924), Edgar Ewing (1913-2006) & John Hic*** (four)

Francis De Erdely SEATED MAN, ink and drybrush on paper, signed lower right, 30 x 21 ½”, some discoloration spots lower left; James Jarvaise BIRDS IN MY GARDEN, watercolor and ink drawing on paper, signed lower left, 10 x 16”; Edgar Ewing OLYMPIC, 1952, ink brush drawing on paper, signed and dated lower right, sight 19 x 20”, faint discoloration in plain area on right; John Hic***, MAZE, watercolor on paper, signed lower left in ink, image 5 ½ x 3 ½”, pale toning, possibly color attenuated, all framed with glass, all in otherwise in good studio condition. (4)  $300/600

 

 

 

67

Floyd B. Evans (1890-1966) American (two)

DESERT DRAGON, 1940, chlorobromide print, signed in pencil on mat, sight 17 x 13 ½”, framed, some discoloration on mat, otherwise in apparently good condition. With Exhibition labels from: (MIT) Massachusetts, Pittsburgh, Boston, New Mexico, Fresno, Cincinnati & Pasadena; Together with DESERT LANDSCAPE, gelatin silver print mounted to card, signed in pencil on card, image 4 ¼ x 3 ¼”, full margins, some faint oxidation visible at certain angles, both framed and in otherwise in apparently good condition. (2)  $400/800

 

 

 

68

Henry Fantin-Latour (1836-1904) French

LA ROMANESCA, 1897, lithograph, signed in pencil, trail proof aside from the edition, image 7 ½ x 5”, full margins, x-collection of F. Seymour Haden, a few discoloration speckles, pale toing, otherwise in good condition.  $200/400

 

 

 

69

Roger Feldman (20th/ 21st Century) American

IS THAT ALL? WATCH YOUR HEAD, HEAR YOUR HEART, 1996, cut and painted soft wood sculpture, signed dated and titled underneath, 16 ¼ x 9 ¼ x 8 ½”, in good studio condition. Exhibited Los Angeles Municipal Gallery, Barnsdale Park.  $200/400

 

 

 

70

Jud Fine (b. 1944) New York

UNTITLED, 1981, watercolor and pencil on paper, signed and dated lower right, 22 ¼ x 30”, framed, in good studio condition. Provenance: Margo Leavin Gallery, Los Angeles; Fortune Gallery, Santa Monica.  $500/800

 

 

 

71

Olivier Foss (1920-2002) French

VIEW OF BRIDGE, oil painting on canvas, signed upper left, 18 x 22”, framed, professionally re-lined, contraction craquelure, otherwise in good studio condition.  $200/600

 

 

 

72

Sam Francis (1923-1994) Californian

TWENTIETH ANNIVERSARY OF THE AMERICAN FILM INSTITUTE (SFS.333), 1987, color screenprint, signed in red pencil, from the numbered edition 115, sheet 34 x 22”, published by the artist, printed at La Paloma, Plexiglas frame, in good condition.  $800/1000

 

 

 

73

Sam Francis (1923-1994) Californian

TWENTIETH ANNIVERSARY OF THE AMERICAN FILM INSTITUTE (SFS.333), 1987, color screenprint, signed in red pencil, from the numbered edition 115, sheet 34 x 22”, published by the artist, printed at La Paloma, some curl from being stored rolled, some small strips of scotch tape and associated skinning on verso, unobtrusive horizontal crease upper sheet edge, otherwise in good condition.  $500/800

 

 

 

74

Sam Francis (1923-1994) Californian

UNTITLED, (I.40; SFE.008), 1983, Indanthrone blue cobalt black and white ground aquatint, signed in pencil, from the numbered edition 10, image 23 ¾ x 17 ¾”, sheet 31 3/8 x 24 ¾”, printed by Jacob Samuel, published by The Litho Shop, framed, in good condition, with Jack Rutberg Fine Art exhibition label on verso. $1200/1600

 

 

 

75

Lois Freeman-Fox (20th/ 21st Century) Californian

GRAPES, acrylic painting over digital archival ink painting on canvas, signed lower right, 26 x 20”, framed, in good studio condition.  $200/400

 

 

 

76

Lee Friedlander (b. 1934) Californian (four)

CHERRY BLOSSOM TIME series, 1984-1986, four photogravures, each signed in pencil, from the numbered editions 50, images 8 ½ x 12 ¾”, full margins, framed, all in apparently good condition. (4)  $1000/2000

 

 

 

76 A

Nate Frizzel (b. 1984) Californian (thirty-three)

SEATED BOY; FLOWER PETALS, two acrylic paintings, each on canvas board, each signed on the verso, both 7 x 5”, both in good studio condition; PORTFOLIO, eight color giclees, each signed in pencil, from the numbered editions 50, images 15 x 10”, full margins, in portfolio box, in good condition; Together with RABBIT (portfolio cover image), screenprint, signed in pencil, 6 x 4”, in good condition; LOST, two of the same, each a color giclee, signed in pencil, one from the numbered edition 25, one an artist’s proof, image 21 x 16”; BE STRONG AS A BEAR, two of the same, each a color giclee, signed in pencil and inscribed artist proof, image 12 ½ x 10”; GIRL WITH RABBIT MASK, two of the same, each a color giclee, signed in pencil, one from the numbered edition 25 , one an artist’s proof, image 13 x 10”; WOLF BOY RUNNING, color giclee, signed in pencil, artist’s proof, image 13 x 10”; SPIDERMAN BOY, color giclee, signed in pencil, artist’s proof, image 16 x 12”; TO BECOME MYSELF, color screenprint, image 28 x 20 ¼”, all with full margins, all in good condition; Together with TO BECOME MYSELF, duo-tone screenprint on acetate, 32 x 22 ½”, in good production use condition; Together with BEAR, twelve of the same, each a hot foil stamp design on card, each 12 x 10”, one with some skinning, otherwise all in good condition. (33)  $1000/2000

 

 

 

77

Furniture: Victorian Ladies Writing Desk

Inlayed marquetry wood desk with painted gold filigree highlights and brass railing, with top stationary compartment and two side storage drawers, the unfolding shelf reveals a velvet lined writing surface, with removable brass candle holders, overall 41 ½ x 26 ¾ x 17 ½”, in overall good used antique condition.  $500/1000

 

 

 

78

Joe Goode (b. 1937) Californian

FOREST FIRE (C. P.255), 1983, color lithograph, signed in pencil, artist’s proof aside from the numbered edition 25, sheet 7 ¼ x 21 ½”, printed and published by Cirrus with blindstamp lower right, framed with glass, in apparently good condition.  $200/400

 

 

 

79

R. C. Gorman (1931-2005) Native American

MISS ROSE, 1980, painted and glazed ceramic plate, signed and dated and titled and with Gorman stamp verso, 10” diameter, in good condition.  $100/200

 

 

 

80

Grafter (20th/ 21st Century) British

MAKE A WISH, stencil spray painted multiple on canvas, signed and inscribed 4/10 in gold marker, 18 x 24”, in good condition.  $500/1000

 

 

 

81

O. E. L. Graves (1897-1971) American

WEEDS WIND & SUN, oil painting on Masonite, signed lower left, signed and titled on verso, 28 x 22”, framed, some hairline craquelure, small crack left edge, in good studio condition. Provenance: artist’s Palm Springs label on verso. $100/300

 

 

 

82

Christine Gray (20th/ 21st Century) American (three)

BROKEN COMPUTER; CUBIST LEMMING; BELTED, 2006, three oil paintings on panel, each signed dated and titled on verso, each 11 ½ x 11 ½”, all in good studio condition. (3)  $500/1000

 

 

 

83

Todd Gray (b. 1962) Californian

TAXI 5, 1989, acrylic painting on canvas, signed dated and titled on lower right side, 76 ½ x 96 x 3 ½”, in good studio condition. Provenance: Schwartz / Cierlak Gallery, Santa Monica.  $2000/4000

 

 

 

84

A group of 21st century artists: Jen Corace, Nate Frizzel, Seonna Hong, Tiffany Liu, Jack Long, & Rebecca Urias (forty-eight)

Jen Corace UNIFORM, gouache on paper, 22 x 30”, small hinge skinning on verso, otherwise in good studio condition; Together with UNIFORM, 2007, three of the same, each a color giclee, one from the numbered edition 30, image 10 x 14”, full margins, in good condition; Nate Frizzel UNTITLED, nine color giclees, four images from the Portfolio, two of three and three of one image, each signed in pencil, one of each from the numbered edition 50 and five unnumbered, images 15 x 10”, all with full margins, in good condition; Seonna Hong COLOR SAMPLES, 2012, six acrylic paintings on card, each signed and dated on verso,  sizes from 3 x 2” to 4 ½ x 2”, each in artist’s selected frames, all in good studio condition; Tiffany Liu REFLECTIONS, twenty-four of the same, each a color giclee, signed in pencil, nineteen from the numbered edition 25, five artist’s proofs, images 8 x 10”; Jack Long FLOWER CITY, three of the same, each a color giclee, signed in pencil, one from the numbered edition 25, two artist’s proofs, image 10 x 12 ½”, all with full margins, all in good condition; Rebecca Urias YOU AS A BUNNY; DEMON HANDS, THE WORST, two, each a gouaches on wood panel, the first signed and both titled on verso, each 11 ½ x 11 ½”, both in good studio condition. (48)  $1000/2000

 

 

 

85

Jean Baptiste Armand Guillaumin (1841-1927) French

THE SWING, 1913, color pastel, signed and dated lower right, 24 ½ x 18 ¾”, Pitt & Scott Ltd. Paris transport tags from Galerie Andre Maurice and Hirschl Adler, New York labels on frame, some discoloration spots mainly in upper right, small portions of the perimeter edges are adhered to back-board, otherwise in good condition.  $5000/10,000

 

 

 

86

Nachum Gutman (1898-1980) Russian/ Israeli

PORT TOWN, gouache watercolor on on paper mounted to board, signed lower right, 19 ½ x 25 ½”, framed with glass, pale tideline stain upper right sheet edge, otherwise in good studio condition.  $3000/6000

 

 

 

87

Otto Herbert Hajek (1927-2005) Czech/German

UNTITLED GEOMETRIC, painted and glazed Rosenthal porcelain charger, signed in design upper right, signature hallmarked on verso, from the numbered edition 3000, size 14 x 14”, framed with glass, in good condition.  $200/300

 

 

 

88

Scott Hanson (20th/ 21st Century) American

NAKITA CROSSED LEGS, 1988, gelatin silver print, signed lower right, titled and inscribed Dec. 1998 and Holiday Edition #46 on back of sealed mat, image 15 ¾ x 12”, full margins, a few surface shines, otherwise in apparently good condition.  $100/300

 

 

 

89

Frederick E. Hart (1943-1999) American

MEMOIR, 1985, Lucite sculpture, signed, from the numbered edition 300, size 12 x 8 x 8”, with Lucite stand, in good condition. Provenance: Hanson Gallery, Carmel  $1500/2500

 

 

 

90

Frederick E. Hart (1943-1999) American

SPIRITA, Lucite sculpture, signed, from the numbered edition 350, size 14 x 15 x 5”, with Lucite stand, in good condition. Provenance: Hanson Gallery, Carmel  $2000/4000

 

 

 

91

Arthur M. Hazard (1872-1930) Californian

ILLUMINATED LANDSCAPE, watercolor on paper, signed lower right, 15 x 20” framed with glass, in apparently good studio condition. $800/1200

 

 

 

92

Hermann Ottomar Herzog (1832-1931) German American California

ROUGH SEAS, oil painting on canvas, signed lower left, 20 x 28”, framed, a few small chips, stretcher bar impressions, very minor soiling, otherwise in good studio condition.  $4000/8000

 

 

 

93

Al Hirschfeld (1902-2003) American

KATHERINE HEPBURN, color etching signed in pencil and with dedication to Peter Jones and ink drawing lower center, image 18 ½ x 12”, full margins, framed, in apparently good condition.  $500/800

 

 

 

94

Tom Holland (b. 1936) Californian

NIPPER, 1980, acrylic painted fiberglass construction, signed dated and titled lower left, signed dated and titled on verso, 17 ½ x 14 ½ x 1 ¾”, in good studio condition.  $200/400

 

 

 

95

Jean Louis Honnet (b. 1957) French

FIELD OF WILD FLOWERS, acrylic painting on canvas, signed lower right, 18 x 22”, framed, in good studio condition.  $100/300

 

 

 

96

Edward William John Hopley (1816-1869) British

PORTRAIT OF ARTIST, 1868, oil painting on paper, signed and dated lower center, image 15 x 20”, with margins, remnants of gallery label on back, framed with glass, in apparently good studio condition.  $500/1000

 

 

 

97

Jan Hoowij (1907-1987) Californian

A RIVER OF GRASS, oil painting on Masonite, signed lower right, sight 11 ½ x 23 ¼”, two exhibition labels on back, framed, a couple of small scuffs, otherwise in apparently good studio condition.  $200/400

 

 

 

98

Friedensreich Hundertwasser (1928-2000) Austrian

OLYMPISCHE SPIELE MUNCHEN (K.54), 1972, color screenprint and hot foil stamping, with Olympic and Vasarely emblems lower left, from the numbered edition 3999, sheet 25 ¼ x 40”, framed with glass, in apparently good condition.  $500/1000

 

 

 

99

Louis Icart (1890-1950) French

EVE (H.353), 1928, color etching, signed in pencil, plate 13 ¼ x 19”, sheet reduced to 19 ¼ x 25 ¼”, with the artist’s blindstamp in the full margins, framed with glass, some minor toning and pale staining from previous framing, some skinning, small silverfish surface damage in Paris text at plate edge, some skinning on recto margins and on verso from removal from previous framing, otherwise in good condition.  $800/1200

 

 

 

100

Arata Isozaki (b. 1931) Japanese

UNTITLED, 1981, etching, signed in pencil, from the numbered edition 500, plate 7 x 8”, large margins, printed and published by Gemini G. E. L., with blindstamps lower right, framed, in apparently good condition.  $200/400

 

 

 

101

Paul Jacoulet (1896-1960) French

FLOCONS DE NEIGE PENGYONG COREE (M.146), 1956, color woodblock print, signed in pencil, image 15 ¼ x 11 ¾”, full margins, framed, in apparently good condition.  $1500/2500

 

 

 

102

Paul Jacoulet (1896-1960) French

LA DANSEUSE… COREE, SEOUL (La Tragendienne. Mandchoukuo) (M.161), 1960, color woodblock print, signed in ink, image 15 ¼ x 11 ¾”, full margins, framed, in apparently good condition.  $1500/2500

 

 

 

103

Paul Jacoulet (1896-1960) French

DANS LA LOGE OFFICIELLE (M.85), 1942, color woodblock print, signed in pencil (smudged), image 15 ¼ x 11 ¾”, full margins, framed, in apparently good condition.  $1500/2500

 

 

 

104

Paul Jacoulet (1896-1960) French

VENT DE NORD COREE (M.131), 1953, color woodblock print, signed in pencil, image 15 ¼ x 11 ¾”, full margins, framed, in apparently good condition.  $1500/2500

 

 

 

105

Paul Jacoulet (1896-1960) French (two)

LE TABOURET DE PORCELAINE MANDCHOUKUO (M.38), 1936; LES VIEUX MANUSCRITS COREE-SEOUL (M.99), 1948, two color woodblock prints, each signed in pencil, images 15 ¼ x 11 ¾”, full margins, framed, the yellow background somewhat lighter than the accentuated color in the catalogue raisonne, otherwise both in apparently good condition. (2)  $800/1200

 

 

 

106

Ynez Johnston (b. 1920) Californian

PRAETORIAN GUARD, 1963, oil painting with incised pigment, signed and dated on verso, artist’s label on back, 28 x 14”, framed, in good studio condition. Provenance: Kantor Gallery, Los Angeles.  $500/1500

 

 

 

107

Jasper Johns (b. 1930) American

UNTITLED (F.258; U.182), 1977, color lithograph, signed in pencil, from the numbered edition 50, sheet 27 1/8 x 40”, printed and published by ULAE, with blindstamp lower left, framed, colors attenuated, otherwise in good condition. Provenance: Margo Leavin Gallery Los Angeles $12,000/16,000

 

 

 

108

Eric Johnson (20th Century) Californian

NAKWA, 1993, mixed media pigment and resin and metal sculpture, signed dated and titled on verso, 21 x 21 x 5 ½”, in good studio condition. Provenance: Art Rental & Sales Gallery, UCLA/ Armand Hammer Museum and Cultural Center, Los Angeles.  $300/600

 

 

 

109

Asger Jorn (1914-1973) Denmark

UNTITLED, 1963, color lithograph, signed in pencil, from the numbered edition 50, sheet 24 ¼ x 18”, two small edge tears, moderate toning, speckling and old masking tape along upper sheet edge, otherwise in apparently good condition.  $200/400

 

 

 

110

Emmanuel Mané-Katz (1894-1962) French/ Ukrainian

WOMAN IN RED, oil painting on canvas over board, signed lower right, 13 ¼ x 17 ¼”, framed, surface soiling, otherwise in good studio condition.  $2000/4000

 

 

 

111

Emmanuel Mané-Katz (1894-1962) French/ Ukrainian

RABBI WARMING HIMSELF BY FIRE, color pastel on paper, signed lower right, 13 ¾ x 16 1/8”, framed with glass, in good studio condition.  $2000/4000

 

 

 

112

Daniel Kaufman (b. 1949) New York

ANGEL OF COLOR, 2006, melted crayon and mixed media on panel, signed lower right, signed and dated and titled on verso, 24 x 32”, small chip upper left corner, a few unobtrusive nicks, otherwise in good studio condition.  $500/1000

 

 

 

113

Margaret Keane (b. 1927) American

AT GRANDMOTHER’S HOUSE, oil painting on panel, signed lower left, 12 x 6”, with placard reading “By Walter Keane”, framed, small scratch lower right, otherwise in good studio condition.  $3000/6000

 

 

 

114

Margaret Keane (b. 1927) American

SAN FRANCISCO GIRL, color lithograph, signed in pencil, from the numbered edition 100, image 19 ¼ x 15 ¼”, full margins, framed, in apparently good condition.  $200/400

 

 

 

115

Melanie Taylor Kent (20th/ 21st Century) American

CHICAGO MICHIGAN AVENUE PARADE, color screenprint with an acrylic painting of Wrigley Field lower right, signed in pencil, from the numbered edition 200, image 22 x 30”, full margins, with artist’s designed frame, in apparently good condition.  $100/200

 

 

 

116

David Klein (1918-2005) (three) TWA & other Travel Posters (ten)

NEW YORK; HONG KONG; ROME, three color offset lithograph travel posters by David Klein, each sheet 40 x 25”, with artist’s signature in design; Together with color travel posters of El AL, ETHIOPIA, 38 ½ x 27”; PAN AM, CARIBBEAN, 42 x 28”; TWA, LONDON, 38 x 26”; SWISS AIR (two), each 40 x 25”, one with corner pinholes and losses in upper left corner; AL ITALIA, 1963, ITALY, 38 ½ x 26 ¾”, some discoloration and pale staining; AIR CANADA, 1968, FRANCE, 30 x 20”, all with some minor creases, otherwise in good condition. (10)  $500/1000

 

 

 

117

Attributed to Sir Godfrey Kneller (1646-1723) German/ British

PORTRAIT OF JOHN LOCKE, oil painting on canvas, 30 x 25”, framed, professionally restored and re-lined, with additional repair to forehead area, background suggest at one point it had an oval mat, otherwise in apparently good condition.  $5000/10,000

 

 

 

118

Arthur Kolnik (1890-1972) French Ukraine

STILL LIFE WITH BIRD, oil painting on Masonite, signed lower left, sight 19 x 10 ½”, framed, faint surface soiling, otherwise in good studio condition.  $400/800

 

 

 

119

Mark Kostabi (b. 1960) American

UNTITLED, 1982, ink marker drawing on card stock, signed lower right, 24 x 18”, artist’s rubber stamp on verso, framed, discoloration speckles on verso and a few on recto, otherwise in good studio condition. Provenance: Molly Barnes Gallery Los Angeles.  $500/1000

 

 

 

120

Utagawa Kunisada aka Tokokuni III (3) (1786-1865) Kunimasa & Hirokage (five)

Kunisada, three color woodblock prints with traditional signatures in the cartouche, together with color woodblock prints of Kunimasa and Hirokage, average sheet 14 x 9”, some fading mostly to Hirokage, otherwise all in apparently generally good aged condition. (5)  $200/400

 

 

 

121

Paul Lauritz (1889-1997) Californian

NORWAY FARM IN WINTER, watercolor on paper over crescent board, signed lower left, signed and titled on verso, 22 ½ x 28 ¾”, framed with glass, in good studio condition.  $500/100

 

 

 

122

after Fernand Leger (1881-1955) French

A DAY AT THE BEACH, color lithograph, initialed in the design, from the numbered edition 175, sheet reduced to 22 x 17”, framed, some toning, tideline stain lower margin, hairline scratch lower left, scratch upper left margins, otherwise in good condition, framed.  $300/600

 

 

 

123

Jesus Leuus (1948-) Mexican

MUSICIAN’S FAMILY, 1980, oil painting and sand on Masonite, signed and dated lower right, 9 x 11 ¾”, framed, in good studio condition.  $400/800

 

 

 

124

Jesus Leuus (1948-) Mexican

THE COUPLE, 1975, oil painting and sand on Masonite, signed and dated lower right, 23 ¾ x 15 ¾”, framed, in good studio condition.  $500/1000

 

 

 

125

Harry Emerson Lewis (1892-1958) American

CARSON PEAK, HIGH SIERRAS, oil painting on canvas board, signed lower right, 20 x 26”, artist’s label on back of frame, in good studio condition.  $1000/2000

 

 

 

126

Harry Emerson Lewis (1892-1958) American

WINTER, oil painting on canvas board, signed lower right, 18 x 24”, artist’s label on back of frame, surface soiling, otherwise in good condition.  $1000/2000

 

 

 

127

Lladro Porcelains (two)

BOY & GIRL ON BENCH, 1994; DOG WITH FLOWER POT, 1997, two painted and glazed porcelain figurines, both hallmarked underneath, 7 ½” & 4” tall, both in good condition. (2)  $100/200

 

 

 

128

Walter Stuart Lloyd (1845-1959) British

ESTATE BY THE LAKE, watercolor on paper, signed lower left, sight 7 ¾ x 23 ¾”, frame lacking glass, possibly mounted, small nick in purple clouds, otherwise in apparently good condition.  $500/800

 

 

 

129

Peter Lodato (b. 1946) Californian

HIGH WINDOW, 1983, oil painting on panel, signed and dated and titled on verso, 20 x 15 ½”, framed, in good studio condition.  $1500/2500

 

 

 

130

Peter Lodato (b. 1946) Californian

3 MARIAS #2, 1988, oil painting on canvas, signed on verso, also signed and dated on stretcher, 28 ¼ x 40”, framed, in good studio condition. Provenance: Hunsaker/ Scheslinger Associates.  $2000/4000

 

 

 

131

Peter Lodato (b. 1946) Californian

UNTITLED, 1993, color screenprint, signed in pencil and inscribed artist’s proof, sheet 22 x 36”, framed, in apparently good condition.  $200/400

 

 

 

132

Niels Moleiro Luis (b. 1970) Cuban

TIN CAN ON PAPER, acrylic painting on canvas, signed lower right, 36 x 47 ½”, in good studio condition.  $1000/2000

 

 

 

133

Theodore Lukits (1897-1992) Romanian/American

UNTITLED, oil painting on board, signed lower right, in artist’s painted old frame, overall 24 x 30”, loss lower right corner, otherwise in good studio condition. Provenance: acquired directly from the artist by the present owner.  $2000/4000

 

 

 

134

Anna Mahler (1904-1988) Austrian

STUDY OF NUDE WOMAN, pencil drawing on paper, signed lower right, sight 39 ¼ x 25 ½”, framed with glass, creases, smudges, a couple small tears at sheet edges, otherwise in generally good studio condition.  $1000/2000

 

 

 

135

Man Ray (1890-1976) American

DE POND DIX, color lithograph, signed in pencil and inscribed artist’s proof, aside from a numbered edition, image 14 ¾ x 20 ¾”, full margins, framed, some toning, otherwise in apparently good condition.  $800/1200

 

 

 

136

Thomas Mangelsen (20th/ 21st Century) American

CALIFORNIA SEA OTTER IN KELP, 1986, color photograph, signed and dated in ink lower right, from the numbered edition 950, sight 13 x 19 ¼”, framed with glass, in apparently good condition.  $100/200

 

 

 

137

Elena Markov (20th/ 21st Century) Russian

MOULIN ROUGE, color pastel on paper, signed lower right, 19 ½ x 25 ½”, framed, in good studio condition. Provenance: Simic/New Renaissance Gallery.  $100/300

 

 

 

138

Ralph Massey (b. 1938) Californian

NO RETURN, 1992, cast bronze sculpture with brown and golden patina, signed, from the numbered edition of 25 with only 3 realized, size 6 ½ x 6 ½ x 5”, mounted to 1 ¾” tall wood base, in good condition.  $500/800

 

 

 

139

Ralph Massey (b. 1938) Californian

OH GIVE ME A HOME, 1992, cast bronze sculpture with golden patina, signed, from the numbered edition 45 with only 10 realized, size 6 x 11 x 5 ½”, mounted to 2” tall marble base, in good condition.  $800/1200

 

 

 

140

Ralph Massey (b. 1938) Californian

WOMAN WITH GREY HOUND, 1998, unique cast bronze sculpture with brown patina, signed, from the numbered edition of 30 with only 1 realized, size 15 x 15 ½ x 8”, mounted to 1 ½” tall marble base, in good condition.  $1500/2500

 

 

 

141

Peter Max (b. 1937) German/ American

COLUMBUS NYC, 1988, ink marker drawing and watercolor on paper, signed and dated upper left, titled and dedicated lower left, 5 x 6”, framed, in good studio condition. Provenance: gifted from artist directly to current owner.  $800/1200

 

 

 

142

Peter Max (b. 1937) German/ American

PROFILE IN COLORS I, 1991, color pencil drawing on paper, signed and dated in in blue pencil upper right, 5 ¾ x 7 ½”, artist’s stamp and studio number on verso, in good studio condition. Provenance: acquired directly from artist by current owner.  $800/1200

 

 

 

143

Peter Max (b. 1937) German/ American

PROFILE IN COLORS, 1991, color pencil drawing with marker on paper, signed and dated in ink lower left, 5 ¾ x 7 ½”, artist’s stamp and studio number on verso, in good studio condition. Provenance: acquired directly from artist by current owner.  $800/1200

 

 

 

144

Peter Max (b. 1937) German/ American

FLAG, 1991, color screenprint, signed and numbered in white pencil, from the numbered edition 385, artist’s blindstamp lower left, sight 31 x 39”, framed, in apparently good condition.  $1200/1600

 

 

 

145

El Mayer (1897-2000) California

PETALUMA RIVER, watercolor on paper, signed lower left, sight 17 x 23 ¼”, framed with glass, in good studio condition.  $100/200

 

 

 

146

Faris McReynolds (b. 1977) Texas

THE GREEN SOLDIER, 2006, oil painting on canvas, signed and dated on verso, 22 x 26”, in good studio condition. Provenance: Roberts & Tilton Gallery, Los Angeles.  $1000/1500

 

 

 

147

Sigmund Joseph Menkes (1896-1986) New York Poland

THE STUDY, oil painting on canvas, signed upper right, 11 x 18 ½” including a ½” stretcher bar extension on the right side, artist’s reproduction rights stamp on verso, “Warp-proof-treated Anco Inc., Glendale, L.I.” stamp on verso, framed, surface soiling, otherwise in good studio condition.  $5000/10,000

 

 

 

148

Lev Meshberg (1933-2007) Russian

FISH, 1982, acrylic painting on canvas, signed lower right, 18 x 22”, framed, small dimple center left, otherwise in good studio condition.  $500/1000

 

 

 

149

Lev Meshberg (1933-2007) Russian

WINTER SCENE, 1986, watercolor on paper, signed and dated lower right, 10 ¾ x 14 ¾”, framed, in apparently good studio condition.  $300/600

 

 

 

150

Menachem Messinger (1898-1987) Israeli

GARDEN SCENE, watercolor and gouache on illustration board, signed lower right, sight 20 ½ x 14 ½”, framed with glass, in apparently good studio condition.  $200/400

 

 

 

151

Herman Methfessel (1873-1912) American

LEARNED MAN STUDYING, gouache on paper, signed lower center, sight 13 x 11” oval, framed with glass, a few surface scuffs, otherwise in apparently good studio condition.  $200/400

 

 

 

152

William Meyerowitz (1887-1981) Russian

QUARTET, oil painting on canvas, signed lower right, 21 ½ x 28”, framed, some surface starting to crack along right edge, otherwise in good studio condition.  $1500/2500

 

 

 

153

William Millarc (1929-1957) California Oregon

FORREST, 1951, oil painting on canvas, signed lower right, 30 x 20”, framed, small repair in center area, otherwise in good studio condition.  $200/400

 

 

 

154

Moshe Mokady (1902-1975) Israeli

UNTITLED, 1961, oil painting on canvas, signed and dated upper right, 36 ½ x 46 ¼”, framed, some minor surface soiling, otherwise in good studio condition. Provenance: Acquired directly from the artist by the present owner. $5000/10,000

 

 

 

155

John Monks (b. 1954) British

THE SAW, 1993, impasto oil painting on canvas, signed and dated on verso, 57 ¼ x 37”, framed with glass, in apparently good studio condition. Provenance: Paton Gallery, London.  $500/1000

 

 

 

156

Jose Montanes (1919-1998) Spanish

SAY IT WITH FLOWERS, oil painting on canvas, signed lower right, 24 x 20”, framed, in good studio condition. Provenance: The artist’s studio certificate.  $600/900

 

 

 

157

Jose Montanes (1919-1998) Spanish

LET’S GO PLAY, oil painting on canvas board, signed upper left, sight 25 x 21 ¼”, framed, in good studio condition. Provenance: The artist’s studio certificate.  $700/1000

 

 

 

158

Nancy Mooslin (20th/ 21st Century) American

TWELVE MAJOR 7TH CHORDS, 1994, acrylic painting on paper, signed and dated lower right, 16 x 20”, framed, in apparently good studio condition.  $200/400

 

 

 

159

Malcolm Morley (b. 1931) British

JAZZ MUSICIANS, color etching, signed in pencil, from the numbered edition 47, plate 19 ½ x 27 ½”, full margins, framed, in apparently good condition.  $200/400

 

 

 

160

Alexandra Nechita (b. 1985) Romanian/ American

MY FUTURE RAINBOW, 1997, color lithograph on Japan paper, signed in pencil, from the numbered edition 51 artist’s proofs, image 28 x 22”, full margins, printed by Mourlot, with blindstamp lower left, framed with glass, faint discoloration speckles in margins, otherwise in apparently good condition.  $300/600

 

 

 

161

Alfred Pizzy Newton (1830-1883) British

MOVING THE FLOCK, watercolor on paper, signed lower right, sight 7 ¾ x 23 ¾”, framed, a few discoloration spots, otherwise in apparently good condition.  $500/800

 

 

 

162

Natasha Nicholson (20th/ 21st Century) American

ROOM WITH A COUCH, 1991, painted wood construction with assembled found objects, signed and dated on verso, 11 x 15 x 11 ½”, in good studio condition.  $400/800

 

 

 

163

Philippe Noyer (1917-1985) French

CHILDREN, 1948, oil painting on canvas, signed and dated lower left, 25 ½ x 18”, framed, in good studio condition.  $1500/2500

 

 

 

164

Thornton Oakley (1881-1953) Pennsylvania

ON THE DOCK, 1905, charcoal drawing with white gouache highlights, signed and dated lower center, sight 27 ½ x 16 ½”, framed with glass, tear lower left corner, otherwise in apparently good studio condition. Provenance: Galerie Gabrie, Pasadena.  $1000/2000

 

 

 

165

Oceanic Art

Half circle carved and painted wood storyboard, 28 ½ x 48 ½ x ¾”, mounted to 1 ½” tall Lucite base, a professional repair visible on verso, otherwise in good condition.  $200/400

 

 

 

166

John Okulick (b. 1947) Californian

UNTITLED GRAY OVALS, 1986, painted wood construction, signed and dated twice underneath, 14 ¼ x 14 x 6 ½”, in good studio condition.  $1000/1500

 

 

 

167

Old Master School

WOMAN WITH ATTENDANTS, ink drawing on paper, signed F. Guerin? lower left, 5 ¼ x 4”, framed with glass, in apparently good condition for age.  $200/400

 

 

 

168

Jean Baptiste Olive (1848-1936) French

TROUVILLE, oil painting on canvas over panel, signed lower right, 9 ½ x 12 ¾”, framed, in good studio condition.  $2000/4000

 

 

 

169

Marc Pally &, Jean St. Pierre, Stephen Seemayer (three)

Marc Pally GO FOR IT, 1989, oil painting and charcoal on an oval canvas, signed and dated on verso, 12 x 9”, framed, Provenance: Rosamund Felsen Gallery; Jean St. Pierre D. H. LAWRENCE (Look We Have Come Through), 1975, watercolor, ink and collage on paper, signed, dated and titled on verso, 12 ½ x 12”, framed, in apparently good studio condition. Provenance: Newspace Gallery, Los Angeles; Stephen Seemayer FLAME POINT, 1977, pencil drawing on paper, 8 x 5”, signed and dated upper right, titled and dated on frame verso, discoloration in the four corners probably from hinges on verso, otherwise in good studio condition. Provenance: All from the Collection of the Laguna Art Museum. (3)  $300/600

 

 

 

170

David Palmer (20th/ 21st Century) Californian

KIMONO, acrylic painting on wood, signed dated and titled on verso, 48 ¾ x 36 ¾”, in good studio condition.  $1000/1500

 

 

 

171

David Palmer (20th/ 21st Century) Californian

WALK-ABOUT I, acrylic painting on canvas over wood, signed dated and titled on verso, 48 x 48”, in good studio condition.  $1000/1500

 

 

 

172

Jules Pascin (1885-1930) French

TWO WOMEN, 1912, color pastel on paper, signed upper right, 9 x 9”, framed, creases along right edge, otherwise in apparently good condition. Provenance: Classic Antiques Gallery, LTD, Los Angeles.  $2000/4000

 

 

 

173

Joseph Pennell (1857-1926) American

BAR STREET, 1883, watercolor on paper, dated and titled lower left 7 x 10”, framed with glass, in good studio condition.  $500/1000

 

 

 

174

Esther Peretz Arad (1921-2005) Israeli

PORTRAIT OF A GIRL, oil painting on canvas, signed in Hebrew lower right, 16 x 13”, framed, some surface soiling, otherwise in good studio condition.  $500/1000

 

 

 

175

Tom Perkinson (b. 1940) New Mexico

THE RED ROSE, # 198, 1986, watercolor and pastel on paper, signed and dated lower right, 8 ¼ x 8”, framed with glass, in good studio condition.  $200/400

 

 

 

176

Tom Perkinson (b. 1940) New Mexico

WINTER WALK-ABOUT, watercolor on paper, signed lower right, 8 x 8 ½”, framed with glass, in good studio condition.  $200/400

 

 

 

177

Tom Perkinson (b. 1940) New Mexico

SEASIDE STROLL, oil painting on canvas, signed lower right, 30 x 25”, framed, in good studio condition.  $500/1000

 

 

 

178

Tom Perkinson (b. 1940) New Mexico

THE BALCONY, watercolor on paper, signed lower right, 8 x 8 ½”, framed with glass, in good studio condition.  $200/400

 

 

 

179

Tom Perkinson (b. 1940) New Mexico

EARLY MARKET, 1981, oil painting on Masonite, signed and dated lower right, 40 x 30”, framed, in good studio condition.  $1000/2000

 

 

 

180

Ian Phillips (b. 1968) British

NON-RUNNER, 1993, oil painting on canvas, signed and dated on verso, 55 x 45”, hairline cracks, scuff lower left, two peculiar streaks upper right, otherwise in good studio condition. Provenance: Burlington New Gallery, London.  $500/1000

 

 

 

181

Pablo Picasso (1881-1973) Spanish

FLOWERS FOR UCLA (B.1297; C.799 ), 1961, color lithograph on Arches paper with block letter watermark, signed in pencil and inscribed epreuve de artiste (artist’s proof), aside from the numbered edition 100, sheet 29 5/8 x 21”, printed by Mourlot, framed with glass, in good condition.  $5000/8000

 

 

 

182

Pablo Picasso (1881-1973) Spanish (two)

LE PICADOR II (B.1017); LA PIQUE (B.1014), 1961, two lithographs from Los Toros Avec Picasso, the first in color, each with signature and date on the stone, both sights 8 ½ x 11 ½”, both framed, both with some minor toning, otherwise in apparently good condition. (2)  $500/1000

 

 

 

183

Jean St. Pierre (1941-1991) American

NOT FOR EDDIE, 1977, pigment and wax painting on linen, signed and dated on stretcher bar, 14 x 14”, in good studio condition.  $200/400

 

 

 

184

Nino Pippa (b. 1950) Italian

ROME PIAZZO NAVONA, oil painting on board, signed lower left, sight 19 x 29”, framed, in good studio condition.  $300/600

 

 

 

185

Political Ephemera: Women’s Suffrage Movement (early 20th Century) American

VOTES FOR WOMEN, c.1920, woven fabric banner, overall 8 x 43”, in Plexiglas box frame, some staining from age and use, in good antique condition.  $300/600

 

 

 

186

Lori Precious (20th/ 21st Century)

BUTTERFLIES, 1995, the set of three mixed media and aluminum sculptures, each signed and dated, sizes average 27 x 3 ¼ x 3”, in good studio condition.  $500/1000

 

 

 

187

Frederick Prescott (b. 1949) American

SAILING, 1987, cut and painted metal sculpture with three moving elements, signed and dated on base, 37 ¼ x 26 x 14”, in good studio condition aside from a couple of small scrapes on the sun.  $400/800

 

 

 

188

Frederick Prescott (b. 1949) American

SURFER, 1988, cut and painted metal sculpture with one moving element, signed and dated on base, 31 x 8 x 11 ½”, in good studio condition.  $200/400

 

 

 

189

Frederick Prescott (b. 1949) American

BEACH DAY, 1988, cut and painted metal sculpture with one moving element, signed and dated on base, 32 ½ x 10 x 9 ½”, in good studio condition.  $200/400

 

 

 

190

Frederick Prescott (b. 1949) American

WOODY, 1988, cut and painted sculpture with one moving element, signed and dated on base, 31 x 19 x 8 ½”, in good studio condition.  $300/600

 

 

 

191

Auguste Racinet (19th/ 20th Century) French (eight)

XVI SIECLE; RUSSE (3); PERSAN (2); ARABE; BYZANTIN, c.1870, eight color lithographs, printed by Schmidt Lith. & Daumont Paris, published by Firmin Dido & Cie. Paris, images from 11 ½ x 7 ¾” to 12 x 8”, all with full margins, all framed with glass, all in apparently good condition. (8)  $100/200

 

 

 

192

Bruce Richards (b. 1948) Californian

UNTITLED, 1973, watercolor on paper, signed and dated upper right, signed and dated on verso, image 6 ½ x 10 ½”, sheet 11 x 15”, framed with glass, in good studio condition.  $600/900

 

 

 

193

Ed Ruscha (b. 1937) American

DISH (Cirrus pg.344), 1973, lithograph, signed and dated in pencil, from the numbered edition 250, printed by Cirrus, published by Neighbors of Watts, image 3 ½ x 7 ¾”, sheet 10 x 13 ½”, in good condition.  $1500/3000

 

 

 

194

Ed Ruscha (b. 1937) American

EDWARD RUSCHA (Ed-werd Rew-shay) YOUNG ARTIST, 1972, photobook, 4 ½ x 3 ¾”, published by Minneapolis Institute of Arts, some separation at first and last pages at spine, some wear, paper aged, otherwise in good condition.  $700/900

 

 

 

195

Mahoud Sabzi (b. 1955) Iran California

VIOLINIST, color giclee, signed in gold ink lower right, from the numbered edition 50, sheet 26 ½ x 22”, framed, in apparently good condition.  $100/300

 

 

 

196

Tom Savage (b. 1953) American

YOU HAD IT, 2012, oil and acrylic painting with graphite on canvas, signed dated and titled on verso, 31 x 27 ½”, in good studio condition.  $1000/1500

 

 

 

197

Tom Savage (b. 1953) American

OUT OF A CRAWL, 2012, oil and acrylic painting with graphite on wood panel, signed dated and titled on verso, 36 x 26”, in good studio condition.  $1000/1500

 

 

 

198

Tetsuro Sawada (1933-1998) Japanese (two)

UNTITLED, 1960, two oil paintings on canvas, one signed and dated lower right, the other signed lower left, each 6 ¼ x 9”, both framed, both with some surface soiling, otherwise in good studio condition. (2)  $300/600

 

 

 

199

Carl Schmidt (1889-1989) American

LANDSCAPE, watercolor on paper, signed lower left, sight 12 x 16”, framed with glass, in apparently good studio condition.  $200/400

 

 

 

200

David Schneuer (1905-1988) Israeli

ARRIVING, color lithograph, signed in pencil, from the numbered edition 300, image 18 ½ x 22 ½”, full margins, framed with glass, in apparently good condition.  $100/300

 

 

 

201

Aubrey Schwartz (b. 1928) New York (seven)

BESTIARY Series, 1984, seven lithographs from the portfolio, six with accompanying poems, each signed in pencil, from the numbered edition 100, sheets 18 x 15”, minor toning or discoloration, otherwise in good condition. (7)  $150/250

 

 

 

202

Ben Shahn (1898-1969) Lithuanian/ American

WOMEN, color lithograph, signed in the design, sight 20 ¼ x 16”, full margins, framed with glass, in apparently good condition.  $300/600

 

 

 

203

Zakhar (Sachar) Sherman (b. 1950) Russian

TWO GOBLETS, 2004, oil painting on canvas, signed and dated lower right, signed dated and titled on verso, 36 x 28”, a few scuffs, otherwise in good studio condition.  $1200/1800

 

 

 

204

Zakhar (Sachar) Sherman (b. 1950) Russian

COMPOSITION #7-05, 2005, oil painting on canvas, signed and dated lower right, signed dated and titled on verso, 48 x 36”, a few scuffs, otherwise in good studio condition.  $1500/2500

 

 

 

205

Zakhar (Sachar) Sherman (b. 1950) Russian

COMPOSITION #3-05, 2005, oil painting on canvas, signed and dated lower right, signed dated and titled on verso, 48 x 36”, a few scuffs, otherwise in good studio condition.  $1500/2500

 

 

 

206

Pierre Sicard (1900-1980) French

HARBOUR SCENE, 1928, oil painting on canvas, signed lower left, 29 x 20, framed, professionally restored and re-lined, otherwise in good condition.  $500/1000

 

 

 

207

James Siebert (20th/ 21st Century) Californian

CALIFORNIA SEA OTTER, 1982, cast bronze sculpture, signed and dated, from the numbered edition 700, size 12 x 6 x 4 ¾”, on custom wood base 1 1/4” tall, in good condition.  $200/400

 

 

 

208

David Siqueiros (1896-1974) Mexican

SLEEPING FIGURE from the Mexican Masters suite, 1973, color lithograph, signed in pencil, from the Roman numeral edition 25 aside from the numbered edition 100, sheet 22 x 30”, printed and published by Editions Press San Francisco, with blindstamps lower left, framed, in apparently good condition.  $300/600

 

 

 

209

Nicholas Sistlers (20th/ 21st Century) Chicago (four)

STILL LIFE WITH WISHBONE; STILL LIFE WITH ANTENNA; STILL LIFE WITH BLUE & RED TABLE TOP; STILL LIFE WITH DOT HOUSE, 1994, four gouaches on illustration board, sizes from 2 ½ x 2 ¼” to 1 ¼ x 2 ½”, all framed and in good studio condition. Provenance: Hunsaker/ Scheslinger Associates. (4)  $400/800

 

 

 

210

Jason Sleurs (b. 1975) New York

MADAM TRASH-HEAP, 2005, oil painting on paper, signed lower right, 22 ¼ x 30”, framed, small tear upper left corner, otherwise in good studio condition as received from the artist.  $500/1000

 

 

 

211

Francis Hopkinson Smith (1838-1915) American

THE DEN, charcoal drawing with pastel and gouache, signed lower right, sight 17 x 22”, framed with glass, in good studio condition.  $800/1200

 

 

 

212

Alexis Smith (b. 1949) American

WORDS CANNOT COOK RICE – CHARLIE CHAN, 1979, color screenprint, signed in pencil, from the numbered edition 250, sheet 14 x 18”, framed with glass, a few soft handling creases, otherwise in apparently good condition.  $100/200

 

 

 

213

Percy Spence (1868-1933) Australian

VICKERS, 1923, gouache on paper, signed and dated lower left, sight 31 ½ x 16 ½”, framed, in apparently good studio condition.  $1000/2000

 

 

 

214

Walter Spitzer (b. 1927) Poland France

WOMAN WITH A ROOSTER, 1956, oil painting on burlap, signed and dated upper right, 28 ½ x 19 ½”, artist’s stamp on verso, framed, some hairline cracking, otherwise in good studio condition.  $300/600

 

 

 

215

Walter Spitzer (b. 1927) Poland France

TEVIE LE LAITIER, 1971, oil painting on canvas, signed lower left, titled and dated on verso, 18 x 21 ½”, framed, in good studio condition.  $200/400

 

 

 

216

Walter Spitzer (b. 1927) Poland France

WOMAN WITH A DONKEY, 1966, oil painting on canvas, signed lower left, dated on verso, 15 x 21 ½”, framed, in good studio condition.  $200/400

 

 

 

217

Walter Spitzer (b. 1927) Poland France

WOMAN WITH BASKET, 1966, oil painting on canvas, signed lower right, dated on verso, 16 x 13”, framed, in good studio condition.  $200/400

 

 

 

218

Harold Arthur Streator (1861-1926) American

WOMAN IN A YELLOW DRESS. c.1920, oil painting on canvas, signed lower right, 40 x 30”, framed, professionally restored and relined, stretcher bar impressions, otherwise in good studio condition.  $500/1000

 

 

 

219

George Sugarman (1912-1999) American

UNTITLED, 1966, color lithograph, signed and inscribed ‘presentation proof for Walter Gabrielson’ on verso, printed by Tamarind Press, with blindstamps, sheet 24 x 18”, framed, in apparently good condition.  $100/200

 

 

 

220

Tahitian Art (early 20th Century) (two)

LE PRIMAGE; LA CONVERSATION, 1939, two woodblock prints, each signed and dated in pencil (one on mat), image 9 ½ x 5 ½” & 8 ½ x 5 ¾”, both with full margins, with artist’s mats as issued, unsigned mat with fingerprints and small stains, both with mild toning, otherwise both in good condition. (2)  $100/300

 

 

 

221

Rufino Tamayo (1899-1991) Mexican

EL BRINDIS FELIZ, 1957, color lithograph, signed in pencil, from the numbered edition 100, image 15 x 21”, full margins, framed with glass, a few small discoloration spots in margins, otherwise in apparently good condition.  $1000/2000

 

 

 

222

Rufino Tamayo (1899-1991) Mexican

EL PERSONAGE, 1975, color lithograph, signed in pencil, from the numbered edition 125, sheet 29 ½ x 22”, frame chipping, in apparently good condition.  $1000/1500

 

 

 

223

Edmund Teske (1911-1996) Chicago & another (six)

Edmund Teske three portraits of Nils Vidstrand and an Interior and an Exterior view of Frank Lloyd Wright’s house, 1982-84, five gelatin silver prints artist mounted to mat boards, four signed in ink marker on board rector and all signed and dated and titled on verso, sheets 6 ½ x 8” to 6 ¼ x 9 ¼”, some with silverfish damage to recto boards, otherwise in good studio condition; Together with Unidentified Photographer SAGUAROS, gelatin silver print, signed S. Swanezy? in pencil lower right on mat, sight 4 x 6 ¼”, framed, in apparently good condition. (6)  $1000/2000

 

 

 

224

David Thimgan (1955-2003) Californian

STAR OF INDIA, oil painting on canvas, signed lower right, 18 x 24”, small pale speckles throughout, otherwise in good studio condition.  $1000/2000

 

 

 

225

David Thimgan (1955-2003) Californian

BALCLUTHA, oil painting on canvas, signed lower left, 18 x 24”, small pale speckles throughout, otherwise in good studio condition.  $1000/2000

 

 

 

226

Theo Tobiasse (1927-2013) French

WORMS from Diaspora, color lithograph, signed in pencil, from the Roman numeral edition 25, sheet 20 x 26 ½”, framed with glass, in apparently good condition.  $200/400

 

 

 

227

Theo Tobiasse (1927-2013) French

JE TRAVERSE UNE VILLE SUR UN CHEVAL DE PAPIER, color lithograph on Japan paper, signed in pencil, from the numbered edition 175, image 19 ¼ x 25 ½”, full margins, framed, crease in upper right corner margins, otherwise in apparently good condition.  $200/400

 

 

 

228

Herbert Alker Tripp (1883-1954) British

THE NEW T. S. FALAISE, 1947, color lithograph poster, signed on stone lower left, 40 x 50”, printed at Baynard Press London, published by Southern Railway, discardable frame, appears to be in restorable condition.  $500/1000

 

 

 

229

Herbert Alker Tripp (1883-1954) British

TWIXT AXE AND EXE, 1935, color lithograph poster, signed on stone lower left, 40 x 50”, printed at Waterlow & Sons, London, published by Southern Railway, discardable frame, appears to be in restorable condition.  $500/1000

 

 

 

230

Do Duy Tuan (b. 1954) Viet Nam

PORTRAIT OF A WOMAN, oil painting on canvas, signed lower left, 35 ½ x 35 ½”, framed, some hairline cracks, some hairline cracks, hairline scratch center right, surface scrape lower left, otherwise in good studio condition.  $500/1000

 

 

 

231

Jean Leavitt Turner (1895-1962) Californian

PARAPHRASE (VERMEER), color etching, signed in pencil, artist’s proof aside from a numbered edition, image 15 x 11”, full margins, framed with glass, a few printer’s creases, some very pale discoloration in margins, otherwise in apparently good condition.  $100/200

 

 

 

232

Leon Arthur Tutundjian (1905-1968) French/ Armenian

UNTITLED, 1926, ink drawing with graphite on laid paper, signed and dated lower right, sheet 9 ¼ x 6 ¼”, framed with glass, two small tape hinges on verso at the upper sheet edge beginning to show through on recto, otherwise in apparently good studio condition.  $1000/2000

 

 

 

233

Leon Arthur Tutundjian (1905-1968) French/ Armenian

UNTITLED, 1924, ink drawing with graphite on paper, initialed lower right, 10 x 8”, two small masking tape hinges on verso at the upper sheet edge beginning to show through on recto, pale toning, otherwise in apparently good studio condition. Exhibited: De Young Museum, San Francisco; Galleries of Claremont Colleges; Montgomery Art Center, Pomona College.  $1000/2000

 

 

 

234

Arne Ungermann (1902-1981) Denmark

DANSMARK FRIHEDSKAMP NATIONAL MUSEET, 1948, color lithograph poster, signature in design lower right, 32 ¼ x 23 ¼”, a little edge wear and a few soft handling creases, in good condition.  $200/400

 

 

 

235

Vasa Velizar Mihich (b. 1933) Yugoslavian/ Californian (two)

UNTITLED, 1991, four triangles forming a square, a four piece multi-color acrylic sculpture with tray, one section signed and dated, overall size 3 ½ x 3 ½ x 1 ½”; UNTITLED, 1995, multi-color acrylic sculpture, signed and date, size 3 ¾ x 3 ¾ x 1 ¾”, both with the usual tiny scratches and few minor scuffs, otherwise both in good condition. (2)  $500/1000

 

 

 

236

Victor Vasarely (1908-1997) Hungarian

CUBE, color screenprint, signed in pencil, from the numbered edition 60, sheet 29 ½ x 24 ½”, framed with glass, in apparently good condition.  $200/400

 

 

 

237

Wai Ming (b. 1938) China

GIRL WITH WIND CHIME, color print, signed in pencil, from the numbered edition 750, image 30 ¼ x 23”, full margins, framed with glass, in apparently good condition.  $200/400

 

 

 

238

J. E. Walker (19th Century) British

GIRL WITH FLOWING SCARF, 1888, oil painting on canvas in oval format on rectangular canvas, signed and dated lower center right, 30 x 25”, framed, yellowed lacquer, ingrained surface soiling, otherwise in antique condition.  $500/1000

 

 

 

239

Paul Wegner (b. 1963) American

JAZZ MUSICIANS, 1983, cast bronze sculpture with golden and dark brown patinas, signed and dated, 22 ½ x 15 ½ x 16”, mounted to 2” tall marble base, minor tarnishing, otherwise in good condition.  $800/1200

 

 

 

240

Tom Wesselmann (1931-2004) American

BIG BLONDE WITH CHOKER, 1992, color screenprint on museum board, signed in pencil, from the numbered edition 90, sight 49 x 69”, printed by Screened Images, published by Images International, framed, a few small unobtrusive light surface accretions in the upper right margins, otherwise in apparently good condition.  $15,000/25,000

 

 

 

241

Frank Whipple (20th/ 21st Century) Californian

SUNNING NUNS, oil painting on Masonite, 5 x 5”, framed, in good studio condition.  $100/300

 

 

 

242

R. Lee Willmore (20th/ 21st Century)

PRIMARY OVERLAP, 1989, pigmented cement over aluminum cut-out with day-glo paint on verso to create a lighting effect on a white wall, signed and dated on verso, 29 ¾ x 9 ¾ x 1 ¼”, in good studio condition.  $200/400

 

 

 

243

Karl Witkowski (1860-1910) Poland/New Jersey

TWO BOYS, 1885 or 1889, oil painting on canvas, signed and dated upper right, 26 ½ x 20”, framed, professionally stored and re-lined, surface scuff lower right, otherwise in good condition.  $4000/8000

 

 

 

244

Annie Yakutis (b. 1953) Californian

FOG #3, 2005, graphite drawing on paper, signed and dated on verso, 40 ½ x 40 ½”, framed, in apparently good studio condition.  $500/1000

 

 

 

245

Alfredo Zalce (1908-2003) Mexican

VENDORA DE PESCADOS, color screenprint, signed in pencil, from the numbered edition 60, image 23 ½ x 19 ½”, full margins, framed with glass, some faint discoloration in margins at mat, a couple of discoloration spots upper margins, otherwise in apparently good condition.  $400/600

 

 

 

246

Eustace Paul Ziegler (1881-1969) Alaskan

NATURE AND CHILD, ALASKA, 1936, oil painting on canvas board, signed dated and titled on verso, 8 ¾ x 10 ¾”, framed,  minor edge wear from framing, otherwise in good studio condition.  $3000/6000

 

 

 

247

Francisco Zuniga (1912-1998) Costa Rican

MATERNIDAD EN CUCLILLAS (Vol. I, #528), 1967, cast bronze sculpture with green patina, signed and numbered II/VI, 12 ½ x 14 x 12”, wood base, in good condition. Provenance: Galeria Mexican De Arte, with certificate from the artist.  $20,000/25,000

 

 

 

248

Francisco Zuniga (1912-1998) Costa Rican

DOS MUJERES SENTADAS CON REBOZOS (B.25), 1976, color lithograph, signed in pencil, from the numbered edition 72, sheet 16 x 19 ¾”, printed and published by Kyron, S. A. Mexico, framed, in apparently good condition.  $1000/1500

 

 

 

249

Francisco Zuniga (1912-1998) Costa Rican

WOMEN BY THE FIRE (B.29), 1977, color lithograph, signed in pencil, from the numbered edition 100, sheet 22 x 29 ½”, printed and published by Kyron Mexico City, framed, in apparently good condition.  $1000/1500

 

 

 

250

Francisco Zuniga (1912-1998) Costa Rican

WOMEN OF MEXICO from the Mexican Masters suite (B.5), 1973, color lithograph, signed in pencil, from the Roman numeral edition 25, aside from the numbered edition 100, sheet 22 x 30”, printed and published by Editions Press San Francisco, with blindstamps, framed, in apparently good condition.  $800/1200

 

 

 

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