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Western & Native American & Shona Stone

Sculpture, Painting, Pottery & Prints from

the Dr. Burton Fink and Melchor A. Villanua collections.

Auction Saturday April 21st, 2018 at noon

 

 

1

African Arts (four)

STANDING MALE FERTILITY FIGURE, carved wood figure, 17 ½” tall with metal stand; BEARDED MAN, carved stone figure, 5 ½” tall; FIGURAL SCEPTER, carved wood with fabric and metal overlay, overall 13 Ύ” including stand; MALE & FEMALE, a pair of modern metal figures with fabric and reed, each 17 ½” tall with metal stand. (4)

Each in good aged or studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

2

African: Ernest Chiwaridzo (b. 1954) Zimbabwe

LOVING FAMILY, carved Guruve serpentine sculpture, signed on backside, 17 x 11 x 6”. Provenance: Spirits in Stone.

Small nick at top rim and a few small scratches on backside, otherwise in good studio condition

Auction Estimate $100/200

Starting Bid $50

 

 

 

3

African: Jmabena (20th Century) South African

WOMAN WITH HEADDRESS, carved and layered Verdite sculpture, signed on backside, 10 Ύ x 6 x 5”, with South African label underneath.

In good studio condition

Auction Estimate $50/100

Starting Bid $25

 

 

 

4

African: Sylas Manyore (20th Century) Zimbabwe

SHYNESS, 1990, carved serpentine sculpture, 11 x 5 ½ x 3 ½”. Appraisal from African & Beyond, La Jolla.

Some small scratches and fleabites on backside, otherwise in good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

5

African: Boira Mteki (1946-1991) Zimbabwe

SPIRIT CHAPUNGU, carved serpentine sculpture, signed on backside, 12 ½ x 4 ½ x 11” tall with stand. Purchased from Vhukutiwa Gallery, Zimbabwe; Appraisal from African & Beyond, La Jolla.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

6

African: Richard Mteki (b. 1947) Zimbabwe

GUARDIAN, carved serpentine sculpture, 22 ½ x 7 x 6”, with 29” travertine stand. Purchased from Vhukutiwa Gallery, Zimbabwe.

All few small nicks, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

7

African: Anderson Mukomberanwa (1968-2003) Zimbabwe

IBIS COUPLE, carved Springstone sculpture on marble base, overall 6 x 12 ½ x 10 ½”, with 23” Plexiglas stand with marble top. Appraisal from Africa & Beyond, La Jolla, CA.

In apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

8

African: Nesbert Mukomberanwa (b. 1969) Zimbabwe

DESPERATE, carved springstone sculpture, 13 ½ x 11 x 8 Ύ”, with 12” walnut stand. Purchased from Vhukutiwa Gallery, Zimbabwe; Appraisal from African & Beyond, La Jolla.

With some imperceptible professional surface restoration, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

9

African: Nicholas Mukomberanwa (1940-2002) Zimbabwe

TWO SIDES OF EVERY MAN, carved springstone sculpture, signed, 21 x 6 x 6”, with 29” travertine stand. Certificate from Barbara Ackerman Gallery, Santa Monica; Appraisal from African & Beyond, La Jolla.

In good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

10

African: David Ndlovu (20th Century) Zimbabwe

THE HUNTER, 1996, welded metal sculpture, signed and dated, 69” tall, mounted to an outdoor tile base. Provenance: Zimbabwe Shona Sculpture; Appraisal from African & Beyond, La Jolla.

Rusted and weathered from being exhibited outside, otherwise in apparently good studio condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

11

African: Zachariah Njobo (b. 1962) Zimbabwe

TONGA FACE, carved golden serpentine sculpture, 16 Ό x 6 ½ x 3”, with 2” tall base. Certificate from Barbara Ackerman Gallery, Santa Monica; Appraisal from African & Beyond, La Jolla.

Small natural? flaw on chin, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

12

African: Nelson Rumano (b. 1958) Zimbabwe

THINKING OF MY ANCESTORS, carved serpentine sculpture, overall 10 x 5 x 4 Ύ” with base. Purchased from Spirits in Stone, Carlsbad; Appraisal from African & Beyond, La Jolla.

Small flea bite at upper rim, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

13

African: Various Shona Artists (20th Century) Zimbabwe (three)

Damian Kapfurutsa EMERGING SPIRIT, carved petrified river clay, overall 9 x 5 x 2 ½”, Provenance Spirits in Stone; Willard Chaunika TOGETHER AS ONE, carved serpentine sculpture, 12 ½ x 9 ½ x 8” on metal stand, with appraisal from Africa & Beyond Gallery; Foridge Deze ROCK SPIRIT, carved serpentine sculpture, overall 8 ½ x 4 Ύ x 3 ½” with base, Provenance Spirits in Stone. (3)

First with a small rub spot and small accretions on backside, the third with a small nick and a few small scratches, otherwise all in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

14

African: John Takawira (1939-1989) Zimbabwe

VATETE, carved springstone sculpture, signed on backside, 19 Ύ x 8 x 7 ½”, with 2” tall base and 30 ½” travertine stand. Purchased from Vhukutiwa Gallery, Zimbabwe; Appraisal from African & Beyond, La Jolla.

In good studio condition.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

15

African: Gladman Zinyeka (b. 1962) Zimbabwe

THE JUDGE, carved fruit serpentine sculpture, signed underneath, 8 ½ x 9 ½ x 11”. Certificate from African & Beyond, La Jolla.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

16

Artist Unidentified

COMMON PUFFIN, 1987, cast bronze sculpture with dark patina, signed Pahl and dated 6-87 and numbered 3-350 underneath, 9” tall, on 2 ½” swivel wood base overall 11 ½” tall.

Wobbly on base, otherwise in good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

17

Artist Unidentified

SHEEP IN BARN, oil painting on board, 30 x 39 ½”, framed.

Some surface muted in appearance at certain angles, otherwise in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

18

Artist Unidentified

DONKEYS & CHICKENS, oil painting on board, signed Edward Owitson? lower right, 12 x 16”, framed.

Minor surface soiling, a few light scuffs, otherwise in good studio condition.

Auction Estimate $50/150

Starting Bid $25

 

 

 

19

Gerald Balciar (b. 1942) Colorado

CANYON PRINCESS, 2003, cold painted cast bronze sculpture, signed and dated and numbered 122/25, size 14 x 4 x 5 Ύ”, on wood base overall 17 Ό” tall. Provenance: Autry Museum.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

20

Gerald Balciar (b. 1942) Colorado

MAKING TRACKS, 2006, cold painted cast bronze sculpture, signed and dated and numbered 81/100, size 4 Ό x 9 ½ x 5”, on wood base overall 5 Ύ” tall. Provenance: Autry Museum.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

21

Gerald Balciar (b. 1942) Colorado

SIESTA, 2000, cold painted cast bronze sculpture, signed and dated and numbered 5/75, size 4 ½ x 8 Ό x 3”, on wood base overall 5 Ύ” tall. Provenance: Autry Museum.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

22

Gerald Balciar (b. 1942) Colorado

SPRING BUNNIES, 2007, cold painted cast bronze sculpture, signed and dated and numbered 45/45, size 8 Ύ x 9 ½ x 4”, on wood base overall 10 Ό” tall. Provenance: Purchased directly from the artist.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

23

Gerald Balciar (b. 1942) Colorado

BUSY BEAVERS, 2001, cold painted cast bronze sculpture, signed and dated and numbered 1/100, size 8 x 10 Ό x 4 ½”, on wood base overall 9 Ύ” tall. Provenance: Autry Museum.

In good studio condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

24

Arne Berger (1872-1951) Minnesota

INDIAN ENCAMPMENT (near Mt. Rainer), 1916, oil painting on canvas, signed and dated lower left, 26 Ό x 39 Ό”, framed.

Minor surface soiling, hairline surface scuff from mid to lower center, hairline scuff lower left, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

25

Isidore Bonheur (1827-1901) French

TAUREAU, cast bronze sculpture with dark green patina, signed, 15 ½ x 10 ½ x 23” including base.

In good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

26

J. D. Challenger (b. 1951) Native American/Oklahoma

TRIBE ELDERS, color screenprint, signed in black ink, numbered 67/400, image 33 x 33”, sheet 37 Ύ x 38”printed by Kato Art Studio with their blind stamp lower left.

Retains some curl from being stored rolled, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

27

Gary Cooley (b. 1947) Oregon

DISTANT WARNING (Bears), 1994, cast bronze sculpture with color patina, signed and dated and titled and numbered 4/45, size 20 x 16 ½ x 12”, on 2” tall swivel base overall 22” tall. Provenance: Purchased directly from the artist.

Some dust accumulation, otherwise in good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

28

Gary Cooley (b. 1947) Oregon

HIS DOMAIN (Elephant), 2005, cold painted bronze sculpture, signed and dated and titled and numbered 6/35, size 19 x 24 x 10”, on swivel base overall 22” tall.

In good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

29

Gary Cooley (b. 1947) Oregon

SENTRY (Giraffe), 2001, cold painted bronze sculpture, signed and numbered 11/28, size 26 x 12 x 9 ½”, on granite base overall 29” tall.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

30

Gary Cooley (b. 1947) Oregon

DESERT LIGHTNING FANTASY (Antelope), 2003, cold painted bronze sculpture, signed and inscribed AP 14/45 (artist’s proof), size 26 x 14 x 7”, on composite base overall 28” tall. Provenance: Purchased directly from the artist.

Tiny surface scrape on one of the antlers, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

31

Gary Cooley (b. 1947) Oregon

BLUE HERON, 2000, cold painted base bronze sculpture, signed and dated and titled and numbered 11/35, size 34 ½ x 9 x 13”, on granite base overall 36 Ό” tall.

A few tiny accretions on bird’s backside, two faint discoloration bands on neck, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

32

Gary Cooley (b. 1947) Oregon

PARTY’S OVER (Water Buffalo), 1988, cast bronze sculpture with dark brown patina, signed and dated and titled and numbered 1/28, size 12 ½ x 18 ½”, with marble base overall 14 ½” tall. Provenance: Purchased directly from the artist.

Dust accumulation, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

33

Gary Cooley (b. 1947) Oregon

WATCHING EYES (Water Buffalo), 1995, cast bronze sculpture with dark brown patina, signed and dated and titled and numbered AP 2/45 (artist’s proof), size 10 Ύ x 10 x 12 Ύ”, on wood base overall 13 Ό”. Provenance: Purchased directly from the artist.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

34

Gary Cooley (b. 1947) Oregon

STAND WITH DIGNITY, 2005, cold painted bronze sculpture, signed and dated and numbered 3/28, size 28 ½” tall, with marble base overall 30” tall. Provenance: Purchased directly from the artist.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

35

Gary Cooley (b. 1947) Oregon

THE NOBLE ONE, 2004, cold painted bronze sculpture, signed and dated and numbered 3/28, size 32” tall, with marble base overall 33 ½” tall. Provenance: Purchased directly from the artist.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

36

Dora De Larios (b. 1933) Californian

LADY OF THE FLOWERS, 1967, color screenprint, signed in pencil, numbered edition of 100, sheet 26 x 20”, with Rols Press Culver City rubber stamp on verso.

Faint discoloration in upper sheet edge, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

37

Decorative Bronzes (two)

ROOSTER & CHICKEN, a pair of cast bronze sculptures with dark brown patinas, Rooster 13 ½” tall and 8” long and looks to be signed or inscribed in Chinese, Chicken 5 Ύ” tall and 8” long. (2)

Both in good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

38

A. F. Delbrook (20th Century) American

CREEKSIDE CAMP, 1998, oil painting on Masonite, signed and dated lower right, 20 x 30”, framed.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

39

Austin Deuel (b. 1939) Arizona

ON THE RUN, oil painting on canvas, signed lower right, signed and titled on verso, 18 x 24”, framed.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

40

Ethnic Art

WHALE, carved hardwood sculpture post mounted to a semi-polished cut hardwood log, overall 12 x 16 x 7”.

In good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

41

Ethnic Art (six)

VARIOUS, five carvings of wood or shell or other organic materials, sizes from 8 ½” to 3” long; Together with a wood museum gift sculpture. (6)

All in apparently good condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

42

Ethnic Weapons (two)

Sword with 22” metal blade with organic handle and tooled leather sheath, overall 30”; Together with Malay Kris (Keris) Indonesian dagger with 12 Ό” metal blade with wood handle and sheath, overall 17”. (2)

Both in good aged condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

43

John Fawcett (b. 1952) Colorado

SLOBBER STRAPS, watercolor on paper, signed lower left, sight 10 ½ x 8 ½”, framed with glass. Provenance: The Legacy Gallery, Arizona.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

44

Fossils (two)

Two polished Ammonite fossils, 6 Ύ” tall & 4 Ύ” tall, each on a 1” marble base. (2)

Both in good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

45

Glenna Goodacre (b. 1939) New Mexico

FRAGMENT, 1989, cast bronze sculpture with green patina, signed and dated and numbered 8/35, size 11 Ύ x 4 x 4”, with 4” marble base overall 15 Ύ” tall, with 32” stand with steel frame and marble top. Provenance: Fenn Galleries, Santa Fe.

In good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

46

R. C. Gorman (1931-2005) Native American

STAR GAZING, 1989, color lithograph, signed and dated, numbered 14/225, artist’s and publisher’s blind stamps, Houston publishing, sheet 30 x 39”, framed.

In apparently good condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

47

R. C. Gorman (1931-2005) Native American

WOMAN WITH FLOWERS, 1990, color lithograph, signed and dated, numbered 187/224, artist’s and another’s blind stamps, sheet 28 x 36”, framed.

In apparently good condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

48

R. C. Gorman (1931-2005) Native American

THE BREAD MAKER, 1988, color lithograph, signed in pencil, numbered 117/225, with blind stamps, sheet 29 ½ x 37 ½”, in hand-carved frame.

In apparently good condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

49

R. C. Gorman (1931-2005) Native American

WOMAN GATHERING CHILI PEPPERS, 1985, cast paper multiple, signed and dated in pencil, numbered 23/150, sheet 34 x 28”, framed with glass (small finish loss to frame only).

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

50

Hernandez (20th Century)

SHEPHERDS LANDSCAPE, oil painting on canvas, signed lower right, 36 x 24”, framed.

Some drying cracks, lacquer yellowing, surface soiling, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

51

D. G. Hines (20th Century) Arizona

TAOS SPIRIT FETISH, etched stone and wood sculpture with metal cylinder feet, signed underneath, overall 14 Ύ x 21 x 4”.

In good studio condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

52

Stephen Enoch Hogley (flourished 1874-1893) British

GRAZING CATTLE, oil painting on canvas, signed lower right, 16 Ό x 26 Ό”, framed.

Hairline cracks and craquelure, stretcher bar impressions, uneven lacquer, small repair upper right sky, otherwise in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

53

Allan Houser (1914-1994) New Mexico

WATCHING, 1989, cast bronze sculpture with dark brown patina, signed and dated and titled, numbered 4/12, size 22 x 9 ½ x 8”, on 1” tall wood base. Provenance: Glenn Green Galleries, Santa Fe, illustrated in their catalogue of the artist.

Some small discoloration spots, otherwise in good studio condition.

Auction Estimate $5000/10,000

Starting Bid $2500

 

 

 

54

Peter Hurd (1904-1984) New Mexico

LANDSCAPE, color lithograph, signed in pencil, numbered 159/250, image 9 Ύ x 10 Ό”, full margins, framed with glass.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

55

Peter Hurd (1904-1984) New Mexico

WATER HOLE, color lithograph, signed in pencil, numbered 258/260, image 9 x 12”, full margins, framed with glass.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

56

Peter Hurd (1904-1984) New Mexico

WINDMILL AT FARM, color lithograph, signed in pencil, numbered 152/250, image 10 x 14”, full margins, framed with glass.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

57

Doug Hyde (b. 1946) New Mexico

THE WEDDING VASE, 1986, cast bronze sculpture, signed and dated and numbered 1/15, size 19 ½ x 16 x 7”, resting on marble base, with 30” black Plexiglas stand.

In apparently good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

58

Doug Hyde (b. 1946) New Mexico

CORN GIRL, a large carved rose alabaster sculpture, signed, 26 x 12 x 12”, with 30” black Formica stand. Provenance: Louis Newman Galleries, Beverly Hills.

Small nicks in left hair bun, small scratches on backside, otherwise in good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

59

Inuit Carving

ESKIMO, fossilized organic material, 13” tall.

In good aged condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

60

Jerry Laktonen (b. 1951) Alaskan

ALUTIIQ CEREMONIAL MASK, 1998, carved and painted wood plank mask with feathers and abalone, signed and dated on verso, 16 x 7 Ύ x 3” plus feathers.

Some minor dust accumulation otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

61

Maurice Levis (1860-1940) French

COUCHE DE SOLEIL SUR LAS LORIE, oil painting on canvas, signed lower left, 25 Ύ x 39 ½”, professionally re-lined, framed. Provenance: Galerie Michael Beverly Hills gifted to a Santa Barbara Museum.

Clean surface in good condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

62

George Lockwood (b. 1961) California

HEARTLAND BOUNTY, oil painting on Masonite, signed lower right, signed on verso, 18 x 13”, framed. Provenance: Peppertree Ranch.

In good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

63

Sharon Loper (20th Century) California

CAMEL, cast bronze sculpture with dark patina, signed and numbered 150/300, size 6 Ύ x 8 Ό x 3 ½”, on marble base overall 7 ½” tall.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

64

Bonnie Marris (b. 1951) Michigan

DESPERADO (My Skiing Partner), oil painting on canvas, signed lower right, 14 x 11”, framed. Provenance: Trailside Galleries, Scottsdale.

In good studio condition.

Auction Estimate $3000/6000

Starting Bid $1500

 

 

 

65

Bonnie Marris (b. 1951) Michigan

FOX ON THE ROCKS, oil painting on canvas, signed lower right, 22 x 18”, framed. Provenance: Autry Museum.

In good studio condition.

Auction Estimate $5000/10,000

Starting Bid $2500

 

 

 

66

Bonnie Marris (b. 1951) Michigan

SLIPPERY SUPER, oil painting on canvas, signed lower right, 20” x 16”, framed. Provenance: Trailside Galleries, Scottsdale, AZ.

In good studio condition.

Auction Estimate $3000/6000

Starting Bid $1500

 

 

 

67

Bonnie Marris (b. 1951) Michigan

WOLF, color giclιe on canvas, signed and numbered 6/25 lower right in ink, 33 x 44”, framed.

In good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

68

Bonnie Marris (b. 1951) Michigan

IDLE HOURS, color giclιe on canvas, signed and numbered 21/25 lower right in ink, 24 x 32”, framed.

In good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

69

Alvin Marshall (b. 1959) Navajo

BLACK WOLF, 1986, carved black soapstone sculpture, signed and dated, 20 Ό x 7 ½ x 5”, on 2” base overall 22 Ό” tall, with 27” travertine stand. Certificate from Artistic Gallery.

A few soft scrapes, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

70

Alvin Marshall (b. 1959) Navajo

LOOKING RIGHT, 1990, carved alabaster sculpture, signed and dated, 14 x 7 ½ x 2 Ύ”, on 1 Ύ” wood stand overall 15 Ύ” tall.

Weathered from being exhibited outside, otherwise in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

71

Alvin Marshall (b. 1959) Navajo

EAGLE CHIEF, 1991, carved stone sculpture, signed and dated, 20 x 6 ½ x 4 ½”, on 2” driftwood base overall 22” tall.

A few small chips, some erosion and weathered from being exhibited outside, otherwise in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

72

Alvin Marshall (b. 1959) Navajo

COUPLE, 1985, carved stone sculpture, initialed and dated, 20 x 11 Ύ x 6”, with 31” travertine stand with black top.

Some loss to male’s braid clip, weathered from being exhibited outside, otherwise in apparently good studio condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

73

Miguel Martinez (b. 1951) New Mexico

GIRL FROM LEDOUX, 1991, color pastel on paper, signed and dated lower left, sight 14 ½ x 19 ½”, framed, signed and dedicated on back of frame. Provenance: Adagio Galleries, Palm Springs, CA.

In good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

74

Miguel Martinez (b. 1951) New Mexico

THE BLUES, 1989, color pastel on card mounted to a painted and gold leafed canvas, signed and dated lower right, signed and dated and titled on verso, 14 x 12”. Provenance: Adagio Galleries, Palm Springs, CA.

In good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

75

Martinez (20th Century)

MUJER, 1965, color pastel on paper, signed and dated lower right, 25 ½ x 16 ½”, framed with glass.

A few horizontal soft creases, otherwise in apparently good studio condition

Auction Estimate $100/200

Starting Bid $50

 

 

 

76

Edward Meyrowitz (b. 1946) New York, California

UNTITLED, 1978, carved alabaster sculpture, signed and dated, 17 ½ x 15 x 15 ½”, with 2” marble base overall 19 ½” tall. Provenance: Purchased directly from the artist.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

77

Edward Meyrowitz (b. 1946) New York, California

UNTITLED, 1978, carved alabaster with rose and purple, signed and dated, 19 Ύ x 14 x 11 ½”, with 2” marble base overall 21 Ύ” tall. Provenance: Purchased directly from the artist.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

78

Edward Meyrowitz (b. 1946) New York, California

UNTITLED, 1981, carved alabaster sculpture, signed and dated, 12 Ό x 12 x 5 Ύ”, with 2” marble base overall 14 Ό” tall. Provenance: Purchased directly from the artist.

A few tiny scrapes, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

79

D. Nicholson Miller (20th/21st Century) Californian

CRITTERS, mixed media on paper, signed lower right, sight 6 Ύ x 4 Ύ”, framed with glass. Provenance: Purchased directly from the artist with his inscription on frame verso.

In apparently good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

80

Eugene Morelli (20th Century) Montana

THREE OWLS ON A BRANCH, cold-painted cast bronze sculpture, signed and numbered 36/38, size 12 Ό x 7 ½”, on marble base overall 14” tall. Purchased directly from the artist.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

81

Eugene Morelli (20th Century) Montana (two)

RED BREASTED NUTHATCH; BIRD WITH CHICK, pair of cold-painted bronze sculptures, each signed and numbered 2/48 & 8/48, sizes 5 ½” & 5” tall including bases. Provenance: Purchased directly from the artist. (2)

Both in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

82

Vintage Posters (two)

ROY ROGERS, UNDER CALIFORNIA STARS, Republic Pictures in Truecolor, color movie poster one-sheet 41 x 27 Ό”; JOHN WAYNE, DAKOTA, Republic Pictures, color movie poster, one-sheet 41 x 27”, Morgan Litho Co.; Both linen-backed and framed. (2)

Some colors probably attenuated, more so on the first, the second with some restoration, otherwise both in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

83

Patrice Murciano (b. 1969) French

DREAM CATCHER, color digital print on Plexiglas, signed lower right in marker, proof aside from a numbered edition of 100, size 47 Ό x 47 Ό”.

In good condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

84

Ernest Eugene “Bo” Mirabal aka Cloud Eagle, and Western Arts & Crafts (four)

Cloud Eagle BEAR FETISH, 1990, carved alabaster sculpture with feathers, signed and dated on backside, 6 ½ x 10”; Western Arts & Crafts two BEARS and a BUFFALO, three carved stone figurines with feathers, leather and beads, smallest one initialed RSD underneath, sizes from 4 x 5 ½” to 3 x 4”. (4)

Orange one with a few tiny rough spots, otherwise all in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

85

Ernest Eugene “Bo” Mirabal aka Cloud Eagle (1961-2011) Nambe Pueblo, New Mexico

BEAR FETISH,1987, carved alabaster and black marble sculpture with feathers and inlay, signed and dated, 13 x 21 x 4”.

Black marble with a small scratch and a few tiny chips, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

86

Western Arts & Crafts (two)

BUFFALO, a pair of cut and carved and polished stone sculptures, each approximately 4 x 6”. (2)

One with some tiny natural? rough spots, otherwise both in good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

87

Native American: Kachina Doll by Len Hughes, Iroquois Kachina Doll & Native American: Kachina Doll (three)

Len Hughes painted ceramic and wood figure with feathers, copper wire, beads and turquoise, 10 Ύ” tall; Iroquois Kachina Doll made of wood, fabric and husk, on wood base overall 9” tall; Kachina Doll made of leather with feathers, hide, wool, abalone beads and rose quartz, on wood base overall 13 ½”. (3)

Some dust accumulation, otherwise all in good studio condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

88

Native American: Kachina Doll

A woven reed and carved wood figure, 12 ½” tall, in a Plexiglas box.

In good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

89

Native American: Hopi Kachina Doll

Carved and painted wood figure, signed T. Frederick, on wood base overall 17 Ύ” tall.

Surface soiling, soft indentations, missing some wood feathers on backside, otherwise in good studio condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

90

Native American: Hopi Kachina Doll by Wayland Namingha

EAGLE DANCER, carved and painted wood figure, signed, on wood base overall 12 ½” tall.

Dust accumulation, old sticker on base, otherwise in good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

91

Native American Hopi Kachina Doll by Silas Roy Jr.

Carved and painted wood figure, signed, on wood base overall 17 Ό”.

Dust accumulation, missing a wood feather and another small component of headdress, otherwise in good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

92

Cochiti Story Teller Dolls by Dena M. Suina, New Mexico

MALE WITH BRAIDS; FEMALE WITH HOPI STYLE-HAIR, two painted ceramic seated dolls, both with multiple babies, both signed, 6 ½” & 6” tall, both in one Plexiglas box, overall 9 x 11 Ό x 9 Ό”.

Both in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

93

Sonny Nehoitwea (20th/ 21st Century) Native American

CROW MOTHER, welded metal Kachina sculpture, signed on base, 24 ½ x 17 x 8 ½”. Provenance: Southwest Collectibles, Palm Desert, CA.

Natural rust otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

94

Oaxacan Alebrije Carvings by Rogelio Blas, Francisco Melchor & another (four)

Rogelio Blas GRASSHOPPER; PORCUPINE, two painted wood carvings, each signed, sizes 5 x 8 Ύ” & 6 ½ x 8 ½”; Francisco Melchor GIRAFFE, painted wood carving, signed, 14 Ό x 6 ½”; Artist Unidentified PORCUPINE, painted wood carving, 6 x 17 ½”. (4)

Orange porcupine missing a few spikes, blue porcupine a few spikes broken off but has extras taped underneath, otherwise all in good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

95

Joe Oreland (b. 1958) Navajo

MAN & WOMAN, carved stone sculpture, signed on backside, 23 Ό x 16 ½ x 6 Ύ”. Pr

Minor surface soiling, otherwise in apparently good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

96

Joe Oreland (b. 1958) Navajo

DANCING STARS, 1989, carved Carrara marble sculpture, 46” tall, signed and dated on backside, overall with wood base 50 x 10 x 15”. Provenance: Wadle Galleries Ltd, Santa Fe.

Some tiny nicks, scuffs, small stains and weathered from being exhibited outside, otherwise in apparently good studio condition.

Auction Estimate $2000/3000

Starting Bid $1000

 

 

 

97

Turid Pedersen (b. 1945) New Mexico

PUEBLO WATER JAR, oil painting on Masonite, signed lower left, titled on verso, 5 x 7”, framed. Provenance: Legacy Gallery, Scottsdale.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

98

Amado Pena (b. 1943) Native American (two)

PORTDORA EN TURQUOISE; EN ORO, two color screenprints, each signed in pencil, numbered 11/65, images 25 x 18” & 24 ½ x 18”, both with blind stamps lower right and left, full margins, framed with glass. (2)

Both in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

99

Amado Pena (b. 1943) Native American (two)

REGALO; LA MADONA, two color screenprints, each signed in pencil, numbered 38/200 & AP 3/10, images 25 x 18” & 24 ½ x 18”, both with blind stamps lower right and left, full margins, framed with glass. (2)

Both in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

100

Amado Pena (b. 1943) Native American (two)

WOMAN WITH JAR AND MAN WITH HAT; TWO MEN WITH BLANKETS, two color screenprints, each signed in pencil, numbered 32/100 & 9/150, images 8 Ύ x 12 Ό” & 9 x 12”, both with blind stamps lower right and left, full margins, framed with glass. (2)

Both in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

101

Amado Pena (b. 1943) Native American

LA CUCLUN, color screenprint, signed in pencil, numbered 8/15, sheet 36 x 24”, blind stamps lower right and left, full margins, framed with glass.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

102

Amado Pena (b. 1943) Native American

COLDRA MORTA, color screenprint, signed in pencil, numbered 21/65, sheet 32 x 26”, blind stamps lower right and left, full margins, framed with glass.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

103

Herb Keyionie Peterson (20th Century) Arizona

WOMAN WITH JAR, 1987, carved stone sculpture with two elements, signed and dated, Woman 24 ½ x 6 Ό x 4 ½”, Vase 9 ½” tall, 4” diameter, both on a single 2” wood base.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

104

Joel Phillips (b. 1960) Californian

CALENDAR, 2004, oil painting on panel, signed lower right, signed and dated and titled on verso, 12 x 9”, framed. Provenance: Legacy Gallery, Scottsdale.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

105

Otto Poertzel (1876-1963) German

FASAN, cast bronze sculpture with dark patina, signed, overall 12 ½” tall on marble base.

Dust accumulation, otherwise in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

106

Acoma Pottery

SERPENTINE FRET, very large painted ceramic vessel with bucolic glaze, white slip and traditional motif, 13 ½” tall, 15” diameter, signed underneath.

A few little nicks and scrapes, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

107

Acoma Pottery by SV & V. Victorina (two)

Painted ceramic vessel with traditional motif in black and red, signed SV underneath, 3 Ύ” tall, 5 Ό” diameter. Painted ceramic vessel with white slip and traditional motif in black, signed V. Victorina underneath, 3” tall. (2)

Both in good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

108

San Ildefonso Pueblo Pottery by Carlos Sunrise Dunlap

Painted ceramic vessel with red slip and traditional motif in black and red, signed underneath, 5 Ύ” tall, 7” diameter.

Some scuffs and scrapes to the painted surface, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

109

Frog Woman/ Navasie Family Hopi Pottery

Ceramic vessel with black, brown and red paint on white background, with frog symbol painted underneath, 4 ½” tall, in Plexiglas box.

Some small rim chips, otherwise in good studio condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

110

San Juan Pottery by Rosita De Herrera

Carved and painted and burnish ceramic vessel with traditional colors, signed underneath, 3 ½” tall, 4 ½” diameter.

In good studio condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

111

Hopi Pottery by Patricia Honie

Painted ceramic vessel with traditional motif in red and black, signed underneath, 5” tall, 3 Ό” diameter.

Some scuffs and wear to pattern, otherwise in good studio condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

112

Zia Pottery by Elizabeth Medina

Painted ceramic vessel with white and red slip and traditional motif in black and red, signed underneath, 4” tall, 5” diameter.

Very minimal amount of wear, otherwise in good studio condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

113

Hopi Pottery by Nampeyo & RPL (2) (three)

Nampeyo, polished clay body with traditional painted motif in tan and black and red, signed underneath, 1 Ύ” tall, 2 ½” diameter; RPL, a black ware vessel and a painted ceramic vessel with white slip, both with traditional motifs, initialed RPL underneath and1 Ύ” tall and 2 Ό” diameters. (3)

The first with some minor wear to finish and some odd discoloration, otherwise all in good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

114

Native American Pottery

Painted ceramic vessel with white slip and traditional motif in black and brown, single handle, wide mouth, 6” tall, 6 ½” diameter.

Some surface soiling and some discoloration, otherwise in good aged condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

115

Native American Pottery & Pre-Columbian Pottery (two)

Native American Pottery Painted ceramic vessel with three pierced handles, 3 ½” tall; Pre-Columbian Pottery painted ceramic vessel with two jaguar handles, 4 ½” tall, 6” diameter. (2)

The first with some darkening from fire, the second with area loss in design and some small chips on top and underneath, otherwise both in good aged used condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

116

Casas Grandes Mata Ortiz Pottery by Ruben Ponce

Painted ceramic seed jar with white slip and traditional motif in black and red, square opening and rounded bottom, 3 Ύ tall, 6 Ύ” diameter.

In good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

117

Casas Grandes Mata Ortiz Pottery by Dora Quezada & Native American Pottery (two)

Dora Ortiz painted ceramic vessel with red slip and traditional motif in black, signed underneath, 2 Ύ” tall, 3 ½” diameter; Native American Pottery Painted ceramic vessel with red slip and traditional motif in black, 3 ½” tall, 5” diameter. (2)

The latter with some wear and scuffs, otherwise both in good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

118

Casas Grandes Mata Ortiz Pottery by Juan Quezada

Painted ceramic vessel with bucolic glaze, white slip and traditional motif in black and red, rounded bottom, signed underneath, 7” tall, 9” diameter.

In good studio condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

119

Casas Grandes Mata Ortiz Pottery by Lydia Quezada

Painted ceramic vessel with bucolic glaze, white slip and traditional motif in black and red, signed underneath, 6” tall, 6” diameter.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

120

Casas Grandes Mata Ortiz Pottery by Lydia Quezada

Burnished and incised black ware ceramic vessel, signed and inscribed 10618 underneath, 3 Ύ” tall, with rounded bottom, in Plexiglas box.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

121

Casas Grandes Mata Ortiz Pottery by Nicholas Quezada

Painted ceramic vessel with bucolic glaze, white slip and traditional motif in black and red, rounded bottom, signed underneath, 5” tall, 7” diameter.

In good studio condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

122

Isleta Pottery by Stella Teller & Robert Rivera, Santa Fe (two)

Stella Teller painted ceramic vessel with white slip and traditional motif in red and black, signed and dated 78 underneath, 3 Ύ” tall, 4 ½” diameter; Robert Rivera HORNEY TOAD, 1980, painted gourd with snake skin and turquoise, signed and dated and titled underneath, 4 Ύ” tall, 5” diameter. (2)

The first with a few tiny flea bite at rim, the second with some natural? discoloration, otherwise both in good studio condition.

Auction Estimate $100/150

Starting Bid $50

 

 

 

123

San Ildefonso Pueblo Pottery by Tse Pe

Burnish ceramic vessel with etched and incised black and red band and turquoise inset eye, initialed TP underneath, 3 ½” tall, in Plexiglas box.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

124

Santa Clara Pottery by Minnie Vigil

Burnished redware ceramic vessel with black and grey tradition motif, signed underneath, 4” tall, 6 Ό” diameter.

In good studio condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

125

Randy Puckett (b. 1946) American

DOLPHINS, 1987, cold-painted cast bronze sculpture, signed and dated and numbered 30/350, size 14 Ύ x 14 Ύ x 4 ½”, overall 16 Ύ” on wood base. Provenance: Wildlife Gallery, Mendocino, CA.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

126

Kevin Red Star (b. 1943) Native American

CROW INDIAN FAMILY, color lithograph, signed in white pencil, numbered 100/150, blind stamp lower left, sheet 30 Ό x 22 ½”, framed.

Small crease lower right corner visible upon close inspection, otherwise in apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

127

Kevin Red Star (b. 1943) Native American

WOMAN ON HORSEBACK, color lithograph, signed in white pencil and inscribed AP (artist’s proof), blind stamp lower left, sheet 30 Ό x 22 ½”, framed.

In apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

128

Kevin Red Star (b. 1943) Native American

CHIEF, color lithograph, signed in white pencil, numbered 41/150, blind stamp lower left, sheet 30 Ό x 22 ½”, framed.

Soft crease lower light visible in raking light, otherwise in apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

129

Paul Robert (1857-1925) French

THE STORM, oil painting on canvas, a signature not found, 51 Ό x 72 Ό”, professionally re-lined, framed. Provenance: Galerie Michael Beverly Hills gifted to a Santa Barbara Museum.

Clean surface with some prior craquelure lines, otherwise in good condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

130

Ron Stewart (b. 1941) Arizona

CAMP COTTONWOOD, oil painting on canvas, signed lower left, 40 x 30”, framed. Provenance: Western Artists of American, 2003 Branding Iron Show, Second Annual Exhibition (illustrated in catalogue).

In good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

131

Ron Stewart (b. 1941) Arizona

GUARDING THE STRONGHOLD, oil painting on canvas, signed lower left, 40 x 30”, framed. Provenance: Purchased directly from the artist.

In good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

132

Ron Stewart (b. 1941) Arizona

WINTER SHADOWS, oil painting on canvas, signed lower left, signed and title on verso, 24 x 18”, framed. Provenance: Purchased directly from the artist.

In good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

133

Ron Stewart (b. 1941) Arizona

DOUBTFUL OUTCOME, oil painting on canvas, signed lower left, 10 x 24”, framed. Provenance: Purchased directly from the artist.

In good studio condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

134

Ron Stewart (b. 1941) Arizona

HIGH TAILIN’ IT, watercolor on paper, signed lower left, sight 14 Ό x 21 Ό”, framed with glass, signed on verso of frame. Provenance: Purchased directly from the artist.

Small crease upper left corner, otherwise in apparently good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

135

Gary Swanson (1941-2010) Arizona

MULE DEER, color print, signed in pencil, numbered 120/300, image 28 x 21”, with full margins, framed with glass.

In apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

136

Trevor V. Swanson (b. 1968) Arizona/ California

OUT OF THE DEEPENING SHADOWS (Elk), oil painting on canvas, signed lower right, 24 x 30”, framed. Provenance: Legacy Gallery, Scottsdale.

In good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

137

Trevor V. Swanson (b. 1968) Arizona/ California

RIVER VIEW (Bear), oil painting on canvas, signed lower right, 10 x 12”, framed. Provenance: Legacy Gallery, Scottsdale.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

138

Trevor V. Swanson (b. 1968) Arizona/ California

ZEBRAS GRAZING, oil painting on canvas, signed lower right, 12 x 18”, framed. Provenance: Purchased directly from the artist.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

139

Howard A. Terpning (b. 1927) Arizona

SOLITUDE, 2004, color giclιe on canvas, signed and dated and numbered 322/550 lower left, 10 x 15”, framed.

In good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

140

Kent Ullberg N.A. (b. 1945) Texas

TORO BRAVO, cast bronze sculpture with green patina, signed, numbered 19/30, size 17 x 17 x 7 ½”, with 2” marble base. Provenance: Autry Museum.

Dust accumulation, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

141

Loet Vanderveen (1921-2015) California

HIPPOPOTAMUS, cast bronze with brown patina, signed and numbered 58/250 underneath, 4 Ό x 9 x 3 ½”. Provenance: Gumps Beverly Hills.

Some blemishes to patina, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

142

Loet Vanderveen (1921-2015) California

RHINOCEROS, cast bronze with brown patina, signed and numbered 31/500 underneath, 5 Ύ x 11 ½ x 3 ½”. Provenance: Gumps Beverly Hills.

Some blemishes to patina, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

143

Style of Loet Vanderveen & Marco (three)

GAZELLES, two cast bronze sculptures with golden brown patinas, 12 Ό & 7 Ό” tall; Together with Marco HORNED ANIMAL, cast bronze sculpture with color patinas, signed underneath, 3” tall. (3)

One Gazelle with a few surface blemishes, otherwise all in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

144

Curt Walters (b. 1950) Arizona

EAST RIM VISTA, oil painting on canvas artist’s mounted to foamcore with artist’s stamp on verso, signed lower left, 6 x 8”, framed. Provenance: Trailside Gallery, Sedona.

In good studio condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

145

Curt Walters (b. 1950) Arizona

WINTER GRANDEUR REVEALED, artist-enhanced color giclιe on canvas, signed or inscribed and numbered 656/980 on verso, 24 x 36”, framed.

In good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

146

Gregory Wilhelmi (b. 1943) Montana

OGDEN THEATRE, 1992, oil painting on panel, signed and dated lower right, 11 ½ x 24 ½”, framed.

In good studio condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

147

Larry Yazzie (20th/ 21st Century) Arizona

PRAYING FOR MORNING WATER, 1989, carved steatite sculpture with wood, metal and abalone appointments, signed, 43” tall, on wood stand. Provenance: Lanning Gallery, Sedona, AZ.

Some small nicks and scrapes, a 3” scrape near base, otherwise in good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

148

Joan Zygmunt (20th Century) American

SAW WHAT OWL, cold painted cast bronze sculpture with dark patina, signed and numbered 9/75, size 5 Ό” tall with wood base. Provenance: Purchased directly from artist.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

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