Clark's Fine Art Gallery & Auctioneers Inc.
Contact Consignments Past Sales Catalog Index Bids Special
Catalog without illustrations
Auction Saturday January 21st at Noon.
1
Dan Abramson
(20th Century)
American
DECEMBER SUN IX, 1994, lost paper collage, signed and dated lower right, 13 1/8
x 9, framed. Provenance: Louis Stern Fine Arts, West Hollywood
$200/400
2
Yaacov Agam
(b. 1928) Israeli
(five)
METAMORPHOSIS SUITE (petite), set of five color screenprints, each signed in
pencil, from the numbered edition 180, sheets 12 ¼ x 12 ¼”. (5)
$1000/1500
3
Yaacov Agam
(b. 1928) Israeli
(five)
METAMORPHOSIS SUITE (jumbo), set of five color screenprints, each signed in
pencil, from the numbered edition 180, sheets 36 ¼ x 50”, all with a few soft
handling creases, all with small curvature at sheet edges from being stored in
tight drawer, otherwise all in good condition except: one with smudges and
scuffs, a small scrape in margins, and pale toning from improper storage; one
with creases and printer’s creases lower left corner margin; one with a small
printer’s crease lower left sheet edge; one with soft crease upper right corner;
one with alternative addition number not matching other four and with toning,
smudges, small old non-archival hinge residue on recto and verso sheet edges and
creases upper sheet edge. (5)
$2000/4000
4
Salvadore Lucas Alemany
(b. 1959) Mexican
UNTITLED RED, 1995, acrylic painting and
charcoal on thick paper, signed lower right, sheet 29 ½ x 41 ¼”, with smudges,
otherwise in good condition.
$800/1200
5
Salvadore Lucas Alemany
(b. 1959) Mexican
UNTITLED COPPER, 1995, acrylic painting and
charcoal on thick paper, signed lower right, sheet 29 ½ x 41 ¼”, with smudges,
otherwise in good condition.
$800/1200
6
Salvadore Lucas Alemany
(b. 1959) Mexican
UNTITLED YELLOW, 1995, acrylic painting and
charcoal on thick paper, signed lower right, sheet 29 ½ x 41 ¼”, with smudges,
studio touch-up in margins, otherwise in good condition.
$800/1200
7
Peter Alexander
(b. 1939) Californian
(five)
LOCUS, 1992, five (of the
same) color lithographs on black paper, all signed in pencil, from the numbered
editions 100, sheets 30 x 31”. (5)
$1000/1500
8
Geoffrey Allen
(20th Century) American
SQUEAK, 1999, ink drawing on
paper, signed on verso?, 30 x 20”, framed, a few soft handling creases,
otherwise in good condition. $400/600
9
Sunol Alvar
(b. 1935) Spanish
PERSONAGE, color lithograph, signed in pencil, from the numbered edition 120,
sheet 21 x 28 ¾”, framed, otherwise in good condition.
$200/300
10
American School
(20th Century)
AMERICANA STREET SCENE,
watercolor on paper, signed lower left, sight 10 ½ x 14 ¼”, framed with glass,
mild toning, otherwise in good condition.
$100/200
11
Karel Appel
(1921-2006) Dutch
CAT
ON CAT ON GREEN, color screenprint, signed in pencil, from the numbered edition
50, image 18 ½ x 23 ¼”, full margins, framed with glass, pale discoloration
lower margin, soft handling creases mainly in the margins, otherwise in good
condition.
$600/900
12
Karel Appel
(1921-2006) Dutch
CIRCUS CLOWN, color wood engraving, signed in pencil, from the numbered edition
130, sheet 30 x 22 ¼”, framed with glass, a few stray ink marks, otherwise in
good condition.
$1000/2000
13
Karel Appel
(1921-2006) Dutch
BLUE
RED YELLOW ANIMAL FIGURE, color screenprint, signed in pencil, printer’s proof
aside from the numbered edition, Atellier Dumas blindstamp lower right, sheet 21
½ x 29 ½”, framed, a few soft handling and printer’s creases, otherwise in good
condition.
$500/800
14
Karel Appel
(1921-2006) Dutch
TETE
MONTAGNE II (MAEGHT 1985 p.19), 1976, color aquatint etching, signed in pencil,
from the numbered edition 75, image 27 x 35 ¼”, full margins, framed, a few
small surface scuffs, otherwise in good condition.
$1000/2000
15
Karel Appel
(1921-2006) Dutch
BROADWAY FACE, 1975, color carborundum gravure, signed in pencil, from the
numbered edition 150, image 23 x 28 ¼”, full margins, a few soft creases and
speckles in margins, framed with glass, otherwise in good condition.
$1000/2000
16
Karel Appel
(1921-2006) Dutch
UNTITLED FIGURE, color lithograph, signed in pencil, from the numbered edition
175, sheet 29 ¼ x 21 ¼”, framed.
$500/800
17
Fernandez Arman
(1928-2005)
GUITARS IN MOTION, 1980,
color screenprint, signed in pencil, from the numbered edition 150, sheet 25 ½ x
39”, stamped copyright A. L. Freilich on verso, some wear at sheet edges,
surface soiling on verso, otherwise in good condition.
$600/900
18
Skip Arnold; Alexander Gil; Maximilian Von Moll
(20th / 21st
Century) (four)
Skip Arnold,
ACTION, 1997, Reg. #1302; ACTION, 1997, Reg.
#1303, a pair of black & white Polaroid photographs, each signed and dated on
verso, both 4 x 5”, framed. Provenance: Roberts & Tilton Gallery; Together with
Alexander Gil, ALEX AND HER,
1994, diptych, two color R-prints, each 19 ½ x 15 ½”, both framed with glass;
Together with Maximilian Von Moll,
VAN GOGH, 1998, color photograph, sight 13 x 10”, framed with glass, kink
at right sheet edge, otherwise in good condition. (4)
$500/800
19
Michael Arnst
(20th/ 21st Century) Californian
UNTITLED, hand-built
monumental ceramic sculpture, 41” tall, 33” diameter at widest point tapering to
a 3” wide rim, some small inconspicuous chips, otherwise in good condition.
$5000/8000
20
Guillaume Azoulay
(b. 1949) Moroccan
HARLEQUIN HORSES, 2010, color screenprint with gold leaf background, with a 2 ½”
circular pen and ink drawing in the lower left margin, signed in pencil, from
the numbered edition 100, image 27 ¼ x 45 ¾”, framed, a few fingerprints in gold
leafing, otherwise in good condition.
$600/900
21
Don Bachardy
(b. 1934) American
SEATED NUDE, gouache and
pencil on paper, signed lower left, 31 ¼ x 23”, framed with glass, pale staining
upper right sheet edge, soft creases, crease lower center sheet edge, faint
toning, otherwise in good condition.
$1500/2500
22
Alfredo Barbini
(1912-2007) Italian
Hand-blown glass vase, signed
and inscribed Murano underneath, 12” tall, 5 ½” diameter, small normal scratches
underneath associated with use, otherwise in good condition.
$800/1200
23
Bill Barminski
(20th Century)
American
CONSUME, enamel with collage and aging technique on canvas over panel, signed on
verso along with extensive marker drawing, 24 x 24”. Provenance: Robert Berman
Gallery
$1000/2000
24
Leonard Baskin
(1922-2000)
& Chaim Gross
(1904-1991) (two)
Leonard Baskin,
REMBRANDT, etching, signed in pencil, from the
numbered edition 200, plate 2 ½ x 4”, large margins, framed with glass; Together
with Chaim Gross, HAPPY
MOTHER, 1975, color lithograph, signed in pencil, from the numbered edition 150,
image 12 x 19 ½”, full margins, curled and toning on verso from being stored in
tube, otherwise in good condition. (2)
$100/200
25
Keith Bays
(20th Century) American
DC.EC.3C, OC, 2002, acrylic
painting on cardboard box top with tags by Hyde K25, signed on verso, 13 ¼ x 18
x 2”. Provenance: Susanne Vielmetter, Los Angeles Projects
$200/400
26
Chris Beas
(20th/21st Century) American
UNTITLED (THE ONLY TRUE ORDER
OF STATE); UNTITLED (I LOOK IN THE MIRROR); UNTITLED (ABANDON ALL HOPE);
UNTITLED (HERE IS STAND, I CANNOT DO OTHERWISE), 2002, four marker, watercolor
and pencil drawings on paper, all initialed and dated on verso, each 12 x 9”,
framed. (4)
$400/800
27
Larry Bell
(b. 1939) American
BARCELONA # 1, 1988, color lithograph, signed in pencil, from the numbered
edition 75, sheet 30 x 22”.
$200/400
28
Larry Bell
(b. 1939) American
BARCELONA # 7, 1988, color lithograph, signed in pencil, from the numbered
edition 75, sheet 30 x 22”, minor rub spot at H. C. designation, probably to
correct the numbering, otherwise in good condition.
$200/400
29
Jesse Bercowetz/ Matt Bua
(20th Century)
BETTER THAN A “WHAT IF?”
PARRALLEL UNIVERSE IS THE “WHAT THE ‘?’ PERDENDICULAR ONE, 2005, acrylic
painting and toothpicks on paper, titled signed and dated on verso, 11 x 14”.
Provenance: Derek Eller Gallery, NYC
$200/400
30
Harold Berkowitz
(20th Century) American
(two)
LANDSCAPE, 2000, oil painting
on canvas, signed and dated lower right, 20 x 30”; SEASCAPE, oil painting on
canvas board, 20 x 24”, both framed. Provenance: Acquired directly from artist
by present owner. (2)
$200/400
31
Joseph Biel
(20th/ 21st Century)
American (four)
UNTITLED 11 (man in bowtie);
UNTITLED (open eyes); UNTITLED 16 (garden hose), 2001; UNTITLED (teacher
hanging), 2002, four pencil drawings on paper, each signed, all 11 x 7 ½” and
framed with glass, a few slight hinge impressions upper corner areas, otherwise
all in good condition. Provenance: Roberts & Tilton Gallery (4)
$800/1200
32
Kari Bienert
(20th Century) Australian
SYDNEY, 2005, oil painting on
canvas, signed, titled and dated on verso, 60 x 48”, a few scuffs and minor
scrapes, otherwise in good condition.
$800/1200
33
Kari Bienert
(20th Century) Australian
PASH, 2004, oil painting on
linen, signed, titled and dated on verso, 59 x 47 ¼”, small spiral crack lower
center, a few scuffs, small crack lower left, otherwise in good condition.
$800/1200
34
Kari Bienert
(20th Century) Australian
SPUNK BUBBLE, 2003, oil
painting on linen, signed, titled and dated on verso, 42 ½ x 38”, some scuffs
and minor wear at edges, otherwise in good condition.
$600/900
35
Kari Bienert
(20th Century) Australian
CRISS-CROSS, 2005, oil
painting on linen, signed, titled and dated on verso, 42 ½ x 38”, small losses
lower center at upper left, small losses at perimeter, otherwise in good
condition.
$400/600
36
Chris Birchby; Maynard Monrow; David Patton
(20th / 21st
Century) American (three)
Chris Birchby,
UNTITLED, 2002, acrylic painting on paper, 12 x
9”, signed on verso?, framed with glass; Together with
Maynard Monrow, UNTITLED,
2001, stretchers and white patent leather, 18 x 20”; Together with
David Patton, ARE YOU THE MOST
BRILLIANT, 1998, oil, acrylic and Mylar on birch plywood, titled signed and
dated on verso, 13 ¾ x 13 ¾”, in apparently good condition. Provenance: Margo
Levin Gallery, Los Angeles. (3)
$400/600
37
Irving Block
(1910-1986) Californian
TABLE, watercolor and pencil
on paper, signed lower left, 10 ¼ x 7 ¼”, framed with glass, a few soft handling
creases, mainly visible in raking light, otherwise in good condition.
Provenance: Ankrum Gallery, Los Angeles
$200/400
38
Bob & Bob
(Paul
Bob & the dark Bob)
(20th Century)
Americans
I’M NOT SURPRISED, 1982,
plaster, acrylic, objects and eye-piece, signed and dated and inscribed
underneath, with artist’s rubber stamp, 8 ¾” x 8 ½ x 8 ½”.
$200/400
39
Jonathan Borofsky, Laddie John Dill, William
Crutchfield &
Joan Miro
(five)
Jonathan Borofsky,
2907882, 1986, color poster, 78 x 23 ½”, published by LACMA; VENICE ART WALK,
1987, color poster, signed in marker, 36 x 24”, framed with glass, some fading;
Together with Laddie John Dill,
Works Gallery exhibition poster, signed in marker, 25 x 33 ½”, framed with
glass, creases and printer’s creases; Together with
William Crutchfield, ART &
TECHNOLOGY, 1971, color screenprint poster, signed in pencil, from the numbered
edition 300, printed by Gemini G. E. L., blindstamp, published by LACMA;
Together with Joan Miro
UNTITLED, 1969, color lithograph poster, 31 ½ x 22 ½”, printed by Mourlot,
published by Pasadena Art Museum, framed, soft handling creases, otherwise all
in good condition. (5)
$200/400
40
after
Georges Braque (1882-1963)
by Jacque Villon
NATURE MORTE (G&P E636),
1923, color aquatint etching with roulette, signed in pencil by Braque, from the
numbered edition 200, plate 23 ¼ x 8 ¾”, full margins, published by Bernheim
Jeune Editeurs, Paris, framed, some fading, discoloration and toning, otherwise
in apparently good condition.
$3000/5000
41
Gerald Brommer
(b. 1927) Californian
VIEW OF CANYON BRIDGE, 1965,
watercolor on paper, signed and dated lower left, sight 17 x 23”, framed.
$400/800
42
Alex Brown
(b. 1966) American
PRESENCE CHAMBER, 1998, oil
painting on canvas, titled signed and dated on verso, 68 x 60”. Feature Inc. NYC
$6000/9000
43
Lutz Bruan
(b. 1976) German
NOVEMBER WINTER, acrylic painting on cabinetry panel, titled and signed on
verso, 42 ¼ x 24”.
$500/800
44
Mark Bryan
(20th Century) American
VENUS AND THE BURNING
TEMPLES, 2004, oil painting on panel, 36 x 48”, signed and dated lower right.
Provenance: Acquired directly from the artist.
$4000/5000
45
Mark Bryan
(20th Century) American
LAST OF THE MERLOT, color
Giclee on canvas, signed and numbered on verso, from the numbered edition 150,
18 x 24”, framed.
$400/600
46
Jerrod Bruchman
(b. 1939) American
BLUE BIRD, 1976, mixed media
collage on panel, signed and dated on verso, 14 x 11”.
$800/1200
47
Sergio Bustamante
(b. 1942) Mexican
TOUCAN, hand-painted papier
mache multiple, signed and inscribed artist’s proof, with metal suspension bar,
height from feet to chain 22”, width overall 16”, 18” deep.
$200/400
48
Alexander Calder
(1898-1976) American
CRAGS & CRITTERS, 1975, color
lithograph, signed in pencil, from the numbered edition 150, sheet 30 ¼ x 22”,
soft handling creases and toning, otherwise in good condition.
$800/1200
49
Alexander Calder
(1898-1976) American
FOUR ARCHES, 1974, color
lithograph, signed in pencil, from the numbered edition 150, sheet 27 ¾ x 22 ¼”,
framed. This image has been sent to the Calder Foundation for inclusion in the
upcoming catalogue Raisonne of Calder’s graphic work. Calder produced this image
as a massive steel sculpture commissioned for the Security Pacific Corporation
in downtown Los Angeles. The sculpture is featured on the cover of the hardbound
book ‘Security Pacific Selected Works 1970-1985’.
$1000/1500
50
Brian Calvin
(b. 1969) Californian
DUD, 2002, ink drawing on
paper, initialed and dated lower right, 14 x 10”, framed. Provenance: Marc Foxx
Gallery
$600/900
51
Alfio Castelli
(b. 1917) Italian
COLLOQUIO,
1952, cast bronze sculpture, signed, 60 x 40 x 48”, weathered, otherwise in good
condition. Provenance: David Bright
Collection
$20,000/40,000
52
Marc Chagall
(1887-1985) Russian/ French
ARTIST’S FAMILY (M.679),
color lithograph, signed in pencil, from the numbered edition 50, sheet 29 x 18
½”, framed, extremely pale discoloration at sheet edges, otherwise in good
condition.
$15,000/20,000
53
Stephen Chambers
(b. 1961) British
SUPINATE, 1999, oil painting
on canvas, signed and dated on verso, 48 x 59 ½”.
$4000/8000
54
Stephen Chambers
(b. 1961) British
TINTO, 2003, oil painting on
canvas, signed and dated on verso, 40 x 48”. Provenance: Flowers East, London
$4000/8000
55
Sydney Chasten-Chapman
(b. 1979) American
(two)
UNTITLED #9, (BRICK DRESS), 2005, color pencil ink marker and watercolor on
paper, 11 x 9 ½”, framed, UNTITLED (TWO TREES), 2005, color pencil ink marker
and watercolor on paper, 11 3/4 x 9”, both framed. Provenance: Roberts & Tilton
(2)
$200/400
56
Jesse Chapman
(b.1974) American
THE
SHOT, 2006, oil painting on canvas, signed, titled and dated on verso, 48 x 53”.
$2000/4000
57
Philip Chiang
(20th Century) American
(two)
PLANE IN THE SKY; COW, 1982,
two color screenprints, each signed in pencil, from the numbered editions 30,
images 31 ½ x 26 ¾” & 20 ¾ x 23 ½”, both with full margins and framed, smaller
with glass, a few soft handling creases, otherwise both in good condition. (2)
$100/200
58
R. Clark
(20th Century) American
RETURN OF THE HUNTER, cast
bronze sculpture with golden-brown patina, signed lower center, 13 ½ x 33 ½ x
10”, a few small blemished and rub spots, otherwise in good condition.
$1000/2000
59
Alejandro Colunga
(b. 1948) Mexican
A
PUENTE Y MACEJON, oil painting on canvas, titled and signed on verso, 12 x 16”,
framed, surface soiling, diagonal craquelure, otherwise in good condition
$1500/2500
60
Contemporary Photography
(20th Century)
HANDS, gelatin silver print,
signed lower left, 6 ½ x 9”, framed with glass.
$200/400
61
Contemporary School
(20th Century) American
UNTITLED GRAY SCALE, latex painting on canvas, signed on verso, 72 x 36”, faint
fingerprints and smudges around perimeter, otherwise in good condition.
$600/900
62
Contemporary School
(20th Century)
UNTITLED, 1983, lacquered and
painted finished steel with incised granite, signed Leonard? Sk?*** and dated on
verso, 22 ½” x 47 ½” x 2 ½”, tiny blemish extreme left edge, otherwise in good
condition.
$400/600
63
Parnell O. Corder; Taft Green
(b. 1972) American
(four)
Parnell O. Corder
UNTITLED, 2000, pastel and graphite on paper, 24
x 18”, framed; UNTITLED, 2000, a pair of watercolors on paper, each 11 x 7 ½”,
both framed; Together with Taft Green
CONCEPT CONIC I; POINTS, LINES, PLANES, 2004, color Giclee, signed in
pencil, from the numbered edition 100, sheet 18 x 24”, framed. (4)
$500/800
64
Michael Coughlan & Jory Felice
(20th/ 21st Century)
American (four)
ANIMALS; IT DOESN’T TASTE
LIKE CHICKEN; SPINOZA’S BACK; UNTITLED (Cat Shoe), 1998, four diptychs, each
with two ink drawings on two sheets of paper, one initialed lower right, sheets
11 x 8 ½” & 11 ¾” x 9”, framed, in good studio condition. Provenance: Works On
Paper, Los Angeles. (4)
$2000/3000
65
Luis Jose Cuevas
(b. 1934) Mexican
UNTITLED, 1972, color lithograph on paper and card-stock collage, signed in
white pencil, from the numbered edition 150, sheet 30 x 22 ½”, published by
Graphic Arts Council, LACMA, framed, natural diminishing in blue area at right
like all in the edition, otherwise in good condition.
$300/500
66
John Steuart Curry
(1897-1946) American
PRIZE
STALLIONS (C.31), 1938, lithograph, signed and titled in pencil, edition of 250,
image 12 ¾ x 8 ¾”, full margins, AAA Publishing, framed, a couple of tiny specks
lower margin, otherwise in good condition.
$1000/1500
67
Salvador Dali
(1904-1989) Spanish
(two)
SURREALISTIC FLOWERS
(F.80-10-A, 80-10-B; M.1571, 1572), 1979, portfolio of two color lithographs,
each signed in pencil, from the numbered edition 350, sheets 29 ¼ x 21”, printed
by Dumas, blindstamp, published by Levine & Levine, in original case (slightly
warped not affecting prints), otherwise in good condition. (2)
$800/1200
67 A
Salvador Dali
(1904-1989) Spanish
LADY
BLUE (F.79-10; M.1516), 1979, color lithograph, signed in pencil, from the Roman
numeral edition 150 on Arches paper, printed by Dumas, published by Levine &
Levine, with the Dalart NV blindstamp lower right, sheet 29 ½ x 21 ½”, a few
soft handling creases in margins visible at certain angles, otherwise in good
condition.
$500/800
67 B
Salvador Dali
(1904-1989) Spanish
THE
KINGDOM (F.80-2; M.1567), 1979, color lithograph, signed in pencil, from the
numbered edition 350 on Arches paper, printed by Dumas, published by Levine &
Levine, with the Dalart NV blindstamp lower right, sheet 29 ½ x 21 ½”.
$500/800
67 C
Salvador Dali
(1904-1989) Spanish
DIAMOND HEAD (F.80-3; M.1580), 1979, color lithograph, signed in pencil, from
the numbered edition 350 on Arches paper, printed by Dumas, published by Levine
& Levine, with the Dalart NV blindstamp lower right, sheet 29 ½ x 21 ½”, a few
soft handling creases in margins visible on verso in raking light, small crease
upper left corner, faint discoloration line upper left, otherwise in good
condition.
$500/800
67 D
Salvador Dali
(1904-1989) Spanish
RENAISSANCE (F.78-9; M.1561), 1979, color lithograph, signed in pencil, from the
numbered edition on of 75 artist’s proofs on Japan paper, printed by Dumas,
published by Levine & Levine, with the Dalart NV blindstamp lower right, sheet
29 ½ x 21 ½”, a printer’s crease in upper left margin, a crease in the lower
left corner with a small paper loss, otherwise in good condition.
$500/800
68
Salvador Dali
(1904-1989) &
Louis Icart (1888-1950)
(two)
Dali,
DIVINE COMEDY SERIES, 1964, color woodblock print, image 10 ¼ x 7 ¼”, full
margins, authenticity stamped and signed by Frank Hunter president of Salvador
Dali Archives on the verso; Together with
Louis Icart, CAMILLA, etching
with hand coloring, bearing pencil signature lower right, plate 10 ½ x 7 ½”,
full margins, both framed in matching frames.
(2)
$200/300
69
Woods Davy
(b. 1949) American
JALISCO Project for the
Bernsteins, 1987, maquette of stone, wood, pins, board with pencil dimensional
instructions, signed and dated, 13 ½ x 8 x 6”, in a Plexiglas box, some pieces
detached.
$500/800
70
Linda A. Day
(20th/ 21st Century)
American
DOMESTIC CONSTRUCTION, 2005,
mixed media on paper, 11 x 11 ½”, framed, with shelve, brackets and clamp mirror
apparatuses, in good studio condition.
$500/700
71
Decorative arts: Artisan silverware
(twenty-seven)
Patino & Wolf Ltd., stainless
blackened flatware by Ron Marotto, six piece service for four, each with two
folks and two knives and two spoons, together with an additional salad folk and
spoon and a butter knife, twenty-seven pieces total, all in generally good
condition except a small service knife with scrapes and scratches at tip
probably from exposure to a garbage disposal. (27)
$250/350
72
Decorative arts: Correia glass
GLASS BOWL, 1994, black and
white incised bowl, signed underneath, 6 ¼” diameter, minor scuffs and scratches
underneath from normal wear, otherwise in good condition.
$100/200
73
Decorative art: Ammonite Fossils
A group of three Ammonite
fossils: the first a massive 16” diameter, the second a large 13” diameter, the
third 7 ½” diameter, one with a steel stand. (3)
$500/800
74
Decorative art: Glass & ceramics
(20th Century)
(four)
A hand-blown pink glass bowl,
3” tall, 5 ½” diameter, signed and dated underneath; Together with three ceramic
vessels, all painted and glazed in colors, the first 8 ½” diameter bowl, the
second a floral vase, 6 ½” tall, signed underneath, and the third a 4 ¾” pinch
pot. (4)
$100/200
75
George De Groat
(1817-1995) American
(two)
DAVID THE WARRIOR; AURORA,
two oil paintings on canvas, each signed lower right, both titled and signed on
verso, both 48 x 36”, David with 1” tear in hand upper right, Aurora with
cracking throughout, small repair lower center, possibly by artist, otherwise
both in good condition. Provenance: acquired directly from artist by previous
owner (2)
$400/600
76
John Demos
(20th/ 21st Century) Greek
(three)
RETURN OF THE MASTER, 1997,
triptych, three color-prints, from the editions 5, sights 13 ½ x 35 ½”, framed,
overall 67 ¼ x 48 ¼”. (3)
$800/1200
77
Glanni Dessi
(b. 1955) Italian
UNTITLED, 1988, mixed media on three sheets of overlaying paper, 31 x 23”
$1000/2000
78
Stef Driesen
(20th Century) Belgium
UNTITLED, 2003, oil painting
on linen, 51 ¼ x 47 ¼”, signed and dated on the verso.
$2000/3000
79
Barry Dukoff
(1941-2011) American
UNTITLED RED/BLACK, 1982,
four of the same color screenprints to create interchangeable designs, one
signed and dated and inscribed in pencil, artist’s proof aside from the numbered
edition , each sheet 22 x 29 ½”, each framed in Plexiglas boxes, some with
surface scuffs, one with cockling and associated scuffs, otherwise all in good
condition. (4)
$100/200
80
Tomata Du Plenty
(1948-2000) American
(two)
UNTITLED, (Screamers
Self-Portrait); UNTITLED, (Screamers Tommy Gear), 1998, a pair of acrylic and
mixed media drawings and text Xerox, each signed and dated, 9 ½ x 7 ½”, both
framed with glass and in good studio condition.
(2)
$300/500
81
Ethnic Art: African
(two)
Vigango memorial post, carved
and painted wood, 61” tall, attached to metal stand, 64” tall with stand,
weathered and aged, otherwise in good condition. Provenance: Ernie Wolfe
Gallery, Los Angeles; Together with a carved wood stool, 6 ½” tall, 10”
diameter. (2)
$1000/2000
82
Ethnic Art: African
Vigango memorial post, carved
and painted wood, 73” tall, attached to metal stand, 75” tall with stand,
weathered and aged, otherwise in good condition. Provenance: Ernie Wolfe
Gallery, Los Angeles
$1000/2000
83
Ethnic Art: African
A Punu Mask, Gabon, a carved
and painted wood, 11 ¾” x 6 ½ x 7 ½”, a few nicks, scuffs, crapes and scratches,
otherwise in good condition.
$2000/4000
84
Ethnic Art: African
(three)
A Ibo Mask, Nigerian, carved
wood with some finish, 10 x 7 x 4 ¾”, some losses; Together with Bambara Mask,
Mali, carved wood with some finish, 12 ½ x 7 x 4 ½”; Together with African Mask,
carved and painted wood, 12 ¾ x 8 ¼” x 5”, all in weathered and or aged
condition. (3)
$500/800
85
Ethnic Arts: African
Ceremonial leather headdress with extensive beading, 17” tall, with metal stand,
with detachable bird on top, some soiling and wear, otherwise in good condition.
$600/900
86
Ethnic Art: North American
(two)
FIGURE HOLDING BOWL, carved
and painted wood sculpture, 20 x 12 x 13”, with wear from age or weather;
Together with a stone mortar & pestles, bowl 5 ¼ x 8 x 8”, pestles 8” & 5”. (2)
$200/300
87
Ethnic Art: Oceanic
BOAT WITH THREE HEADS, carved
and painted wood sculpture, 29 x 5 x 5”.
$100/200
88
Ethnic Art: South American
AMAZON CHIEF’S VEST, ornately
hand-decorated textile with Toucan application, framed in Plexi box, 37 ½ x 23 ½
x 5 ½”, some of the beads detached at bottom of box.
$400/800
89
Shepard Fairey & Mike Giant
(collaboration);
Friends With You; Victor Safonkin
(b. 1967) Mordovina (Russia)
(three)
TRIBAL, 2005, color
screenprint, signed in pencil, by both artists, from the numbered edition 450,
sheet 24 x 18”, a few soft handling creases, otherwise in good condition;
Together with Friends With You,
MALFI MOUNTAIN, color screenprint, signed in pencil by Sam & Tury, from
the numbered edition 150, image 27 ¼ x 21 ½”, with blindstamps in the full
margins, framed; Together with Victor
Safonkin, THE SOCIETY OF GOOD INTENTIONS AND HIDDEN AIMS, color Iris
print, signed in pen, from the numbered edition 150, sheet 12 ½ x 29”, some
small amounts of hinge residue on the verso, otherwise in good condition. (3)
$600/900
90
Ian Falconer
(b. 1959) American
HOLLYWOOD BOWL, oil painting
on canvas, 40 x 30”, framed.
$1000/2000
91
G. Fellman
(20th Century)
THE COUPLE, cast bronze
sculpture, signed, 5 ½” tall, mounted to 3” wood base.
$400/600
92
Sam Francis
(1923-1994) American
TWENTIETH ANNIVERSARY OF THE
AMERICAN FILM INSTITUTE (SFS.333), 1987, color screenprint, signed in pencil,
from the numbered edition 115, sheet 34 x 22”, published by the artist, printed
at La Paloma, framed.
$1000/1500
93
Sam Francis
(1923-1994) American
MISTY
SAILS (I.6; SFE.2E), 1973, aquatint etching, signed in pencil, artist’s proof 10
aside from the numbered edition 40, image 15 ¾ x 17 ¾”, sheet 25 x 35”,
published by 2RC Italy, a few soft handling creases in lower sheet edge,
otherwise in good condition.
$800/1200
94
Sam Francis
(1923-1994) American
UNTITLED (L.170; SF.189), 1974, five-color lithograph, signed in pencil, from
the numbered edition 30, sheet 22 ¼ x 30”, printed by George Page, published by
The Litho Shop.
$1000/1500
95
Sam Francis
(1923-1994) American
UNTITLED (L.176; SF.196), 1975, lithograph, signed in pencil, from the numbered
edition 28, sheet 38 ¼ x 28”, printed by George Page, published by The Litho
Shop, a couple soft handling creases, mainly visible on verso in raking light,
otherwise in good condition.
$1500/2000
96
Sam Francis
(1923-1994) American
UNTITLED (L.205; SF.213), 1976, four-color lithograph, signed in pencil, from
the numbered edition 30, sheet 30 ¼ x 22”, printed by George Page, published by
The Litho Shop.
$800/1200
97
Sam Francis
(1923-1994) American
FIRST
COPPER (I.7; SFE.2G), 1973, four-color aquatint etching, signed in pencil,
artist’s proof 10 aside from the numbered edition 60, image 11 ¾ x 9”, sheet 21
½ x 15 ¾”, published by 2RC Italy.
$1000/1500
98
Sam Francis
(1923-1994) American
METAL
FIELD I (I.5; SFE.2C), 1973, gray & black aquatint etching, signed in pencil,
from artist’s proof 10 aside from the numbered edition 40, image 29 x 35 ½”,
sheet 39 ½ x 46 ½”, published by 2RC Italy, very faint toning at sheet edges,
faint discoloration left margin, otherwise in good condition.
$2000/2500
99
Sam Francis
(1923-1994) American
UNTITLED (L.213; SF.240), 1976, lithograph, signed in pencil, from the numbered
edition 20, sheet 29 ½ x 41 ½”, printed by George Page, published by The Litho
Shop, soft handling creases, mainly visible on verso in raking light, otherwise
in good condition.
$800/1200
100
Monique Frydman
(b. 1943) American
JAUNE MAJEUR III, 1988,
pigment, color pastel and oil painting on canvas, titled signed and dated on
verso, 86 x 76”, a few smudges, otherwise in good condition. Provenance: Baudoin
Lebon, Paris
$12,000/18,000
101
Monique Frydman
(b. 1943) American
UNTITLED, 1988, color pastel
and paint on paper, signed and dated lower right, sight 39 x 25”, framed with
glass.
$1000/1500
102
Monique Frydman
(b. 1943) American
UNTITLED, 1988, color pastel
on paper, signed and dated lower right, 27 ¾ x 39 ¼”, framed with glass, in good
studio condition. Provenance: Galerie Baudoin Labon, Paris
$1000/1500
103
Daniele Galliano
(b. 1961) Italian
UNTITLED DIPTYCH (TABLE
TALK), 1997, oil painting on two canvases, each 16 x 20”, overall 16 x 40”.
Provenance: Annina Nosei Gallery, NYC
$3000/5000
104
Guiseppe Gallo
(b. 1954) Italian
UNTITLED #6, 1993, mixed media on paper, 9 ¼ x 6 ½”, framed.
$2000/3000
105
Jeff Gambill
(20th Century) American
UNTITLED YELLOW GARDEN, 1997,
oil painting on canvas, inscribed Clay 1997 on verso, rubber stamped Clay 1997
on verso, 60 x 72”, framed. Provenance: Rosamund Felsen Gallery, Santa Monica
$1000/2000
106
James Gill
(b. 1934) American
BUST OF A NUDE WOMAN, 1966,
oil painting on canvas, signed and dated lower right, 48 x 40”, slat frame,
Felix Landau inventory number 7301 on verso, surface soiling, minor scuffs, a
few dimples, otherwise in good condition.
$2000/3000
107
James Gill
(b. 1934) American
RECLINING WOMAN, 1964, grease
crayon on Masonite, signed and dated lower left, 22 ½ x 15 ½”, framed, surface
soiling, minor edge wear, impact blemish with tiny loss at elbow, otherwise in
good condition. Provenance: Felix Landau Gallery
$1000/2000
108
James Gill
(b. 1934) American
RED LADY, 1963, grease crayon
painting on gesso-ed board, signed and dated lower left, 22 x 13”, surface
scuffs, soiling, otherwise in good condition. Provenance: Felix Landau Gallery
$1000/2000
109
James Gill
(b. 1934) American
LEANING NUDE MAN, oil
painting on canvas, 44 x 35 ¾”, surface soiling, stretcher bar impressions,
stretcher bar broken lower right corner area causing cracking and minor loss in
corner, tide line water stain on verso, otherwise in good condition.
$1500/2500
110
Yankel Ginzburg
(b.1945) American
NIGHT
MIST, acrylic painting on canvas, signed lower right, signed and titled on
verso, 45 x 47”, surface soiling, speckling and discoloration on verso,
otherwise in good condition. Provenance: acquired directly from artist by
present owner
$1000/2000
111
Yankel Ginzburg
(b.1945) American
UNTITLED, acrylic painting on canvas, signed lower left, signed on verso, 28 x
38”, surface scuffs, mainly at edges, speckling and discoloration on verso,
otherwise in good condition. Provenance: acquired directly from artist by
present owner
$1000/2000
112
Yankel Ginzburg
(b.1945) American
BEFORE MY EYES, acrylic painting on canvas, signed upper left, signed and titled
on verso, 36 x 36”, surface soiling, small edge dent lower right, speckling and
discoloration on verso, otherwise in good condition. Provenance: acquired
directly from artist by present owner
$1000/2000
113
Yankel Ginzburg
(b.1945) American
KING
A, acrylic painting with marker drawing (faded) on canvas, signed upper right,
signed and titled on verso, 40 x 29”, surface soiling and scuffs, speckling and
discoloration on verso, otherwise in good condition. Provenance: acquired
directly from artist by present owner
$1000/2000
114
Yankel Ginzburg
(b.1945) American
FANCIFUL,
acrylic multi-piece sculpture with screen-printed design, signed on specially
grooved base lower right, 26 ½” tall,” 20” wide, 10” deep, with minor scuffs and
faint scratches, otherwise in good condition.
$1000/2000
115
Yankel Ginzburg
(b.1945) American
SUNSET, acrylic multi-piece
sculpture, each 2” thick, with screen-printed design, signed on specially
grooved base, 30 ¼” tall,” 25” wide, 12” deep with minor scuffs and faint
scratches, otherwise in good condition.
$1500/2500
116
Yankel Ginzburg
(b.1945) American
CHASING THE STAR, acrylic
multi-piece sculpture with screen-printed design, signed lower right on
specially grooved base, 15” tall, 12” wide, 6” deep, with minor scuffs and faint
scratches, otherwise in good condition.
$600/900
117
Judy Glantzman
(b. 1956) American
UNTITLED (A), 2001, oil painting on canvas, signed and dated on verso, 12”
diameter. Provenance: Sandroni Rey Gallery, Venice, CA; (Hirsh Adler Modern)
$300/600
118
Judy Glantzman
(b. 1956) American
UNTITLED PORTRAIT, 2002, oil painting on canvas, signed and dated on verso, 14 x
11”.
$300/600
119
Shirl Goedike
(1923-2000) American
THREE BATHERS, 1966, oil
painting on canvas, signed lower left, 14 ½ x 19 ½”, framed.
$2000/3000
120
Shirl Goedike
(1923-2000) American
BATHERS, oil painting on
canvas, signed lower right, 14 ½ x 19 ¾”, framed, minor surface soiling,
otherwise in good condition.
$2000/3000
121
Shirl Goedike
(1923-2000) American
OUTDOOR CAFÉ, color lithograph, signed in pencil, from the numbered edition 125,
image 19 ¼ x 28 ¾”, full margins, printed by Mourlot, blindstamp lower left,
framed with glass, mild toning in the margins at the mat, otherwise in good
condition.
$100/200
122
Shirl Goedike
(1923-2000) American
(two)
GIRL
AND THE ROSE, 1972; GIRL AND THE ROSE, THE STAIRCASE, a pair of one-color
lithographs, each signed in pencil, from the numbered editions 80, sheet 16 ¾ x
11” & 10 ¼ x 16”, both framed with glass, very pale toning at sheet edge,
Staircase with mild cockling, otherwise both in good condition. (2)
$100/200
123
John Greenwood
(b. 1959) British
FEAST, color pencil on paper, 12 ½ x 16 ¼”, framed. Provenance: Jason & Rhodes,
London
$500/800
124
Iva Guerorguiva
(20th Century) Bulgarian American
GASOLINE THE SUNLIGHT, 2004,
acrylic on canvas, signed on verso, 77 x 87”. Provenance: Karl Berg Gallery
$4000/8000
125
Daniela Gullotta
(b. 1974) Italian
INTERIOR I, 2000, mixed media on wood, signed and dated on verso, 11 ¾ x 15”.
Provenance: Marlborough, London
$800/1200
126
Douglas Ken Hall
(20th Century) American
(forty-two)
FLAMINGO DANCERS AND
MUSICIANS, a group of forty-two platinum prints, each 11 x 14” or 14 x 11”, all
with artist’s stamp on verso, with mild to moderate cockling, otherwise in good
condition. (42)
$800/1200
127
Chris Hammerlein
(b. 1962) American
(two)
BEST IN THE WEST; NOT AN
AFRICAN, 1996, each an ink drawing on paper, 11 ¼ x 7 ¼”, framed, in good studio
condition. (2)
$800/1200
128
Hendrika Sonnenberg/ Chris Hanson
(20th/ 21st Century)
FRUIT BOWL, 1998, C-print,
image 36 ½ x 54”, full margins, framed
$1000/1500
129
Marvin Harden
(20th Century) American
RECALLED COUNTRY, SERIES,
2001, watercolor on paper, signed and dated lower right, 2 ¾ x 7 ¼”, framed with
glass. Provenance: Hunsaker/Schlesinger Fine Art
$500/800
130
Marvin Harden
(20th Century) American
RECALLED COUNTRY, SERIES,
1997-1999, mixed media on paper, 3 ½ x 7 ¼”, framed with glass. Provenance:
Hunsaker/Schlesinger Fine Art
$500/800
131
Erich Heckel
(1883-1970) German
UNTITLED, 1967, color
woodblock print, printed in black and red (faded), signed in pencil, from the
numbered edition 200, image 10 ¼ x 6 ½”, full margins, framed with glass.
$500/1000
132
Haavard Homstvedt
(b. 1976) Norwegian
NUDES (DOUBLE STEP), acrylic
painting on linen wrapped over panel, signed lower right, 64 x 48”, small chip
upper left corner and on left side, otherwise in good condition.
$4000/6000
133
Haavard Homstvedt
(b. 1976) Norwegian
POUR, 2005, oil painting with
sand on linen wrapped over panel, signed and dated on verso, 72 x 60”.
$4000/6000
134
Haavard Homstvedt
(b. 1976) Norwegian
SOILED (THE STRINGS BETWEEN
US), 2005, oil painting on burlap over board, signed and dated on verso, 60 x
50”.
$4000/6000
135
J. Hulsey
(20th Century) American
STILL LIFE, 1965, oil
painting on canvas, signed and dated lower right, 36 x 38”, framed, surface
soiling, canvas puckered lower right, otherwise in good condition.
$800/1200
136
Francisco Icaza
(b. 1930) Mexican
FIRMADO, 1957, oil painting
on linen, signed and dated lower left, 35 ½ x 29 ½”, some soiling on verso,
otherwise in good condition. Provenance: B. Lewin Gallery, Palm Springs.
$500/800
137
Italian School
(20th Century)
TRAVELERS BY MOONLIGHT,
watercolor on paper, signed lower right, sight 11 ½ x 17 ¼”, framed with glass,
small tears, scratches, scrapes and scuffs, otherwise in good condition.
$200/300
138
Leonard Janklow
(1919-2006) American
UNTITLED, color screenprint
on white Plexiglas with two suspended clear acrylic rods, signed and numbered in
red marker (naturally diminished) on the verso, signed in red marker (naturally
diminished and/or faded) lower right, 36 ½ x 25 x 2”, scuffs from natural use,
apparently in good condition.
$2000/4000
139
Jenik
(20th/ 21st
Century) Armenian/ American
UNTITLED GRAY, acrylic painting on canvas, signed on verso, 60 x 72”, in good
studio condition.
$2000/3000
140
Jenik
(20th/ 21st
Century) Armenian/ American
UNTITLED TURQUOISE, acrylic painting on canvas, signed on verso, 60 x 84”, in
good studio condition.
$2000/3000
141
Tony Just
(b. 1969) American
FLY
OVER FOR THE QUEEN’S JUBILEE, 2002, color pastel on paper, 29 ½ x 22”, creases
upper left corner, otherwise in good studio condition. Provenance: Grant Selwin
Fine Art
$500/800
142
Raffi Kalenderian
(b. 1981) Californian
SHANTI, 2005, oil painting on canvas, titled signed and dated on verso, 60 x
48”. Provenance: Black Dragon Society, Chinatown, Los Angeles
$1000/2000
143
Raffi Kalenderian
(b. 1981) Californian
GOLD
ELLIOT, 2005, acrylic and oil painting on paper, 18 x 12”. Provenance: Black
Dragon Society, Chinatown, Los Angeles
$500/800
144
Bob Paul Kane
(b. 1937) American
(two)
BIG BOUQUET, oil painting on
canvas, signed lower right, 52 x 42”, Provenance: Ankrum Gallery, Los Angeles;
Together with a 1970 color lithograph exhibition poster, 18 x 11 ½”, framed with
glass, Galerie Marcel Bernheim, Paris. (2)
$800/1200
145
Craig Kauffman
(1932-2010) American
UNTITLED #4, 1988, color
lithograph, signed in pencil, from the numbered edition 75, sheet 22 x 30”, a
few soft handling creases barely visible in raking light on verso, otherwise in
good condition.
$200/400
146
Craig Kauffman
(1932-2010) American
UNTITLED #6, 1988, color
lithograph, signed in pencil, from the numbered edition 75, sheet 30 x 22”, a
few soft handling creases barely visible in raking light on verso, otherwise in
good condition.
$200/400
147
Steve Kaufman
(1960-2010) American
NEW
YORK BADA BING, color screenprint on canvas, signed and numbered on verso, 24 x
47”, from the numbered edition 100, framed, small impact tear in “B” of Bada,
otherwise in good condition.
$600/900
148
Grediaga Kieff
(b. 1936) Spanish
VASO,
iron sculpture in two parts, from edition of 3, height 21 ½”, 71 pounds.
$3000/4000
149
Julie Kirkpatrick
(20th Century) Californian
UNTITLED, 2006, acrylic, oil
and oil stick on canvas, signed and dated on stretcher bar, 51 ¼ x 36 ¼”.
Provenance: Black Dragon Society, Chinatown, Los Angeles
$800/1200
150
Julie Kirkpatrick
(20th Century)
Californian
UNTITLED, 2003, acrylic painting on canvas, signed and dated on verso, 30 x 24”.
$500/800
151
Aida Klein
(20th Century)
American
UNTITLED (MOM BY SIDE OF ROAD), 2006, watercolor on paper, image 12 x 15”, full
margins, framed. Provenance: Mary Goldman Gallery, Chinatown, Los Angeles
$500/800
152
Alexander Kwartler
(b. 1979) American
UNTITLED (Tuscan Landscape),
2003, oil painting on canvas, signed and dated on verso, 10 x 11”. Provenance:
John Connelley Presents, NYC
$300/500
153
after
Fernand Leger (1881-1955) &
Joan Miro (1893-1983)
(two)
SKY-SCRAPER WORKERS, 1975, color lithograph by Henri Deschamps, with the Leger
stamp lower right, from the numbered edition 250, printed by Mourlot, image 29 ¾
x 21”, full margins, framed with glass; Together with
Joan Miro, UNTITLED (C.210),
1975, color lithograph, signature in stone, from the edition of 500, sheet 7 ¾ x
15 ¾”, framed with glass. (2)
$300/500
154
Charles Levier
signed Maurice Verrier (1920-2003) French
COUPLE IN GREEN, oil painting
on board, signed lower right, 30 x 22”, framed, surface soiling, small losses,
otherwise in good condition.
$500/800
155
Charles Levier
signed Maurice Verrier (1920-2003) French
EUROPEAN STREET SCENE, oil
painting on board, signed lower right, 15 x 44”, framed, surface soiling,
otherwise in good condition.
$500/800
156
Charles Levier
signed Maurice Verrier (1920-2003) French
(two)
FANTASY SUBJECTS, a pair oil
paintings on board, one signed lower right, each 11 x 27”, Martin Lowitz label
on verso, framed, both with surface soiling, otherwise in good condition. (2)
$500/800
157
Charles Levier
signed Maurice Verrier (1920-2003) French &
St. Jacut
(three)
Charles Levier,
WOMEN ON THE STREETS, oil painting on board,
signed lower right, 10 x 8”; STANDING CLOWN, oil painting on board, signed lower
right, 30 x 15”, surface scuffs, both framed; Together with
S. T. Jacut, BLUE PITCHER WITH
FLOWERS, oil painting on board, 26 x 11”, all with Martin Lowitz labels. (3)
$500/800
158
Ron Linden
(20th/ 21st Century)
American (two)
OHFEY, 2003, acrylic painting
on panel, titled signed and dated on verso, 24 x 23 ¾”; PICABIA, 2004, acrylic
painting on canvas, 10 x 10”, framed. (2)
$800/1200
159
Simon Ling
(b. 1968) British
NUGGET.UG.UGUT, 2001, oil
painting on canvas, titled signed and dated on verso, 48 x 36 ½”.
$1000/2000
160
Gene Logan
(1922-1999) Californian
STANDING NUDE WOMEN, welded
metal, signed on left foot, 70” tall including a 2” by 24” diameter hydra-stone
base. Provenance: Ankrum Gallery, Los Angeles
$1000/2000
161
Gene Logan
(1922-1999) Californian
OWL, carved and stained wood
sculpture, signed underneath, 21 x 12 x 10 ½”. Provenance: Ankrum Gallery, Los
Angeles $500/1000
162
Boris Lovet Lorski
(1894-1973) Lithuanian/ American
MRS. EDWARD G. ROBINSON
(Gladys Lloyd Robinson), 1934, cast bronze sculpture, signed, dated and stamped
Nelli Bronze Foundary L.A., 11 ¾” tall, a few small blemishes, otherwise in good
condition. Provenance: Edward G. Robinson Collection
$4000/5000
163
David Lowe
(20th Century) American
AMSTERDAM, oil painting on
canvas, 16 x 12”, framed, surface soiling, otherwise in good condition.
Provenance: Ankrum Gallery, Los Angeles
$200/400
164
Nick Lowe
(b. 1980) American
SETTING THE TABLE, 2007, oil
painting on canvas, signed on side, signed and dated on verso, 47 x 47”.
Provenance: Black Dragon Society, Chinatown, Los Angeles
$6000/9000
165
Bertha Lum
(1869-1954) American
TEMPLE GATE, 1913, color
woodblock, signed in pencil and inscribed 214, image 7 ¼ x 5”, full margins,
framed with glass, cockling, possibly faded? no pictorial reference to compare,
otherwise in good condition.
$700/900
166
Man Ray
(1890-1976) American
PHOTOGRAPHY OF A WOMAN,
silver gelatin print, 3 x 2 ¼”, mounted to card stock by artist, with artist’s
stamp on verso and inscribed Lena Huisel or Ansel in blue pencil, overall 5 ½ x
3 ½”, some oxidation visible at certain angles, a few scuffs visible at certain
angles., minor surface soiling, card with minor toning and small stain lower
sheet edge, otherwise in good condition.
$6000/9000
167
Alida Margolis
(b. 1975) American
WE
LOVE YOU ALL, oil painting on canvas, 64 ½ x 106” oval, signed dated and titled
on the verso.
$8000/12,000
168
Melissa Markell
(20th Century) Californian
VENICE, 2003, collage on paper, signed and dated lower left, 30 x 22”, framed.
$300/500
169
Melissa Markell
(20th Century) Californian
LONDON, 2003, collage on paper, signed and dated lower right, 30 x 22”, framed.
$300/500
170
Melissa Markell
(20th Century) Californian
PARIS, 2003, collage on paper, signed and dated lower left, 30 x 22”, framed.
$300/500
171
Skeet McAuley
(b. 1951) American
1ST FAIRWAY, SOUTH
COURSE, BOULDERS CLUB, CAREFREE, AZ, 1993, panoramic color Fujichrome print,
edition of 5, signed on the verso, image 28 x 84”, framed.
$1000/2000
172
William McKim
(1916-1995) American
MARTUDE DE TOJUNAS,
lithograph, signed in pencil, inscribed “For Lewis and Ralph Ritter” lower
center margin, image 11 ¾ x 16”, full margins, framed.
$200/400
173
Thomas McKnight
(b. 1941) American
VIEW
WITH THE GOLDEN GATE BRIDGE, color screenprint, signed in pencil, from the
numbered edition 100, image 28 x 32”, full margins, framed, otherwise in good
condition.
$400/600
174
Thomas McKnight
(b. 1941) American
TEAL
MUSIC ROOM, color screenprint, signed in pencil, from the numbered edition 200,
image 26 ¼ x 30”, framed.
$400/600
175
Megan McManus
(b. 1976) Californian
GREEN
DRESS, 2003, oil painting on shaped wood, signed and dated on verso, 24 x 32”, a
couple of
color speckles and small spots, wear at lower right edge,
otherwise in good condition. Provenance: Angles Gallery, Santa Monica
$600/900
176
Jason Meadows
(b. 1972) American
UNTITLED (Martin
Kippenberger), 2004, color monotype, signed lower right and inscribed Roman
numeral 68, sheet 30 x 22”, printed by Cirrus Editions, framed.
$400/600
177
Frederick Meckseper
(b. 1936) German
INSEL, 1987, color aquatint
etching, signed in pencil, from the numbered edition 75, plate 15 ½ x 19 ½”,
full margins, framed, a few soft handling creases, otherwise in good condition.
$300/500
178
Keikth Milow
(b. 1945) British
90/97/74/LD, 1990, oil on copper on panel, signed and dated lower right, copper
30 x 24”, panel 40 x 32”. Provenance: Pence Gallery, Santa Monica, CA
$800/1200
179
Andre Minaux
(1923-1988) French
STILL LIFE, FLOWERS, oil
painting on canvas, signed lower right, 12 ½ x 9 ½”, framed with glass, soiling
on verso, otherwise in good condition. Provenance: Adams Galerie, London
$800/1200
180
Roger Montane
(1916-2002) French
HOUSE IN CABRON SPAIN, 1959,
oil painting on canvas, signed lower right, 32 x 39 ½”, framed. Provenance:
Adams Galerie, London
$800/1200
181
Robert Moore
(20th/ 21st Century)
American
LEAF SPRING MOBILE, 1985,
welded steel with spring balance, 53 ½” tall. Provenance: Richard Evans Gallery,
Glendale, CA
$200/400
182
Ed Moses
(b. 1926) Californian
SHAGO #3, 1989, color
lithograph, signed in pencil, from the numbered edition 25, sheet 30 x 22”, a
few faint fingerprint smudges on verso, a few soft handling creases mainly
visible on verso in raking light, otherwise in good condition.
$200/400
183
Ed Moses
(b. 1926) Californian
SHAGO #5, 1989, color
lithograph, signed in pencil, from the numbered edition 25, sheet 30 x 22”, a
few soft handling creases, a small rough spot extreme sheet edge, otherwise in
good condition.
$200/400
184
Marcel Mouly
(1918-2008) French
NAPPE
VERT ET COMPOTIER, color lithograph, signed in pencil, from the numbered edition
300, image 10 x 14”, full margins, framed.
$200/300
185
Patrick Nagel
(1945-1984) American
FEMALE FOR PIEDMONT GRAPHICS,
1984, ink on board, image 15 ¼ x 11 ¼”, stamped on the verso “copyright Dumas,
1984”, with a sheet of overlay with pencil drawing highlights. Reference Nagel
catalogue page 126. Provenance: acquired directly from artist by Karl Bornstein
to the present owner. $1000/2000
186
Patrick Nagel
(1945-1984) American
GRAY LADY, 1982, ink drawing
on two sheets of overlay acetate, 27 x 40”. Reference Nagel catalogue page 148,
number 11, crease lower right corner. Provenance: acquired directly from artist
by Karl Bornstein to the present owner.
$1000/2000
187
Jean Negulesco
(1900-1993) Californian
STILL LIFE WITH FLOWERS AND
FRUIT, oil painting on canvas, signed lower left, 20 x 16”, framed.
$1000/2000
188
Lowell Nesbit
(1933-1993) American
ORCHIDS, 1980, color screenprint, signed in pencil, from the numbered edition
200, image 20 ½ x 32”, full margins, framed with glass, surface scuffs, hairline
crack upper right corner, creases and soft handling creases in margins,
otherwise in good condition.
$100/200
189
Claes Oldenburg
(b. 1929) Swedish
SYMBOLIC SELF PORTRAIT WITH
“EQUALS” (AP.74), 1971, offset color lithograph, signed in pencil, from the
numbered edition 300, sheet 28 ½ x 21”, printed by Colorcraft, New York,
published by Sydney Janus Gallery Editions and The Contemporary Arts Council
LACMA, framed with glass (cracked), in apparently good condition.
$600/900
190
Olivia De Berardinis
(b. 1948) American
(two)
SPONTANEOUS COMBUSTION, 1997,
color Giclee on thick wove paper, signed in pencil by artist and model Sandra
Taylor, from the edition 300, sheet 32 x 22”; BLUE FAIRY, color Giclee on thick
wove paper, signed in pencil, from the numbered edition 50, image 17 ½ x 28”,
full margins. (2)
$200/400
191
Peter Opheim
(b. 1961) German
HIS AMIABILITY, 1999, oil
painting on canvas, signed and dated on verso, 45 x 45”, framed.
$1000/1500
192
Eric Orr
(1939-1998) American
OCEAN IN TIME BLUE, color
lithograph, signed in pencil, hors commerce 5 aside from the numbered edition,
sheet 30 x 22”, a few faint smudges, otherwise in good condition.
$200/400
193
Eric Orr
(1939-1998) American
UNTITLED #1, color
lithograph, signed in pencil, from the numbered edition 75, sheet 30 x 22”, soft
handling crease upper right, soft handling crease and a tiny 1/16” tear upper
sheet edge, otherwise in good condition.
$200/400
194
Michael Page
(b. 1979) Californian
TOP
OF THE HILL, oil painting on wood, signed lower right, 18 ¾ x 21”, framed.
$2000/2500
195
Michael Page
(b. 1979) Californian
MARCH
FROM THE SEA, 2008, oil painting on wood, signed lower right, titled signed and
dated on verso, 16 x 13”, framed.
$2000/2500
195 A
Isaac Pailes
(1895-1978) French
SEATED WOMAN, 1930, oil
painting on canvas, signed and dated lower right, signed on verso, 31 7/8 x 23
¾”, framed, hairline cracks, small losses, minor flaking, otherwise in generally
good condition.
$1500/2500
196
Max Pechstein
(1881-1955) German
RUNNING WOMAN WITH THREE NUDE
MEN, etching, signed in pencil, plate 9 ¼ x 7”, full margins, framed with glass,
pale discoloration, otherwise in good condition.
$1000/2000
197
Max Pechstein
(1881-1955) German
SEATED NUDE, etching, signed
in pencil, plate 9 ¼ x 7”, full margins, framed with glass, toning and
discoloration, otherwise in good condition.
$1000/2000
198
Carlos Perez
(20th Century) American
SERENDIPITY, 2010, found
metal, wood and burlap sculpture, titled signed and dated on verso, 19” tall, 10
½” wide.
$700/900
199
Carlos Perez
(20th Century) American
KATRINA, 2001, oil painting
on canvas, titled signed and dated on verso, 72 x 48”.
$1500/2000
200
Danny Perkins
(20th Century) American
UNTITLED, 1983, blown colored
glass sculpture, signed and dated, 29” tall, on metal base, minor surface
soiling, otherwise in good condition.
$2000/3000
201
Ben Peterson
(b. 1977) Californian
GONE DONE, 2006, acrylic,
watercolor and ink drawing on paper 22 x 30”, framed.
$600/900
202
Wolf Dieter Pfennig
&
Jeffrey Vallance (b. 1955) Californian
(two)
Wolf Dieter Pfennig,
OHNE TITEL, 2000, gouache on paper, signed center right, 16 x 13”, framed, in
good studio condition; Together with
Jeffrey Vallance, ARTLUST: PIERCED HEART, 2005, color Giclee, signed in
pencil, from the numbered edition 100, sheet 17 x 15”, full margins, framed. (2)
$300/500
203
Jill Poyourow
(20th / 21st Century)
American
THE DRINKERS, 1999,
watercolor on paper, signed and dated lower right, 38 x 26”, framed, in good
studio condition.
$500/700
204
Monique Prieto
(b. 1962) American;
(two)
WISTFUL IV, 1998, color
aquatint etching, signed in pencil, from the numbered edition 25, image 9 ½ x 10
½”, full margins, framed, slight hinge impression upper corner, otherwise in
good condition; SMALL WORLD, 1998, computer sketch and color print-out, 10 ½ x
8”, framed with glass. (2)
$400/600
205
Jeanette Rapp
(1928-1988) American
PLAGE DE LA MANCHE, oil
painting on canvas, signed lower left, 23 ¾ x 36 ¼”, a couple small cracks left
center, some discoloration on verso, otherwise in good condition. Provenance:
Adams Galerie, London.
$500/1500
206
Jeanette Rapp
(1928-1988) American
PLAGE DU NORD, BERCK, PAS DE
CALAIS, oil painting on canvas, signed lower left, 23 ¾ x 36 ¼”, a few small
surface scuffs, some discoloration on verso, otherwise in good condition.
Provenance: Adams Galerie, London.
$500/1500
207
Jeanette Rapp
(1928-1988) American
ROSES, oil painting on
canvas, signed lower left, 39 ½ x 20”. Provenance: Adams Galerie, London.
$500/1500
208
Jeanette Rapp
(1928-1988) American
LANDSCAPE AT CHAMPIGNY SUR
MARNE, oil painting on canvas, signed lower left, 11 ¾ x 23 ¾”.
$500/1500
209
Beverly Rayner
(b. 1958) American
UNCLAIMED MEMORIES, hand-painted celluloid film-strip mounted to glass strips,
hangs from wall mounted metal rods, overall size 4” tall, 36” long, 2” deep.
$800/1200
210
Rebecca Riess
(20th / 21st Century)
American (two)
RAIN CATCHER, 2000, gouache
and ink drawing on paper, 12 x 17”, framed; REMEMBER WHAT YOUR MOTHER SAID,
2000, gouache and ink drawing on paper, 12 x 9”, framed, a couple hinge
impressions, soft handling crease lower center, otherwise in good condition. (2)
$400/800
211
Larry Rivers
(1923-2002) American
ASTAIR IN THE AIR, 1990, color screenprint with hand-painting, signed in pencil,
from the numbered edition 65, sheet 55 x 40”, faint fingerprint smudges on
verso, otherwise in good condition.
$2500/3500
212
Johnnie Winona Ross
(20th Century)
SALT CREEK SEEPS, 2003, oil,
mixed media and golden acrylic on Belgium linen, titled signed and dated on
verso, 36 x 34”, inscribed “golden acrylic on Belgium linen” on verso.
Provenance: Stephen Haller Gallery, NYC
$2000/4000
213
After
Georges Rouault (1871-1958)
French
VISAGES, 1969, the portfolio of ten color
facsimile prints, from the numbered edition 450, sheets 18 ¼ x 13 ¼”, text by
Madame Georges Rouault and Pierre Courthion, published by Daniel Jacomet, some
minor foxing, some soiling to portfolio case, otherwise in good condition.
$2000/3000
214
Vanecha Roudbaraki
(b. 1966) Iranian
FORET ROUGE, 2004, acrylic
painting on canvas, titled signed and dated on verso, 31 ½ x 31 ½”, artist’s
Parisian stamp on stretcher bar, framed, a few scuffs and possible surface
scratches, otherwise in good condition.
$1500/2500
215
Vanecha Roudbaraki
(b. 1966) Iranian
EL AUTTOME, 2004, acrylic
painting on canvas, signed and dated lower left, titled signed and dated on
verso, 21 ¼ x 29”, artist’s Parisian stamp on stretcher bar, framed.
$1000/2000
216
Vanecha Roudbaraki
(b. 1966) Iranian
LA SAISON FROIDE, 1997,
acrylic painting on canvas, titled signed and dated on verso , 21 x 25 ½”,
artist’s Parisian stamp on stretcher bar, framed.
$1000/2000
217
Joseph Santarromana
(20th / 21st Century)
American (two)
M. W. & JOSEPH S; WILLIAM &
JOSEPH, 1994, a pair of color Iris prints, each signed on verso?, images 16 ¾ x
22 ¼”, full margins, each framed with glass. Provenance: Newspace, Los Angeles.
(2)
$400/800
218
Jan Saudek
(b. 1935) Czechoslovakia
CLOUDY SKIES, oil painting on
canvas, signed lower right, 37 x 47”, framed, dimple impression lower right,
otherwise in good condition This painting was used for background in Saudek’s
photographs.
$2000/4000
219
Jan Saudek
(b. 1935) Czechoslovakia
RED
PAINT BRUSHES AND BLUE JEANS, oil painting on canvas, signed lower right, 43 ½ x
36”, framed.
$2000/4000
220
Tom Savage
(b. 1953) American
LINK, 2009, oil and acrylic
painting with graphite on canvas, titled signed and dated on verso, 30 x 24”, in
good studio condition.
$1200/1600
221
Jan Sawka
(b. 1949) &
Moris Broderson (1928-2011)
Californian
(two)
Jan Sawka,
SWIMMING POOL, 1980, hand-colored drypoint
engraving, signed in pencil, from the numbered edition 40, sheet 22 x 30”,
framed with glass; Together with
Moris Broderson, CAT, color lithograph, signed in pencil, from the
numbered edition 75, sheet 30 x 22”, Collector’s Press blindstamp lower left,
framed with glass, small minor shine upper left and right corners, possibly from
hinges, otherwise in good condition. (2)
$200/400
222
Arthur Secunda
(b. 1927) Californian
SEATED NUDE, gouache on
paper, signed lower right, sight 11 ¾ x 7 ¾”, framed with glass, in apparently
good condition.
$200/400
223
Arthur Secunda
(b. 1927) Californian
UNTITLED, painted and
partially glazed ceramic sculpture, inscription underneath believed to be
signature, 22 ½” x 10 x 5”, rests on pegged 1 ¾” Lucite base, a couple of small
chips on the feet and the lower hem, natural stress-crack on backside, otherwise
in good condition.
$500/800
224
In the style or George Segal
RECLINING FIGURE, cast and
painted fiberglass sculpture, 26 ½” tall, 58” long, 33” wide, cracks, scuffs,
scrapes, surface soiling, otherwise apparently good condition.
$500/800
225
Alexandro Segade
(20th / 21st Century)
American (six)
YES, WE ARE SATANISTS, 2001,
six digital color prints, sights 7 ½ x 9”, all framed with glass. (6)
$1200/1600
226
Andre Dunoyer de Segonzac
(1884-1974) French
LE PONT SUR LA RIVIERE II,
watercolor and gouache on paper, signed lower right, sight 22 x 16 ½”, framed
with glass, rub spots lower river and bank, some mild discoloration, mounted to
board but not fully attached, otherwise in good condition.
$1500/2500
227
Mindy Shapero
(b. 1974) American
EATING THE FEATURES AND THEN
PRETENDING NOT TO BE HUNGRY, 2003, gouache and ink on paper, 39 x 27 ½”, framed.
Provenance: Anna Helwing Gallery, Los Angeles
$1000/1200
228
Kevin Sinnot
(b.1947) British
UNTITLED BEACH BALL, 1994,
oil painting on board, signed and dated lower right, 15 ¼ x 22 ¼”
$800/1200
229
Ted Sizemore
(20th Century) American
FOR MOTHER, WITH LOVE, oil
painting on canvas, initialed lower right, 28 ½ x 17 ¾”, framed.
$1000/2000
230
Merv Slotnick
(b. 1941) American
UNTITLED, acrylic painting on
paper, signed lower right, 16 x 20”, framed with glass.
$200/400
231
T. L. Solien
(b. 1949) American
UNTITLED, 1987, color pastel
and acrylic painting on paper, signed and dated lower left, sheet 31 x 22 ½”,
framed with glass.
$500/800
232
Southwest School
(three)
PERSONAGE FIGURE, , torch-cut
steel sculpture, 59” tall, base 19 x 10”, initialed; Together with
Bernard, UNTITLED, torch-cut steel, signed in center, 24 x 23 ½”,
artist’s made stand, stand to top 31 ½”; Together with a metal rabbit, torch-cut
steel, 9 ½ x 10 x 5”. (3)
$500/800
233
Rich Stich
(b. 1949) American
SEASONS, 1981, egg tempera
painting on four wood panels, overall 77 x 168”, a few scuffs, scratches and
surface soiling, otherwise in good condition. Provenance: L. A. Louvre, Venice
California.
$5000/8000
234
Robert Stoller
(mid-20th Century) American
(two)
RUNNING MAN; MAN ON STILTS,
two welded and painted metal sculptures, 14 ½” & 32 ¼” including stands. (2)
$400/600
235
Mark Swope
(b. 1953) Californian
ORPHEUM THEATRE, L. A. SIGN
STRUCTURE WITH SHADOW, 2001, archival pigment print, artist’s proof aside from a
numbered edition, sight 19 x 13”, framed.
$300/500
236
Rob Thom
(b. 1975) Californian
PRINTEMP, 2002, oil painting
on panel, titled signed and dated on verso, 47 ½ x 37 ¼”.
$800/1200
237
Rob Thom
(b. 1975) Californian
UNTITLED GOOSE, 2004,
watercolor on paper, 9 x 6”, framed. Provenance: LFL Gallery, NYC
$400/600
238
Rob Thom
(b. 1975) Californian
WHAT YOUR DOG REALLY LOOKS
LIKE, 2004, watercolor on paper, 7 x 10”. Provenance: LFL Gallery, NYC
$400/600
239
Rob Thom
(b. 1975) Californian
STUDY FOR GARDEN, 2004,
graphite drawing on buff paper, 11 ½ x 8”, framed.
$400/600
240
Donald Urquhart
(b. 1963) Scottish
WHAT IF?, 2005, ink on paper,
16 x 11 ½”. Provenance: Herald Street, London
$800/1200
241
John Valadez
(20th Century) American
CODICE TATTOOS: CRUCEO;
CONVIERTE; INDIOS DIFICILES, 1992, three color lithograph diptych sets, each
signed in pencil, and inscribed “printer’s proof”, aside from the numbered
edition 30, each 19 ½ x 29 ½” overall, printed by El Nopal Press, Cruceo with a
small edge tear upper left side of right panel, some with framing hinges on
verso, otherwise all in good condition. (3)
$600/900
242
Velizar Vasa
(b. 1933) Yugoslavian
UNTITLED, two multi-color
acrylic columns, each signed, 120” x 5” x 5”, with stand.
$8000/10,000
243
Victor Vasarely
(1908-1997) Hungarian
UNTITLED (yellow globes), color screenprint, signed in pencil, from the numbered
edition 275, image 24 x 24”, full margins, a soft handling crease upper right
corner, faint tone line on verso, otherwise in good condition.
$500/700
244
Victor Vasarely
(1908-1997) Hungarian
UNTITLED (orange/brown globe), color screenprint, signed in pencil, from the
numbered edition 250, image 24 ¼ x 24 ¼”, full margins, soft handling creases
and dimples, mainly in lower margins, otherwise in good condition.
$500/700
245
Victor Vasarely
(1908-1997) Hungarian
UNTITLED (blue/purple stripes), color screenprint, signed in pencil, from the
numbered edition hors commerce 15 roman numeral, image 26 x 24”, full margins, a
few soft handling creases mainly visible on verso in raking light, otherwise in
good condition.
$500/700
246
Victor Vasarely
(1908-1997) Hungarian
UNTITLED (purple/blue globes), color screenprint, signed in pencil, from the
numbered edition 325, image 34 ¾ x 18 ¾”, full margins, soft handling creases
mainly in the margins, faint surface soiling upper right corner, otherwise in
good condition.
$500/700
247
Sergio Vega
(20th/ 21st Century)
Argentinean
VISION OF PARADISE, 1999, ink
drawing on paper, 11 x 14”, framed.
$500/800
248
Helen Verhoeven
(b. 1974) Dutch
THE INCIDENT AT PEBBLE BEACH,
2004, oil painting on panel, signed and dated on verso, 18 x 24”. Provenance:
Wallspace, NYC
$800/1200
249
Jean Vinay
(1907-1978) French
RUE GABRIELLE MONTMARTRE,
1956, oil painting on canvas, signed lower right, signed and dated on verso, 23
½ x 28 ¾”, surface soiling on verso, otherwise in good condition. Provenance:
Adams Galerie, London
$800/1200
250
Jean Vinay
(1907-1978) French
FLOWER STILL LIFE, oil
painting on canvas, signed lower left, 27 ¾ x 21 ¼”, framed, provenance Adams
Galerie, London (lacking label), surface soiling recto and verso, otherwise in good
condition.
$800/1200
251
Shawn Webber
(b. 1969) American
DIRTY
BIRD, 2009, oil painting on wood, signed and dated lower right, 42 x 68”.
Provenance: Acquired directly from the artist by the present owner.
$1500/2000
252
Shawn Webber
(b. 1969) American
SWEET
NOTHINGS, 2009, oil painting on wood, signed and dated lower left, 32 x 48”.
Provenance: Acquired directly from the artist by the present owner.
$800/1200
253
Shawn Webber
(b. 1969) American
VOODOO CHILD, 2008-9, oil painting on wood, signed lower left, signed and dated
on verso, 48 x 33”. Provenance: Acquired directly from the artist by the present
owner.
$800/1200
254
Michael Wetzel
(b. 1966) American
WAR
HORSE, 2003, oil painting on canvas, signed and dated on verso, 38 x 46”, small
dimple upper left, otherwise in good condition.
$1000/2000
255
Chloe White
(20th 21st Century)
British
PLEASURE, cold painted ceramic sculpture with
mixed media assemblage, 59” tall, 31” wide.
Please
note, in house shipping may not be available for this item. Refer to department.
$1800/2200
256
Chloe White
(20th 21st Century)
British
FISH FATALE, painted
hand-construction ceramic sculpture, signed underneath, 3” tall, 14 ½” long, 5”
deep.
$400/500
257
Chloe White
(20th 21st Century)
British
MAGPIE’S IDEAL HOME, gold, cold painted ceramic
sculpture with mixed media assemblage, 8” tall, 17” wide, 13” deep.
$800/1000
258
Chloe White
(20th 21st Century)
British
INSIDE EVERYTHING IS BEAUTIFUL, cold painted
ceramic suspension sculpture with mixed media assemblage, 55” long, 11” wide, 7”
deep.
$1200/1600
259
Frederick S. Wight
(1902-1986) American
CROUCHING FIGURE, 1968, oil
painting on canvas, titled signed and dated on verso, 34 ½ x 27 ¾”.
$3000/5000
260
Frederick S. Wight
(1902-1986) American
SEATED NUDE, 1972,
lithograph, signed in pencil, from the numbered edition 20, sheet 30 x 22 ½”,
Cirrus Editions, framed with glass, toning at sheet edge where sheet meets
frame, otherwise in good condition.
$100/200
261
William T. Wiley
(b. 1937) Californian
HOMAGE TO THE WRECKED ANGLE,
2000, watercolor and ink on paper, signed lower center, image 18 ½ x 26 ½”, full
margins, framed. Provenance: L. A. Louvre Gallery, Venice, CA
$2000/4000
262
Ulrich Wulff
(b. 1975) Germany
BID
FOR TOKIO, acrylic painting on canvas, signed on verso, 43 ½ x 31 ½”.
$800/1200
263
Zoback
(20th Century)
SUSPENDED DOORWAY, acrylic
painting on canvas with collage, signed lower right, 48 x 38”, small scuffs and
smudges, speckling and discoloration on verso, otherwise in good condition.
Provenance: acquired directly from artist by present owner
$400/600
264
Zoback
(20th Century)
UNTITLED ARROWS, 1975,
acrylic painting on canvas, signed lower right, 46 x 46”, minor surface soiling,
speckling and discoloration on verso, otherwise in good condition. Provenance:
acquired directly from artist by present owner
$400/600
265
Joe Zucker
(b. 1941) American
(five)
UNTITLED, 1982, five of the
same color lithographs, each signed in pencil and from the numbered edition of
100, sheets 32 ¾ x 23”, some handling creases, otherwise in good condition. (5)
$500/800
1-25 26-50 51-75 76-100 101-125 126-150 151-175 176-200
201-225 226-250 251-275 276-300 301-325 326-350 351-375 376-400
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