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The Seyfarth Shaw Collection

May 8th, 2021, 12pm

 

 

1

Joseph Albers (1888-1976) German American (four)

HOMAGE TO THE SQUARE, 1999, four ceramic plates, each hallmarked on verso, from a limited sold-out edition, Made in Italy for MOCA, each plate 11 Ύ x 11 Ύ”, in original boxes. (4)

Boxes with storage indentations, otherwise all in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

2

Anonymous Artist

SLEEPING BEAUTY, oil painting on panel, 8 x 10”, frame 17 ½ x 19 ½ x 3 ½”.

Two tiny scrapes, lacquer slightly yellowed, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

3

Antique Watercolorist Unidentified

EPHEMERA, watercolor and pencil on manipulated paper, possibly signed, framed 11 x 14 ½” with glass.

Losses appear to be artist manipulated, discoloration, otherwise in good aged condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

4

Araki Nobuyoshi (b. 1940) Japanese

FLORAL ARRANGEMENT, original color Polaroid, signed in marker on verso, 4 Ό x 3 ½”, frame 15 x 15” with glass.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

5

The Simpsons Arcade Pinball Machine

SIMPSON’S PINBALL PARTY, 2004, manufactured by Stern Pinball Inc., machine serial number #183140, overall 76 ½ x 60 x 28”, in good working order, comes with keys and manual.

Some minor surface wear, otherwise in good used condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

6

Artist Unidentified

EUROPA AND THE BULL, watercolor on paper, signed lower right, sheet 5 Ύ x 7”, frame 13 x 14” with glass.

Discoloration at perimeter recto and verso, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

7

Artist Unidentified

WOMAN IN DRESS ON BEACH, oil painting on Vadun canvas panel 10 x 8 reduced to 9 Ύ x 7 Ύ”, frame 16 ½ x 15 x 2 ½”.

Some small white-line cracks lower center, minor edge wear from framing, otherwise in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

8

Artist Unidentified

POLYNESIAN HUTS, oil painting on canvas, signed lower left, 22 x 29 Ύ”, frame 27 x 34 ½ x 3”.

Surface soiling, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

9

Artist Olive Bigelow Tilton (1886-1980) New York

AN ELEGANT LADY, oil painting on uneven canvas relined to black Foamcore, signed ower left, Foamcore approximately 72 x 48”, F. N. Mor** Art Dealer, Oakland partial label on verso.

Some edge wear left side, a few small scrapes, otherwise in good aged condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

10

Artists Unidentified (three)

FARMER ON A TRACTOR, oil painting on canvas board, faintly inscribed in pencil on verso, 9 x 12”, frame 11 ½ x 14 ½”; FISHERMAN, watercolor on paper, signed lower right, sight 10 x 12 ½”, frame 12 ½ x 14 ½” with glass; INTERIOR RENDERING, watercolor on board, sight 9 Ό x 20 Ό”, board 12 ½ x 23 ½”, frame 16 x 27” with glass. (3)

Farmer with small chips and surface soiling; Fisherman with some artist mutilation or surface disintegration, sheet edges curled in frame, some discoloration; Interior with mat adhered to image boarder; Otherwise all in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

11

Artist Unidentified: Erb?

MERMAID WITH UMBRELLA, watercolor and ink drawing on paper, signed lower right, inscribed on verso, sheet 5 x 7”, frame 15 ½ x 14” with Plexiglas.

Some pale toning from previous framing, pinholes in three corners, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

12

Auction Catalogs (forty-eight)

Sotheby’s Arcade, a collection of thirty-nine black & white illustrated auction catalogs from 1985-1999, together with four Sotheby’s Belgravia and five Christie’s East catalogs, weight 30 lbs. (48)

Overall in good used condition.

Auction Estimate $20/40

Starting Bid $10

 

 

 

13

Diane Balsley (20th Century) American

ACTUALLY, SHE WAS AN OLD ACROBAT, 1979, watercolor on paper, signed and dated lower right, titled lower left, image 7 ½ x 11”, frame 19 ½ x 22 Ύ” with glass.

In apparently good studio condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

14

Marcia Banks (b. 1934) American

HARMONY, acrylic painting on canvas, signed lower right, 24 x 30”, frame 32 Ό x 28 Ό x 1 Ύ”.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

15

Luc Barbut-Davray (1863-1926) French

THE JEWELRY BOX, oil painting on canvas, signed lower left, 25 ½ x 21 Ό”, frame 31 x 26 ½ x 3”.

Recently cleaned and varnished, small patch on verso lower left, old craquelure, otherwise in good aged condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

16

Bassano (20th Century)

LANDSCAPE, impasto oil painting on canvas, signed lower right, 24 x 36”, frame 34 ½ x 46 ½ x 3 ½”.

Lacquer yellowed, otherwise in good studio condition

Auction Estimate $500/1000

Starting Bid $250

 

 

 

17

African Benin Style Bronze

NUDE WOMAN, cast bronze with patina, 18 ½ x 9 x 7”, weight 11 ½” lbs.

Cast holes on backside and underneath, rust and wear, otherwise in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

18

Rainey Bennett (1907-1998) Illinois

CIRCUS, 1951, gouache and watercolor on paper, signed and dated lower right, sight 17 Ύ x 14”, frame 29 x 25” with glass. Provenance: Fairweather Hardin Gallery, Chicago.

Discoloration at perimeter of sheet from previous framing, otherwise in apparently good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

19

Sandow Birk (b. 1962) Detroit

THE BOMBARDMENT OF THE GETTY CENTER, 2000, color etching, signed and dated and titled and numbered 20/50 in pencil, plate 14 ½ x 35”, full margins, frame 23 x 44” with glass.

In apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

20

George Brandrift (1890-1936) California New Jersey

NUDE, 1933, oil painting on Masonite, signed and dated by the widow Mrs. George Brandrift on verso, 18 x 14”, frame 24 x 20”.

Minor surface soiling, otherwise in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

21

Peter Brooke (b. 1961) American

BURM, triptych, 1994-95, oil painting on three panels, each signed and dated and titled and with artist’s stamp on verso, two panels 18 x 26”, one panel 18 x 17”, overall 18 x 69” framed.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

22

Jean Claude Brule (20th Century) Canadian California

Laminated and turned walnut, oak and koa wood vase, signed and dated 1998 underneath, 7 Ύ” tall, 5 Ό” diameter.

In good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

23

George Buehr (1905-1983) Illinois

BOATS AT DOCK. watercolor on paper, signature not found possibly under the mat, sight 12 Ύ x 19 ½”, frame 25 ½ x 32 Ό” with glass. Provenance: Fairweather Hardin Gallery, Chicago.

In apparently good studio condition.

Auction Estimate $50/150

Starting Bid $25

 

 

 

24

George Buehr (1905-1983) Illinois

MOORING, watercolor on paper, signature not found possibly under the mat, sight 18 ½ x 25 ½”, frame 27 ½ x 34” with glass. Provenance: Fairweather Hardin Gallery, Chicago.

In apparently good studio condition.

Auction Estimate $50/150

Starting Bid $25

 

 

 

25

George Buehr (1905-1983) Illinois

HOME ON THE QUAY, watercolor on paper, signed lower center right, 20 x 30”, frame 30 Ύ x 40 Ύ” with glass. Provenance: Fairweather Hardin Gallery, Chicago.

Some cockling at sheet edges, otherwise in apparently good studio condition.

Auction Estimate $50/150

Starting Bid $25

 

 

 

26

Biagio Caldarelli (20th/ 21st Century) Italian

IL SOLE E UNA STELLA, 1989, painted and glazed ceramic plate, signed on verso, 12 Ό” diameter. Provenance: Holly Solomon Gallery, NYC.

In good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

27

Casino Video Poker Game

INTERNATIONAL GAME TECHNOLOGY (IGT), 1997, video poker machine, player’s edge-plus slant top video game, in working condition, 39 ½ x 28 x 33”, comes with keys and manual. Note: Very heavy.

Small break in surface of black vinyl bolster, bottom drop-box doors in working order but should be re-aligned, overall wear from use, otherwise good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

28

Eleanor Coen (1916-2010) Illinois

HARBOR, oil painting on canvas, signed lower left, 18 x 22”, frame 26 ½ x 30 Ό”. Provenance: Fairweather Hardin Gallery, Chicago.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

29

Eleanor Coen (1916-2010) Illinois

LANDSCAPE WITH ORANGE SUN AND WHITE FIGURE, oil painting on canvas mounted to panel, signed lower right, 40 x 32”, frame 41 Ό x 33 ½”. Provenance: Fairweather Hardin Gallery, Chicago.

Old hairline cracks along lower right side, otherwise in apparently good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

30

Eleanor Coen (1916-2010) Illinois

TANGIER (The Red Beach), watercolor and ink on paper, signed lower right, titled lower left, sight 5 Ύ x 7 Ύ”, frame 19 x 21” with glass. Provenance: Fairweather Hardin Gallery, Chicago.

In apparently good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

31

Eleanor Coen (1916-2010) Illinois

SWIMMER, oil painting on canvas, signed lower left, 50 ½ x 40 Ύ” including slat frame. Provenance: Art Institute Chicago; Fairweather Hardin Gallery, Chicago.

Tiny chip center right, a few hairline cracks upper right, otherwise in good studio condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

32

Eleanor Coen (1916-2010) Illinois

CAT, BIRD AND INSECT, oil painting on canvas, signed lower right, 44 x 49 Ύ”, frame 44 Ύ x 51”. Provenance: Fairweather Hardin Gallery, Chicago.

In good studio condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

33

Eleanor Coen (1916-2010) Illinois

WALKING BIRD, oil painting on canvas, signed lower left, 32 x 50”, frame 33 ½ x 51 ½”. Provenance: Fairweather Hardin Gallery, Chicago.

Moderate scratch upper right, light surface soiling otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

34

Contemporary Artist Unidentified

BUST OF A WOMAN, sculpture of white plaster with color fiber, initialed A.M. inside, 18 x 18 x 11”, weight 16 lbs.

Some discoloration spots on interior, otherwise in apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

35

Contemporary Artist Unidentified

UNTITLED, 1970, acrylic painting on canvas, signed and dated lower right, dedicated on verso, 48 x 36”.

Some scuffs, scrape upper left center, some edge wear, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

36

Contemporary Artist Unidentified

UNTITLED BLACK & RED ON WHITE, acrylic painting on canvas, 36 x 48” or 48 x 36”.

Some scuffs and smudges around edges, otherwise in good studio condition

Auction Estimate $300/600

Starting Bid $150

 

 

 

37

Contemporary Impressionist: (20th Century) French

LANDSCAPE, attributed to Jacques Collins, impasto oil painting on canvas, 20 x 24”.

Surface soiling, small chips and scrapes, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

38

Contemporary Impressionist: (20th Century) French

LANDSCAPE WITH SUN, attributed to Jacques Collins, impasto oil painting on canvas board, 20 x 24”.

Some mild warping, surface soiling, small nicks, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

39

Contemporary Text Artist

WARHOL WAX, acrylic painting on canvas, 48 x 72”.

Some edge wear and scuffs and other small blemishes, otherwise in good studio condition

Auction Estimate $500/1000

Starting Bid $250

 

 

 

40

Contemporary Text Artist

KANYE, acrylic painting on canvas, 48 x 60”.

Dust accumulation, edge wear, a few scuffs, otherwise in good studio condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

41

Brandon Cook (late 20th Century) Utah

FOUR DEGREES WARMER, oil painting on canvas, signed lower right, 48 x 60”, frame 58 ½ x 70 Ό”.

In good studio condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

42

Robert Cottingham (b. 1935) Connecticut

ERIE, 1987, enamel on aluminum, commission label adhered to verso, 51 x 71 ½ x Ό”. Provenance: commissioned by Connecticut Bank & Trust, Union Station, Hartford, Conn.

Some slight wave, some small scratches, scrapes and rubs on recto and verso, some enamel losses on verso from mounting, otherwise in good condition.

Auction Estimate $8000/12,000

Starting Bid $4000

 

 

 

43

Robert Cottingham (b. 1935) Connecticut

ROCK ISLAND, 1987, enamel on aluminum, commission label adhered to verso, 51 x 71 ½ x Ό”. Provenance: commissioned by Connecticut Bank & Trust, Union Station, Hartford, Conn.

Some slight wave, some small scratches, scrapes and rubs on recto and verso, some enamel losses on verso from mounting, otherwise in good condition.

Auction Estimate $8000/12,000

Starting Bid $4000

 

 

 

44

Noel Daggett (1925-2005) Arizona & Artist Unidentified (two)

LAZY AFTERNOON, 1983, watercolor and gouache on paper or card, signed and dated lower right, sight 7 x 7 ½”, frame 14 x 15” with glass; Together with Artist Unidentified BUCKING BRONCO, pastel on paper, sight 11 x 9”, frame 22 x 18” with glass.

The second with some toning lower right side, a few small scratches and other small imperfections: Otherwise both in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

45

Salvador Dali (1904-1989) Spanish

LINCOLN IN DALIVISION, 1979, gold bas relief, signature in design, numbered 106/160 with stylus lower left, published by Martin Lawrence Editions, with DalArt N.V. copyright on verso, 28 ½ x 19 Ό”.

In good condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

46

Daum glass by Emilio Robba

COUPE MAGNUM PALMIER by Emilio Robba, pate de verre color glass center-piece, signed and numbered 43/388 and hallmarked, 11 x 25 x 22”, weight approximately 35 lbs.

Tiny chip at base edge, otherwise in good studio condition.

Auction Estimate $4000/6000

Starting Bid $2000

 

 

 

47

Decorative Item: Antique Italian Mirror (probably late 19th Century)

Elaborately carved wood frame with antique mirror, 39 x 27 x 6 ½”.

Surface soiling and some minor losses, small cracks, and some small breaks, otherwise in good aged condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

48

Decorative Item: Antique Vent Cover

FLYING FISH, cast iron, stamped 14F and 509 on verso, 7 ½ x 15 x 5”.

In good aged condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

49

Decorative Art: Sculpture

EMPEROR FRANZ JOSEPH STANDING IN LONG COAT, cast bronze sculpture with dark patina, 21 ½” tall including 7 Ό” diameter marble base.

Some wear, otherwise in good aged condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

50

Decorative Art: Sculpture

EMPEROR FRANZ JOSEPH BUST, cast pewter or aluminum sculpture, 10 Ό” tall including 5 ½” diameter marble base.

Some wear, otherwise in good aged condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

51

Decorative Art: Sculpture

DIGNITARY UNIDENTIFIED, cast bronze sculpture with dark patina, 11” tall.

Some dust accumulation and wear, otherwise in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

52

Decorative Art: Sculpture (three)

THREE HEADS (of the same man), each a cast and patinated metal head, one with brown patina, two with green patinas, 4 ½” tall. (3)

Green patinas oxidized to varying degrees, brown patina with nick on check; All with some wear, otherwise good aged condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

53

Decorative Item: Wood Figure

STANDING WOMAN, wood figure with painted fabric dress and horsehair, with weighted metal platform base, overall 18 ½” x 9 x 6”, weight 10 lbs.

Some losses and other age bearing effects, otherwise in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

54

Early to Mid 20th Century Artist

SNEAKING INTO THE CIRCUS, oil painting on canvas, signed lower right, 16 x 20”, frame 20 x 24”.

Hairline cracks, faint stretcher bar impressions, otherwise in good aged condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

55

Hon Eng (20th Century) American

IMPRESSIONIST VIEW, oil painting on canvas board, signed lower left, 12 x 16”, frame 18 ½ x 22 ½”.

Some light surface soiling, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

56

Ethnic Carving

FACE WITH OPEN MOUTH, carved wood, 32 Ό x 13 x 4 Ό”, weight 12 lbs.

Some surface soiling, nicks, and stains, otherwise in good aged condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

57

European School (19th/ 20th Century) (three)

FIGURES ON HORSEBACK WITH VIEW, oil painting on panel, 9 Ό x 13”, frame 13 x 17”; FISHERMAN’S DOCK, oil painting on panel mounted to Masonite, illegibly signed lower right, 8 ½ x 14”; VIEW OF BAY, oil painting on canvas, 11 ½ x 19 Ύ”, frame 16 x 24”. (3)

The first with light surface soiling and some edge ware from previous framing; The second with ingrained surface soiling; Third with overall craquelure and surface soiling; Otherwise all in good aged condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

58

European School (19th/ 20th Century)

SCENE OF DAILY LIFE, 1902, oil painting on canvas, signed and dated lower right, 19 ½ x 23 ½”, frame 26 x 30 x 3”.

Surface soiling, yellowed lacquer, repair patch on verso, frame lacking compo mainly in lower left corner, otherwise in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

59

Don Everhart II (b. 1949) Pennsylvania

ANGEL, cast bronze sculpture candle holder, signed on backside, 9 Ό x 7 x 6”, not including handmade candle.

Dust accumulation, otherwise in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

60

James Falk/ Falk Special Effects Inc.

GROUND STAR SCULPTURE, a rare touch activated long tube electric glass Ground Star sculpture, 120 volts, 2 amps, signed and inscribed “4/89 NW” on conducting rod, in good working order, with fan and regulator dial and label on backside, overall 29 x 12 x 11”, weight 12 lbs.

Some nicks and dings to wood base, otherwise in good working condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

61

Fiona (20th Century) & Anonymous (two)

Fiona LUKKIE, watercolor on paper or card, signed lower right, sight 9 ½ x 6”, frame 15 x 12” with glass; Together with Anonymous A COLORFUL PORTRAIT OF A WOMAN’S FACE, watercolor on paper, 5 ½ x 5 Ύ”, frame 11 ½ x 11 Ό” with glass. (2)

Both in apparently good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

62

Grit Kallin Fischer Estate / Edward L. Fischer (Bauhaus artists)

FIGURE, 1928, watercolor on paper, stamped Estate Grit Kallin Fischer and signed or inscribed Edward K. Fischer lower right verso and dated and inscribed in pencil lower left verso, sheet 11 x 8 Ύ”, frame 19 x 15 ½” with glass.

In apparently good aged condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

63

Eric Fortune (20th/ 21st Century) Ohio (three)

STUDY FOR LIFE’S OBJECTIVES, 2009, pencil drawing on paper, signed lower left, 11 x 17”; LIFE’S OBJECTIVES, 2009, A PLACE THAT I REMEMBER, 2009, two color giclee prints, each signed and from the numbered editions 25, sheets 16 x 12” & 16 ½ x 12”. (3)

All in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

64

Keiko Fukazawa (b. 1955) Japanese/ American

UNTITLED, 1992, painted ceramic square, 13 x 13”, and bowl with gold slip, 4 ½” tall, 4” diameter, both signed, in very good studio condition. Provenance: Garth Clark Gallery 

In good condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

65

Furniture: Herman Miller

Green bucket chair with metal legs, with production label underneath, 31 x 25 x 23”.

Separation at rear center stitch, a few scuffs and small scratches, otherwise in good used condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

66

Furniture: Helge Vestergaard Jensen for Peder Pederson

Daybed with teak frame and re-strung cord seat, 16 ½ x 75 x 28 ½”.

Professionally restrung with the original type of line, wood restored (stripped/ refurbished and oiled), in good condition.

Auction Estimate $5000/7000

Starting Bid $2500

 

 

 

67

Decorative Item: Mahogany Pedestal (late 19th / early 20th Century)

Mahogany pedestal, 35 ½ tall, 14” diameter.

Some spotting on the base, scuffs, scratches and blemishes associated with age and use.

Auction Estimate $100/200

Starting Bid $50

 

 

 

68

Decorative Item: Marble Pedestal

White marble pedestal, 18 Ύ” tall, 9 ½” diameter round top, 8 ½” square base, weight 24 lbs, retains some old unidentifiable tags.

Some surface soiling, some small edge wear chips on base, otherwise in good aged condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

69

Furniture: Persian Table

A hand painted wood table with collapsible legs, 11 x 30 x 18”.

Some wear and nick and dings otherwise in good used aged condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

70

Furniture: Wall bracket with marble top.

An elaborate ormolu metal wall bracket (previously geared for plumbing), 21” tall, 13 Ό” deep, with half-round marble top, weight approximately 36.5 lbs..

A shallow chip backside of marble top, otherwise in good aged condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

71

Ruben Gelardi (b. 1935) Danish, Jody Bryan & Artist Unidentified (three)

Ruben Gelardi UNTITLED LANDSCAPE, 1950, oil painting on canvas, signed and dated lower right, 7 x 10 Ό”, frame 12 Ό x 15”, partial Dumont Paris label on verso; Together with Jody Bryan ISTHMUS PIER, 1964, watercolor on paper, signed upper left, titled and dated lower center, 10 x 14 ½”, frame 14 x 18 ½” with glass, Artist Unidentified WASHINGTON SQUARE NEW YORK, 1958, oil painting on panel, signed lower left, titled and dated on verso, 10 x 8”, frame 14 x 12”. (3)

The first with surface soiling, losses to frame; third with some surface soiling and some small nicks; Otherwise all in apparently good aged condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

72

Bigio Gerardenghi (1876-1957) Italian

ITALIAN LANDSCAPE, oil painting on canvas, signed lower right, 16 x 20”, frame 20 x 24”.

Moderate surface soiling, some craquelure, otherwise in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

73

Selden Connor Gile (1877-1947) California

LANDSCAPE, oil painting on canvas, inscribed Selden Gile in pencil on verso, appears to be old auction chalk marks or inventory marks and inscribed Selden Gile on back of frame, 17 Ό x 21 Ό”, frame 22 ½ x 27 x 2”.

Light surface soiling, otherwise in good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

74

Ada Chaffe Gilmore (1883-1955) Provincetown

BUTTERFLY WITH FLOWERS, circa 1932, watercolor on paper or card, signed lower right, sight 11 Ύ x 9 Ύ”, frame 19 ½ x 17 ½” with glass.

In apparently good aged condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

75

Lynne Gleason (20th Century) New Orleans

MORNING, diptych, oil painting on two canvases, signed lower right on right panel, signed and dated and titled upper left verso of right panel, each 31 x 31”, overall 37 ½ x 62 ½” including frame.

In good studio condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

76

Sante Graziani (b. 1920) Connecticut Ohio

SAGITTARIUS, wood engraving, signed and titled and numbered 28/40 in pencil, image 3 Ύ x 6”, full margins, frame 14 Ό x 16” with glass.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

77

Sante Graziani (b. 1920) Connecticut Ohio

BELLINI, YOUNG MAN REPEATED, oil painting on canvas, signed lower right, 30 x 30”, frame 32 Ύ x 32 Ύ”. Provenance: Fairweather Hardin Gallery, Chicago.

Canvas slightly slack, mall sscrape lower left corner, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

78

Harold Gregor (b. 1929) American

WILNOT’S CORN CRIB Series No. 1, acrylic painting and screenprint on canvas, signed lower left, 24 x 36”.

Minor surface soiling, a few scuffs, some unobtrusive hairline cracks, otherwise in good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

79

Thomas Bush Hardy (1842-1897) British & Charles William Adderton (1866-1944) British (two)

Thomas Bush Hardy EAST SUSSEX, FISHING BOATS, 1874, watercolor on paper, signed and dated lower left, sight 9 x 13”, discardable frame 19 x 24” with glass; Together with Charles William Adderton BOATS ON WATER, watercolor on paper signed lower left, sight 6 ½ x 8 ½”, frame 12 x 15” with glass. (2)

Hardy with small pale discoloration spots; Adderton paper mounted to board, with discoloration and perimeter loss under the mat; otherwise both in apparently good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

80

Frank Simon Hermann (1866-1942) New Jersey

MALCESINE, ITALY, gouache and watercolor and pencil on paper, signed lower right, titled lower left, 14 ½ x 18”, frame 19 x 22” with glass.

In apparently good aged condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

81

Margo Hoff (1910-2008) Oklahoma

LABELS, acrylic painting with collage and pastel on Masonite, signed lower right, overall 44 Ό x 40 Ό” including thin metal frame.

Some line scuffs lower area, tiny chip lower right edge, otherwise in good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

82

Margo Hoff (1910-2008) Oklahoma

ENCLOSURE, mixed media on fabric, a signature not found possibly under the mat, sight 15 ½ x 16”, frame 28 Ό x 28 ½” with glass. Provenance: Fairweather Hardin Gallery, Chicago.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

83

Margo Hoff (1910-2008) Oklahoma

FROM THE LIGHTHOUSE, color screenprint, signed and titled and numbered 6/75 in pencil, image 20 x 19”, full margins, frame 33 ½ x 32 ½” with glass.

Nicks and cuts mainly lower center from previous glass breakage, otherwise in apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

84

Margo Hoff (1910-2008) Oklahoma

FOG INTO THE LAND, color pastel mixed media on paper, signed lower right, titled lower left, sight 31 x 25”, frame 39 ½ x 33 ½” with glass.

Creases and soft handling creases and some speckles and a scrape in blank areas lower left, otherwise in apparently good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

85

Margo Hoff (1910-2008) Oklahoma

RED ROOSTER, color woodcut print, signed and titled and numbered 2/15 in pencil, sight 27 x 19”, frame 35 x 26 ½” with glass.

Soft handling creases and mild cocking, possibly some pale toning, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

86

Margo Hoff (1910-2008) Oklahoma

JAZZ MUSICIANS, color woodcut on paper, possibly unique, signed in pencil lower right, image 18 x 15”, full margins, frame 27 ½ x 24” with glass.

Soft handling creases and creases, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

87

Margo Hoff (1910-2008) Oklahoma

PIER, color woodcut print, signed and titled and numbered 13/20 in pencil, image 23 x 28”, full margins, frame 32 ½ x 47” with glass.

Some crinkles, creases and soft handling creases, pale toning visible in margins, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

88

Margo Hoff (1910-2008) Oklahoma

MAN HOLDING LAMB, woodblock print, signed and titled in pencil, image 2 ½ x 2 Ό”, full margins, frame 14 x 13” with glass.

Some pale toning, otherwise in apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

89

Margo Hoff (1910-2008) Oklahoma

STONEWALL, woodblock print, signed and titled in pencil, image 11 Ό x 7 Ύ”, full margins, frame 21 Ό x 17 Ύ” with glass.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

90

Hal Holoun (b. 1939) Nebraska

DAWN #3, oil painting on canvas, a signature not found, 34 x 54”, frame 34 Ύ x 54 Ύ”. Provenance: Exhibited Indianapolis Museum of Art, Painting & Sculpture Today 1978, June 15th – July 30th, 1978, Catalogue #89, lender Fairweather Hardin Gallery, Chicago

Surface soiling, overall craquelure and some paint loss.

Auction Estimate $200/400

Starting Bid $100

 

 

 

91

Jan Hoowij (1907-1987) California

LANDSCAPE, color pastel on paper or card, signed lower left, sight 9 Ύ x 17 Ύ”, frame 17 ½ x 25 ½” with glass.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

92

Edna Hunt (mid-20th Century) California

PINK ROSES, oil painting on canvas, signed lower left, 20 x 20”, frame 29 ½ x 29 ½ x 3 ½”, with artist’s label on verso.

A little flaking lower left, light surface soiling, otherwise in good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

93

Illustration artists (two)

OLIVE SCHREINER’S DREAM, 1912, watercolor on paper, signed S. W. Stanley or Steinberg and dated lower left, sight 11 Ό x 8”, frame 17 x 13” with glass; Together with Anonymous THE PRESENTATION, gouache on paper or card, sight 7 x 9 Ύ”, frame 14 Ό x 16” with glass. (2)

The first with a small discoloration spot upper right; Otherwise both in apparently good aged condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

94

Ray Jacobs (1928-2010) Californian

PRINTER’S FOLLY, BOX II, 2002, mixed media, metal covered wood box, signed in ink on artist’s label on inside lid, 5 x 6 x 4”, in good studio condition.

In good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

95

Armond Gustav Jamar (1870-1946) Belgium

LANDSCAPE, 1941, oil painting on wood panel, signed and dated lower right, signed and inscribed on verso, 11 ½ x 14 ½”, frame 18 x 21 ½”.

Some surface soiling, some warping and hairline cracks in the panel, a few small chips, otherwise in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

96

Style of Georges Jouve (1910-1964) French

Bronze vase with multi-color brown and golden patinas, 12” tall.

Some minor wear and mild mottling, otherwise in good condition.

Auction Estimate $500/2500

Starting Bid $250

 

 

 

97

Judaica: Contemporary Menorahs (three)

A three footed brass menorah with nine lights, 11 Ύ x 11 Ύ x 6 ½”, comes with nine 4” color candles; A Habitat revolving silver metal menorah with nine tea lights, 12 ½ x 10 Ό x 10 Ό”; A folding brass candelabra by Barbara Horn with six lights, with artist’s label? under one of the lights, 6” tall and expands to approximately 22”, appears to be unused. (3)

The first tarnished and with old wax; The second with some old wax from use; The third with some tarnishing; Otherwise all in good used condition.

Auction Estimate $60/90

Starting Bid $30

 

 

 

98

Max Kahn (1902-2005) Illinois

TIME CAPSULE, oil painting on canvas, signed lower right, 26 x 34”, frame 27 ½ x 35 ½”. Provenance: Fairweather Hardin Gallery, Chicago.

Canvas slack in some areas, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

99

Max Kahn (1902-2005) Illinois

GREEN HILL SUNSET, oil painting on canvas board, signed lower right, 20 x 20”, semi-discardable frame 26 Ύ x 27”. Provenance: Fairweather Hardin Gallery, Chicago.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

100

Max Kahn (1902-2005) Illinois

MOON ROCKS, oil painting on canvas, signed lower right, 42 x 48”, frame 44 Ύ x 50 Ύ”. Provenance: Fairweather Hardin Gallery, Chicago.

Some hairline cracks throughout, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

101

Max Kahn (1902-2005) Illinois

EVENING BIRD, oil painting on canvas, a signature not found, 32 ½ x 40”, frame 38 ½ x 46 ½”. Provenance: Fairweather Hardin Gallery, Chicago.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

102

Max Kahn (1902-2005) Illinois

MORNING SUN, 1973, oil painting on canvas, signed and dated lower left, signed and dated on verso, 32 x 40”, frame 35 x 43”. Provenance: Fairweather Hardin Gallery, Chicago.

Hairline cracks, stretcher bar impressions, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

103

Max Kahn (1902-2005) Illinois

SAIL AT TWILIGHT, oil painting on canvas, signed lower left, 30 ½ x 38”, frame 36 ½ x 44 Ό”. Provenance: Fairweather Hardin Gallery, Chicago.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

104

Max Kahn (1902-2005) Illinois

DOUER BIRD IN RED LANDSCAPE, color woodblock print, signed and titled and numbered 3/7 in pencil, image 18 x 29”, full margins, frame 26 x 36 ½”. Provenance: Fairweather Hardin Gallery, Chicago.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

105

Max Kahn (1902-2005) Illinois

TORSO AND FLOWER, 1981, color lithograph, signed and dated and titled and numbered 11/17 in pencil, image 25 Ό x 19”, full margins, frame 36 x 28” with glass. Provenance: Fairweather Hardin Gallery, Chicago.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

106

Michael Kalish (b. 1973) California

HOLLYWOOD, cut and riveted metal on aluminum, signed upper left, 23 x 46 x 1 ½”.

Surface soiling, scuffs, nicks, scrapes, otherwise in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

107

Tim Kent (20th Century) New York

RAINY DAY IN MANHATTAN, 2004, acrylic painting on canvas, signed and dated lower left, 19 x 16”.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

108

Tim Kent (20th Century) New York

UNDER THE BRIDGE, 2005, acrylic painting on canvas, signed and dated lower right, 20 x 16”.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

109

Charles Krafft (1947-2020) Seattle

DUELING PISTOLS, 1998, pair of Villa Delirium Delft Works Slovenian porcelains with color decal designs, one initialed and dated on butt of handle, each 10 Ύ x 5 ½ x 1 ½”, with original plush box 15 x 11 Ό x 2 ½”.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

110

Patsy Krebs (b. 1954) California

UNTITLED STRIPES, oil painting on canvas mounted to wood panel, signed on verso, 15 x 15 x 1 Ύ”.

Some scuffs, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

111

Nick Kuszyk (20th/ 21st Century) American (two)

ROBOTS, 2012, two acrylic painting on panel, each initialed lower left, and signed and dated on verso, each 5 x 5 x 1”. (2)

One with some edge wear upper left, otherwise both in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

112

Landscapes & Seascape (three)

LANDSCAPE WITH ASPEN TREES, oil painting on board, 10 x 12”, frame 14 Ό x 16 Ό”; TREES BY A STREAM, oil painting on canvas, 11 x 18”, frame 15 x 22”; SEASCAPE WITH FIGURES ON ROCKS, oil painting on canvas, 14 x 18”, frame 21 Ό x 25 Ό”. (3)

All with some surface soiling, Stream with edge wear, Seascape with faint stretcher bar impressions, otherwise all in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

113

Daniel Lang (1931-2013) Oklahoma

WAVERLEY, acrylic painting on canvas, a signature not found possibly signed on back flap under the frame, 50 x 50”, frame 51 Ό x 51 Ό”. Provenance: French & Co. NYC; Fairweather Hardin Gallery, Chicago.

Minor surface soiling, a few light scrapes, some minor edge wear lower right and left corners, otherwise in good studio condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

114

Daniel Lang (1931-2013) Oklahoma

KANAWHA, 1971, oil painting on canvas, signed and dated and titled on verso back flap, 30 x 30”, frame 31 Ό x 31 Ό”.

Faint scratch lower left, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

115

Daniel Lang (1931-2013) Oklahoma

STILLWELL, color lithograph, signed and titled and inscribed A/P (artist’s proof) in pencil, image 21 ½ x 27”, full margins, frame 35 x 40 ½” with glass.

In good apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

116

Daniel Lang (1931-2013) Oklahoma

BANKS LAKE, color lithograph, signed and titled and numbered 41/130 in pencil, image 25 x 20”, full margins, frame 34 ½ x 29 ½” with glass.

In good apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

117

T. J. Lange (1965-2002) American

HANGING IN THERE, oil painting on canvas with collage, a signature not found, 63 x 57 ½”, frame 65 x 59 ½”.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

118

Latin American Artist Unidentified

FESTIVE DANCING, watercolor on paper, signed T.or J. Anastasio Ugalde? lower left, sight 9 x 13”, frame 14 ½ x 19” with glass.

Mounted to card, some pale discoloration, tiny loss upper edge, otherwise in good aged condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

119

Edmund Lewandowski (1914-1998) Wisconsin

PRIDE OF ALGOMA #2, 1936, watercolor on Imperial Illustration Board, signed and dated lower right, titled and dated and inscribed on verso, stated size by artist on verso 17 x 22 1/2", frame 29 Ό x 34 Ύ”, South Carolina State Museum label on back.

Perimeter damage recto outside the artist's stated size of artwork, pale discoloration and spots throughout, otherwise in good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

120

Edmund Lewandowski (1914-1998) Wisconsin

BUILDINGS, 1967, color screenprint, signed and dated and numbered 60/75 in pencil, sheet 26 x 40”, frame 26 ½ x 40 ½” with glass.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

121

Matt Lively (20th Century) American

HELICOPTER & PLANE, oil painting on paper, signed lower right, sight 15 x 15”, frame 26 x 26” with glass.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

122

Matt Lively (20th Century) American

HELICOPTER & BALLOON, oil painting on paper, signed lower right, sight 15 x 15”, frame 26 x 26” with glass.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

123

Michael Lynn (20th Century) American

CLIQUE, 1995, oil painting on found wood with adjoining panel of laminate board, signed and dated and titled on verso, 20 ½ x 38”, frame 30 ½ x 48”.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

124

Kaoru Mansour (20th Century) Japan California

FRUIT TREE 108, mixed media on paper, signed and titled in pencil, image 15 Ό x 11 ½”, framed 31 x 27” with glass.

In apparently good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

125

Kaoru Mansour (20th Century) Japan California

CLOUD SPOT #335, mixed media painting on paper, signed and titled in pencil, image 15 Ό x 11 ½”, frame 31 x 27” with glass.

In apparently good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

126

Antique Maps by William Blaeu (five)

PADERBORNENSIS; SILESIA; TREVIGIANO, LOVANIUM; CAPRI, five hand-colored map engravings with atlas center folds as issued, all with text on verso, sheets approximately 20 x 23 ½” all with two-sided glass frames 25 x 28 ½”, one cracked. (5)

All with small spots and discoloration, some minor edge losses, otherwise all in apparently good aged condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

127

Robert Mapplethorpe (1946-1989) New York

LADY LISA LYON, 1982-83, gelatin silver print, signed by Mapplethorpe and Lyon and dated in pencil on verso, 2 ½ x 2 ½”.

Some minor oxidation at perimeter, otherwise in good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

128

Carlo Marcucci (b. 1962) Italy

WHEATFIELDS XXXVI, 2003, wood construction sculpture overlaid with pasta: Udon, regular, red pepper, and squid ink spaghetti, accented with Plexiglas constructs, signed and dated and titled and with assembly instructions on verso, 18 x 28 Ό x 5”, comes with artist’s cardboard box, signed with drawing and description in ink.

In apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

129

Ralph Massey (b. 1938) California

JULIE, cast Polyester resin sculpture with airbrush lacquer finish, signed and numbered 3/150 from an unrealized edition, approximately 3 were actually made, overall 16 x 12 x 12”.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

130

Ralph Massey (b. 1938) California

BRILLIANT MOMENTS, 2014, acrylic painting and gouache on wood panel, signed and dated lower right side, 32 x 34 ½ x 1 ½”.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

131

Ralph Massey (b. 1938) California

TAKE THESE FOR INSTANCE, 2013, acrylic painting and gouache on wood panel, signed and dated lower right side, 30 Ό x 45 ½ x 1 ½”.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

132

Ralph Massey (b. 1938) California

ESCAPE TO THE DARK SIDE, acrylic painting on wood panel, signed on verso, 23 ½ x 13 Ό x 1 Ύ”.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

133

Ralph Massey (b. 1938) California

OUT ON A LIMB, 2013, acrylic painting and gouache on wood panel, signed and dated on right side, with title Tree of Life and artist’s label on verso, 25 Ύ x 19 ½”.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

134

Maurice Mazeilie (20th Century) French

STARTLED MAIDEN, oil painting on Masonite, signed lower left, 12 x 16”, frame 20 x 24”.

Some surface soiling, otherwise in good aged condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

135

Barry McGee (b. 1966) California

GEOMETRIC PATTERN RED GREEN BLACK 2011, die-cut vinyl multiple on Foamcore, published by Bodega, 39 x 21”, frame 45 Ό x 27 Ό”. Provenance: MOCA ART IN THE STREETS 2011.

Some small production flaws, otherwise in good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

136

Barry McGee (b. 1966) California

GEOMETRIC PATTERN ORANGE GREEN BLACK, 2011, die-cut vinyl multiple on Foamcore, published by Bodega, 37 Ό x 19 ½”, frame 43 Ό x 25 ½”. Provenance: MOCA ART IN THE STREETS 2011.

Some small production flaws, otherwise in good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

137

Amen Antonio Menegazzo (1892-1974) Italian

BILLIARDS, 1967, oil painting on panel, signed and dated lower right, 22 x 32 Ό”, frame 23 Ό x 33 ½”, retains partial Giraffe Gallery label on verso.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

138

Robert Middaugh (b. 1935) Illinois

AWAKENING STENTORS, oil painting on canvas, signed lower right, 56 x 43 Ύ”, frame 57 Ό x 45”. Provenance: Fairweather Hardin Gallery, Chicago.

Some minor edge wear, a few minor scuffs, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

139

Robert Middaugh (b. 1935) Illinois

MUTE’S THEATER oil painting on canvas, signed lower right, 44 x 52”, frame 45 Ό x 53 Ό”. Provenance: Fairweather Hardin Gallery, Chicago.

Very faint stretcher bar impressions, hairline scratch lower right, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

140

Modernist Artist Unidentified

FOUR WOMEN, 1966, color pastel on paper or board, signed or initialed “LAS 66” lower left, sight 17 ½ x 12”, frame 23 ½ x 17 ½” with glass.

In good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

141

Modern glass sculpture

WAVE, two-part color glass sculpture, signed underneath wave resting on base overall 12 x 10 Ό x 6”, weight 14.5” lbs.

Some light scratches and small scrapes, otherwise in good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

142

Modernist Vase

White layered vase cut to green, 12” tall.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

143

William Moulis (b. 1919) American

MANDARIN, watercolor and gouache on paper, signed upper left, 24 Ύ x 19”, frame 35 Ύ x 28 Ύ” with glass. Provenance: Fairweather Hardin Gallery, Chicago.

Small edge tears, crinkles and creases, hinges on verso becoming visible on recto upper left and upper right, otherwise in apparently good aged condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

144

Murano glass lamp

STANDING LAMP, Chrome metal lamp with four glass shades, 59” tall, 10” diameter base.

In good used condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

145

Neapolitan School (19th/ 20th Century) (two)

BATHS OF TIBERIUS ON CAPRI, and another, each a gouache on black paper or card, sights 7 ½ x 14 ½” & 4 x 5 Ύ”, frames 15 ½ x 22 ½” & 12 x 14” with glass. (2)

Both in apparently good aged condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

146

Leonardo Nierman (b. 1932) Mexico

UNTITLED, 1960, oil painting on board, signed and dated lower right, 8 Ύ x 12”.

Small scrape upper right corner, minor edge wear otherwise in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

147

19th Century Artist Unidentified

PORTRAIT OF A BEAUTY, color pastel on paper over canvas, initialed B. M. upper center left, 29 ½ x 24” oval, carved gold leaf frame 34 x 29” oval with glass.

Some debris inside frame, otherwise in apparently good aged condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

148

19th/20th Century Artist Unidentified

GAZING WOMAN, oil painting on canvas, a signature not found, 24 x 19”, frame 31 x 26”, with Floyd M. Connor label on verso.

Professionally re-lined, some old craquelure, duct tape around side perimeter, otherwise in good aged condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

149

Theodore (Thorvald) Nygaard (1892-1973) Danish & Artist Unidentified (two)

COPENHAGEN, watercolor on paper or card, signed lower left, sight 16 ½ x 17”, frame 24 x 24 ½” with glass; Together with PONTE VECCHIO, watercolor on paper or card, illegibly signed lower left, sight 11 ½ x 16 ½”, frame 18 ½ x 23” with glass. (2)

The first with a couple of discoloration spots; The second with small discoloration streaks mainly upper left corner; Otherwise both in apparently good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

150

Oceanic Art: Papua New Guinea

Standing Man, large carved and painted wood statue with shells, rope and grass appointments mounted to composite base, overall 66 ½” tall, 18” diameter composite base, approximately 40 lbs.

Natural split between feet, otherwise in good aged condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

151

Oceanic Art: Papua New Guinea

Man with Bird, carved and painted wood statue, 26 ½” tall on 1 ½ x 5 x 6 ½” Plexiglas base, overall height 28”.

Bird is possibly missing shell eye insets, some points have chips, crack in wood base, otherwise in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

152

Old Master Painting (probably 17th Century?)

CAIN & ABEL, oil painting on canvas, 25 x 19”, frame 38 x 32 x 5”.

Previously professionally repaired, in apparently good aged condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

153

Umberto Ongania (1860/65-1896?) Italian

VENICE, watercolor on card, signed lower right, 13 ½ x 23”, frame 17 ½ x 27” with glass.

Some areas of white powder, some toning mainly along right edge, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

154

Stephen Pace (1918-2010) American

UNTITLED, 1961, oil painting on canvas board, signed and dated lower right, 18 x 22 Ό”, discardable frame 24 x 28”.

In good aged studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

155

Edgar Payne (1883-1947) American

CANYON DE CHELLY STUDY, pencil drawing on paper, signed in ink lower right, 8 x 10 ½”, frame 19 ½ x 22”. Provenance: DeRu’s Fine Arts, Laguna Beach; Eveyln Payne Hatcher, artist’s daughter; Illustrated in The Drawings of Edgar Payne, 1883-1947, page 102 (book included).

In apparently good condition.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

156

Photographers Unidentified (two)

THEATRICAL SCENE, gelatin silver print, inscribed “Arthur Stone” in pencil on verso, mounted to linen 7 Ύ x 10”; MERRY-GO-ROUND MERMAIDS, gelatin silver print, initialed on mat, sheet 10 ½ x 13”; Both framed 12 x 15” with glass. (2)

The first with aging on recto and some discoloration on verso perimeter, otherwise both in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

157

Camille Pissarro (1830-1903) French

KNEELING WOMAN, lithograph, signed on the stone lower left, inscribed C. Pissarro in pencil lower right, sight 12 x 9”, frame 22 ½ x 18 ½” with Plexiglas.

In apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

158

Sir William Blake Richmond (1842-1921) British

STUDY FOR THE SONG OF MIRIAM, pencil and chalk drawing on paper, sight 18 ½ x 12 ½”, frame 32 x 25” with glass.

Some discoloration upper right, otherwise in apparently good aged condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

159

Theodore Roszak (1907-1981) Prussia New York

BIRDMAN (study for sculpture), ink drawing and watercolor on paper, signed lower right, signed and or inscribed on verso, artist’s and Pierre Matisse Gallery stamps on verso, 18 x 11 Ύ”.

Some discoloration, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

160

Betye Saar (b. 1926) American

SNAKE WITH ELEPHANT 1996, iridescent paint and watercolor with collage on paper mounted to card, signed and dated lower right, 8 x 5 Ύ”, frame 18 ½ x 16” with glass.

In apparently good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

161

J. Scott (19th/ 20th Century) American

WOMAN GARDENING, watercolor on paper or board, signed lower center, 9 Ύ x 6 Ό”, frame 15 Ό x 12” with glass with old Chicago newspaper on verso.

In apparently good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

162

Sculpture by Simon Liebl (19th/20th Century)

ATHLETE WITH ARMS OUTSTRETCHED, cast bronze sculpture with dark patina, inscribed Liebl, 28 x 22 x 7” including round marble base, weight 19 lbs.

A few scuffs and scratches and surface wear, marble base was repaired, otherwise in good aged condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

163

Robert Stieler (1874-1908) German

RESTING ATHLETE, cast bronze sculpture with green patina, signed lower right side, retains partial label underneath, 26 ½ x 15 x 12”, weight approximately 70 lbs..

Dust accumulation, otherwise in good aged condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

164

Still Life Paintings (two)

STILL LIFE WITH PINEAPPLE & GRAPES, watercolor on paper, signed lower left, sight 7 ½ x 10”, frame 14 ½ x 17” with glass; STILL WITH LIFE WITH APPLES AND GRAPES, gouache and pastel, signed lower right, 8 x 10”, frame 14 x 16” with glass. (2)

First in apparently good aged condition; the second with some crinkles and hairline cracks otherwise apparently good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

165

Gjura Stojana (1885-1974) French California

HILLSIDE LANDSCAPE WITH FIGURES AND TERRACE, 1917, oil painting on card, signed and dated on verso, 6 Ό x 8 ½”, frame 11 ½ x 13 ½”.

In apparently good aged condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

166

Surrealist Artist Unidentified

DANGER: WOMEN AT WORK, oil painting on Masonite, signed lower left, 6 ½ x 8 ½”, frame 11 x 13”.

Small scratches and scrapes, otherwise in apparently good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

167

Charles Sykes (1875-1950) Ohio & another (two)

SPIRIT OF ECSTASY AUTOMOBILE MASCOT, cast bronze sculpture with green patina, signature in design, 20 ½ x 16 x 14” including round marble base, weight 28 lbs.; Together with a cast-iron sculpture of a female swimmer, 12 x 8 ½ x 4”. (2)

The first with surface soiling, some wear, mild pitting; The second with rust and pitting; Otherwise both in good aged condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

168

Lenore Tawney (1907-2007) New York

THE DARKNESS THAT BREATHES, 1968, paper construction and shell collage, signed and dated and titled in ink, 7 x 8”, frame 10 x 10 ½ x 2 ½”. Provenance: Fairweather Hardin Gallery, Chicago.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

169

The Thing Quarterly Collection including John Baldessari (13)

VARIOUS ARTISTS: Shannon Ebner (#17) Bottle of Maple Syrup from Vermont, box 10 Ό x 7 ½ x 2 ½”; David Shrigley (#19) Illustrated Travel Wallet/ Passport, box 8 x 7 x 1 ½”; Tauba Auerbach (#20) a 24-hour clock, box 14 x 13 ½ x 3 ½”; Ben Marcus (#21) Thompson Cream, box 13 x 8 Ό x 2”; John Baldessari (#22) Two standard pillowcases, box 10 ½ x 13 x 1 ½”; David Korty (#23) Dice, box 6 x 4 ½ x 1”; Rodarte (#24) a 12” vinyl picture disc, 45 rpm with 2 punk tracks and digital download card, box 12 Ύ x 12 Ύ x Ύ”; Brian Roettinger (#25) Paperback Book, box 12 x 8 ½ x 1 Ό”; Gabriel Orozco (#26) Wood Boomerang, triangular box 14 ½ x 7 ½ x 1 ½” ; Michelle Grabner (#27) a colorful soccer ball, box 9 x 9 x 9”, Jason Fulford & Tamara Shopsin (#28) Ceramic Lottery Ball, box 7 x 5 x 4”, Ricky Swallow (#29) Object, box 8 x 6 ½ x 4 ½”; Raimundas Malasauskas & Sandra Straukaite & Elena Narbutaite (#30) neck collar, box 10 x 10 ½ x 5 ½”.

Most boxes with scuffs from being shipped, #21 with some staining inside box, otherwise all in good condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

170

Joyce Treiman (1922-1991) California

VENICE CANALS, 1978, oil painting on canvas, signed and dated lower right, signed? and dated and titled on stretcher bar, 48 x 48”, frame 48 ½ x 48 ½”.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

171

Henry Twaits (active 1940’s-50’s) British & Young (two)

Henry Twaits TOWER BRIDGE LONDON, watercolor on paper, signed lower right, sight 10 ½ x 14 ½”, frame 16 Ό x 19 Ύ” with glass; Together with YOUNG THE FISHERMAN, watercolor on paper or board, signed lower right, sight 10 ½ x 14 ½”, frame 14 ½ x 18 ½” with glass. (2)

Both in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

172

Viggo Vake (20th/ 21st Century) California

JEWELRY BOX, original hand-painted, gouache and ink on wood, signed and dated 2019 on backside, 15 x 11 Ό x 6”.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

173

Vasa Velizar Mihich (b. 1933) Yugoslavia California (two)

Mini Triangle, color and clear acrylic sculpture, signed and dated 2019, size 3 ½ x 5 x 1”; Cube, color and clear acrylic sculpture, signed and dated 2020, 2 Ό x 2 Ό x 2 Ό”. (2)

Both with natural studio flaws, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

174

Vasa Velizar Mihich (b. 1933) Yugoslavia California (two)

Mini Triangle, color and clear acrylic sculpture, signed and dated 2019, size 4 x 5 ½ x 1”; Cube, color and clear acrylic sculpture, signed and dated 2020, 2 Ό x 2 Ό x 2 Ό”. (2)

Both with natural studio flaws, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

175

WWI War Poster by Frances Adams Halsted (19th/ 20th Century) American

COLUMBIA CALLS, (Rawls pg. 52), 1916, vintage color poster, sight 39 ½ x 29 ½”, probably full sheet size 40 x 30”, frame 49 x 39” with Plexiglas.

Creases and crinkles, colors attenuated, otherwise in apparently good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

176

WWI War Poster by Arthur Edrop (19th/ 20th Century) British

MAKE THE WORLD SAFE, ENLIST NOW, circa 1917, vintage color poster, sight 40 Ό x 28”, frame 50 x 37”.

Creases and crinkles, small tears, some discoloration, otherwise in apparently good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

177

Howard Whalen (1913-1982) California

FISHERMAN, terra cotta sculpture, signed underneath, 15 ½ x 13 x 6”.

Some surface soiling, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

178

Claretta White (circa 1915-2002) California

GEISHAS, 1957, oil painting on panel, signed and dated lower right, 25 x 49” including frame. Note: The artist is a famous author of many Foster Painting Technique books.

In good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

179

Virgil Williams (1830-1886) American

BOY WITH FOWL, 1876, oil painting on canvas, signed and dated lower left, 14 ½ x 12 Ό”, frame 22 ½ x 20 x 2”.

In good aged condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

180

James Yarbrough (20th Century) American

TWIN NUDES, pastel and watercolor on paper or board, signed lower right, sight 15 ½ x 11”, frame 24 x 19” with glass.

A couple of discoloration spots, otherwise in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

181

Barbara Yukoi (b. 1946) American

ENCLAVE 101, watercolor on paper, signed lower right, titled lower left, sight 21 ½ x 19 ½”, frame 36 x 32 Ό” with glass.

In apparently good studio condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

182

Barbara Yukoi (b. 1946) American

ENCLAVE 102, watercolor on paper, signed lower right, titled lower left, sight 21 ½ x 19 ½”, frame 36 x 32 Ό” with glass.

In apparently good studio condition.

Auction Estimate $100/300

Starting Bid $50

 

Use the following links to view lot numbers 1-182

1-25  26-50  51-75  76-100  101-125  126-150  151-175  176-200

Fine Original Prints

Auction May 26th, 2021

 

 

201

Peter Alexander (1939-2020) California

UNTITLED, 1982, color aquatint etching, signed and numbered 2/5 in pencil (Centrum Press Impression), printed and published by Centrum Press with blind stamp, sheet 17 x 18 ½”.

In good condition

Auction Estimate $200/400

Starting Bid $100

 

 

 

202

Peter Alexander (1939-2020) California

UNTITLED, 1982, aquatint etching, signed and numbered 2/5 in pencil (Centrum Press Impression), printed and published by Centrum Press with blind stamp, sheet 22 ½ x 26”.

In good condition

Auction Estimate $200/400

Starting Bid $100

 

 

 

203

Harold Altman (1924-2003) Pennsylvania

PATH III, color etching, signed and titled and inscribed AP (artist’s proof) in pencil, plate 17 ½ x 19 Ύ”, full margins, frame 31 ½ x 33” with glass. Provenance: Fairweather Hardin Gallery, Chicago.

Some toning and discoloration in the margins, otherwise in apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

204

Harold Altman (1924-2003) Pennsylvania

TWO TREES II, color lithograph, signed and titled and inscribed AP (artist’s proof) in pencil, image 18 ½ x 26 ½”, full margins, frame 33 x 40 ½” with glass. Provenance: Fairweather Hardin Gallery, Chicago.

Possibly some toning, otherwise in apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

205

Harold Altman (1924-2003) Pennsylvania

LE GRAND BASSIN, LUXEMBOURG, color lithograph, signed and titled and numbered 66/285 in pencil, printed by Mourlot with blind stamp lower left, image 18 x 26 Ό”, full margins, frame 32 x 40” with glass. Provenance: Fairweather Hardin Gallery, Chicago.

In apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

206

Harold Altman (1924-2003) Pennsylvania

TEN FIGURES, color etching, signed and inscribed AP (artist’s proof) in pencil, plate 19 ½ x 23 Ύ”, full margins, frame 33 ½ x 37 ½” with glass.

Some toning and discoloration in the margins, otherwise in apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

207

Sunol Alvar (b. 1935) Spanish (two)

STILL LIFE; TWO PERSONAGES, two color lithographs, the first signed and inscribed eprevue d’artiste (artist’s proof) in white crayon, the second signed and numbered 139/260 in black crayon, sheets 19 ½ x 27 Ό” & 21 x 27 Ό”. (2)

Still Life with two small white line creases upper right corner, Personages with sun staining, both toned on verso, otherwise in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

208

Irving Amen (1918-2011) New York (7), Ira Moskowitz 1912-2001) Poland (5) & after Mane Katz (5) (seventeen)

Irving Amen VARIOUS, four color woodblock prints and three etchings, each signed in pencil and from numbered editions or artist’s proofs, sheets 25 x 19” to 10 Ύ x 13”; Ira Moskowitz VARIOUS, five color lithographs, each signed and numbered edition 275 in pencil, sheets 16 ½ x 21 ½”; after Mane Katz VARIOUS, one full sheet and four trimmed prints on versos of text pages from Douze Lithographies, 1966, sheets 27 ½ x 20 ½” to 13 x 10”. (17)

Overall in good to generally good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

209

American Printmakers (20th Century) (approximately thirty-five)

A collection of lithographs, etchings and screenprints, all but two signed, most numbered in pencil, various sizes, largest sheet 23 x 31 ½” to 7 Ύ x 6 Ύ”. Artists include Charles Klabunde, Joan Binkoff (4), Wade Reynolds (2), Martin Tobias (2), Mcguiness (4), Vigil, George Crionas (2), and others. (35)

Overall in good to generally good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

210

Amos Amit (b. 1945) Israel (four)

JOSEPH, color screenprint, signed and numbered 46/250 in pencil, image 32 x 24”, sheet 35 ½ x 28 Ό”; CREATION, 1980, color screenprint, signed and numbered 53/250 in pencil, image 23 Ό x 30 Ό”, sheet 31 x 36”; FISH MARKET, 1981, color screenprint, signed and dated and numbered 26/250 in pencil, image 22 ½ x 32 ½”, sheet 29 x 37 ½”; JERUSALEM, 1981, color screenprint, signed and dated and numbered 29/295 in pencil, image 26 x 32”, sheet 29 x 35 ½”. (4)

Joseph with rough sheet edge lower left; first three with old masking tape hinge stains upper sheet edges; Otherwise all in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

211

Chuck Arnoldi (b. 1974) California

UNTITLED BLACK & RED, 1982, color aquatint etching, signed and numbered 2/5 in pencil (Centrum Press Impression), printed and published by Centrum Press with blind stamp, sheet 15 x 17 Ό”.

In good condition

Auction Estimate $200/400

Starting Bid $100

 

 

 

212

Chuck Arnoldi (b. 1974) California

UNTITLED CROSS-HATCH WITH GREEN, 1982, color aquatint etching, signed and numbered 2/5 in pencil (Centrum Press Impression), printed and published by Centrum Press with blind stamp, sheet 17 x 22 ½”.

In good condition

Auction Estimate $200/400

Starting Bid $100

 

 

 

213

Artist Unidentified (20th Century)

FORTY-FIVE, embossed color lithograph, inscribed “forty-five” in pencil lower left, sheet sight 17 x 17”, framed 25 x 25” with glass.

In apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

214

Artist Unidentified (20th Century)

BLUE & RED CIRCLES, color screenprint, signed and numbered 56/100 in pencil, sight 25 x 25”, frame 32 ½ x 32 ½” with glass.

In apparently good condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

215

Gianfranco Asveri (b. 1948) Italy

UNTITLED, color etching, signed and numbered 11/99 in pencil, plate 13 ½ x 9”, full margins, frame 28 Ό x 23 Ύ” with glass.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

216

Gianfranco Asveri (b. 1948) Italy

UNTITLED, color etching, signed and numbered 20/99 in pencil, plate 15 ½ x 11 ½”, full margins, frame 30 Ό x 26 Ό” with glass.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

217

Gianfranco Asveri (b. 1948) Italy

UNTITLED, color etching, signed and numbered 24/99 in pencil, plate 15 ½ x 11 ½”, full margins, frame 30 Ό x 26 Ό” with glass.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

218

Auction Catalogs (thirty-five)

Prints & Posters & Photographs, a collection of thirty-five Sotheby’s, Christie’s, Bonhams & Swann illustrated auction catalogs from 1981-2020, weight 41 lbs. (35)

Overall in good used condition.

Auction Estimate $20/40

Starting Bid $10

 

 

 

219

after John James Audubon (1785-1851) American

WHITE-FRONTED GOOSE, ANSER ALBIFRONS (Pl. CCLXXXVI), 1836 from the Havell edition of The Birds of America, hand-colored engraving printed on Whatman 1836 paper, sheet apparently reduced to 25 Ό x 38 Ό, paper-backed, frame 33 ½ x 45 ½.

Colors attenuated, some small edge tears, pale toning and discoloration, otherwise in good aged condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

220

after John James Audubon (1785-1851) American

OLIVE SIDED FLYCATCHER, from Birds of America, plate 174, 1833, hand-colored engraving, etching and aquatint by Robert Havell, plate 19 ½ x 12 Ό” sight 20 x 12 Ύ”, frame 40 x 27” with glass.

Some discoloration and a few speckles, otherwise in apparently good aged condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

221

Arie Azene (b. 1934) German/ Israel (six)

COUCH AND CHAIR, hand-colored lithograph, signed and numbered 12/80 in pencil, sheet 22 Ό x 30”; THREE INTERIORS WITH CHAIRS, color lithograph, signed and numbered 177/240 in pencil, sheet 27 x 19”; TWO BEDROOM INTERIORS, color lithograph, signed and numbered 119/240 in pencil, sheet 27 ½ x 19 ½”; VIEW OF THE CITY, color lithograph, signed and numbered 76/250in pencil, sheet 19 ½ x 27 ½”; Family Album Series (The Girls), color lithograph, signed and numbered 14/42 in pencil, Burston Graphic Centre blind stamp, sheet 19 Ύ x 25 Ύ”; Family Album Series (Spiral Bound), color lithograph, signed and numbered 3/60 in pencil, Burston Graphic Centre blind stamp, sheet 22 Ό x 30”. (6)

The last with pale discoloration at sheet edges, otherwise in good condition, otherwise all in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

222

Nozio Azuma (1928-2004) New York Japan

IMAGE G, color screenprint, signed and titled and numbered 50/85 in pencil, image 18 x 18”, full margins, frame 28 x 27 Ύ” with glass.

Pale discoloration in the margins, otherwise in apparently good condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

223

Nozio Azuma (1928-2004) New York Japan

IMAGE G (II), color screenprint, signed and titled and numbered 51/85 in pencil, image 18 x 18”, full margins, frame 28 ½ x 28 Ό” with glass.

In apparently good condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

224

Will Barnet (1919-2012) American

THE BLUE ROBE (C.144), 1971, color aquatint etching, signed and titled in pencil, a fine proof before the numbered edition of 225, published by Associated American Artists, with certificate, printed by Deli Sacilotto, plate 12 Ό x 13 Ό”, sheet 23 ½ x 28 ½”.

In good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

225

Joe Black (b. 1973) British

SORRY, color giclee with acrylic spray paint, signed in pencil and inscribed A.P. (artist proof) in pencil, sheet 27 Ό x 19 Ό”.

In good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

226

Ilya Bolotowsky (1907-1981) Russia New York

BLUE YELLOW RED, color screenprint, signed and numbered 30/125 in pencil, sheet 30 ½ x 39 Ύ”.

Very pale toning, right margin and lower margin reduced, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

227

Ilya Bolotowsky (1907-1981) Russia New York

BLUE CIRCLE, color screenprint, signed and numbered 88/125 in pencil, sheet 30 ½ x 40”.

Toning, colors attenuated, soft handling creases, mild cockling, sheet possibly slightly reduced, otherwise in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

228

Mildred Bryant Brooks (1901-1995) Missouri (five)

LA CASITA VIEJA, 1923; NEIGHBORS, 1937; INSTRUMENTS FOR WIND; HORIZON’S RIM, 1944; four etchings, each signed and titled in pencil, two dated in pencil, from numbered editions 75 & 40, plates 13 x 13”, 10 x 10”, 10 Ύ x 8 ½” & 14 Ύ x 11 Ύ”; SMITH FORK, print with printed signature and title, image 14 Ύ x 12”; All with full margins and framed 24 Ύ x 21” with glass. (5)

Casita with some discoloration mainly in margins and printer’s crease lower right corner and hinges on verso possibly showing through to recto lower margin; Neighbors with pale discoloration in the margins; Instruments with pale toning; Horizons with discoloration spots and toning and soft handling creases, otherwise all in apparently good condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

229

Jan De Butler (b. 1928) French

UNTITLED, color lithograph, signed and numbered 50/120 in pencil, sheet 22 x 30”, frame 28 x 36” with glass.

Some toning and discoloration, some creases near sheet edges, otherwise in apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

230

Eugenio Carmi (1920-2016) Italian

UNTITLED, 1971, color screenprint, signed and dated and inscribed E.A. (artist’s proof) in pencil, image 27 ½ x 20 ½”, full margins, frame 36 x 28 ½” with glass.

In apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

231

Eugenio Carmi (1920-2016) Italian

UNTITLED ECLIPSE, 1971, color screenprint, signed and dated and numbered 93/100 in pencil, image 25 Ύ x 20 ½”, full margins, frame 36 x 28 ½” with glass.

A few soft handling creases visible at certain angels in raking light, otherwise in apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

232

after Marc Chagall (1887-1985) Russian/ French

SONG OF SONGS (S. p. 142), 1975, Charles Sorlier color lithograph poster, signed and dated in ink lower right (faded), with the Angel in the Chandelier museum blind stamp authenticating the signature, printed by Mourlot, frame 30 x 20 ½”.

Sheet trimmed to 29 5/8 x 20 Ό”, with some discoloration and a small spot upper center, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

233

after Marc Chagall (1887-1985) Russian French

THE ORCHARD (S. pg. 134), 1973, Charles Sorlier color lithograph poster, edition of 5000, printed by Mourlot, published by the Cabinet Minister of Cultural Affairs, France, welded metal frame 29 ½ x 19 ½” with glass.

Height reduced by ½”, some cockling, pale discoloration in margins, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

234

after Marc Chagall (1887-1985) Russian French

ROMEO & JULIET PARIS OPERA (S. pg 96), 1964, Charles Sorlier color lithograph poster, from the edition of 5000, printed by Mourlot, published by French Tourist Bureau, sheet 25 x 39”.

Some cockling and two strips of masking tape on verso, some soft handling creases.

Auction Estimate $200/400

Starting Bid $100

 

 

 

235

after Marc Chagall (1887-1985) & after Henri Matisse (1869-1954) (two)

Marc Chagall MAGIC FLUTE (Die Zauberflote Mozart) (S. pg 106), Charles Sorlier color lithograph poster, from the edition of 3000, printed by Mourlot, published by Metropolitan Opera New York, sheet 40 x 26”; after Henri Matisse LA NEGRESSE, color poster, 32 x 40. (2)

Flute with 2” tear lower right side, 6” track scratch lower right, cockling, toning and spots and water damage on verso with some visible on recto; after Matisse with small tears upper sheet edge, creases and crinkles and some pale discoloration.

Auction Estimate $200/400

Starting Bid $100

 

 

 

236

Christo (1935-2020) Bulgarian New York

BLUE UMBRELLAS FOR JAPAN, 1991, color offset lithograph, signed in pencil, printed by Domberger, with blind stamp lower left, published by Carl Flach/ Achenbach Art Edition, Dusseldorf, sheet 19 Ό x 20”.

Faint smudge in the upper right margin, otherwise in good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

237

Michael Coffee (20th Century) American

071697-J, color monoprint etching, signed and numbered 1/1 in pencil, blind stamp lower right, plate 7 Ύ x 7 Ύ”, sheet 22 ½ x 15”, frame 28 x 20 ½” with glass.

In apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

238

Michael Coffee (20th Century) American

071897-J, color monoprint etching, signed and numbered 1/1 in pencil, blind stamp lower right, plate 8 x 8”, sheet 22 ½ x 15”, frame 28 x 20 ½” with glass.

In apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

239

Michael Coffee (20th Century) American

071797-J, color monoprint etching, signed and numbered 1/1 in pencil, blind stamp lower right, image 7 Ύ x 8”, sheet 22 ½ x 15”, frame 28 ½ x 20” with glass.

Mended tear lower sheet edge, otherwise in apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

240

Michael Coffee (20th Century) American

112094-C, color monoprint etching signed in pencil, image 17 x 6 ½”, sheet 22 ½ x 15”, frame 27 x 19 ½” with glass.

Small discoloration smudge lower center sheet edge, otherwise in apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

241

Michael Coffee (20th Century) American

112094-D, color monoprint lithograph, signed and numbered 1/1 in pencil, blind stamp lower right, image 17 x 6 ½”, sheet 22 Ό x 15”, frame 27 x 19 ½” with glass.

In apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

242

Michael David (20th Century) American (four)

DOPPELGANGER, 1989, four color lithographs, each signed and numbered 43/50 in pencil, each 24 x 19”, frames 31 x 26” with glass. (4)

Soft handling creases and mild cockling, otherwise all in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

243

Dora De Larios (1933-2018) Californian

LADY OF THE FLOWERS, 1967, color screenprint, signed and numbered 2/100, in pencil, sheet 26 x 20”, with Rols Press Culver City rubber stamp on verso.

Very soft crease upper right corner, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

244

Olivia de Berardinis (b. 1948) Californian

BETTY PAGE MERMAID, color lithograph on silk coated paper, signed in pencil, from a numbered edition 25 Roman Numerals, aside from the numbered edition 450, sheet 38 x 26”, published by Robert Bane, with his and artist’s blind stamps lower right and left.

In good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

245

Laddie John Dill (b. 1943) California

UNTITLED GREEN AND RED, 1982, color aquatint etching, signed and numbered 2/5 in pencil (Centrum Press Impression), printed and published by Centrum Press with blind stamp, sheet 15 ½ x 26”.

Soft creases along left sheet edge, otherwise in good condition

Auction Estimate $200/400

Starting Bid $100

 

 

 

246

Laddie John Dill (b. 1943) California

UNTITLED GREEN AND BROWN, 1982, color aquatint etching, signed and numbered 2/5 in pencil (Centrum Press Impression), printed and published by Centrum Press with blind stamp, sheet 15 ½ x 26”.

Crease lower left corner, otherwise in good condition

Auction Estimate $200/400

Starting Bid $100

 

 

 

247

Russell Dunbar (b. 1927) American

UNTITLED, color screenprint, signed and numbered 85/100 in pencil, image 23 x 23 Ό”, full margins, frame 30 ½ x 30 ½” with glass.

Pale discoloration in margins, possibly some toning, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

248

Eyvind Earle (1916-2000) California

EMERALD FOG, 1993, color screenprint, signed and numbered AP 10/30 (artist’s proof) in ink, aside from the numbered edition 150, image 12 x 16”, full margins, frame 26 ½ x 29 ½ x 2”.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

249

Eyvind Earle (1916-2000) California

SLEEPING BEAUTY COUNTRYSIDE, 1997, color screenprint, signed and numbered 88/500 in ink, printed at Clearwater Studios, published by Disney Art Editions Inc, sight 12 Ό x 29 Ύ”, frame 24 Ύ x 42 Ό”, comes with original brochure.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

250

Emek (20th/21st Century) American

MOE SUMMER TOUR, 2005, color screenprint, signed and dated and numbered 249/ 300 in pencil, artist’s blind stamp lower left, sheet 31 x 20 ½”.

In good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

251

Emek (20th/21st Century) American

RED ROCKS MOE, 2005, color screenprint with remarque drawing, signed and dated and inscribed A/P (artist’s proof) in pencil, aside from the numbered edition, artist’s blind stamp lower left, sheet 32 ½ x 23 ½”.

In good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

252

Emek (20th/21st Century) American

ERYKAH BADU, QUEEN LATIFAH, JILL SCOTT, SUGAR WATER FESTIVAL, 2005, color screenprint from a special limited edition with peace-sign remarque lower left corner, signed and dated in silver ink, artist’s blind stamp lower left, sheet 23 Ύ x 18”.

In good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

253

Emek (20th/21st Century) American

MICHAEL FRANTI & SPEARHEAD, 2010, color screenprint with remarque drawing, signed and dated and numbered 30/200 in pencil, artist’s blind stamp lower left, sheet 24 x 18”

In good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

254

Emek (20th/21st Century) American

THE BLACK, KEYS, 2010, color screenprint with remarque drawing, signed and dated and numbered 15/175 in pencil, sheet 25 x 14 Ό”.

In good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

255

Emek & Jermaine Rogers & Justin Hampton (20th/21st Century) American

POST NEO EXPLOSIONISM, 2002, color screenprint poster, signed in ink by all three artists, from the numbered edition 100, sheet 59 x 38 ½”.

Printer’s crease upper left, otherwise in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

256

European Print Makers (20th Century) (eleven)

Emilio Grau Sala (1911-1975) Spain VARIOUS, three color lithographs, each signed and numbered in pencil, sheets 19 x 25”; Frank Martin (1921-2005) British LILIAN GISH, color woodblock print, signed and titled and numbered 9/50 in pencil, sheet 22 Ύ x 28 ½”; Brigitte Coudrain (b. 1934) French UNTITLED, color etching, signed and numbered 18/90 in pencil, sheet 20 x 25 ½”; Paul Guirmand (1926-2007) French UNTITLED, color lithograph, signed in pencil, sheet 11 ½ x 8 ½”; Francois Deberdt UNTITLED, a color etching and a color lithograph, both signed and numbered in pencil, sheets 26 Ύ x 20 Ό” & 8 Ό x 10 ½”; Claude Grosperin & another, three color lithographs, each signed and numbered in pencil, sheets 25 ½ x 20”. (11)

Overall in good to generally good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

257

Mostly European Landscapes & Townscapes (sixty-five)

Hendrikus Elias Roodenberg (1895-1983) (2); Roger Hebbelinck (1912-1987) (2); And sixty etchings by others of which fifty-eight are signed and numbered or inscribed in pencil (some duplicates); Sheets 19 x 25 ½” to 6 Ύ x 6 Ό”; Together with a signed and numbered lithograph. (65)

In overall good condition, five with ink fingerprints in the margins.

Auction Estimate $200/400

Starting Bid $100

 

 

 

258

Roy Fairchild Woodard (b. 1953) British

SITTING NUDE, color lithograph with hand work, signed and titled and numbered 291/350 in gold ink, sheet 31 x 23 Ύ”, with silk matting and gold filet 38 ½ x 31”.

In good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

259

Shepard Fairey (b. 1970) South Carolina

JASPER JOHNS ON RED, color screenprint, signed and numbered 129/450 in pencil, sheet 24 x 18”.

Retains slight curl from being rolled, a few soft handling creases, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

260

Shepard Fairey (b. 1970) South Carolina

JASPER JOHNS ON WHITE, color screenprint, signed and numbered 129/450 in pencil, sheet 24 x 18”.

Retains slight curl from being rolled, a few soft handling creases, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

261

David Flores (b. 1972) California

ANDY WARHOL CAMOUFLAGE, color screenprint, signed and numbered 53/320 in pencil, Something Ill Studios blind stamp lower right, image 23 ½ x 16 Ύ”, sheet 27 ½ x 20 Ύ”.

Some soft handling creases in margins, faint scuffs in black background, otherwise in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

262

David Flores (b. 1972) California

LOUIS VUITTON SMILE, color screenprint, signed in ink and inscribed AP (artist’s proof) in pencil, sheet 23 ½ x 18 ½”.

A few soft handling creases, otherwise in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

263

David Flores (b. 1972) California

MAN WITH MASK AND HOODIE, color screenprint, signed and numbered 19/120 in pencil, Something Ill Studios blind stamp lower right, sheet 29 ½ x 22”.

Some faint scuffs otherwise in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

264

David Flores (b. 1972) California

RAPPER, color screenprint, signed and inscribed AP (artist’s proof) in ink, image 26 x 19”, sheet 28 x 22”.

Some surface scuffs and handling creases, otherwise in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

265

Leo Frank (1884-1959) Austrian

VOR DEM GEWITTER, color woodblock print, signed in pencil, image 9 x 14”, full margins, frame 15 ½ x 20 ½” with glass.

Some of the colors possibly attenuated, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

266

Sam Francis (1923-1994) California (two)

POINTING TO THE FUTURE, state I (L.216; SF.248), 1976, very rare progressive proof lithograph, signed and numbered 1/2 PP (printer’s proof) in pencil, sheet 50 x 30”, printed by Serge Lozingot, published by Gemini G.E.L, with blind stamp; Together with Sam Francis Black/ White Lithographs, 1976, Smith Andersen Gallery, Palo Alto California Exhibition poster, 35 x 45”. (2)

Pointing with some pale toning at extreme sheet edges, soft crease upper left corner, two small creases lower left sheet edge near signature, pale toning on verso; Poster with creases and soft handling creases; otherwise both in good condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

267

Friends With You (20th/ 21st Century)

MALFI MOUNTAIN, color screenprint, signed in pencil by Sam & Tury and numbered 92/150, their blind stamp lower right and another blind stamp lower left, image 27 x 21 ½”, full margins, frame 34 ½ x 28 ½” with Plexiglas.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

268

German Prints after Durer, Rembrandt and others (twenty-five)

VARIOUS, twenty-five prints (some duplicates) of which twenty-three with Kunstelatt der Bundesdruckerei Berlin blind stamp lower right, twenty-two with circular Faksimile Reproduktion der Bundesdruckerei Berlin stamp on verso, three with Printed in West Germany on verso, sheets 23 x 28 Ό” to 7 Ό x 9 Ύ”. (25)

In overall good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

269

German Expressionist Style

TWO WOMEN A MAN AND A DOG, lithograph on paper thermo-mounted to ragboard, 12 ½ x 10 Ό”, frame 22 ½ x 18 ½”.

Old framing discoloration at edges, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

270

Ali Golkar (b. 1948) Iranian

SONNET II, color screenprint, signed and titled and numbered 89/350 in pencil, image 18 x 24”, full margins, frame 29 Ό x 35 Ό” with glass.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

271

Joe Goode (b. 1937) Californian

SHAWNER TO TULSA 1960 from the Tornados Series, 1991, color aquatint on handmade paper, signed and dated and numbered 24/25 in pencil, plate 15 ½ x 11 Ύ”, sheet 26 x 19 ½”.

Pale discoloration spot upper right corner, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

272

Joe Goode (b. 1937) Californian

LAWTON 1979 from the Tornados Series, color aquatint on handmade paper, signed and dated and numbered 24/25 in pencil, plate 15 ½ x 11 Ύ”, sheet 26 x 19 ½”.

In good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

273

Mike Goscinski (20th Century) American

TURTLES, color woodblock print, signed and titled and numbered 12/100 in pencil, sight 24 x 21”, frame 33 Ό x 29 Ύ” with glass.

Creases and soft handling creases, some discoloration, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

274

Marion Greenwood, James Chaplin & William Gropper (three)

Marion Greenwood (1909-1970) BLACK EYED SUSAN, James Chaplin (20th Century) COMPOSITION, William Gropper (1897-1977) FINN MacCOOL; Three lithographs, each signed in pencil, Associated American Artist editions, sheets 16 x 12”. (3)

All with mild toning on recto and moderate toning on verso, otherwise in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

275

Greg Gronowski (20th Century)

WEAVERS OF SILK III, color monoprint, signed and titled in pencil, image 16 x 16”, full margins, frame 28 Ύ x 28 Ύ” with glass.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

276

Greg Gronowski (20th Century)

MORE LIFE I, color screenprint, signed and titled and numbered 119/150 in pencil, image 16 x 12”, full margins, frame 30 Ύ x 26 Ύ” with glass.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

277

Greg Gronowski (20th Century)

MORE LIFE II, color screenprint, signed and titled and numbered 119/150 in pencil, image 16 x 12”, full margins, frame 30 Ύ x 26 Ύ” with glass.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

278

Greg Gronowski (20th Century)

ILLUMINATI I, color screenprint, signed and titled and numbered 63/150 in pencil, image 16 x 12”, full margins, frame 30 Ύ x 26 Ύ” with glass.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

279

Greg Gronowski (20th Century)

ILLUMINATI II, color screenprint, signed and titled and numbered 63/150 in pencil, image 16 x 12”, full margins, frame 30 Ύ x 26 Ύ” with glass.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

280

Bracha Guy (b. 1948) Israel (five)

FLOWER LANDSCAPE, color etching probably with hand-coloring, signed in pencil, sheet 11 Ύ x 31 ½”; TWO BIRDS WITH TWO FLOWERS, aquatint etching, signed in pencil, sheet 30 x 11”; UNTITLED PURPLE, color aquatint etching, signed in pencil, sheet 25 ½ x 16”; VASE WITH FLOWERS, etching, signed in pencil, sheet 23 Ύ x 15 Ύ”; SEATED FIGURE LOWER CENTER, two-plate hand-colored etching, signed and numbered 1/1 in pencil, sheet 22 x 15”. (5)

The first with discoloration spots lower margin; Otherwise all in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

281

Ardyn Halter (b. 1956) British/ Israel; Nahum Gilboa (1917-1976) Bulgaria/ Israel (two)

Ardyn Halter WADI ARA, 1995, color screenprint, signed and numbered 8/95 in pencil, sheet 23 Ύ x 28”; Nahum Gilboa JERUSALEM, color screenprint, signed and numbered 152/275 in pencil, sheet 15 ½ x 24”. (2)

Both in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

282

Arnold Hoffman Jr. (1915-1991) New York

END TO END #2, color lithograph, signed and titled and numbered 11/40 in pencil, sight 21 Ό x 28 ½”, frame 31 x 38” with glass.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

283

Arnold Hoffman Jr. (1915-1991) American

THE PLACE, color screenprint, signed and titled and inscribed A/P III/VI (artist’s proof 3/6) in pencil, image 28 Ό x 22 Ό”, full margins, frame 38 ½ x 32” with glass.

Probably with some toning, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

284

Gordon House (1932-2004) Welsh

DIAL SET FIVE, 1966, color lithograph, signed and titled and numbered 12/70 in pencil, image 20 Ό x 20 ½”, full margins, frame 29 x 29 Ό” with glass.

An ½” scrape lower right and a few small nicks probably from previous glass breakage, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

285

Gordon House (1932-2004) Welsh

SERIES 40, 1965, color lithograph, signed and titled and numbered 17/50 in pencil, image 15 Ύ x 15 Ύ”, full margins, frame 24 ½ x 24 ½” with glass.

Some pale discoloration spots, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

286

Louis Icart (1888-1950) French

FORSYTHIA (H.295), color etching, signed in pencil, diminished Les Gravure Moderne tagline upper left, oval image 18 x 14 ½”, full margins, oval frame 23 Ύ x 19 Ό”.

Margins have been trimmed to accommodate oval frame, colors look fresh, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

287

Louis Icart (1888-1950) French

EARLY HARVEST (H.210), color etching, signed in pencil, diminished Les Gravure Moderne tagline upper left, oval image 18 ½ x 14 Ύ”, full margins, oval frame 23 ½ x 19 ½”.

Margins have been trimmed to accommodate oval frame, toning and discoloration, colors attenuated, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

288

Masuo Ikeda (1934-1997) Japanese

I AM WAITING (I Am Waiting for You), 1966, color aquatint and drypoint etching, signed and dated and numbered 22/50 in pencil, plate 13 x 12”, sheet 22 Ό x 15”.

Some extremely pale toning, two small masking tape hinges upper corner recto, otherwise in good condition with strong color and line quality.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

289

Max Kahn (1902-2005) Illinois

PASSAGE TO THE SEA, color lithograph or monoprint, signed and titled and numbered 2/2 in pencil, sight 15 ½ x 20”, frame 28 x 32 ½” with glass.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

290

Olivia Kahn (b. 1920) New York

DUBROVNIK #7, 1975, color screenprint, signed and dated and titled and numbered 7/36 in pencil, sight 22 x 16 Ύ”, frame 34 Ύ x 29 ½” with glass.

A few soft handling creases, stray ink in the margins, possibly toned, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

291

Olivia Kahn (b. 1920) New York

DUBROVNIK #2, 1979, color screenprint, signed and dated and titled and numbered 28/30 in pencil, sight 22 x 15 ½”, frame 34 ½ x 28” with glass.

Possibly some pale toning, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

292

Olivia Kahn (b. 1920) New York

EVENING, 1974, color screenprint, signed and dated and titled and numbered 35/35 in pencil, sight 16 x 23 ½”, frame 29 x 36” with glass.

Probably toned, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

293

Olivia Kahn (b. 1920) New York

EMBLEMATIC #3, 1974, color screenprint, signed and dated and titled and numbered 6/28 in pencil, sight 16 ½ x 23 ½”, frame 29 Ό x 36 ½” with glass.

Possibly toned, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

294

Ann Marie Karlson (b. 1952) California (two)

OUR FATHER & HER HIGHNESS, 1996, two color iris prints, each signed and dated and titled and inscribed AP (artist’s proof) in pencil, aside from the numbered editions, printed by Muse X, images 32 ½ x 29 ½”, with full margins, in good condition. (2)

Both in good condition.

Auction Estimate $100/200

Starting Bid $20

 

 

 

295

Luigi Kasimir (1881-1962) Austrian American

CATHEDRAL PARK, color aquatint etching, estate signed in pencil, plate 13 x 8 ½”, full margins, frame 20 ½ x 16”.

In apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

296

Alex Katz (b. 1927) New York

THE EMPEROR JONES (Kate), 2006, color screenprint, signed and numbered 26/60 in pencil, printed by Brand X Edition Inc. New York, published by Wooster Group.

In good condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

297

Kaoru Kawana (1916-1965) Japanese (2) & another (three)

BIRD; ROOSTER, two color woodblock prints, both with artist’s signature stamp, images 9 Ό x 15”, full margins, frames 15 ½ x 21 ½” with glass; Together with a small framed color print of mice in a pepper. (3)

Rooster with water staining and old masking tape residue on verso; Otherwise both in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

298

Willi Kissmer (1951-2018) German

NUDE TORSO, color mezzotint, signed and numbered 230/250 in pencil, image 27 Ό x 7 Ύ”, sheet 36 x 15 ½”.

A few creases and soft handling creases in the margins, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

299

Fumio Kitaoka (1918-2007) Japanese

ROOFTOPS COAST VILLAGE SCENE, 1958, color woodblock print, signed and dated and numbered 16/30 in pencil, image 14 x 21 Ό”, full margins, frame 24 Ύ x 31” with glass.

Pale discoloration in margins, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

300

Kathe Kollwitz (1867-1945) German

MOTHER WITH CHILD IN ARMS, restrike etching, with Von Der Becke stamp lower right, plate 7 ½ x 5” full margins, discardable frame 17 ½ x 15” with glass. Provenance: Associated American Artist editions.

Pale discoloration in margins, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

301

Raoul Lazar (b. 1939) French

UNTITLED, color etching and carborundum gravure signed and numbered 32/99 in pencil, sight 29 ½ x 21 Ύ”, frame 30 Ύ x 38 Ύ” with glass. Provenance: Fairweather Hardin Gallery, Chicago.

Moderate toning possibly from sunlight, otherwise in apparently good condition.

Auction Estimate $50/150

Starting Bid $25

 

 

 

302

Raoul Lazar (b. 1939) French

UNTITLED, color etching and carborundum gravure, signed and numbered 62/75 in pencil, sight 29 ½ x 21 Ύ”, frame 42 Ό x 32 ½” with glass. Provenance: Fairweather Hardin Gallery, Chicago.

Possibly some toning from sunlight, otherwise in apparently good condition.

Auction Estimate $50/150

Starting Bid $25

 

 

 

303

Andre Masson (1896-1987) French (two)

JE REVE series, two color lithographs, each signed and numbered 113/125 in pencil, sheets 25 Ύ x 20”. (2)

Both with old linen hinge strips upper sheet edge verso; both with moderate toning recto and verso, one with colors faded; otherwise in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

304

Ryan McGinness (b. 1972) Virginia

MARCH 4, 2011 from Black Lite Paintings Series, color screenprint with flocage, signed and numbered 134/300 in pencil, sheet 35 x 22 ½”, published by Iconoclastic Editions.

Flocage dust resting on the printed areas and the margins, some small creases in left margin, otherwise in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

305

Ryan McGinness (b. 1972) Virginia

DECEMBER 3, 2010, from Black Lite Paintings Series, color screenprint with flocage, signed and numbered 267/300 in pencil, sheet 35 x 22 ½”, published by Iconoclastic Editions.

Flocage dust resting on the printed areas and the margins, otherwise in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

306

Ryan McGinness (b. 1972) Virginia

MAY 28th, 2011, from Black Lite Painting Series, color screenprint with flocage, signed and numbered 42/300 in pencil, sheet 35 x 22 ½”, published by Iconoclastic Editions.

Flocage dust resting on the printed areas and the margins, otherwise in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

307

Michele Menotti (20th Century) American (six)

INDIAN BLANKET SERIES, six color screenprints, each signed and numbered in pencil, from various editions, images average 6 x 7 ½”, full margins, frames average 12 Ύ x 14”. (6)

One with tiny speckle in margins, another with a small stain on the mat, otherwise all in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

308

Joan Miro (1893-1983) Spain & another (two)

Joan Miro TITLED, color lithograph poster, sight 27 ½ x 23 ½”, frame 38 x 34” with glass; Together with Artist Unidentified UNTITLED, color print, signed Aziz D. in gold ink lower right, image 10 ½ x 14 Ό”, full margins, frame 17 ½ x 21 Ό” with glass. (2)

Miro folded and trimmed, otherwise both in apparently good condition.

Auction Estimate $20/40

Starting Bid $10

 

 

 

309

James Monson (b. 1943) Minnesota

LAST KITE, reduction color woodblock print, signed and titled and numbered 19/50 in pencil, image 19 x 15”, full margins, frame x 33 Ό x 28 Ύ” with glass. Provenance: Fairweather Hardin Gallery, Chicago.

Some pale discoloration in the margins, mild cockling, otherwise in apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

310

James Monson (b. 1943) Minnesota

GRAND SURIMONO, reduction color woodblock print, signed and titled and numbered 7/50 in pencil, image 19 x 15”, full margins, frame x 33 x 28 ½” with glass. Provenance: Fairweather Hardin Gallery, Chicago.

Printer’s creases mainly in the upper right corner, otherwise in apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

311

James Monson (b. 1943) Minnesota

PASTORAL, reduction color woodblock print, signed and titled and numbered 11/50 and in pencil, image 20 Ύ x 16 Ύ”, full margins, frame 31 Ό x 26 Ύ” with glass. Provenance: Fairweather Hardin Gallery, Chicago.

In apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

312

James Monson (b. 1943) Minnesota

ADIEU, reduction color woodblock print, signed and titled and numbered 13/50 and in pencil, image 21 x 17”, full margins, frame 31 Ό x 26 ½” with glass. Provenance: Fairweather Hardin Gallery, Chicago.

In apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

313

Mickey Myers student of Sister Mary Corita Kent (20th Century) California

WELCOME HOME, 1981, color screenprint, signed and dated and titled and numbered 38/39 in pencil, image 24 ½ x 18”, full margins, frame 37 x 29” with glass. Provenance: Fairweather Hardin Gallery, Chicago.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

314

Mickey Myers student of Sister Mary Corita Kent (20th Century) California

THE COLOR OF MY LIFE II, 1981, color screenprint, signed and dated and titled and numbered 38/46 in pencil, image 24 ½ x 17”, full margins, frame 37 x 29” with glass. Provenance: Fairweather Hardin Gallery, Chicago.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

315

Patrick Nagel (1945-1984) Californian (two)

GALERIE MICHAEL (W.28 pg. 155), 1982; NAGEL (W.32 pg. 156), two lifetime limited edition color screenprint posters, the first signed and dated and dedicated in pencil lower left, both signed in design, sheets 25 x 18”, both published by Mirage Editions, frames 34 ½ x 27” & 31 ½ x 24 ½” with glass. (2)

The first slightly slipped from mount; otherwise both in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

316

Patrick Nagel (1945-1984) Californian (two)

NOBLE (W.27 pg. 155), 1982; DYANSEN (W.31 pg. 156), 1983, two lifetime limited edition color screenprint posters, both signed in design, sheets 21 x 16” & 25 x 18”, both published by Mirage Editions Santa Monica, Noble frame 28 ½ x 23” with Plexiglas; Dyansen frame 35 x 27” with glass cracked lower corners. (2)

Noble slipped from mount in frame and with diagonal scuff lower center right; otherwise both in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

317

Patrick Nagel (1945-1984) Californian

TEXAS (Duran Duran) (W. 33 pg. 156), 1983, lifetime limited edition color screenprint poster, signed in design, published by Mirage Editions Santa Monica, sheet 25 x 19 Ύ”, matted 33 x 27 ½”.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

318

Patrick Nagel (1945-1984) Californian

PAPILLON (W. 25 pg. 155), 1983, lifetime limited edition color screenprint poster, signed in design, published by Mirage Editions Santa Monica, sheet 25 x 17”, matted 34 x 26”.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

319

Patrick Nagel (1945-1984) Californian (two)

PIEDMONT BOOK COMPANY GALLERY (W.10 pg. 151), 1979; GRUNWALD CENTER FOR THE GRAPHIC ARTS (W.12 pg. 152), two lifetime limited edition color screenprint posters, both signed in design, both published by Mirage Editions Santa Monica Piedmont frame 25 Ό x 17 Ό” with glass broken lower right corner, Grunwald sheet 25 x 17”. (2)

Grunwald with discolor spot lower right edge and some discoloration on verso, otherwise both in good or apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

320

Shigeru Narikawa (b. 1945) Japanese

DAFFODIL, color mezzotint, signed and numbered 12/100 in pencil, plate 4 Ύ x 8 ½”, sheet 13 x 18”.

In good condition

Auction Estimate $10/20

Starting Bid $5

 

 

 

321

Robert Natkin (1930-2010) American

BERN Series, 1974, color screenprint, signed and dated and numbered 12/50 in pencil, image 36 x 27 Ό”, sheet 40 Ύ x 31 Ό”, Plexiglas frame 41 Ό x 31 Ύ”

White out in margin lower left, some toning and discoloration in margins, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

322

Robert Natkin (1930-2010) American

UNTITLED, 1974, color screenprint, signed and dated and numbered 40/150 in pencil, image 26 Ύ x 38 ½”, sheet 31 Ό x 43”, Plexiglas frame 33 ½ x 45”.

A few creases and soft creases, some toning and discoloration in margins, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

323

Alexandra Nechita (b. 1985) Romanian

SUNFLOWER FIELDS, 1996, color screenprint on canvas, signed and numbered 14/250 in white ink, published by International Art Publishers with certificate, image 46 x 25”, frame 53 ½ x 32 ½ x 4”.

In good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

324

Alexandra Nechita (b. 1985) Romanian

SHARING MOMENTS from FRIENDS & FAIRY TALES, 1997, color screenprint, signed and dated numbered 35/99 in pencil, published by International Art Publishers with certificate, printed by Mourlot with blind stamp lower left, image 32 Ύ x 22”, full margins, frame 47 Ό x 36 x 3”.

Some mild cockling, otherwise in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

325

Robert Von Neumann (1888-1976) German American

ISLAND MAILBOAT, lithograph, signed and titled in pencil, Associated American Artist edition, image 8 x 10 Ύ”, sheet 12 x 16”.

Some pale toning, otherwise in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

326

John Nieto (1936-2018) Apache Native American (four)

LES LIVRES DES PEINTRES Series, 1996, four color screenprints, each signed and numbered LXVII/C (67/100 Roman numeral) in silver ink, images 17 ½ x 14”, 11 x 19”, 13 ½ x 17 ½” & 17 ½ x 14”, full margins, frames from 24 Ύ x 20 ½ x 2 Ύ” to 20 ½ x 24 x 2 Ό”. (4)

Two with improper perimeter hinging resulting in some discoloration at sheet edge verso and one has slipped from the mount, otherwise in apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

327

19th / 20th Century Engravings (forty-six)

VARIOUS SCENES OF LIFE, fifteen color or colored engravings (one duplicate) and one hand-colored lithograph, sheets 40 x 27” to 16 Ύ x 20 ½”; Together with thirty photogravures as published by D. Appleton & Co. NY, sheets 16 x 12”. (46)

Engravings and lithograph in overall good to generally good condition; Photogravures in overall good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

328

Henry Pearson (1914-2006) New York

YENGONGORA IV, etching, signed and titled and numbered 8/10 in pencil, image 8 Ύ x 11 Ύ”, full margins, frame 19 Ό x 21 Ύ” with glass.

Some possible toning, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

329

Joshua Petker (b. 1979) Californian (four)

TWO WOMEN, four of the same color giclee prints, each signed in pencil, two from the numbered edition 25, two artist’s proofs, image 15 ½ x 10”, full margins, sheets 17 ½ x 12”. (4)

All in good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

330

Joshua Petker (b. 1979) Californian

SHIP ON WAVE OF COLORS, color giclee print, signed and numbered 13/25 in pencil, registration marks in all four corners, sheet 25 ½ x 24”.

A couple of small smudges in right margins, otherwise in good condition.

Auction Estimate $20/40

Starting Bid $10

 

 

 

331

after Pablo Picasso (1881-1973) Spanish

XXXII: FESTIVAL D’AVIGNON, 1978, Henri Duchamp color lithograph poster, printed by Mourlot, published by S. P. A. D. E. M., frame 31 x 21 ½” with glass.

Creases and cockling, some small sheet edge nicks from framing, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

332

Liliana Porter (b. 1941) Argentina

THE BEGINNING OF THE JOURNEY, 1983, mixed media print with string collage on Japan paper, signed and dated and titled and numbered 35/75 in pencil, sheet 12 x 15 ½”.

Creases and soft handling creases, otherwise in good condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

333

Ken Price (1935-2012) California

JIBAROLAND FROG-CUP, 1968, color lithograph, signed and dated and titled numbered 1/20 in pencil on verso, printed at Tamarind, sheet 22 x 17”.

Discoloration and toning, a tideline stain lower right corner, mild cockling, otherwise in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

334

Ken Price (1935-2012) California

DOUBLE FROG-CUP, 1968, color lithograph, signed and dated and titled numbered 2/20 in pencil on verso, printed at Tamarind, sheet 22 x 16 ½”.

Discoloration and toning, mild cockling, otherwise in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

335

Print Collection (twenty-two)

Herbert Dicksee Lion; Tiger, two etchings, initialed or signed in the plate, images 23 Ό x 18 ½”, sheets 30 ½ x 22 ½”; Five Botanicals and two Landscapes, seven colored etchings, each signed and inscribed in pencil, sheets 16 ½ x 12 ½” to 11 Ύ x 9 ½”; Travel Scenes, four color etchings, sheets 11 ½ x 30”; Three colored engravings of English Roosters, two 20 Ό x 16” one 25 Ό x 20 Ύ”, each stamped Made in England on verso; Two English Aerial Views, each a colored lithograph, sheets 16 Ύ x 24”, Four smaller Landscape prints, 16 ½ x 10 ½” to 4 ½ x 3”. (22)

In overall good to generally good condition, the latter four in the lesser condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

336

Print Collection (seventy-two)

IMAGES OF MEN & GENTLEMAN, twenty-one etchings, engravings and lithographs, sheets 31 x 24 Ό” to 6 x 5”; Together with a watercolor of a man signed Spencer, 10 Ύ x 11 ½”; Together with twenty-nine bookplates of photogravure or reproductions, sheets average 12 x 17”; VARIOUS, twenty-one etchings, lithographs and prints, sheets 28 x 22 Ό” to 5 x 6”. (72)

From good condition to fair/poor condition, the first in mainly generally good condition; most of the bookplates in fair to poor condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

337

Roy Purcell (b. 1936) American (six)

VARIOUS, six etchings, each signed and numbered and titled in pencil, sheets 13 x 19 ½” to 7 ½ x 10 ½”. (6)

In overall good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

338

Charles Paul Renouard; Charles Vanderhoof; Elanor Coburn; Christoph Weigel & others (seven)

Charles Paul Renouard (1845-1924) GRAND ASSEMBLY lithograph, signed in pencil, image 12 Ύ x 17 Ύ”, sheet 18 Ύ x 25 Ύ”; Charles Vanderhoof (1853-1918) ISLAND HARVEST, etching, signed in pencil, image 8 x 12 ½”, sheet 13 x 16”; Elanor Coburn (1866-1939) MOTHER & CHILD, lithograph, signed and numbered 14/20 in pencil, sheet 16 x 11 ½”; Christoph Weigel (1654-1725) FALLEN HORSE, etching, image 5 x 6 ½”, full margins, frame 14 x 16” with glass; Campbell HOUSE BY LAKE, 1905, watercolor on card, signed and dated lower right, card 7 x 13 Ό”; Howell Chambers Brown (1880-1954) TREE, pencil drawing, 16 ½ x 12”; George **** MAN WITH TWO HORSES AND A DOG, etching, signed in pencil, image 5 x 7”, full margins, frame 13 ½ x 15” with glass. (7)

In overall good to generally good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

339

Dolona Roberts (b. 1936) New Mexico

FOUR FIGURES, color screenprint, signed and numbered 58/250 in pencil, printed by Soma and published by Segal with blind stamps lower left, image 32 ½ x 32”, full margins, Plexiglas box frame 41 x 39”.

Pale discoloration upper corners apparently from hinges on verso, soft crease lower right corner, mild wave, soft handling crease upper left corner, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

340

Dolona Roberts (b. 1936) New Mexico

TWO FIGURES, 1983, color screenprint, signed and dated and numbered 29/100 in white pencil, sheet 29 x 22 ½”, Plexiglas box frame 33 x 27”.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

341

Reuven Rubin (1893-1974) Israel

JEREMIAH I from The Prophets Suite, color lithograph on Arches script watermarked paper, signed and numbered 148/200 in pencil, sheet 26 x 20”.

Minor skinning on verso from old hinges, otherwise in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

342

Kiyoshi Saito (1907-1997) Japanese

MIHOYO-IN KYOTO, 1968, color woodblock print, signature and character stamp lower left, dated and titled and numbered 28/100 in pencil in lower margin, image 14 Ύ x 20 Ύ”, full margins, frame 23 Ό x 29 Ό” with non-glare glass.

In apparently good condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

343

Jack Silverman (b. 1940) New Mexico; Gordon Phillips (1927-2011) North Carolina (two)

Jack Silverman THIRD PHASE NAVAJO CHIEF BLANKET, 1982, color screenprint, signed and numbered 27/100 in pencil, sheet 29 ½ x 41”, Plexiglas box frame 32 ½ x 43 ½”; Gordon Phillips LINE RIDERS, color print, signed and numbered 131/490 in pencil, image 18 x 27”, full margins, frame 27 ½ x 36 ½” with glass. (2)

Silverman with discoloration at perimeter of sheet and image, frame with hard scrape lower right; Phillips with colors possibly attenuated, tiny piece of debris inside frame; Otherwise both in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

344

Alexander Brantingham Simpson (active 1904-1931) British

SLEEPING WOMAN WITH PUTTO, etching, signed in pencil lower left, image 3 x 6”, full margins, frame 13 x 12” with glass.

Toning, otherwise in apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

345

Marbury Somervell (1873-1939) American (eleven)

VARIOUS, eleven etchings, each signed and titled and numbered in pencil, all from editions of 100, sheets 13 x 10” to 10 x 8”. (11)

In overall good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

346

Steve Sorman (b. 1948) American

WHERE IN YOU ARE OUTSIDE OF WHICH, 1986, color lithograph with collage and possibly some handwork on thin Japan paper, signed and dated and numbered 33/65 in pencil, sheet 23 ½ x 36”.

A few soft handling creases, otherwise in good condition.

Auction Estimate $50/100

Starting Bid $10

 

 

 

347

Marko Spalatin (b. 1945) Croatia American

FIGURE V, color screenprint, signed and numbered 57/60 in pencil, image 19 ½ x 25”, sheet 25 ½ x 30 ½”, frame 30 Ό x 38 ½” with glass.

Pale speckling in margins, small scrape in image lower right, some discoloration strip upper margins possibly a hinge on verso starting to show through, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

348

Marko Spalatin (b. 1945) Croatia American

PANEL IV, color screenprint, signed and inscribed A/P (artist’s proof), in pencil, diameter 21”, sheet 30 ½ x 25 ½”, frame 32 x 27” with glass.

Some toning and discoloration mainly at sheet edges, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

349

Marko Spalatin (b. 1945) Croatia American

COLORED CUBES, color screenprint, signed and titled and numbered 21/60 in pencil, image 18 x 18”, full margins, frame 26 Ύ x 26 Ύ” with glass.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

350

Carol Summers (b. 1925) American

CALIFORNIA, color woodblock print, signed and titled and numbered 50/75 in pencil, sheet 37 x 37”, frame 42 ½ x 32 ½” with Plexiglas. Provenance: Fairweather Hardin Gallery, Chicago.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

351

Carol Summers (b. 1925) American

COMET OVER THE LOWER FALLS OF THE YELLOWSTONE, color woodblock print, signed and titled and numbered 50/50 in pencil, printed by Tamarind, blind stamp lower left, sheet 41 x 29 ½”, frame 47 x 35 ½” with glass. Provenance: Fairweather Hardin Gallery, Chicago.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

352

Chloe Tallot (b. 1973) French

LE BAIN BLEU, PARIS, 2004, color Fuji crystal print, signed and dated and titled on verso in pencil, sheet 16 ½ x 11 Ύ”, frame 25 x 20”.

Tiny smudge extreme edge lower left corner, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

353

Itzchak Tarkay (1935-2012) Israeli

BLUE DRESS II, 2003, color screenprint, signed and numbered 233/350 in pencil, image 37 Ό x 13 ½”, full margins, frame 50 x 25 ½” with glass.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

354

Itzchak Tarkay (1935-2012) Israeli

THREE WOMEN AT TEA, 1992, color screenprint, signed and numbered 76/350 in pencil, blind stamp lower left, image 36 ½ x 26”, full margins, frame 51 Ύ x 41” with Plexiglas.

Some minor debris inside frame, artwork appears to be in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

355

Lev Tchistovsky (1902-1969) Russian French

FEMME A L’EVENTAIL, color aquatint etching, signed in pencil, published by Estampe Moderne with tagline upper left, image 14 x 19”, mounted to board 22 x 26”, with good strong colors.

Laid down, some discoloration spots and toning, in margins, adhesive residue and skinning in margins from previous matting, a few small nicks on her belly, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

356

Sam Thal (1903-1964) New York & Carmen Bonanno (1901-) Italy American (two)

Sam Thal PICNIC PLACE, etching, signed in pencil, image 8 Ύ x 12”, sheet 12 x 15”; Together with Carmen Bonanno THE MATES, etching signed in pencil, image 9 Ύ x 8”, sheet 12 ½ x 10”; both Associated American Artist editions. (2)

Both with pale discoloration on recto and moderate toning on verso, otherwise both in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

357

Valery Thornton (1931-1991) British

UNTITLED, color etching, signed and numbered 2/50 in pencil, image 19 Ό x 14 Ύ”, full margins, frame 28 Ό x 23 Ό” with glass. Provenance: Fairweather Hardin Gallery, Chicago.

Pale discoloration in the margins, otherwise in apparently good condition.

Auction Estimate $50/150

Starting Bid $25

 

 

 

358

Christian Title (1932-2020) American

VIEW OF THE COUNTRYSIDE, color lithograph, signed and numbered HC 1/20 (Hors Commerce) in pencil, image 23 x 29”, full margins, handsome framed with glass.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

359

Theo Tobiasse (1927-2012) French/ Israeli

LES PSAUMES from 50 Springs of Israel, color screenprint, signed numbered 31/199 in pencil, image 21 ½ x 30”, sheet 36 x 27”.

In good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

360

Shark Toof (20th/ 21st Century) Chinese/Californian

TIGER, 2011, extensive spray painting and tagging over color screenprint, signed in pencil lower center, numbered 29/30 in pencil on verso, unidentified blind stamp lower right, sheet 26 x 20”.

In good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

361

Paul B. Travis (1891-1975) American

OLD CUSTOM HOUSE MONTEREY (California), etching, signed and titled in pencil, image 7 Ύ x 5 Ύ”, full margins, frame 14 x 11” with glass.

Some pale discoloration, otherwise in apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

362

Igael Tumarkin (b. 1933) German/ Israel

VENUS, color screenprint with intaglio, signed and numbered 11/25 in pencil, sheet 33 ½ x 23”.

In good condition.

Auction Estimate $100/150

Starting Bid $50

 

 

 

363

Victor Vasarely (1906-1997) Hungarian

UNTITLED, color screenprint, signed and numbered 131/300 in pencil, image 25 x 25”, full margins, frame 37 x 26 ½” with Plexiglas.

In apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

364

Victor Vasarely (1906-1997) Hungarian

UNTITLED, color screenprint, sheet 28 x 28”.

Some scuffs visible at certain angles in raking light, some white flecks along on side, glue and accretions on verso, otherwise in good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

365

Adam Wallacavage (b. 1969) Philadelphia

PIGGY, 1999, color screenprint, signed and numbered 11/50 in pencil, sheet 26 x 17 ½”.

With original pinholes in all four corners, in good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

366

Axel Wallert (1890-1962) Swedish

SKARGARDS FOLK, woodblock print, signed and titled in the margins, image 8 x 10 ½”, full margins, frame 15 x 17 ½” with glass.

Frame coming apart at corner, art in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

367

Reynold Weidenaar (1915-1985) American

REVERIE, mezzotint, signed and titled in pencil, Associated American Artist edition, image 13 x 10 Ύ”, sheet 16 x 13”.

Some pale toning and discoloration, otherwise in good condition.

Auction Estimate $200/300

Starting Bid $100

 

 

 

368

Fred Williams (1927-1982) Australia

UNTITLED (Figure), 1958, etching, signed and dated and numbered 10-25 in pencil, image 7 ½ x 5 Ό”, full margins, gold leaf frame 15 ½ x 12 ½” with glass.

Extremely faint discoloration in the margins, otherwise in apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

369

Yamin Young (b. 1959) Chinese

WINGS, color screenprint with gold highlight on Japan paper, signed and numbered 168/375 in pencil, image 58 x 29 ½”, sheet 63 ½ x 35”.

A few hairline cracks from being stored rolled, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

370

Yamin Young (b. 1959) Chinese

CALEDON HORSES, color screenprint with gold highlight on Japan paper, signed and numbered 70/275 in marker, image 22 Ύ x 68”, sheet 29 ½ x 75”.

Hairline cracks, has been stored rolled, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

201-225  226-250  251-275  276-300  301-325  326-350  351-375  376-400

401-425  426-450  451-475  476-500

 

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