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Fine Art Estate Auction Saturday January 31st at Noon

 

The Catalog Text Only

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1

Robert Ackerman (20th/ 21st Century) & Jeff Beall (20th/ 21st Century) (two)

Robert Ackerman, UNTITLED, 1984, oil painting on canvas, signed and dated on verso, 12 x 12”; Together with Jeff Beall, XII, 1988, plywood, microcrystalline, paraffin with pigment on plywood, initialed and dated on verso, 28 x 21”, both in good studio condition. Provenance: both from the Collection of the Laguna Art Museum. (2)  $200/400

 

 

 

2

Francesco Alberti (b. 1941) Italian

COMPOSIZIONE CON VASO ETRUSCO, 1990, oil painting on canvas, signed lower right, signed on verso, 10 x 12”, framed, staining on mat only, in good studio condition. Provenance: Maison D’Art, St. Laurent, Quebec.  $200/400

 

 

 

3

Francesco Alberti (b. 1941) Italian

VENEZIA ALL’IMBRUNIRE, oil painting on canvas, signed lower left, titled and signed on verso, size 30 x 40”, framed, in good studio condition. Provenance: Galerie Klimantiris, Quebec.  $400/800

 

 

 

4

Pierre Alechinsky (b. 1927) Belgium

UNTITLED, color lithograph, signed in pencil, from the numbered edition 90, sight 21 ½ x 16 ¼”, printed by Atelier Clot, Paris, with blindstamp, framed with glass, toning at mat, a few discoloration speckles lower left margin, otherwise in apparently good condition.  $200/400

 

 

 

5

Pierre Alechinsky (b. 1927) Belgium

UNTITLED, color lithograph, signed in pencil, from the numbered edition 100, sheet 33 x 24”, framed with glass, small ding and hairline scratch lower area, masking tape hinges top and bottom sheet edges verso, otherwise in apparently good condition.  $300/600

 

 

 

6

Shlomo Alter (b. 1936) Israeli

AT THE COUNTRY CLUB, acrylic painting on canvas, signed lower left, 40 x 60”, framed, faint stretcher bar impressions, otherwise in good studio condition.  $300/600

 

 

 

7

Sunol Alvar (1935) Spanish

THE OFFERING, thickly printed color screenprint, signed in pencil, from the numbered 250, image 36 x 28”, full margins, frame, natural cockling, with unobtrusive indigenous? hairline horizontal cracks, otherwise in apparently good condition.  $300/600

 

 

 

8

Sunol Alvar (b. 1935) Spanish

VIEW OF THE CITADEL, embossed color lithograph, signed in pencil, from the numbered edition 500, sheet 12 x 9 ¼”, framed, in apparently good condition.  $100/200

 

 

 

9

Art Book: Sunol Alvar (with a drawing)

ALVAR, 1997, Miralles & Alzueta, hardbound book with hand-signed color lithograph cover, with original drawing for the frontispiece, signed and dated, 360 pages, Edmund Neuman Publishing, in English and Spanish, in good condition.  $100/200

 

 

 

10

Julie Andrews memorabilia (20th Century)

VICTOR/ VICTORIA, cast autographed poster from the Broadway production for Marquis Theatre, New York, signed by Julie Andres, Rachel York, Adam Heller and others, sight 21 ½ x 13 ½”, framed with glass, in apparently good condition.  $100/200

 

 

 

11

Charles Arnoldi (b. 1946) Californian (four)

UNTITLED (Black), 1979, four of the same color etchings, each signed in pencil, one inscribed RTP (ready to print) and four from the numbered edition 60, images 6 x 5”, sheets 18 x 15”, all with small discoloration spots throughout, otherwise in good condition. (4)  $400/600

 

 

 

12

Charles Arnoldi (b. 1946) Californian (fifteen)

UNTITLED (Grey), 1979, fifteen of the same color etchings, each signed in pencil, one inscribed RTP (ready to print) and eight numbered artist’s proofs and five from the numbered edition 60, images 6 x 5”, sheets 18 x 15”, all with small discoloration spots throughout, otherwise in good condition. (15)  $1500/2500

 

 

 

13

Art Books: Agam, Bearden, Botero & Erte (four)

AGAM, 1980, Frank Popper, Harry Abrams Publishing, revised edition, 402 pages in English; Romare Bearden, HIS LIFE AND ART, Myron Schwartzman, Harry Abrams Publishing, 320 pages in English; Fernando Botero, POSTERS, Quintana, Michelsen Ediciones, first edition 1994, 120 pages in multiple languages, some wear and toning on cover, otherwise all three in good used condition; Erte SCULPTURE, Marshall Lee, published by Dutton, 200 pages in English, cover with toning, otherwise in good condition. (4)  $100/200

 

 

 

14

Art Books: Joan Miro & Marc Chagall (two)

LITHOGRAPHIES I, 1972, Michel Leiris, hardbound Catalogue Raisonne 1930-1952, with ten color lithographs and lithograph cover, printed by Mourlot, Spanish language edition published by Poligrafa, lithographs in good condition with some soiling and wear to cover, soiling on outside edge; Together with Marc Chagall, POSTERS, Charles Sorlier, hardbound Catalogue Raisonne, Crown Publishers, 160 pages, in English, some light soiling to cover and outside edges, otherwise both in good condition. (2)  $400/600

 

 

 

15

Milton Avery (1893-1965) American

STE. ANNE’S, 1947, ink drawing on paper, signed and dated lower left, titled lower center, sheet 7 ½ x 4 ¾”, auction label on back, framed, pale toning at sheet edges, in apparently good condition. Provenance: Mitzi Landau, Los Angeles; Gerald Peters Gallery, Santa Fe.  $1000/2000

 

 

 

16

Tom Bennett (b. 1928) California

WOMAN WITH RAISED ARMS, 1979, cast bronze sculpture, signed and dated, from the edition of 50, height 23 ¼”, mounted to 1” tall marble base, in good studio condition.  $500/800

 

 

 

16 A

Tony Berlant (b. 1941) American

MARILYN, 2001, color printed sheet metal, signed in marker lower right, signed and dated and inscribed in marker on verso sheet 35 x 37”, with wood support frame, a few hairline scratches, otherwise in apparently good studio condition.  $400/600

 

 

 

17

Armand Berton (1854-1927) French

TREE LINED STREET, watercolor and pencil on paper, signed lower left, 7 7/8 x 5”, in a spectacular Capitol framed, some possible discoloration, otherwise in apparently good studio condition. Provenance: Galerie Michael, Beverly Hills.  $500/1000

 

 

 

18

William Blackman (b. 1930) Californian

SEASCAPE, oil painting on canvas, signed lower right, artist’s stamp and copyright on verso (2), size 24 x 48”, framed, in good studio condition.  $300/600

 

 

 

19

Gabriel Bonmati (1928-2005) French/ Canadian

ET DES PARFUMS NOCTURNES, 1990, oil painting on Masonite, signed and titled center and lower right, 14 x 12”, framed, in good studio condition. Provenance: Maison D’Art, St. Laurent, Quebec.  $300/600

 

 

 

20

Gabriel Bonmati (1928-2005) French/ Canadian

HIEREST CONFONDU A’ DEMAIN, 1990, oil painting on canvas, signed lower right, titled and signed on verso, 22 x 18 ¼”, framed, in good studio condition. Provenance: Galerie Klimantiris, Quebec; Maison D’ Art, San Laurent, Quebec.  $400/800

 

 

 

21

Richard Bosman (b.1944) American

REVENGE OF THE CAT, 1983, etching, signed in pencil, from the numbered edition 40, image overall 23 ½ x 36”, soft handling creases, small tears at sheet edges, rubs and scuffs and soiling in the margins, small discoloration stains on verso, otherwise in good condition.  $200/400

 

 

 

22

George Kennedy Brandriff (1890-1936) Californian

HOOVER DAM CONSTRUCTION, 1933, oil painting on canvas board, titled, dated and inscribed on verso by Mrs. George Brandriff, 18 x 14”, framed, in good studio condition. Provenance: from the Collection of the Laguna Art Museum.  $1000/2000

 

 

 

23

George Kennedy Brandriff (1890-1936) Californian

NUDE FEMALE, 1933, oil painting on canvas, dated and inscribed on verso by Mrs. George Brandriff, 30 x 36”, faint stretcher bar impressions, two small dimples, one with tiny tear right center edge, otherwise in good studio condition. Provenance: from the Collection of the Laguna Art Museum.  $800/1200

 

 

 

24

George Kennedy Brandriff (1890-1936) Californian

NUDE MALE, 1933, oil painting on board, titled, dated and inscribed on verso by Mrs. George Brandriff, 18 x 14”, framed, in good studio condition. Provenance: from the Collection of the Laguna Art Museum.  $500/1000

 

 

 

25

George Kennedy Brandriff (1890-1936) & Walter Askin (b. 1929) (two)

George Kennedy Brandriff, SHAKER (Still Life), 1932, oil painting on board, titled, dated and inscribed on verso by Mrs. George Brandriff, 18 x 14”, framed, surface soiling and hairline scratches, otherwise in good studio condition; Together with Walter Askin, BRANDY SNIFTER, c.1965, color pastel on paper, signed lower right, sight 11 ¼ x 17 ¼”, framed with glass, some tears and creases, otherwise in generally good studio condition. Provenance: both from the Collection of the Laguna Art Museum. (2)  $500/1000

 

 

 

26

Guy Buffet (b. 1943) French/ Hawaiian

THE RANCH, 1964, ink drawing on paper, signed and dated and inscribed lower right, sight 13 ½ x 19”, framed with glass, pale discoloration, possibly hinges on verso unobtrusively showing through on recto, otherwise in apparently good condition.  $200/400

 

 

 

27

Enrico Campagnola (1911-1984) American

PORTRAIT OF A GIRL, oil painting on canvas, signed upper left, 16 x 13”, framed, some hairline cracks, otherwise in good studio condition.  $300/500

 

 

 

28

Leonetto Cappiello (1875-1942) Italian

PEUGEOT, 1925, color lithograph poster, signed and dated lower right on the stone, image 56 ¾ x 43”, full margins, Devambez Gravure, Les Nouvelles Affiches Cappiello, Paris, framed, linen backed, a few professionally mended tears in the margins, otherwise in apparently good condition.  $2000/3000

 

 

 

29

Leonetto Cappiello (1875-1942) Italian

LE CRI DE PARIS, color lithograph poster, signed on the stone, image 60 ½ x 41 ¾”, full margins, printer Vercasson & Cie, Paris, framed, linen backed, colors might be slight attenuated, otherwise in apparently good condition.  $2000/3000

 

 

 

30

Clarence Carter, Abraham Krol & George Osgood (three)

Clarence Carter, CLOWNS IN MAKE-UP ROOM, 1979, color lithograph, signed in pencil, from the numbered edition 30 artist’s proofs, image 19 x 23 ¼”, small scrapes upper left, probably from previous glass breaking, otherwise in apparently good condition; Together with Abraham Krol SEATED MAN WITH PIPE, 1952, etching, signed in pencil, from the numbered edition 60, plate 24 ¼ x 10”, handling creases in margins, some toning, otherwise in apparently good condition; Together with George Osgood DUSK, intaglio screenprint, signed in pencil, from the edition 35, image 34 x 20”, hairline cracking, all with full margins and framed with glass, otherwise in apparently good condition. (3)  $300/600

 

 

 

31

Marc Chagall (1897-1985) Russian/ French

SOLOMON (M.131), 1956, color lithograph on Arches paper, initialed in pencil and inscribed H.C. (hors commerce) in pencil, sheet 14 x 10 ¼”, published by Verve, framed with glass, in apparently good condition.  $3500/4500

 

 

 

32

Marc Chagall (1887-1985) Russian/ French

ABRAHAM & THE THREE ANGELS from The Bible series (S.205), 1931-1939, etching with hand-watercolor, initialed in pencil, from the numbered edition 100, plate 12 x 9 ½”, sheet reduced to 16 ½ x 13”, unpublished by Vollard then published in 1956 for the Musee Nationale Message Bibilique, Marc Chagall a Nice, framed with glass, very pale toning, mainly at the mat, brown paper tape on the perimeter verso, toning and some foxing speckles on verso, otherwise in apparently good condition.  $2000/4000 

 

 

 

33

Marc Chagall (1887-1985) Russian/ French

TESTAMENT EXPLIQUE A ESOPE (S.120) from Fables of Fontaine, 1927, etching, signed in plate upper left, from the edition of 200, image 11 ½ x 9 ½”, unpublished by Vollard then published in 1950 by Teriade, full margins, framed with glass, toning in the margins at the mat, otherwise in apparently good condition.  $400/600

 

 

 

34

Marc Chagall (1887-1985) Russian/ French (two)

PASSOVER (S.231); ABRAHAM & THE THREE ANGELS from The Bible series (S.205), 1931-39, two etchings, the first signed in the plate, from the edition 275, plates 12 x 9 ½”, full margins, unpublished by Vollard then published in 1956 for the Musee Nationale Message Bibilique, Marc Chagall a Nice, framed with glass, both in apparently good condition. (2)  $500/1000

 

 

 

35

Marc Chagall (1887-1985), Edouard Manet (1832-1883) & Jean Louis Forain (1852-1931) (three)

Marc Chagall, VISION OF PARIS (Mourlot 287), 1960, color lithograph as published in Chagall Lithograph Vol. I, sheet 12 ½ x 9 ½”, pale toning, masking tape hinges on upper and lower sheet edges verso starting to faintly appear on recto; Edouard Manet, PROFILE PORTRAIT OF CHARLES BAUDELAIRE (H.123), 1869, initialed in plate upper left, from an edition with beveled plate, plate 4 ¼ x 3”, sheet 7 ¼ x 5 ¾”, printed by Salmon, full margins, toning from mat, masking tape strips upper and lower sheet edges verso; Jean Louis Forain, TWO WOMEN, etching, signed in plate, plate 6 ¼ x 4 5/8”, sheet 10 x 8”, full margins, discoloration masking tape strips upper and lower sheet edges verso, otherwise all in good condition. (3)  $300/500

 

 

 

36

after Marc Chagall (1897-1985) & after Salvador Dali (1904-1989) (two)

Marc Chagall, CIRQUE CHERET, (S.p.112), 1968, Sorlier color lithograph poster, 29 x 20”, from the edition of 2000, published by Musee D’Art Moderne, printed by Mourlot; Salvador Dali, ALIYAH, REBIRTH OF ISRAEL, Gallery of Modern Art, 1968, color poster, 28 ½ x 22 ½”, both with soft handling creases, otherwise in good condition. (2)  $300/500

 

 

 

37

Don Cincone (b. 1936) Louisiana/ California

WOMAN WITH BABY IN A STROLLER, 1964, oil painting on canvas, signed and dated upper left, 30 x 30”, framed, hairline cracking mainly lower left and right, otherwise in good studio condition.  $400/800

 

 

 

38

Paul Colin (1892-1986) French

VICHY, MAI-OCTOBRE, 1948, color lithograph poster, signed on the stone, printed in France by Wallon, sight 38 x 24”, framed, colors attenuated, otherwise in apparently good condition.  $300/600

 

 

 

39

John Donaghy (1838-1931) American

CIVIL WAR SOLDIER PLAYING A MOUTH HARP, oil painting on canvas, signed upper left, 14 x 12 ¼”, hand-carved Beers Brothers gilt frame, in good condition. Probably painted from life during the war.  $2000/4000

 

 

 

39 A

 

WITHDRAWN

 

 

 

40

Contemporary Photography (20th/ 21st Century) (two)

BLUE BEHIND, 2006, Fuji-color crystal archive print, signed and dated on verso, sheet 20 x 24”, display frame with glass, small strips of non-archival framers tape on verso sheet edges, otherwise in good condition; Together with Nora Murphy, ATLAS SHRUGS FIRST, 1990, gelatin silver print, signed in pencil on the mat, sight 10 ½ x 13 ½”, framed with glass, in apparently good condition. (2)  $100/200

 

 

 

41

Andre Cottavoz (b. 1922) French

BAY DE CANNES, 1989, color carborundum gravure, signed in pencil, from the numbered edition 175, image 17 ½ x 24”, full margins, framed, very minor toning in margins, otherwise in good condition.  $200/400

 

 

 

42

Andre Cottavoz (b. 1922) French

BOUQUET DE ROSES, 1990, color carborundum gravure, signed in pencil, from the numbered edition 175, sheet 22 x 29 ½”, framed, very minor toning in margins, otherwise in good condition.  $200/400

 

 

 

43

William Henry Crome (1806-1873) British

NEAR LLANGOTTEN, 1842, oil painting on canvas, signed and dated lower right, signed titled and dated on verso (under re-line), 28 x 36”, framed, professionally relined, surface soiling and craquelure, a few small scrapes lower left, otherwise in good condition.  $2000/4000

 

 

 

44

Salvador Dali (1904-1989) Spanish

ALIYAH Series (M.1194; F.68-1i), 1968, color lithograph, signed in pencil, from the numbered edition 250, image 22 x 15”, full margins, published by Shorewood Press, framed with glass, some toning, otherwise in apparently good condition.  $300/600

 

 

 

45

Salvador Dali (1904-1989) Spanish

LINCOLN DALIVISION (M.928; F.77-1), 1977, color lithograph, etching and intaglio, signed in pencil, from the numbered European edition 350, on Arches France watermarked paper, image 24 5/16 x 17 ¼”, full margins, remarque printed in gray/blue lower right, Albert Field notes that the European edition does not have the DalArt blindstamp, framed with glass (cracked), with original monocle in original case, some discoloration and toning, pale staining lower right margin, otherwise in good condition.  $3000/5000

 

 

 

46

Salvador Dali (1904-1989) Spanish

DALI’S INFERNO (M.1542; F.78-5), 1978, color lithograph, signed in pencil, from the Roman numeral edition 150, image 22 ¾” x 17”, full margins, published by Levine & Levine for DalArt, with blindstamp lower left, framed with glass, in apparently good condition.  $500/1000

 

 

 

47

Salvador Dali (1904-1989) Spanish

DALI’S DREAMS (M.1541; F.78-3), 1978, color lithograph signed in pencil, from the numbered edition 250, image 23 x 17”, full margins, published Levine & Levine/ Martin Lawrence for DalArt, with blindstamp lower left, in original portfolio case with ribbon corner holder which have colored the paper over time, pale toning at sheet edge, otherwise in good condition.  $500/1000

 

 

 

48

Salvador Dali (1904-1989) Spanish

THE KINGDOM (M.1567; F.80-2), 1979, color lithograph, signed in pencil, from the numbered edition I 350, image 18 x 23”, full margins, printed at DalArt with blindstamp lower left, pale toning right sheet edge, otherwise in good condition.  $400/800

 

 

 

49

Salvador Dali (1904-1989) Spanish

THE GOLDEN HELMUT OF MANDRINO, from Historia of Don Quichotte de la Mancha (F.80-1F), 1980, etching with hand-coloring, signed in pencil, from the numbered edition 300, image 15 ¾ x 17 ½”, sheet 30 x 22”, full margins, published by Levine & Levine for DalArt, with blindstamp lower left, framed with glass, a few soft handling creases, minor toning at sheet edge, otherwise in apparently good condition.  $400/800

 

 

 

50

Salvador Dali (1904-1989) Spanish

POWER OF THOUGHT from Historia of Don Quichotte de la Mancha (F.80-1G), 1980, etching with hand-coloring, signed in pencil, from the numbered edition 300, image 15 ¾ x 17 ½”, sheet 30 x 22”, full margins, published by Levine & Levine for DalArt, with blindstamp lower right, framed with glass, a few soft handling creases, pale toning at sheet edge, otherwise in apparently good condition.  $400/800

 

 

 

51

Salvador Dali (1904-1989) Spanish

PASTORALE from Historia of Don Quichotte de la Mancha (F.80-1K), 1980, etching with hand-coloring, signed in pencil, from the numbered edition 300, image 15 ¾ x 17 ½”, sheet 30 x 22”, full margins, published by Levine & Levine for DalArt, with blindstamp lower left, framed with glass, a few soft handling creases, minor toning at sheet edge, otherwise in apparently good condition.  $400/800

 

 

 

52

Salvador Dali (1904-1989) Spanish

THE QUEST from Historia of Don Quichotte de la Mancha (F.80-1E), 1980, etching with hand-coloring on Japan paper, signed in pencil, from the numbered edition 50 artist’s proofs, image 15 ¼ x 17”, sheet 30 ¼ x 22 ½”, published by Levine & Levine for DalArt, with blindstamp lower right, framed with glass, a few soft handling creases, otherwise in apparently good condition.  $400/800

 

 

 

53

Salvador Dali (1904-1989) Spanish

MASTER AND SQUIRE from Historia of Don Quichotte de la Mancha (F.80-1C), 1980, etching with hand-coloring, signed in pencil, from the numbered edition 300, sheet 30 x 22”, full margins, published by Levine & Levine for DalArt, with blindstamp lower right, framed with glass, a few soft handling creases, pale toning at sheet edge, otherwise in apparently good condition.  $400/800

 

 

 

54

Salvador Dali (1904-1989) Spanish

CAGALLONES DE CABRA, plate 49 from Les Caprices De Goy Series (F.77-3-31; M.896), 1977, drypoint etching with heliogravure and stencil coloring, signed in pencil, from the numbered edition 200 (plus 20 artist’s proof, total edition 220), image 7 ¼ x 5”, full margins, on Rives paper, published by Berggruen, Paris, framed with glass, in apparently good condition.  $500/700

 

 

 

55

Salvador Dali (1904-1989) Spanish

LUBIA LAS ESCALERAS COMO SI LAS BAJARA, plate 56 from Les Caprices De Goy Series (F.77-3-24; M.903), 1977, drypoint etching with heliogravure and stencil coloring, signed in pencil, from the numbered edition 200 (plus 20 artist’s proof, total edition 220), image 7 ¼ x 5”, full margins, on Rives paper, published by Berggruen, Paris, framed with glass, in apparently good condition.  $500/700

 

 

 

56

Decorative Art: Martino bronze

STANDING BOY, cast bronze fountain sculpture with green patina, signed, 12 ½”, some minor wear, otherwise in good used condition.  $100/300

 

 

 

57

Decorative Antique French Trumeau Mirror

Mirror in ornate frame with oil painting on canvas board, overall frame 44 ¼ x 21 ½”, mirror approximately 28 ¼ x 18 ¼”, painting sight 10 ¼ x 18 ¼”, wood backing, gallery or auction labels on verso, frame has some minor loss to the gold finish, otherwise in good used condition.  $200/400

 

 

 

58

Sonia Delaunay & Abraham Hankins (three)

Sonia Delaunay, UNTITLED, color lithograph, signed on the stone, image 21 ½ x 15”, full margins, printed at Mourlot, published by Lahumiere, printer’s crease lower margin, otherwise in apparently good condition; Together with Abraham Hankins, UNTITLED, color screenprint, image 5 ¼ x 18 ½”, full margins, appears to be toned, otherwise in apparently good condition; Together with an exhibition poster after Miro, all framed with glass. (3)  $200/400

 

 

 

59

Alfredo De la Maria (b. 1945) Uruguay

POLO CHASE, 1989, oil painting on canvas, signed and dated lower left, 23 ½ x 31 ¼”, framed, in good studio condition.  $2000/4000

 

 

 

60

Alfredo De la Maria (b. 1945) Uruguay

POLO MATCH POINT, 1989, oil painting on canvas, signed and dated lower right, 23 ½ x 35 ¼”, framed, in good studio condition.  $2000/4000

 

 

 

61

Gleb Derujinsky (1888-1975) Russian/ New York

VENUS & NEPTUNE, 1922, a pair of cast bronze sculptures with dark patina, each signed and dated, each stamped RBW, sizes 7 1/8” & 7 ¾”, both mounted to a ¾” tall half-round marble base, some wear to patina mainly on Neptune, otherwise both in good aged condition.  $2000/4000

 

 

 

62

Paul Dillon (b. 1943) Californian

A GIRL ON A COUCH, 1989, double sided oil painting on canvas, signed on verso, 19 ¾ x 16”, in good studio condition. Provenance: from the Collection of the Laguna Art Museum.  $200/400

 

 

 

63

Paul Dillon (b. 1943) Californian

DAGWOOD, 1975, watercolor and ink on paper, signed and dated lower right in ink and inscribed lower left in ink, sight 22 ½ x 18 ½”, framed, in good studio condition. Provenance: from the Collection of the Laguna Art Museum.  $200/400

 

 

 

64

Jules Engel (1909-2003) Californian

GARDEN INTERIOR, 1959, gouache on paper, signed lower right, 11 ½ x 14 ¼”, framed with glass, in apparently good studio condition. Provenance: Paul Kantor Gallery, Los Angeles.  $400/800

 

 

 

65

English Church Rubbing

LADY IN HERALDIC MANTLE, from St. Helens Bishop’s Gate Church, London, a strong rubbing with hand outlined cutting then mounted to linen, with decorative antique style wood frame, overall 59 ½ x 25 ½”, framed with glass, in apparently good condition.  $200/400

 

 

 

66

Hans Erni (1909-) Swiss (two)

HORSES, color lithograph, signed in pencil, from the numbered edition 150, image 12 ½ x 35”; HARLEQUIN, color lithograph, signed in pencil and inscribed, image 21 x 14 ½”, some colors possibly diminished, both with full margins and framed with glass, otherwise both in apparently good condition. (2)  $500/800

 

 

 

67

Max Ernst (1891-1976) German

BALLADE DU SOLDAT, Georges Riemont, Dessaignes, 1972, portfolio of thirty-four color lithographs, signed in pencil by artist and author on exemplary page, from the numbered edition 199, text translated to English at Atelier Chave in 1989, in blue linen portfolio case, 16 x 12 x 1 ¾”, in very good like-new condition.  $700/1200

 

 

 

68

European Artist (19th/ 20th Century)

CHILDREN PLAYING OUTDOORS, oil painting on board, signed lower right, 14 ¼ x 16 ½”, Hungarian receipt tag and auction chalk numbers on verso, framed, surface soiling, contraction craquelure, otherwise in good studio condition.  $500/1000

 

 

 

69

European Artist (18th/ 19th Century)

FIGURES ON HORSEBACK, oil painting on panel, labels on verso indicating it to be the work of Josef Selleny, 13 ½ x 19 ½”, Hungarian receipt tag and auction chalk numbers on verso, framed, craquelure, repairs, lacquer yellowed, loss and odd rippling in center, surface soiling, otherwise in generally good studio condition.  $400/800

 

 

 

70

Pierre Le Faguays (1892-1962) French

MESSAGE OF LOVE, c.1930, cast bronze sculpture with golden and dark brown patinas, signed, with Susse Freres foundry stamps, 21 ½” tall, mounted to 1 1/8” tall marble base, in good studio condition.  $2000/4000

 

 

 

71

Shepard Fairey (b. 1970) American

HOPE, 2008, continuous tone color lithograph, signed and dated in pencil, 36 x 24”, in good condition, soft handling creases, minor edge wear, otherwise in good condition.  $800/1200

 

 

 

72

Claire Falkenstein (1908-1997) American

UNTITLED, intaglio etching, signed in pencil, from the Roman numeral edition 28, image 18 x 18 ¼”, full margins, framed, creases mainly in margins, otherwise in apparently good condition.  $300/600

 

 

 

73

Jim Fallier (b. 1930) American

HORSE (White), 1963, acrylic painting on paper with collage, signed and dated lower right, sight 19 x 23 ¼”, framed with glass, with intentional craquelure design?, in good studio condition.  $200/400

 

 

 

74

Jim Fallier (b. 1930) American

HORSE (Yellow), 1960, pigment and plaster on wood, signed and dated lower right, sight 23 ¾ x 35 ½”, framed, in good studio condition.  $300/500

 

 

 

75

Federal Duck Prints & Stamps (twenty-five)

Various Artists from consecutive years 1976-2000, twenty five color prints each signed in pencil by the artist, years 1978-2000 include a block of four stamps, years 1979-2000 numbered 532 from the various numbered editions (years 1976-78 have different first editions numbers), average sheet size 12 x 14”, each with original slipcases, print 1976 is black & white, print 1978 has an extra stamp signed by the artist, print 1984 includes a 50th anniversary stamp, year 1992 comes with a bonus print of two black lab dogs by another artist, year 1994 comes with a bonus print of Weatherby, year 1995 comes with a bonus CD, year 1978 has some mild toning to the slipcase only, year 1984 has a few staple holes in the slipcase only, all the prints are in very good condition, with original shipping cartons. (25)  $1000/1500

 

 

 

76

Lorser Feitelson (1898-1978) Californian

UNTITLED, 1971, screenprint, signed in pencil, from the numbered edition 40, image 30 x 22”, full margins, framed, in apparently good condition.  $1000/2000

 

 

 

77

Anton Fenz (1884-1970) European (two)

SEATED MONK; SMOKING MONK, two gouaches on thin card, each signed lower right, sheet 6 ¾ x 5” & 7 x 5”, smoking monk with a few hairline scratches, faint blotching lower right, otherwise both in good condition. (2)  $500/1000

 

 

 

78

Jose Ferrer (20th Century) Spanish/ American

BOUQUET WITH BOOK, oil painting on canvas, signed upper left, 40 x 28 ½”, framed, hairline cracks and craquelure mainly on upper background, minor surface soiling, otherwise in good studio condition.  $300/600

 

 

 

79

Tully Filmus (1903-1998) New York

CONDUCTING THE ORCHESTRA, oil painting on canvas, signed lower right, 30 ½ x 40 ½”, framed, in good studio condition.  $2000/4000

 

 

 

80

Tully Filmus (1903-1998) New York

COUPLE, oil painting on canvas, signed lower right, 28 x 10”, framed, minor surface soiling, otherwise in good studio condition.  $800/1200

 

 

 

81

Tully Filmus (1903-1998) New York

LOOKING OUT A TRAIN WINDOW, oil painting on canvas, signed lower right, 20 x 14”, framed, two small chips on left shoulder, hairline cracks, minor surface soiling, otherwise in good studio condition.  $500/1000

 

 

 

82

Leonor Fini (1907-1996) Argentinean

CAT WOMAN, color lithograph, signed in pencil, from the numbered edition 145, sheet 27 ¾ x 20 ¼”, framed with glass, small unobtrusive nick upper sheet edge, otherwise in apparently good condition.  $200/400

 

 

 

83

Leonor Fini (1907-1996) Argentinean

BIRD WOMAN, color lithograph, signed in pencil, from the numbered edition 185, sight 26 x 19 ¼”, framed with glass, in apparently good condition.  $200/400

 

 

 

84

James D. Finn (20th/ 21st Century) American

DODGE, acrylic painting on canvas, signed lower left, titled and signed on verso, 24 x 36”, minor surface soiling, otherwise in good studio condition.  $500/1000

 

 

 

85

Pierre Fix-Masseau (1905-1994) French

RANDALL, 1929, color lithograph poster, 63 ½ x 47 ¼”, Jombart Fres Imp., Paris, signed and dated in stone upper right, linen backed, bright fresh colors, a fine example of a very rare poster from the year of the great Stock Market crash, framed. Condition A with minor discoloration near the letter F in the yellow background.  $3000/5000

 

 

 

86

Jean Michel Folon (1934-2005) Belgium

UNTITLED (Wind-Up Car) from The City Suite, color screenprint, signed in pencil, from the numbered edition 200, image 21 ½ x 26 ½”, full margins, framed, in apparently good condition.  $300/600

 

 

 

87

Jean Michel Folon (1934-2005) Belgium

UNTITLED (Red Road) from The City Suite, color screenprint, signed in pencil, from the numbered edition 200, image 21 ½ x 26 ½”, full margins, framed, in apparently good condition.  $300/600

 

 

 

88

Jean Michel Folon (1934-2005) Belgium

UNTITLED (Room With A View) from The City Suite, color screenprint, signed in pencil, from the Roman numeral edition 50, image 21 ½ x 26 ½”, full margins, in apparently good condition.  $300/600

 

 

 

89

Francois Franc (1926-1989) French (four)

NATURE MORTE AU VASE VERT, oil painting on canvas, signed lower right, 26 x 21 ½”, titled on verso; BY THE RIVER, oil painting on canvas, signed lower right, 10 ¾ x 14”; WINTER, oil painting on canvas, signed lower left 10 ¾ x 14”; THE ROAD, 1968, oil painting on canvas, signed lower left, 8 ¾ x 10 ¾”, all framed, the first with unobtrusive hairline cracks, all with some minor surface soiling, otherwise all in good studio condition. (4)  $500/1000

 

 

 

90

Sam Francis (1923-1994) Californian

UNTITLED (I.56, SFE. 292A), 1984-1993, color aquatint etching, signed in pencil, from the numbered edition 23, sheet 42 x 30”, printed and published by Gemini G.E.L, blindstamp lower right, framed, in apparently very good condition.  $1500/2000

 

 

 

91

Sam Francis (1923-1994) Californian

METAL CLOUD variant (L.162; SF.142), 1973, color lithograph, signed in pencil, one of 5 variants aside from the numbered edition 22, sheet 27 ½ x 41 3/8”, printed by George Page, published by The Litho Shop, in archival stored good condition.  $2000/3000

 

 

 

92

Sam Francis (1923-1994) Californian

VORSTELLUNG, (I.12; SFE.278), 1981, aquatint on Fabriano paper, signed in pencil, from the numbered edition 10 artists proofs aside from the numbered edition of 40, image 24 x 18”, sheet 37 x 27 ½”, printed by Patrick Foye and Jacob Samuel, published by Gemini G.E.L., blindstamp lower right, a strong impression with natural ink saturation on verso, a soft handling crease and three tiny specks lower margin, otherwise archival stored good condition.  $1500/2000

 

 

 

93

Sam Francis (1923-1994) Californian

SQUARE (I.2; SFE.1D), 1973, aquatint etching, signed in pencil, from the numbered edition 8 artists proofs aside from the numbered edition of 38, image 15 ¾ x 17 ¾”, sheet 25 x 35 ¼”, printed and published by 2RC Italy, framed, very strong impression, in archival stored good condition.  $1200/1800

 

 

 

94

Sam Francis (1923-1994) Californian

UNTITLED (L.208; SF.222), 1976, lithograph, signed in pencil, from the numbered edition 30, sheet 28 ¼ x 41”, printed by George Page, published by Litho Shop, in archival stored good condition.  $1000/1500

 

 

 

95

Sam Francis (1923-1994) American

BOUNDAYR, Kathleen Fraser & Sam Francis, 1988, Lapis Press, portfolio of six color aquatints, signed by the poet and artist on justification page, from the numbered edition 35, in blue linen portfolio case, 15 ¾ x 11 ¼ x 1 ¼”, in very good like-new condition.  $4000/6000

 

 

 

96

Attributed to Pal Fried (1893-1976) New York/ Californian

NUDE, oil painting on Masonite, 31 x 23”, framed, some unobtrusive hairline contractions, otherwise in good studio condition.  $1000/2000

 

 

 

97

Karen Fuson (20th/ 21st Century)

BUNNY, 1985, mixed media construction, accompanying documentation states the piece is signed, 21 x 28 x 7”, in Plexiglas box frame, in good studio condition. Provenance: from the Collection of the Laguna Art Museum.  $200/400

 

 

 

98

Harry Futoran (20th/ 21st Century) American

WOMAN COMBING HAIR, cast bronze sculpture with golden patina, signed, from the numbered edition 5, size 6 x 5 ½ x 5 ½”, gallery label underneath, mounted to 1 ¾” tall wood base.  $200/400

 

 

 

99

Jean Garnier (1853-1910) French

SALAMBO, cast bronze sculpture, signed, 21 ¼” tall, stress crack on backside of her right arm, in apparently good studio condition.  $2000/4000

 

 

 

100

Ignacio Gil y Sala (1913-2003) Spanish

CARRIAGE RIDE ON THE BEACH, oil painting on canvas, signed lower left, 15 x 18”, very faint Argentinean stamp on verso, framed, in good studio condition.  $2000/3000

 

 

 

101

Michael Goldberg (1924-2007) & Greg Colson (b. 1956) (two)

MESURA DI CONTADINO, 1981, color etching, signed in pencil and inscribed BAT, sheet 29 ¾ x 32”, speckled discoloration throughout, otherwise in good condition, Together with Greg Colson UNIVERSE, 1988, etching, signed in pencil and inscribed BAT, image 6 x 8”, sheet 27 ½ x 19 ¾”, a few speckles, otherwise in good condition. (2)  $200/400

 

 

 

102

Joe Goode (b. 1937) Californian (eight)

NATURE’S REVENGE, 1993, suite of eight etchings on Chine Colle, each signed in pencil and inscribed BAT (ready to print), sheets 13 x 20”, all with some small discoloration spots, otherwise in good condition. (8)  $1000/2000

 

 

 

103

Robert Graham (1938-2008) American

MOCA TORSO, cast bronze sculpture with black patina, 11” tall, signed underneath, in good studio condition.  $2000/4000

 

 

 

104

Robert Graham (1938-2008) American

MOCA TORSO, cast bronze sculpture with medium brown patina, 11 ¼” tall, signed underneath, natural oxidation on base, in good studio condition.  $2000/4000

 

 

 

105

Ronald Greg (20th Century) American

STREET MARKET, 1967, oil painting on canvas, signed and dated lower right, 15 x 18”, framed, in good studio condition.  $300/500

 

 

 

106

Harold Gregor (b. 1929) American

WILNOT’S CORN CRIB Series No. 1, acrylic and silkscreen on canvas, 24 x 36”, signed lower left, framed, some minor surface soiling, natural thin stress cracks at edges, otherwise in good studio condition.  $1000/2000

 

 

 

107

Jules Grun (1868-1934) French

QUELLE MACHINE ACHETER?, color lithograph poster, signed on the stone, sight 49 x 34”, printer Bourgerie & Cie, Paris, framed, probably with traditional backing, some soft handling creases, a few professional tears at sheet edge, otherwise in apparently good condition.  $300/600

 

 

 

108

Jules Grun (1868-1934) French

JEANNE DE ARC A ROUEN, color lithograph poster, signed on the stone, 37 ¼ x 23”, printer Wolf Rouen, framed, paper-backed with some separation at top, some fold lines visible, small discoloration spots, otherwise in apparently good condition.  $200/400

 

 

 

109

Pearl Guenther (1882-1963) & William Auclair (20th Century) (two)

Pearl Guenther, DOCKED BOATS, oil painting on canvas, signed lower right, 20 x 24”, minor surface soiling; Together with William Auclair, TRUCHAS VILLAGE, 1995, color pastel, signed and dated lower right, sight 6 ½ x 10 ½”, both framed, the later with glass, otherwise both in good studio condition. (2)  $200/400

 

 

 

110

Lena Gurr (1897-1992) New York & Charles White (three)

Lena Gurr, VIEW FROM A HILL, watercolor on paper, signed lower left, sight 17 x 12 ¾”, toning, some discoloration, otherwise in apparently good studio condition; KABUKI DANCER, c.1966, color woodblock print, signed in pencil, from the numbered edition 15, image 21 x 16”, a few small discoloration spots in margins, one would speculate some of the colors are probably diminished; Together with Charles White, STANDING MAN, print, signed in pen (?), image 17 x 6”, in apparently good condition last two with full margins, all framed with glass. (3)  $300/600

 

 

 

111

Charley Harper (1922-2007) & Lars Bo (two)

Charley Harper, PELICAN IN DOWNPOUR, color screenprint, signed in pencil, inscribed H. C. Roman numeral 20, aside from the numbered edition, image 13 x 18 ½”; Together with Lars Bo, BIRD ON A ROCK, aquatint etching signed in pencil, from the numbered edition 90, image 15 x 10 ½”, some color probably diminished, both with full margins and framed with glass, otherwise both in apparently good condition. (2)  $200/300

 

 

 

112

Arthur M. Hazard (1872-1930) Californian

ILLUMINATED LANDSCAPE, watercolor on paper, signed lower right, 15 x 20” framed with glass, in apparently good studio condition; Together with A. Moreno BEACH SCENE, oil painting on canvas, signed lower right, 19 x 27”, framed, flaking in the clouds, surface soiling, otherwise in good studio condition. (2)  $800/1200

 

 

 

113

Henri Heran (1864-1940) & Erte (two)

Henri Heran, FLEURS DE MAI from L’estampe Modern, color lithograph, signed on the stone lower right, image 13 x 9”, full margins, in apparently good condition, some losses to the molding; Together with Erte, ROSE TURBAN, color lithograph, signed in pencil, from the numbered edition 300, sheet sight 19 x 15”, published by Circle Fine Art, with blindstamp lower left, some color diminished, both framed with glass, otherwise in apparently good condition. (2)  $200/400

 

 

 

113 A

George Herms (b. 1935) American

CONVENTION CENTER, 1975, mixed media collage assemblage, signed and dated on verso, 11 x 8 ½ x ½”, in Plexiglas box frame, in apparently good studio condition.  $1000/2000

 

 

 

114

David Herschler (b. 1940) Californian

RIBBON, 1973, fabricated chrome-plated steel sculpture, signed and dated, 48” x 24”, some scuffs and scratches, otherwise in good studio condition.  $1000/1500

 

 

 

115

Gilah Yelin Hirsch (b.1944) Canadian

ODE TO SUBTLE WOO, 1972, oil painting on canvas, signed, dated and titled on verso, 20” diameter, mounted to panel, framed, in good studio condition. Provenance: from the Collection of the Laguna Art Museum. $200/400

 

 

 

116

Charles Constantine Hoffbauer (1875-1957) French/ American

JAPANESE ACTORS, oil painting on canvas, signed and re-signed lower right, 18 x 21 ½”, Paul Foinet Fils oval stamp on back of canvas, old gallery tags on verso, framed, several pinholes near upper edges, fine hairline crackings, surface soiling, otherwise in good studio condition.  $4000/8000

 

 

 

117

Adolfo Hohenstine (1854-1928) Russian/ German

CLOISONNÉ ARTIST GLASS, BREVATTATO, 1899, color lithograph poster, signed and dated on the stone, sight 37 x 25”, in very nice gold leaf frame, probably traditionally backed, unobtrusive traditional folds, in apparently good condition.  $2000/4000

 

 

 

118

Joe Hruby (20th Century) American

A; B; C, three color monoprints, each signed and inscribed 1/1 in pencil, sheets 30 x 22”, in one frame overall 38 x 77 ½”, in good studio condition.  $200/400

 

 

 

118 A

attributed to Jean Jansem (1920-2013) French Armenian

FAMILY GATHERING, oil painting on canvas, 24 x 36”, signed lower right, framed, some hairline cracks and surface soiling, otherwise in good studio condition.  $2000/4000

 

 

 

119

James Jarvaise (b. 1931) American

HUDSON RIVER SCHOOL SERIES P2, 1960, oil stick and watercolor on paper, signed and dated lower right, 11 x 16”, framed with glass, possibly some mild toning and some colors possibly attenuated, otherwise in apparently good studio condition. Provenance: Exhibited University of Californian, Santa Barbara; Principia College, Elsah, IL. 1962; Mount St. Joseph, Cincinnati, 1964; University of Dayton, 1965; University Club of Cincinnati, 1966; Springfield Art Center, 1968; Evansville Museum of Art & Science, Indiana, 1969; from the Collection of the Laguna Art Museum. $200/400

 

 

 

120

Ynez Johnston (b. 1920) Californian

RED CITY, 1950, oil painting and gouache on Masonite, signed and dated on verso, 20 x 16”, framed, in good studio condition.  $1000/2000

 

 

 

121

Jean Jourdain (20th Century)

CITY ROOFTOPS IN COLOR, oil painting on canvas, signed lower right and signed on verso, 30 x 36”, framed, minor surface soiling, otherwise in good studio condition.  $400/800

 

 

 

122

Judaic artist (20th Century) American

RABBIS, oil painting on panel, signed lower left, 12 x 16”, framed, in good studio condition.  $200/400

 

 

 

123

Endre Komaroni Kacz (1880-1950) Hungarian

GIRL WITH CELLO, oil painting on canvas, signed lower left, 31 ½ x 23 ¾”, framed (warped), some fine craqulure, surface soiling, otherwise in good studio condition.  $300/600

 

 

 

124

Paula Kadunc (20th/ 21st Century) Brazilian

UNTITLED PURPLE, 2014, acrylic painting on canvas, 35 ½ x 34 ¼”, signed and dated on verso, framed, in good studio condition.  $400/800

 

 

 

125

Paula Kadunc (20th/ 21st Century) Brazilian

UNTITLED BLUE & GREEN, 2014, acrylic painting on canvas, signed and dated on verso, 27 ½ x 29 ½”, framed, in good studio condition.  $400/800

 

 

 

126

Jun Kaneko (b. 1942) Japanese

FOUR FIGURES, c.1960, lithograph, signed in pencil, from the numbered edition of 15, image 15 x 18 ½”, framed with glass, discoloration and some small spots, small unobtrusive skin mark lower left, otherwise in apparently good condition. Provenance: from the Collection of the Laguna Art Museum.  $100/300

 

 

 

127

Matsumi Kanemitsu (b. 1922) American

YAMA, 1985, color lithograph, signed in pencil, from the numbered edition 6, sheet 42 ½ x 74”, archival mounted to discardable display, in apparently good condition.  $400/800

 

 

 

128

Rockwell Kent (1882-1971) New York

STARRY NIGHT, 1933, wood engraving, signed in pencil, image 7 x 5”, full margins, framed with glass, in apparently good condition.  $500/800

 

 

 

129

Robert Kipniss (b. 1931) American

LANDSCAPE, color lithograph, signed in pencil, from the Roman numeral edition 15 artist’s proofs, image 17 x 14”, full margins, framed with glass, in apparently good condition.  $200/400

 

 

 

130

Steve Klein (b. 1965) American

RIVERBOAT, oil painting on Masonite, signed lower right, 16 x 20”, framed, two small nicks upper center, otherwise in good studio condition. Provenance: Galerie Klimantiris, Quebec.  $100/300

 

 

 

131

Michelle Knoblauch (b. 1943) Belgium (three)

YELLOW, GREEN SQUARE, 1984, acrylic painting with silkscreen, signed lower right, 25 x 19”; BLUE, BLUE RED, 1980, two acrylic paintings on canvas, each signed lower right, signed and dated on verso, images 10 x 11 ¾”, all framed, the first with glass, canvas with a few smudges, otherwise all in good studio condition. Provenance: Ashkenazy Gallery. (3)  $400/800

 

 

 

132

Harold Kramer (1912-1995) Californian (two)

NUDE, cast bronze sculpture, signed, 5 ½ x 9 ¼”, mounted to 3 ¾” wood base; COUPLE, painted and incised ceramic sculpture, 5 ¾ x 7 ¼”, mounted to tapered wood base, both in good studio condition. (2)  $300/600

 

 

 

133

Harold Kramer (1912-1995) Californian (six)

VARIOUS SUBJECTS, six paintings of oil or alkyd or acrylic, four on Masonite, two on canvas over Masonite or wood panel, four signed lower right, one signed lower left, sizes from 20 x 24” to 10 x 10”, one framed, mild surfaces soiling, edge wear, scuffs, small scratches, otherwise all in overall good studio condition. (6)  $1200/1800

 

 

 

134

Harold Kramer (1912-1995) Californian (five)

VARIOUS SUBJECTS, five paintings of oil or alkyd or acrylic, two on Masonite, two on canvas over Masonite or wood panel, one on card, four signed, sizes from 18 x 24” to 12 ¼ x 10 ½”, mild surfaces soiling, edge wear, scuffs, small scratches, otherwise all in overall good studio condition. (5)  $1000/1500

 

 

 

135

Anatole Krasnyansky (b. 1930) Ukrainian

WARSAW OLD STREET, watercolor on hand manipulated paper, signed lower left, sight 24 ¼ x 18 ¼”, framed with glass, in apparently good studio condition.  $400/800

 

 

 

136

Anatole Krasnyansky (b. 1930) Ukrainian

WARSAW OLD SQUARE, color lithograph, signed in pencil, artist’s proof aside from the numbered edition, image 19 ½ x 29 ¼”, full margins, framed with glass, very minor toning in margins, otherwise in good condition.  $200/400

 

 

 

137

Glenn Scott Kuhnly (1939-2012) California

WINTER ENCAMZPENT, watercolor, signed lower right, sight 13 ½ x 19 ½”, framed with glass, in apparently good studio condition.  $400/800

 

 

 

138

Claude Jean-Pierre Lacoudre (1935-1988) French

COUNTRY HOUSE, 1967, oil painting on canvas, signed and dated lower right, 21 ¼ x 28 ¾”, framed, some surface soiling, otherwise in good studio condition.  $400/800

 

 

 

138 A

Lily Lakich (b. 1944) American

MONA PALETTE, 2006, neon and metal mixed media multiple signed and dated, from the numbered edition 100, size 14 ½ x 10 ¾ x 4”, in good working order studio condition.  $800/1200

 

 

 

139

Erich Albert Lamm (1880-1959) Austrian

LANDSCAPE, 1936, watercolor on paper, signed and dated lower right, sight 12 x 17”, framed with glass, discoloration speckling throughout sky, cockling, otherwise in apparently good condition.  $300/600

 

 

 

140

Terrence LaNoue (b. 1941) New York

BALZAC IN SHANGRALA, 1988-89, acrylic painting with fabric and mixed media on thick tar paper, signed dated and titled on verso, 84 ½ x 91 ¾”, in good studio condition.  $2000/4000

 

 

 

141

Maurice Lauro (1878-1934) French

AUTOMOTO MOTOS, color lithograph poster, signed on the stone, image 45 ½ x 30”, printer Les Successeurs De Hachard et Cie Soc., framed, linen backed, with traditional flattened fold lines barely visible, in apparently good condition.  $500/1000

 

 

 

142

Lawrence (19th Century)

TWO BOYS IN THE WOODS, 1839, oil painting on canvas, signed dated and inscribed London lower left, 22 ¼ x 27 ¼”, framed, craquelure, surface soiling, relined and some professional restoration, otherwise in good condition.  $500/1000

 

 

 

143

Sue Lebron (b. 1949) French/ American

PARISIAN STREET SCENE, oil painting on canvas, signed lower left, 12 x 16”, framed, in good studio condition.  $200/400

 

 

 

144

Karl Leipold (1864-1943) German

BRIDGE, oil painting on canvas, signed lower left, 28 ¼ x 32”, framed, hairline cracking, surface soiling, some minor professional restoration, otherwise in good condition.  $500/1000

 

 

 

145

Charles Levier (1920-2003) French

STORMY EVENING, oil painting on canvas, signed lower center, 15 x 30”, framed, contraction craquelure and hairline cracks, otherwise in good studio condition.  $600/900

 

 

 

146

Charles Levier (1920-2003) French

QUIET ROAD, oil painting on canvas, signed lower right, 15 x 30”, with a painting of a Blue Nude Woman on verso, framed, surface soiling, a few small scuffs or possible chips on recto, Nude on verso in fair condition.  $600/900

 

 

 

147

Charles Levier (1920-2003) French

UNTITLED COUNTRY ROAD, oil painting on board, signed lower right, 15 x 21 ¾”, minor surface soiling and edge wear, otherwise in good studio condition.  $200/400

 

 

 

148

Sol Lewit (1928-2007) New York

GEOMETRIC FIGURES WITHIN GEOMETRIC FIGURES plate 6, 1976, etching, signed in pencil, from the numbered edition 10 artist’s proofs, sheet 34 ¾ x 34 ¾”, printed by Crown Point Press, published by Parasol Press, framed, a few small stray scuffs and smudges, otherwise in apparently good condition.  $800/1200

 

 

 

149

Laurent Hours (b. 1946) French

MOONLIGHT, 1994, resin, pigment and plaster mixed media painting, signed and dated lower center, 8 ½ x 16”, framed, in good studio condition.  $150/250

 

 

 

150

Andre Bizette-Lindet (1906-1998) French

MOTHER AND CHILD, terra cotta ceramic sculpture, signed and inscribed N1, 16 x 9 ½ x 7 ½”, surface soiling, small adhesive stains on verso, small chip at  lower right corner of base, otherwise in good studio condition.  $500/1000

 

 

 

151

Richard Lindner (1901-1978) German

UNTITLED, color lithograph, signed in pencil, from the numbered edition 125, image 20 ¾ x 15”, full margins, framed, some toning with possible color attenuation, otherwise in apparently good condition.  $200/400

 

 

 

152

Bernard Locca (1926-1997) French

GIRL WITH TEDDY BEAR, 1965, oil painting on canvas, signed and dated lower right, 36 x 28 ½”, framed, hairline cracks, some surface soiling, a few small chips at the rear of chair lower right, otherwise in good studio condition.  $500/1000

 

 

 

153

Jimmy Locca (b. 1940) American

CHRISTOPHER COLUMBUS, SANTA MARIA, 1992, acrylic painting and mixed media on paper, signed and dated lower left, 35 x 23”, framed, pinholes in corners, a few little nicks and dings, otherwise in apparently good studio condition.  $200/400

 

 

 

154

Luigi Loir (1845-1916) French

PEASANT WOMAN ON COUNTRY ROAD, oil painting on canvas, signed lower right, 18 x 8”, framed, relined, otherwise in apparently good condition. Provenance: Harlequin Gallery.  $200/400

 

 

 

155

Bets Holland Lundeen (20th / 21st Century) American

COMEDY AND TRAGEDY, 1989, cast bronze sculpture with golden and dark brown patinas, signed and dated, from the numbered edition 20, size 7 x 5 x 4 ½”, mounted to wood base 4 ½” tall, in good condition.  $200/400

 

 

 

156

Robert Lyons (b. 1954) American

FALASHA PRIESTS (QUESSEM) TEDA, ETHIOPIA, 1991, chromogenic print, from the edition of 35, signed on verso, 15 x 22 ¼”, framed. Provenance: Paul Kopeikin Gallery, Los Angeles, CA.  $600/900

 

 

 

157

Jay Maisel (b. 1931) New York

THE POWER IS ON, 1989, color photograph, signed lower right, from the numbered edition 100, sheet 13 ½ x 19 ¾”, framed, small unobtrusive crease lower right sheet edge, otherwise in apparently good condition. Provenance: GTE Corp.  $200/400

 

 

 

158

Antique Map

PARIS, engraving, plate 20 ¼ x 32”, framed with glass, toning, staining, discoloration, otherwise in apparently good condition.  $200/400

 

 

 

159

Antique Map

TOTIUS AFRICAE, c.1715, hand colored engraving by Johan Baptiste Homann, published by R & J Ottens in Atlas Maior, Amsterdam, c.1740, sight 19 ¼ x 22 ¼”, framed with glass, creases at left sheet edge, mended tear right sheet edge, a few speckles, otherwise in apparently good antique condition.  $200/400

 

 

 

160

Marble Pedestal

19th Century-style marble column with bronze collars and appointments, 45” tall, rotating top 11 x 11”, small chips and a repair to top, small chips at base, otherwise in good used condition.  $300/600

 

 

 

161

Csaba Markus (b. 1953) Hungarian

WOMAN WITH WREATH, original mixed media on card, 11 ¼ x 7 ¾”, framed, in good studio condition. Provenance: acquired directly from artist by previous assistant.  $400/800

 

 

 

162

Csaba Markus (b. 1953) Hungarian

WAITING MASONITE, mixed media print on Masonite, 23 x 30 ¼”, framed, in good studio condition Provenance: acquired directly from artist by previous assistant.  $300/600

 

 

 

163

Csaba Markus (b. 1953) Hungarian

CONTEMPLATION, mixed media print on paper, 18 x 14 ¼”, mounted to gold card, framed, in good studio condition. Provenance: acquired directly from artist by previous assistant.  $200/400

 

 

 

164

Louis Martucci (1917-2002) American

BACKYARDS, 1937, oil painting on board, signed? on attached tag on frame verso, 13 x 17”, surface soiling, small corner chip upper right edge, otherwise in good studio condition. Provenance: San Francisco Museum of Art.  $300/500

 

 

 

165

Gustavo Martinez (20TH Century) Mexican/ American

DOS MUJERES, oil painting on canvas, signed lower right, 29 x 21”, framed, a few scuffs, otherwise in apparently good studio condition.  $200/400

 

 

 

166

Royden Martin (1913-1979) California & Larry Maschino (two)

Royden Martin BALLERINAS, brushed acrylic on gold leaf over Masonite, signed lower right, 18 x 24”, framed, in apparently good studio condition; Together with Larry Maschino TEA POT AND CUP, oil painting on Masonite, signed upper right, 7 ½ x 9 ½”, framed, minor surface soiling, otherwise in good studio condition. (2)  $200/400

 

 

 

167

Fred Martin (b. 1927) Californian

AUTUMN LIFE JUICE, 1962, watercolor, distemper, pencil, and collage on two sheets of paper, each 9 x 11 ¾” and mounted to single sheet, overall 22 x 15”, framed with glass, some mild toning and some colors possibly attenuated, otherwise in good studio condition. Provenance: Royal Marks Gallery, New York; from the Collection of the Laguna Art Museum.  $200/400

 

 

 

168

Ralph Massey (b. 1938) Californian

ARGENTINE TOP HAT, gouache on paper, 2001, signed and dated lower right, 30 ¼ x 22 ½”, framed, in good studio condition.  $1000/1500

 

 

 

169

Henri Matisse (1869-1954) French

LA CITE-NOTRE DAME (H.76; D.248), 1937, etching, signed in the plate lower right, plate 13 ¼ x 10 ½”, from the edition of 500, printed by Daragnes, full margins, framed with glass, apparently in good condition.  $800/1200

 

 

 

170

Katerina Mertikas (20th/ 21st Century) Canadian

WHAT A LOVELY EVENING, 1991, acrylic painting on Masonite, signed lower right, titled, signed and dated on verso, 24 x 30”, framed, in good studio condition.  $200/400

 

 

 

171

Katerina Mertikas (20th/ 21st Century) Canadian

TUG OF WAR IN WINTER, 1991, acrylic painting on Masonite, signed lower right, dedicated on verso, 19 ¾ x 24”, framed, in good studio condition. Provenance: Maison D’Art, St. Laurent, Quebec.  $200/400

 

 

 

171 A

Greg Miller (b. 1951) American

HYANNISPORT, 1996, mixed media sculpture, signed and dated underneath and signed and dated on the removable clutch purse, 73 x 20 x 27”, some dust accumulation, small paper loss on tall figure where being touched by left hand of small figure, small worn spot on one elbow, otherwise in good studio condition.  $5000/8000

 

 

 

172

Berge Missakian (b. 1933) Egyptian/ Canadian

STILL LIFE WITH TRUMPET, oil painting on Masonite, signed lower left, artist’s stamp and title on verso, 19 ¾ x 24”, framed, in good studio condition.  $200/400

 

 

 

173

Berge Missakian (b. 1933) Egyptian/ Canadian

DIAMANCHE MATIN LES LAURENT DES, oil painting on canvas, signed lower right, titled and signed on verso, 16 x 20”, framed, in good studio condition. Provenance: Galerie Klimantiris, Quebec.  $100/300

 

 

 

174

Joan Mitchell (1925-1992) American

TREE I, 1993, color lithograph, signed in pencil, from the numbered edition 94, sheet 24 ½ x 20”, framed, in good condition.  $2000/4000

 

 

 

175

Joan Mitchell (1925-1992) American

TREE II, 1993, color lithograph, signed in pencil, from the numbered edition 100, sheet 24 ½ x 20”, framed, in good condition.  $2000/4000

 

 

 

176

Rudolfo Morales (1925-2001) Mexican

UNTITLED, color lithograph, signed in pencil, from the numbered edition 100, image 16 x 23”, full margins, framed, in apparently good condition.  $200/400

 

 

 

177

LeRoy Neiman (1921-2012) American

ASCOT PADDOCK (K.81), 1974, color screenprint, signed in pencil, from the numbered edition 300, sight 24 ½ x 31 ½”, framed, mild toning, colors in Catalogue Raisonne colors appear more accentuated while actual colors may be attenuated, otherwise in apparently good condition.  $500/1000

 

 

 

178

LeRoy Neiman (1921-2012) American

ALI VS FRASIER ROUNDS #V & VI (K.243), 1972, etching, signed in pencil, from the numbered edition 150, plate 13 ¼ x 10 ¼”, full margins, framed with glass, in apparently good condition.  $200/400

 

 

 

179

Art Book: Leroy Neiman

PRINTS OF LEROY NEIMAN, VOLUME I, 1980, Catalogue Raisonne 1953-1980, Knoedler Publishing, 363 pages, in good condition.  $100/200

 

 

 

180

Lowell Nesbitt (1933-1993) American

MOON WALK, 1970, color screenprint on Plexiglas, signed and dated lower right, from the numbered edition 150, size 30 x 30”, framed, scuffs, scratches, otherwise in good condition.  $100/200

 

 

 

181

K. Nielsen (20th Century)

RED FORMED OVALS, acrylic painting on illustration board, signed and dated 1961, lower right signed and dated 1960and inscribed “Mexico”, remnant of exhibition label on verso, 23 ¼ x 19 ¼”, framed, minor surface soiling, otherwise in good studio condition.  $300/600

 

 

 

182

Leonardo Nierman (b. 1932) Mexican (two)

UNTITLED, two oil paintings on Masonite, both signed, the first signed and dated 1964 lower left, the second titled Genesis on verso, 31 ¾ x 13 ¾”, with chips and soiling, 15 ½ x 16 ½”, with glue around perimeter and chips, the first framed. (2)  $800/1200

 

 

 

183

Cenorina (Nina) Ojeda (b. 1957) Mexican/ Canadian & Canadian School (two)

Cenorina (Nina) Ojeda, BRISE MERVESSLLELLSE, 1990, oil painting on panel, signed lower right, titled and signed on verso, 8 x 10”; Together with Canadian School, HARBOUR, oil painting on paper, 4 x 6”, framed, surface soiling from age, otherwise both in good studio condition. Provenance: Galerie Klimantiris, Quebec; Maison D’Art, St. Laurent, Quebec. (2)  $200/400

 

 

 

184

Luis Orozco (b. 1980) Mexican

YOUNG MAN, color monotype, signed upper left and inscribed 2/3 lower left, sight 22 ½ x 20 ½”, framed with glass, in apparently good condition.  $200/400

 

 

 

185

Marc Pally & Stephen Seemayer (two)

Marc Pally, GO FOR IT, 1989, oil painting and charcoal on an oval canvas, signed and dated on verso, 12 x 9”, framed, Provenance: Rosamund Felsen Gallery; Together with Stephen Seemayer, FLAME POINT, 1977, pencil drawing on paper, 8 x 5”, signed and dated upper right, titled and dated on frame verso, discoloration in the four corners probably from hinges on verso, otherwise both in good studio condition. Provenance: both from the Collection of the Laguna Art Museum. (2)  $200/500

 

 

 

186

Jose Palmeiro (1901-1984) Spanish

BLUE RIVER, 1970, oil painting on canvas, signed and dated lower left, 23 ½ x 28 ½”, framed, small crack bump lower right, otherwise appears to be in good studio condition.  $500/1000

 

 

 

187

Jules Pascin (1885-1930) French

TWO WOMEN, 1912, color pastel on paper, signed upper right, 9 x 9”, framed, creases along right edge, otherwise in apparently good condition. Provenance: Classic Antiques Gallery, LTD, Los Angeles.  $2000/4000

 

 

 

188

Louis Pecou (20th Century) French (two)

BASSIN D’ ARCACHON, 1986, oil painting on canvas, signed lower left, signed dated and titled on verso, 18 ¼ x 25 ¾”, framed, small dimple dent at center right edge, otherwise in good condition; ARCACHON, 1987, oil painting on canvas, signed lower left, signed dated and titled on verso, 18 x 25 ½”, minor surface soiling, otherwise both in good studio condition. (2)  $200/400

 

 

 

189

Peter Phillips (b. 1939) British & Anton Fortescu-Smyth (two)

Peter Phillips, UNTITLED, 1973, color lithograph with screenprint, signed in pencil, from the numbered edition 100, sheet 8 ¼ x 6”, published by Bernard Jacobson, London; Together with Anton Fortescu-Smyth SUNDAE, color screenprint, signed in pencil, from the numbered edition 150, image 11 x 11 ¼”, full margins, both framed with glass, both in apparently good condition. (2)  $200/400

 

 

 

190

Jean St. Pierre (1941-1991) American

DESIRE, 1976, encaustic and oil painting on canvas mounted to wood, signed and dated on verso, 22 x 18”, framed, in good studio condition. Provenance: from the Collection of the Laguna Art Museum.  $500/1000

 

 

 

191

Jean St. Pierre (1941-1991) American

LAZARUS, 1980-1984, diptych, each oil painting on canvas, both signed and dated in pencil on stretcher, each panel 13 x 13”, 13 x 26”, with some inevitable small losses at overlapping edges, otherwise in good studio condition. Provenance: from the Collection of the Laguna Art Museum.  $300/600

 

 

 

192

Jean St. Pierre (1941-1991) American

D. H. LAWRENCE (Look We Have Come Through), 1975, watercolor, ink and collage on paper, signed, dated and titled on verso, 12 ½ x 12”, framed, in apparently good studio condition. Provenance: Newspace Gallery, Los Angeles; from the Collection of the Laguna Art Museum.  $200/400

 

 

 

193

Henry Pim (20th Century) British

UNTITLED, painted and incised ceramic vessel with two ornate handles, signed underneath, 22 ¼” tall, in good studio condition. Provenance: from the Collection of the Laguna Art Museum.  $200/400

 

 

 

194

Essie Pinsker (20th Century) Californian

SMALL STAR KNOT, 1989, cast bronze sculpture with green and black patina, signed and dated, 8 x 7 x 7”, mounted to 2” wood base, in good studio condition.  $500/1000

 

 

 

195

Essie Pinsker (20th Century) Californian

EMBRACE, 2000, cast bronze sculpture, signed and dated, 9 x 11 ½ x 6”, mounted to 2 ½” marble base, in good studio condition.  $800/1200

 

 

 

196

Camille Pissarro (1830-1903) French

PORTRAIT OF GEORGE LEDOYEN, 1893, pen and ink drawing on paper, initialed lower left, titled and dedicated to Rodolphe lower right, sight 5 ¾ x 6 ¼”, auction label on back, framed with glass, a few small stains, otherwise in apparently good condition. Provenance: James Vigeveno Galleries, Paris, France; Classic Art Forms, Los Angeles.  $3000/6000

 

 

 

197

Kurt Polter (b. 1914) New York

TABLE SETTING, acrylic painting on canvas, signed lower left, 31 ¾ x 39 ¼”, in good studio condition.  $400/600

 

 

 

198

Kurt Polter (b. 1914) New York

GIRL WITH FLOWERS ON PORCH, acrylic painting on canvas, signed lower left, 30 x 24”, framed, two small unobtrusive dents lower right, otherwise in good studio condition.  $400/600

 

 

 

199

Kurt Polter (b. 1914) New York

GIRL IN FIELD, acrylic painting on canvas, 36 x 36”, framed, in good studio condition.  $200/400

 

 

 

200

Stan Poray (1888-1948) California

GODDESS AND JADE, c.1935, oil painting on canvas, signed lower right, 24 x 21”, in good studio condition. Provenance: Spencer Jon Helfen Fine Arts Beverly Hills.  $2000/4000

 

 

 

201

Josef Presser (1907-1967) American

PROFILE, tempera and color pastel on paper, signed lower left, sight 16 ¼ x 13 ½”, framed with glass, smudges and surface soiling, otherwise in apparently good studio condition.  $300/600

 

 

 

202

Donald Purdy (b. 1924) Connecticut

SINGING LADY, oil painting on Masonite, sighed lower right, 36 x 24”, framed, in good studio condition.  $200/400

 

 

 

203

Jim Rabby (20th Century) Texas

DRIFTWOOD & SEASHELLS, acrylic painting on canvas, signed lower right, signed and titled on verso, 12 x 16”, framed, surface soiling, otherwise in good studio condition.  $200/400

 

 

 

204

Gertrude Remy (1906-1999) Californian (two)

WINTER SCENES, pair of oil paintings on canvas board, both signed lower right, both 9 x 12”, framed, both with surface soiling, otherwise in good studio condition. (2)  $200/400

 

 

 

205

Llobert Ribas (19th/ 20th) Spain

MARQUES DEL MERITO COGNAC, c.1900, color lithograph poster, signed on the stone, image 59 ¼ x 42 ½”, full margins, printer J. Ortega, Valencia, with a nice modern period frame, linen backed, some small creases, otherwise in apparently good condition.  $300/600

 

 

 

206

Jessica Rice (b. 1941) Belgium

THE INVITATION, 1987, color screenprint, signed in pencil, from the numbered edition 25, image 29 ½ x 25 ½”, full margins, framed with glass, in apparently good condition.  $200/400

 

 

 

207

Alan Richardson (20th/ 21st Century) Canadian

AFTERNOON IN THE GARDEN, oil painting on canvas, signed lower right, 20 x 16”, framed, in good studio condition. Provenance: Maison D’Art, St. Laurent, Quebec.  $100/300

 

 

 

208

Alfred Robida (1848-1926) French & Geo Fourrier (nine)

LES VILLES MARTYRES, 1914, four volumes with five lithographs total, sheets 19 ½ x 12 ¾”, text in French, foxing, discoloration and staining, otherwise in generally good condition; Together with Geo Fourrier, UNTITLED, four woodblock prints with pochoir, each with printed signature lower right, sheets 6 x 9”, a few foxing speckles soft handling creases and surface scuffs, otherwise in good condition. (9)  $200/400

 

 

 

209

Norman Rockwell (1894-1978) American

THE AVIARY, color lithograph on Japan paper, signed in pencil, artist’s proof aside from a numbered edition 200, image 15 ½ x 16 ¾”, full margins, published Circle Fine Art, framed with glass, in apparently good condition.  $400/800

 

 

 

210

Loredano Rosin (1936-1992) Italian

SEATED BOY, glass sculpture, signed, 14 ½ x 5 ½ x 6”, in good studio condition.  $400/800

 

 

 

211

Jerry Rothman (1933-2014) American

TEAPOT, 1961-63, glazes ceramic with single handle and lid, 10”, minor professionally repair to spout, otherwise in good studio condition. Provenance: from the Collection of the Laguna Art Museum.  $500/1000

 

 

 

212

Edward Ruscha (b. 1937) California

AMERICA WHISTLES from America: The Third Century (E/W.84), 1975, color lithograph on cream Arches paper, signed in pencil, from the numbered edition 200, sheet 30 x 22 ¼”, printed by Cirrus, Los Angeles, published by Mobile Oil Corporation, framed, hinge impressions upper sheet edge, otherwise in good condition.  $2000/3000

 

 

 

213

David Salle (b. 1952) American

HIGH AND LOW, 1994, color lithograph, woodblock and screenprint on two sheets, signed in pencil, from the numbered edition 30, sheet 56 7/8 x 44 ¾”, framed, colors possibly diminished or a color variation, otherwise in apparently good condition.  $1000/2000

 

 

 

214

Victor Salmones (b. 1937) Mexican

FEMALE TORSO WITH APPLE, cast bronze sculpture with golden brown patina, signed, from the number edition 10, size 11 x 5 x 3 ¾”, mounted to ¾” serpentine stone base, in good studio condition.  $200/400

 

 

 

215

Sylvain Sauvage (1888-1948) French (two)

COUPLES, a pair of color etchings, each signed in pencil and from the numbered edition 300, plates 10 ½ x 8”, full margins, both framed with glass, both in apparently good condition. (2)  $100/200

 

 

 

216

Richard Shaffer (b. 1947) Californian (eight)

ANDENKEN, SPACE SWELLING series, 1982, eight aquatint etchings, each signed in pencil and in scribed PP1, images 17 ¾ x 21 ½”, sheet 29 ¾ x 35 ¾”, publisher L.A. Louvre, all with discoloration speckles throughout, some more than others, otherwise in good condition. (8)  $800/1200

 

 

 

217

Millard Sheets, Sister Corita Kent & Kuba Cloth (three)

Millard Sheets, MOUNTAIN, color screenprint, signature in the design, image 14 x 19 ¾”, full margins, colors possibly diminished, mild toning, otherwise in apparently good condition; Together with Sister Corita Kent, NOW CHEER EACH OTHER, color screenprint, signed top center upside-down, from the numbered edition 200, sheet 24 x 19”, small loss at upper sheet edge, perimeter toning, otherwise in apparently good condition; Together with Kuba Cloth, 19 x 24 ½”, in apparently good condition, all framed, the first two with glass. (3)  $300/600

 

 

 

218

Dan Shupe (20th Century) Colorado

BATHING BEAUTIES, mixed media on wood, signed on verso, 15 ¾ x 11 x 1”, some surface scuffs, minor surface wear, otherwise in good studio condition.  $400/600

 

 

 

219

Dorothy Sklar (1909-1996) Californian

GIRLS WITH DOLLS, oil painting on canvas, signed lower left, 20 ¼ x 16”, framed, restored and relined.  $800/1200

 

 

 

220

Sergey Smirnov (1953-2006) Russian

THE BARONESS, 2002, duo-hexachrome (twelve color) digital print with color screenprint and hand air brushing, hand-signed, from the numbered edition 60 artist’s proof (total edition 305), printed at Colten Graphic, Fingerhunt Group Publisher’s Inc., 31 x 30 ¾”, framed, in apparently good condition.  $300/600

 

 

 

221

Francis Spear (1902-1979), Josef Eidenberger (1899-1991) & two others (four)

Francis Spear, THE APOSTLE, mixed media on paper, sight 8 x 9”, small crinkles, accretion on mustache area, otherwise in apparently good condition; Together with Josef Eidenberger, ST. WOLFGANG, oval color etching, signed in pencil, from an unnumbered edition, 9 x 6 ½”, full margins; Together with Anonymous, an engraving of George Washington, image 5 x 4”, sheet 11 ½ x 8 ½”, some creases lower left, otherwise in apparently good condition; Together with Anonymous, PORTRAIT OF A WOMAN, woodblock print on thin Japanese paper, image 15 x 9”, full margins, some masking tape in margins on verso, all framed with glass, otherwise in good condition. (4)  $200/400

 

 

 

222

Brent Livingston Strong (b. 1953) Australian

TWIN DOLPHINS, hi-gloss color print, signed and inscribed blue pencil, image 14 ½ x 35”, full margins, framed, in apparently good condition.  $100/200

 

 

 

223

Melvin Strawn (b. 1929) Colorado (two)

UNTITLED; DISTRESSED MAN, each an ink and wash on paper, signed lower right or left, sight 11 ½ x 5” & 12 ¾ x 9 ½”, both framed with glass, later with surface scuffs, creases, possibly mild toning, otherwise both in apparently good studio condition. (2)  $200/400

 

 

 

224

Lewis Suzuki (b. 1920) California & Alva Tofanelli (Steccati) (two)

Lewis Suzuki, FLORAL, watercolor on paper, signed lower left, 20 x 28”; Together with Alva Tofanelli (Steccati), FRAGMENTS, watercolor on paper, signed lower right, 22 x 30”, both framed with glass, both in apparently good studio condition. (2)  $300/500

 

 

 

225

Itzchak Tarkay (b. 1935) Israeli

FIVE WOMEN DINING, color screenprint, signed in pencil, from the numbered edition 300, image 20 ¼ x 16 ¾”, blindstamp lower left, full margins, framed with glass, in apparently good condition.  $100/300

 

 

 

226

Pavel Tchelitchew (1915-1957) Russian

L’ANGE (AUTO-PORTRAIT), c.1915, oil painting on canvas, signed lower right, 33 x 46”, framed, some professional restoration including re-lining, otherwise in good studio condition. Provenance: A gift from the artist to prima ballerina Tamara Toumanova, godmother to the current owner. Pavel did scenery and costumes for ballets starring La Toumanova and he also did portraits of her.  $50,000/100,000

 

 

 

227

Ten Have (20th Century) Dutch

AFGHANISTAN, 1984, watercolor, color pencil and graphite on paper, signed and dated lower left, 24 x 34”, framed, in apparently good studio condition.  $200/400

 

 

 

228

David Thimgan (1955-2003) Californian

STAR OF INDIA, oil painting on canvas, signed lower right, 18 x 24”, small speckles throughout, otherwise in good studio condition.  $2000/4000

 

 

 

229

David Thimgan (1955-2003) Californian

BALCLUTHA, oil painting on canvas, signed lower left, 18 x 24”, small speckles throughout, otherwise in good studio condition.  $2000/4000

 

 

 

230

Earl Thollander (1922-2001) American & others (four)

Earl Thollander, INDUSTRIAL LANDSCAPE, acrylic painting on panel, signed lower right, 16 ½ x 12 ¾”, surface soiling, otherwise in good studio condition; Elmer Bennett, LANDSCAPE, oil painting on Masonite, signed lower left, 16 x 24”, artist’s label on verso, surface soiling, small scuffs, otherwise in good studio condition; Tankut Bilge, ISTANBUL BRIDGE, watercolor, signed lower left, sight 13 ½ x 19 ½”, some color possibly diminished, otherwise in apparently good studio condition; Sydney Holbrook, SEASCAPE, oil painting on canvas, signed lower right, 16 x 24”, contraction craquelure and craquelure, loss and flaking in upper sky, surface soiling, all framed, one with glass, otherwise in generally good condition. (4)  $300/600

 

 

 

231

Gustave Torres (b. 1967) Mexican/ American

FERTILIDAD, cast bronze sculpture, signed on side, from the edition 10, size 22 x 6”, mounted to marble stand, in good studio condition.  $2000/3000

 

 

 

232

Gustave Torres (b. 1967) Mexican/ American

HUNGER, cast bronze sculpture, signed on verso, from the edition 20, size 45 x 8 x 5 ½”, mounted to stand, in good studio condition.  $3000/4000

 

 

 

233

Joyce Treiman (1922-1991) Californian (one hundred two)

VARIOUS, 1962-1991, a large comprehensive collection of approximately 102 etchings, many with hand coloring, each signed in pencil, many trial proofs and unique hand colored proofs, the numbered editions are from 2 to 35 (most on the lower side), sheets 30 x 22” to 9 x 9”, all with some discoloration spots, most throughout, some more than others, otherwise in good condition. A complete list available upon request. (102)  $5000/8000

 

 

 

234

Dani Tull (b. 1966) & Heidi Hardin (b. 1953) (two)

Dani Tull, EVERY GOOD BOY DESERVES FUDGE, 1991, oil painting with saule and silver-leaf on door-skin, signed, dated and titled on verso, 25 x 23”; Together with Heidi Hardin. THE HOUSE WAS DARK, c.1975, folding diptych, acrylic painting on thick card, overall 22 x 30”, natural cockling from paint saturation, otherwise both in good studio condition. Provenance: from the Collection of the Laguna Art Museum. (2)  $300/600

 

 

 

235

Pedro Uhart (b. 1938) Chilean/ French

MASCARA DE ANGEL, 1980, loose leaf book with eight color screenprints and text, each print signed in pencil, from the numbered edition 80, published Boren-Editeur, Paris, in cloth covered case, in like-new condition.  $100/200

 

 

 

236

Vasa (Vasa Mihich) (b. 1933) Yugoslavian/ American (four)

UNTITLED QUAD, 1971, sculpture comprising of four color laminated acrylic columns, signed and dated underneath one, each column 11 ¾ x 3 x 2 ½”, a few hairline scuffs and scratches, mainly underneath, otherwise in good studio condition. (4)  $1000/2000

 

 

 

237

Victor Vasarely (1906-1997) Hungarian

UNTITLED, color screenprint, signed in pencil, from the numbered edition 250, image 32 ¼ x 16 ¼”, full margins, framed, pale toning in the margins, otherwise in apparently good condition.  $300/600

 

 

 

238

Gyorgy Voros (b. 1940) Hungarian

STILL LIFE WITH GRAPES, oil painting on Masonite, signed lower right, titled on verso, 8 x 10”, framed, in good studio condition. Provenance: Galerie Klimantiris, Quebec.  $300/600

 

 

 

239

John Walker (b. 1939) British / American

LEAVE IF YOU CAN, #3, 1987, acrylic painting on canvas, signed dated and titled on verso, 24 x 18”, framed, minor surface soiling, otherwise in good studio condition.  $2000/4000

 

 

 

240

Andy Warhol (1928-1987) American (three)

AMERICAN INDIAN 1976-1977 (Canada, Paris, Los Angeles), three color posters, each signed in marker and Los Angeles dedicated, sheets 49 ½ x 34 ½”, published by Ace Galleries, all framed, all mounted to card, Paris with a couple scratches, Canada with small nicks and scuffs and odd coloration, otherwise all in good condition. Provenance: A copy of a letter on Andy Warhol Film stationery and a copy of a picture of the person with Andy Warhol to whom one poster is dedicated to. (3)  $3000/6000

 

 

 

241

June Wayne (1918-2011) American

CHINOOK, 1976, color lithograph, signed in pencil, from the numbered edition 20, sheet 24 x 22 ½”, unknown blindstamp lower right, a few printer’s creases visible on verso, two small archival hinge remnants on verso, otherwise in good condition.  $200/400

 

 

 

242

Andrew Wing (1931-2004) Californian

METAMORPHIC CREATURES from the Parable Series, 1959-1977, pen, pencil, ink, pastel, casein and acrylic painting on paper, mounted to wood panel, signed lower left, 13 x 8 ½”, in artist’s designed framed, overall 22 x 16 ¼”, framed, in good studio condition. Provenance: Orange County Museum of Art; Laguna Art Museum, ‘Chances of Andy Wing, A Retrospective’; from the Collection of the Laguna Art Museum.  $200/400

 

 

 

243

Paul Wonner (1920-2008) Californian

BOX OF OLIVES, color lithograph, signed in pencil, from the numbered edition 100, image 8 ½ x 8”, full margins, framed, in apparently good condition.  $500/800

 

 

 

244

Beatrice Wood (1893-1998) Californian

A large ceramic bowl with blue volcanic glaze, signed underneath, 9 ½” tall, 9 ½” diameter, in good studio condition.  $2000/4000

 

 

 

245

Helen M. Woodward (1908-1986) Indiana

PORTRAIT OF A YOUNG BOY, oil painting on canvas, signed lower left, 26 x 22”, framed, surface soiling, scuffs, a few dimples, otherwise in good studio condition.  $200/400

 

 

 

246

Zao Wou-Ki (1921-2013) Chinese

STILL LIFE, 1953, color lithograph, signed in pencil, from the numbered edition 95, image 17 ¼ x 23 ¼”, reduced sheet size 19 x 24 ¾”, mild toning, some colors diminished, soft handling creases, two small cellophane stains upper right and left corner verso, strip of brown paper tape upper sheet edge verso, otherwise in good condition.  $1000/2000

 

 

 

247

Thomas Wudl (b. 1948) Californian (six)

BETWEEN HEAVEN & EARTH, three color etchings on rice paper, one a unique variant BAT proof and two from the numbered edition 14, all signed in pencil; MELAINE, 1981-84, color etching, signed in pencil and inscribed SP 1/4; MEL & SNAKE, color etching, signed in pencil and inscribed SP 4/8; sheets 24 x 36” & 22 x 30”, all with discoloration speckles, some more than others; Together with UNTITLED, 1976, mixed media drawing on yellow Japan paper, signed and dated lower center, sheet 39 x 24 ¼”, speckling throughout, edge loss lower center. (6)  $200/400

 

 

 

248

Boris Yefman (b. 1940) Russian/ Canadian

AT THE BALL, 1993, acrylic painting on canvas, signed lower right, titled, initialed and dated on verso, 40 x 60”, framed, in good studio condition.  $200/400

 

 

 

249

Victor Hugo Zayas (b. 1961) Mexican/ American

LOS ANGELES, 2004, acrylic painting on card, signed and dated lower left, 42 x 40”, framed, in good studio condition.  $300/600

 

 

 

250

Victor Hugo Zayas (b. 1961) Mexican/ American

SAN PEDRO, 2004, acrylic painting on card, signed and dated lower left, 39 x 42”, framed, in good studio condition.  $300/600

 

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