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Catalogue Without Illustrations
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1
19th
Century Bronze
THE THORN, cast bronze sculpture with patina,
12” tall, mounted to 1” tall marble base, total height 13” tall,
pitting and discoloration in finish, otherwise in good condition.
$200/400
2
Raymond C. Abst
(20th Century) American FAIA
CLARK FORKS,
STANISLAUS, watercolor on paper, signed lower right, sight 28 x 21”,
Modesto Art Center 2003 Spring Show label on verso, framed with
glass.
$100/200
3
Raymond C. Abst
(20th Century) American FAIA
TIOGA
PASS,
watercolor on paper, signed lower right, sight 27 ¾ x 21 ¾”, Central
Californian Art League 2001 label on verso, framed with glass.
$100/200
4
Raymond C. Abst
(20th Century) American FAIA
TIOGA PASS #2,
watercolor on paper, signed lower right, sight 20 ¼ x 28 ¼”, framed
with glass.
$100/200
5
Raymond C. Abst
(20th Century) American FAIA
BEACH SCENE AT
SUNSET, watercolor on paper, signed lower right, sight 23 ½ x 33 ½”,
framed with glass.
$100/200
6
Raymond C. Abst
(20th Century) American FAIA
CLIFFS & TREES,
watercolor on paper, signed lower right, sight 23 ¾ x 30 ¾”, framed.
$100/200
7
African
Art:
Mali
(mid 20th Century)
Mali, Dogon, carved wood stool, with carved Nommo ancestors, 15 ½” tall.
$200/400
8
Yaacov
Agam (b. 1928) Israeli
PURPLE
&
BLUE,
color screenprint, signed in pencil, from the numbered edition 252,
image 9 ½ x 11”, full margins, framed with glass.
$100/200
9
Yaacov
Agam (b. 1928) Israeli
UNTITLED, color screenprint, signed in pencil, from the numbered
edition 180, image 24 ¼ x 35 ¼”, full margins, framed, tiny
unobtrusive stray printer’s ink only found when inspected for, very
mild cockling, otherwise in good condition.
$600/900
10
Dan
Allison (b. 1953) American
MORNING, color aquatint, signed and numbered in blue pencil, from
the numbered edition 40, sheet 17 ¼ x 22 ¾”, in Plexiglas box frame.
$200/300
11
Otmar Alt
(b. 1940) German
DAS
GEHEIMNIS, 1975, color aquatint etching with embossing, signed in
pencil, from the numbered edition 75, image 21 ½ x 19 ½”,
with Galerie Schmucking blindstamp, full margins, creases lower left
and upper right corner, otherwise in good condition.
$300/500
12
Sunol
Alvar (b. 1935) Spanish
OFFERING, color lithograph, signed in pencil,
from the numbered edition 225, image 28 ¾ x 21 ½”, full margins,
framed, faint toning in margins, otherwise in good condition.
$200/400
13
Sunol
Alvar (b. 1935) Spanish
MIRACLE QUOTIDEN, color lithograph, signed in
pencil, from the numbered edition 225, image 33 ½ x 24 ½”, full
margins, framed, faint toning in margins from mat, otherwise in good
condition.
$200/400
14
Sunol
Alvar (b. 1935) Spanish &
M. Depre (three)
WOMAN WITH VIOLIN; MIRACLE QUOTIDEN, a color
etching and a color lithograph, each signed in pencil, the first
inscribed artist’s proof, the later from the numbered edition 225,
images11 ¾ x 8 ¼” & 33 ¼ x 24 ¼”, first with toning in margins from
matting, possibly faded, the second with sun toning and colors
faded; Together with M.
Depre, BALLERINA, color lithograph, signed in pencil, from the
numbered edition 150, image 25 ¼ x 17 ¾”, sun toning, colors
possibly faded, all with full margins and framed with glass,
otherwise all in good condition. (3)
$300/500
15
American
School
UNTITLED, cut and sculpted wood, 39 ½ x 24 x 3
½”, some losses, otherwise in good condition, with an old Jack
Feldman Auctioneer tag on verso.
$200/400
16
Americana:
Vintage Sign
THE
WOODMAN, post-war vintage hand-painted double-sided metal sign from
NYC pub, 24 x 29 ¾”, with natural wear.
$200/400
17
Teimur
Amiry (b. 1958) Iranian
STRAWBERRY STILL
LIFE,
oil painting on board, signed lower left, sight 9 ¾ x 12 ¾”, framed.
Provenance: Acquired directly from the artist by the previous owner.
$6000/8000
18
Teimur
Amiry (b. 1958) Iranian
ROSES,
oil painting and pastel on paper, signed lower left, sight 25 ¼ x 19
¼”, framed with glass. Provenance: Acquired directly from the artist
by the previous owner.
$8000/9000
19
Glenna Anderson
(20th Century) Californian
TAOS PEPPERS,
watercolor on paper, signed lower left, sight 29 x 21 ½”, framed
with glass.
$100/200
20
Glenna Anderson
(20th Century) Californian
TAOS PEPPERS, oil
painting on Masonite, signed lower left, 24 x 16”, framed.
$100/200
21
William
Anthony (20th Century) American
(four)
WIND,
1987; COUPLE DANCING, 1988; AFTER DAVID, 1975, AFTER BECKMANN, 1986,
four pencil drawings on paper, each signed and dated, 5 x 5”, 5 ½ x
5”, 6 ½ x 6”, 8 ¾ x 5”, all framed with glass. (4)
$400/600
22
William
Anthony (20th Century) American
(three)
CONESSEUIERE, 1992; PRAYING, 1992, ROCKEFELLER BESTOWING A DIME,
three color pastel and pencil drawings on paper, each signed and
dated, 9 x 6”, 8 x 6 ½”, 5 x 7 ½”, all framed, the first lacking
glass. (3) $400/600
23
Richard
Anuszkiewicz
(b. 1930) American
CELEBRATION, 1973, color screenprint, signed in pencil, from the
numbered edition 300, image 28 ¾ x 22 ¼”, full margins, framed, sun
toning, otherwise in good condition.
$200/400
24
Nobuyoshi Araki (b. 1949) Japanese
WOMAN
IN
BED,
test c-print on medium wove paper, image 24 x 35 ½”, small margins
on top and bottom, soft handling creases, otherwise in good
condition. $800/1200
25
Allan
D’Archangelo (1930-1988) American
EXPORT
MADONA, color screenprint, signed in pencil, from the Roman numeral
edition 25, sheet 40 x 30”, a few soft handling creases, hairline
scratches lower left, crease lower right corner, otherwise in good
condition. $400/600
26
Arman
(1928-2005) French
HOMMAGE
A MARCEL DUCHAMP, 1972, color aquatint etching, signed in
pencil, from the numbered edition 125, sheet 15 x 11”.
$300/500
27
John
Taylor Arms, Jean Francois Raffaelli, Arthur Heintzelman & Charles Bragg (four)
FROG OF
TOUR CHARLES VIII, #6 from the Gargoyle Series, 1921, etching,
signed in pencil, from the numbered edition 40, plate 8 ½ x 5 ½”, a
few discoloration spots, minor surface rubs; Together with Jean
Francois Raffaelli, HINITERLAND LANDSCAPE, etching, signed in
pencil and inscribed 12, image 5 ¾ x 8 ¾”, framed with glass,
creases at corner and soft creases; Together with Arthur
Heintzelman, LA FARANDOLE ST. JEAN DE LUZ, etching, signed in
pencil, from the numbered edition 100, image 10 x 12”, a few dimple
impressions, a few scuffs, toning from previous mat, glued to
backboard in small area; Together with Charles Bragg, GUTHRIE
DYLAN, etching, signed in pencil, from the numbered edition 100,
image 8 ¾ x 11 ¾”, minor surface soiling, two old masking tape
remnants on verso, all with full margins, otherwise all in good
condition. (4)
$500/800
28
Asian
Arts: Antique Chinese Style Urn between (Meiji (1868-1911)/
Taisho (1912-1925) Era
19th
/ early 20th Century antique ivory urn with animal mask
and rings in the Chinese style (probably carved in a Japanese studio
at the time), carved between 1868 and 1925, signed Hozan underneath
two components, total height 11” tall, with 2” carved base and seat,
professionally cleaned and repaired.
$800/1200
29
Micha
Bar-Am (b. 1930) Israeli
THE
SCRIBE, silver gelatin print, signed in pen, from the numbered
edition 300, 20 x 16”, full margins, framed with glass.
$300/500
30
Jean
Michel Basquiat (1960-1988) American
ACADEMIC STUDY OF THE MALE FIGURE, 1983, screenprint printed on
natural (?) speckled paper, a publisher’s proof aside from the
numbered edition OF 20, sheet 40 x 31 ¼”, with the New City Editions
blindstamp lower right, framed, vertical crease in center and at
right sheet edge, otherwise in apparently good condition.
$3000/5000
31
Charles
Bell (1935-1995) American
DOUBLE
BUBBLE, color Giclee on thick paper, signed in pencil, from
the numbered edition 150, image 26 x 26”, full margins, published by
Robert Bane Ltd, with additional top lacquer printing.
$800/1200
32
Charles
Bell (1935-1995) American
LUCKY
LADY, color Giclee on thick paper, estate signed, from the
numbered edition 200, image 20 x 38 ¾”, full margins, published by
Robert Bane Ltd.
$800/1200
33
Bennett
Brothers (20th Century) Californian
CELESTE, cast bronze sculpture, signed, from the numbered edition
150, height 38 ½”, mounted to 1 ½” marble base, a couple of nicks,
discoloration, rust on face, needs to be cleaned and polished,
otherwise in good condition.
$3000/4000
34
Albert
Besnard , Edouard Manet & after
James Whistler
(three)
Albert
Besnard, FILS DE L’ARTISTE (D.43), drypoint etching, sign in
pencil, plate 5 ½ x 3 ½”, pale toning; Together with
Edouard Manet, LE CHAT ET
LE FLEURS (H.65iii), 1869, etching with aquatint, signed in plate,
image 6 5/8 x 5”; Together with
after
James Whistler, SEATED
WOMAN, lithograph on brown paper, initials on stone, sight 10 ½ x 7
¾”; two with full margins, all framed with glass. (3)
$300/500
35
Leo
Blackman (20th Century) American
CLOWN WITH CYMBOLS, 1970, cast bronze sculpture
with brown patina, signed and dated, 6 ¼” tall, mounted to 2” wood
base, stamped ‘originals by Leo Blackman’, also signed and inscribed
in marker underneath.
$200/400
36
Streeter
Blair (1888-1966) American
PRAIRIE
UNTUTORED, 1963, oil painting on canvas, signed and dated lower
left, 18 x 14”, framed. Provenance: Sari Heller Gallery,
Beverly
Hills $600/900
37
Debi Bonsack
(20th Century) Californian
EMPTY LOAD, oil
painting on canvas, signed lower right, 28 x 40 ¾”.
$100/200
38
Debi Bonsack
(20th Century) Californian
I GOOD TASTE, oil
painting on canvas, signed lower left, 28 x 36”, Modesto Art Center
2000 Spring Show label on verso.
$100/200
39
Michael
Bisbee (20th Century) American
UNTITLED, 1990, oil painting on canvas, signed on verso, 60 ½ x 44”.
Provenance: Karl Bornstein Gallery,
Santa Monica;
Shea & Beker, NYC.
$800/1200
40
Graciela
Rodo Boulanger (b. 1935) Bolivian
ARABESQUE, From the Ballerines Portfolio, 1973, color aquatint
etchings on Japan paper, signed in pencil, from the Roman numeral
edition 30, image 12 ½ x 9 ½”, full margins, with small archival
tape hinges on verso, otherwise in good condition with bright fresh
colors. $400/600
41
Graciela
Rodo Boulanger (b. 1935) Bolivian
ADAGIO,
From the Ballerines Portfolio, 1973, color aquatint etchings on
Japan paper, signed in pencil, from the Roman numeral edition 30,
image 12 ½ x 9 ½”, full margins, with small archival tape hinges on
verso, otherwise in good condition with bright fresh colors.
$400/600
42
Charles
Bragg (b. 1931) American
STEINEM COURT, photogravure with etching, signed in pencil, from the numbered edition
300, plate 11 ½ x 22”, full margins, framed with glass.
$400/600
43
Charles
Bragg (b. 1931) American
1870-1910, two photogravures with etching on one sheet, signed in
pencil, from the numbered edition 150, plates average 8 ¾ x 5 ¾”,
full margins, framed.
$200/300
44
Bernard Buffet
(1928-1999) French
WOMEN OF PARIS, color lithograph, signed in
pencil, from the numbered edition 250, image 21 ½ x 15 ¾”, sheet 28
¾ x 19 ½”, possible reduced margins, framed with glass, soft
creases, faint toning, one small discoloration speck lower left,
toning on verso from framing, tape residue stains on extreme edge,
stray cellophane tape lower left, otherwise in good condition.
$1500/2500
45
Alexander Calder (1898-1976) American with Carlos Franqui
LO
OBSCURO INVADE, color lithograph, signed in pencil, from the
numbered edition 500, sheet 28 ¼ x 41 ¼”, faint ghosting from
storage with other of the same prints, otherwise in good condition.
$800/1200
46
California
School
(20th Century
COUNTRY HILLTOP oil
painting on board, signed lower left, 13 7/8 x 17”, framed.
$100/200
47
Wallace B. Carroll
(20th Century) Californian
STANISLAUS SEPTEMBER,
oil painting on Masonite, signed lower left, 9 x 12”, Modesto Art
Center 2003 Spring Show label on verso, framed.
$100/200
48
Wallace B. Carroll
(20th Century) Californian
FOOTHILL SPRINGS, oil
painting on Masonite, signed lower left, 8 x 10”, Central
Californian Art League 2001 label on verso; framed.
$100/200
49
Ben
Carre (1883-1978)
California
UNTITLED, ink and wash on paper, stamped lower left, sight 6 x 9”,
framed with glass, mild toning, otherwise in good condition.
$500/800
50
Vija
Celmins (b. 1938) Latvia
OCEAN
WITH CROSS, #1, 2005, screenprint, signed in pencil, from the
numbered edition 108, sheet 28 ¾ x 24 ¼”, image 22 ½ x 17 ½”,
printed by Brand X with blindstamp lower right, framed.
$8000/10,000
51
Ed Cesena
(20th Century) Californian
SMACK, 2000,
watercolor, ink and collage on paper, signed and dated lower right,
sight 10 ½ x 13 ½”, Central Californian Art League 2000 label on
verso, framed with glass.
$100/200
52
Chae
(20th Century) Korean
(three)
CAROUSEL; DANCERS ON THE BEACH; HONEYMOONERS; three color
screenprints, each signed in pencil, from numbered editions 250,
images 29 ¾ x 21”, 20 ½ x 27 ½”, 24 ¾ x 22”, all with full margins,
two with finger prints in margins, otherwise in good condition. (3)
$200/400
53
Marc
Chagall (1897-1985)
Russian/French
MOUNTING THE EBONY
HORSE, from the ARABIAN NIGHTS, plate 12 (M.47), 1948, color
lithograph, signed in pencil and inscribed pl. 12, from the numbered
edition 90, image 14 ½ x 11”, sheet 16 ¼ x 12” reduced from 16 7/8 x
13”, genuine gold leaf frame, toned on verso, mild toning on recto,
otherwise in good condition.
$20,000/25,000
54
Marc
Chagall (1897-1985)
Russian/French (three)
LITHOGRAPHIE I
SERIES (M.285, 289, 292), 1960, one black & white and two color
lithographs, from the unsigned edition published in Chagall’s
lithograph catalogue raisonne volume I, aside from the signed and
numbered edition with full margins, sheets 12 ½ x 9 ½”, framed. (3)
$600/900
55
Edgar
Chahine (1874-1947) French/ Armenian
LA VICTORIA, 1907, etching on Japan paper,
signed in pencil, from the edition 50, plate 10 x 18 ¼”, full
margins, framed with glass, some small pale discoloration spots in
margins, otherwise in good condition.
$800/1200
56
Edgar
Chahine (1874-1947) French/ Armenian
CARRIAGE HORSES RESTING, aquatint etching,
signed in pencil, plate 6 ¾ x 18 ¼”, full margins, framed with
glass, faint toning at mat, otherwise in good condition.
$600/900
57
Edgar
Chahine (1874-1947) French/ Armenian
BECHELLERIE MAISON, 1923, 2nd state,
drypoint etching with chine applique, signed in pencil, from the
numbered edition 50, image 8 ½ x 12 3/8”, full margins, framed with
glass, some faint discoloration upper left corner, small
discoloration spots upper right margin, otherwise in good condition.
$200/400
58
Michael
Challenger (b. 1939) British
UNTITLED, 1970, color screenprint, signed in pencil, from the
numbered edition 100, sheet 28 x 40”, London Arts blindstamp, framed
with glass, very mild cockling, otherwise in good condition.
$100/200
59
Fredericus Jacobus Rossum Du Chattel
(1856-1917) Dutch
RIVER SCENE, oil painting on wood panel, signed
lower right, 7 ¼ x 8 ½”, framed, lacquer yellowed, overall surface
soiling, some discoloration in sky area with loss of media,
otherwise in good condition.
$300/500
60
Jules
Cheret & Henry Gabriel Ibels (two)
REDOUTE DES
ETUDIANTS (A.85), plate 85, image 12 ¾ x 9,; Together with Henry
Gabriel Ibels, PIERREFORT (A.102), plate 102, image 8 ¼ x 11 ¼”,
both printed by Chaix and from Les Maitres De Affiche with the
blindstamps lower right, both framed with glass and with soft
handling creases, otherwise good condition. (2)
$300/500
61
Giorgio De Chirico
(1888-1978) Greek
TESEO
(B.5), 1971, color soft ground etching, signed in pencil,
from the numbered edition 50, image 17 x 14 3/8”, artist’s
blindstamp lower left, published by Alberto Caprini with blindstamp
lower right, full margins, a few soft handling creases, otherwise in
good condition.
$1500/2000
62
Javacheff Christo (b.
1935) Bulgarian
WRAPPED STATUES, AEGENA TEMPLE, project for the Munich Glyptotek,
1988, screenprint with photo collage, signed in pencil, from
the numbered edition of 300, sheet 35 x 27”, a soft handling crease
lower right, otherwise in good condition.
$1500/2500
63
John K Claes
(20th Century) Californian
TANGLE, 1999,
charcoal drawing on paper, titled signed and dated on verso, 36 ¼ x
38”, framed.
$200/400
64
Sue Coe
& Hiliary North
(four)
PORKPOLIS, 1989; etching, signed in pencil and numbered 18, plate 12
½ x 9”, full margins; THE NEW WORLD ORDER, 1991, etching, signed in
pencil, plate 13 ¾ x 10 ½”, full margins; MICKEY
HAS
BEEN GENETICALLY ALTERED TO DEVELOP CANCER, etching, signed in
pencil, image 5 x 2 ¾”, sheet 18 ¾ x 11 ¾”, all three with artist’s
blindstamp and rubber stamps, two framed with glass, Porkpolis a few
discoloration spots in margins, New World Order a few soft creases
in margins; Together with Hiliary North, THE ANNUNCIATION,
linocut, signed in pencil, from the numbered edition 5, image 8 x
10”, full margins, creases and soft handling creases, minor
discoloration in margins, otherwise in good condition. (4)
$400/600
65
Judy
Coleman (b. 1944) American
UNTITLED, 1989, the portfolio of six silver
gelatin prints mounted to archival boards, from the numbered edition
of 50, each signed, titled, dated and numbered on the verso, each
board size 29 ½ x 23 ½”, titles include “Awakening Nude”, “Sanctum”,
“Waking Dream”, “Renaissance Head”, “Repose”, “Interlude”, published
by G. Ray Hawkins Gallery, Los Angeles, in black-linen covered
portfolio case.
$3500/4500
66
Veronica
Constantine (20th Century) American
FEMALE
STRENGTH, acrylic and watercolor and charcoal painting on paper,
signed lower right, 30 x 22”, framed.
$400/600
67
Contemporary Print Collection
(thirty-two)
VARIOUS, thirty-two mixed media on paper, each signed “Benson”,
sheets range from 24 x 18” to 30 x 22”. (32)
$300/600
68
Contemporary
School
COUPLE, oil painting on canvas, signed “D.
Goojvin” ?, lower right, 30 x 23 ¾”, 2” surface scratch, some
rubbing spots in gold area outside figures, surface rubs, otherwise
in good condition.
$100/200
69
Contemporary
School
DESERT JET, acrylic
painted plastic with applique and mixed media sculpture, 35 ½ x 9 ½
x 14”, a couple small losses and chips, otherwise in good condition.
$200/400
70
Contemporary
School
DESERT HELICOPTER,
acrylic painted plastic with applique and mixed media sculpture, 29
x 11 ¾ x 6”, a few small chips and losses, otherwise in good
condition.
$200/400
71
Allen
Gilbert Cram (1886-1947) Californian
SEASCAPE, oil painting on canvas board, signed lower right, 16 x
20”, framed, surface soiling, small chips around perimeter from
framing, small impact lower left corner, otherwise in good
condition. $500/700
72
Jose
Luis Cuevas, Leonard Baskin &
Makoto Ouchi (three)
UNTITLED from Crime, 1968, color lithograph, signed in pencil, from
the edition Roman numeral 25 on Japan paper, sheet 22 x 30”,
scattered foxing and discoloration; Together with Leonard Baskin,
STILL
LIFE,
etching, signed in pencil, from the numbered edition 50, image 18 x
14 ¾”, full margins, toning, a few discoloration speckles; Together
with Makoto Ouchi, OKAME, 1973, color woodblock print, signed
in pencil, from the numbered edition 60, image 17 ½ x 16”, all
framed with glass, perimeter cockling, foxing and discoloration from
exposure to moisture, mainly in lower margins. (3)
$200/400
73
Ronnie
Cutrone (b. 1948) American
(three)
WHITE
KNIGHT; BUGSY MIRANDA; BIRD’S
EYE
VIEW, three color screenprints, each signed in pencil, from the
numbered editions 250, sheets 30 x 22 ½” & 22 ½ x 30”. (3)
$600/900
74
Ronnie
Cutrone (b. 1948) American
AMERICAN ARTIST (SPIRALS), 1988, acrylic painting and ink marker
over color screenprint, signed and dated in pencil, image 38 ¼ x 24
¾”, full margins, handling creases in right margins, discoloration
lower center margin, otherwise in good condition.
$800/1200
75
Salvador Dali
(1904-1989) Spanish
DALI DE DRAEGER, 1968, text in French by
Gerard, publisher Draeger, Paris, hardbound book with color and
black & white plates, numbered 596 of 1500, with “Melted Watch” in
metal affixed to cover, complete with “Unicorne Dionysiaque” 3 ½”
diameter removable bronze medallion, numbered 596 (of 1500),
signature in design, with a roll of two-sided reproductions in tube
case, complete with portfolio box, wear and minor loss to
cover-plate of portfolio box, natural wear on ends of rolled prints,
otherwise in good condition.
$600/900
76
after
Salvador Dali (1904-1989) Spanish & others
(twelve)
CHARLES
DE GAULLE (see M.720 appendix), 1974, heliogravure, with a pencil
signature of Dali’s name signed by another, sheet 34 ½ x 24”,
toning, soft handling creases, discoloration; Together with two
Marilyn Monroe classic prints, Together with an MCA ephemera print
(some damage); Together with color etching signed Gillart?, small
tear and creases; Together with Disney’s “Great Locomotive Chase”
lobby card; Together with a Keith Haring unassembled paper
Christmas ornament, tear not affecting ornament; Together with five
small etchings by various artists; together with Cecile Johnson,
FOREST HILLS, color print, faded, signed in pencil, framed with
glass, all in otherwise good to fair condition. (12)
$100/200
77
Peggy
Darrow &
European
School
(two)
SHIPS
AT
BAY,
oil painting on canvas, 24 x 36”; Together with
European
School,
WILLOW TREES, oil painting
on canvas, signed lower right, 27 x 39”, both framed. (2)
$200/400
78
Decorative Art (20th Century)
ROMAN-STYLE, four stencil paintings (two of
each subject) on wood, each panel measures 42 3/8 x 17 3/8” and is
mounted in wood frame, overall wear and losses from age. (4)
$400/600
79
Auguste
Donnay & others
(three)
GLACIERES MODELS, small format color
lithograph, signed on stone, image 9 ¼ x 13 ¼”, with margins, framed
with glass, with a pressed out center-fold, a tiny tear lower center
margin, a couple of small discoloration spots, otherwise in good
condition; Together with POURELLE, lithograph, and LA PAIMPOLAISE,
color lithograph on music sheet, signed on stone, both sight 11 ½ x
8 ¼”, both printed by Crevel Apres, Paris, framed with glass. (3)
$300/500
80
Jacques Donnay
(20th Century)
COMPOSITION, oil
painting on board, signed lower center, titled and signed on verso,
27 ¾ x 31 ½”, framed.
$300/500
81
Jacques Donnay
(20th Century)
MONTZEH, oil painting
on board, signed lower center, titled and signed on verso, 15 ¾ x 19
¾”, framed.
$100/200
82
Jacques Donnay
(20th Century)
POINT BAROUGH, oil
painting on board, signed lower center, titled signed and dated on
verso, 23 ½ x 23 ½”, framed.
$200/400
83
Stephen
Douglas (b. 1949) Californian
BLACKWELL, 1990, charcoal drawing on paper, initialed and dated
lower right, 18 x 14”, framed.
$200/300
84
Stephen Douglas (b. 1949) American
SEATED
NUDE WITH CROSSED ARMS
AND
TIMER, 1994, oil painting on canvas, signed and dated lower left and
on verso, 52 x 39”, framed.
$5000/7000
85
Arthur
Wesley Dow (1857-1922) American
MODERN ART (A.36), plate 36, color lithograph
from
Les Maitre de L'Affiches
series, with blindstamp lower right, signature in design, image 10 x
7”, printed by Imprimerie Chaix, Paris,
1896, framed with glass.
$600/900
86
after
Ernest
Deutsch Dryden
& S. M.
Dil
(two)
CHAMPAGNE
V. VE. A. DEVAUS, linen-backed color lithograph poster, 23 x 17 ½”,
filled in blemish under the
“N”, small blemish lower center, speckle upper left; Together
with a S. M. Dil, L’ECOLE
DES
BEAUX ARTS, BAL, 1934,
smaller format of larger color lithograph poster, sight 16 x 10 ½”,
published by Affiche D’ Interieur; both framed. (2)
$200/400
87
Tony
Duquette
(1914-1999) American
HORIZONTAL SUNBURST, fabricated brass sculpture
with three votive holders, 26 ½ x 26 ½” including 4” base, in studio
condition as received from the artist. Provenance: Acquired directly
from the artist by the owner.
$2000/3000
88
Tony
Duquette
(1914-1999) American
SUNBURST, fabricated brass sculpture with three
votive holders, 36 x 22”, with stand, in studio condition as
received from the artist. Provenance: Acquired directly from the
artist by the owner.
$3000/4000
89
Tony
Duquette
(1914-1999) American
SUNBURST, fabricated brass sculpture with three
votive holders, 36 x 22”, with stand, in studio condition as
received from the artist. Provenance: Acquired directly from the
artist by the owner. $3000/4000
90
Georges
Dussau (b.
1947) French (four)
UNTITLED, four color etchings, each signed in
pencil, from the numbered editions 99, images 7 x 9 ½” & 9 ¾ x 7”,
full margins, each framed with glass. (4)
$400/800
91
Jan
Ehrenwoth; K.
Wakeshima
&
another
(six)
LUMINESCENSE; SPHERICAL INTERLUDE; QUADRILLS,
1973-1979, three color intaglio prints, each signed in pencil,
numbered editions 30 & 15, images 20 ¾ x 20 ¾”, full margins;
Together with K. Wakeshima, OVER THE SIERRA;
MOJAVE, two color screenprints, both signed in pencil, from the
numbered editions 50 & 25, images 24 x 18” & 18 x 24”; Together with
another, UNTITLED, 1982,
color lithograph, signed in pencil, artist’s proof aside from the
numbered edition, image 22 ¾ x 17”; all with full margins, creases
and soft handling creases, one with tear in margin (Chenoweth),
Wakeshimas have nicks and scuffs, cellophane tape on sheet edges,
the last with large crescent crease in margin, all in otherwise good
condition. (6)
$100/200
92
Chet
Engle (1918-1994) Californian
DAUGHTERS OF OCEANUS, oil painting on Masonite, signed and titled on
verso, 16 x 12”, artist’s copyright on verso, framed.
$300/500
93
Chet
Engle (1918-1994) Californian
SEA
MAIDEN, oil painting on Masonite, signed and titled on verso, 14 x
11”, artist’s copyright on verso, framed.
$300/500
94
Chet
Engle (1918-1994) Californian
GRACE
OF YOUTH, oil painting on Masonite, signed and titled on verso, 10 x
8”, artist’s copyright on verso, framed.
$200/300
95
Max Ernst
(1891-1976) German
COMPOSITION (S&L.54), 1952, color etching, signed in pencil, from
the numbered edition 38, image 9 x 7”, sheet 19 x 13”, toning at
left and upper sheet edge only, small discoloration spot lower right
margin, otherwise in good condition .
$4000/5000
96
Max Ernst
(1891-1976) German
RHYTHMES, color lithograph, signed in pencil, from the
edition Roman numeral 15, image16 ¾ x 10 ½”, sheet 22 x 15”,
published by Guilde de Gravure, blindstamp lower left, very faint
toning from previous framing, otherwise in good condition.
$3500/4500
97
Juan
Escoda (b. 1920) Spanish
BULL
FIGHTER, oil painting on canvas, signed lower right, 39 ¼ x 28 ¼”,
framed, surface soiling, otherwise in good condition.
$500/700
98
Juan
Escoda (b. 1920) Spanish
MATERNIDAD, oil painting on canvas, signed lower right, 39 ¼ x 28
¼”, framed, small scratch under chin, surface soiling, crack and a
chip lower right and lower center, the latter with yellowed lacquer
form repair, otherwise in good condition.
$500/700
99
European
Printmakers & Levon West
(three)
Levon
West, VENICE, 1931, etching, signed in pencil and numbered 62,
plate 15 ½ x 8 ½”, full margins; Together with
European Printmakers,
STREET SCENE, 1920, etching, signed in pencil, initialed “RG” and
dated in plate, image 11 ¾ x 8 ½”, full margins, soft handling
creases, stress tear at plate from printing; Together with HOUSE BY
RIVER, etching, signed “Ernest Davis?” in pencil, image 7 ¾ x 21 ¾”,
with maquet drawing lower center in margin, discoloration in image
and toning from mat, all framed with glass, all in otherwise good
condition. (3)
$400/800
100
Fanch
Ledan (b. 1949) British
TAJ
MAHAL IN SAUSALITO, color lithograph, signed in pencil, from the
numbered edition 275, image 24 ¾ x 19”, full margins, framed with
glass. $100/200
101
Andreas
Feininger (1906-1999) American
REAR VIEW OF A TRAPDOOR SPIDER, CYCLOCOSMIA
TRUNCATA, from Forms of Nature, Volume II, 1951, silver gelatin
print, 9 ½ x 12” mounted to 14 x 17” card, signed in pencil and
numbered on the card, from the numbered edition of 100, printed in
1976. $1000/1500
102
Andreas
Feininger (1906-1999) American
BATS, from Forms of Nature, Volume II, 1954,
silver gelatin print, 9 ½ x 11”, mounted to 14 x 17” card, signed in
pencil and numbered on the card, from the numbered edition of 100,
printed in 1976. $1000/1500
103
Andreas
Feininger (1906-1999) American
TREES, from TREES Portfolio, Volume III, 1951,
silver gelatin print, 12 ½ x 9 ½”, mounted to 17 x 14” card, signed
in pencil and numbered on the card, from the numbered edition of
100, printed in 1976.
$1000/1500
104
Andreas
Feininger (1906-1999) American
TREES, from TREES Portfolio, Volume III, 1951,
silver gelatin print, 12 ½ x 9 ½”, mounted to 17 x 14” card, signed
in pencil and numbered on the card, from the numbered edition of
100, printed in 1976.
$1000/1500
105
Felix
Felmart, Alex Bou**aire &
Bertoldo Taubert (three)
MOTHER
AND
CHILD, oil painting on canvas, signed lower center, 39 x 32”, with
surface soiling, craqueleur, an impact dent with small collateral
loss, small losses along right side; Together with GIRL CHASING
BUTTERFLY, oil painting on canvas, signed “Alex Bou**aire?” lower
right, 34 x 18”; with a screw-eye tear and minor surface soiling;
Together with, Bertoldo Taubert, CHILDREN IN THE FIELD, 1973,
color lithograph, signed in pencil, from the numbered edition 190,
image 19 ½ x 15”, full margins, framed with glass, toning in margins
and mat, all otherwise in good condition. (3)
$200/400
106
Jill Figler
(20th Century) Californian
NWS
WHITE ORCHIDS, 1996,
watercolor on paper, signed and dated lower right, sight 13 ½ x 18”,
MLAA exhibition tag on verso, framed with glass.
$100/200
107
Herb
Fillmore
(20th Century) American
(fifty)
QUIXOTE OF LA
MANCHA, fifty of the same color screenprints, each signed in pencil,
from the numbered editions 30 artist’s proof, image 33 x 23”, full
margins, Accent Studio blindstamp in margins, a few minor smudges
and soft handling creases, otherwise in good condition. (50)
$500/1000
108
Gary Franklin
(1928-2007)
American (six)
CELEBRITY GROUP #1, ACTORS: Tom Cruise, William
Shatner, Dudley Moore, Robert Duvall, Michael Keaton, & James Woods,
six silver gelatin prints, all either signed or initialed, each 8 x
10”, Tom Cruise with smudge at signature and title, otherwise all in
good condition. (6)
$800/1200
109
Gary Franklin
(1928-2007)
American (seven)
CELEBRITY GROUP #2, VARIOUS: Henry Mancini, Ted
Kopple & David Brinkley, Roy Disney, Tom Hulce, John Hausman, Morton
Downey Jr., Gary Franklin (self-portrait), seven silver gelatin
prints, all either signed or initialed, each 8 x 10”, Hausman and
Hulce without margins and minor wear at edges, otherwise all in good
condition. (7)
$800/1200
110
Sam
Francis (1923-1994) American
UNTITLED (SFE.084),
1992, 25-color aquatint etching, signed in pencil, from the numbered
edition 20, image 36 x 24”, sheet 45 x 31”, printed by Jacob Samuel,
published by The Litho Shop, framed.
$7000/9000
111
Sam
Francis (1923-1994) American
AN OTHER SET-X from The Pasadena Box (L.65;
SF.73), 1963, color lithograph on Shirakawa rice paper mounted on
silk roll, roll 52 x 19”, image 31 x 18 ½”, published by The
Pasadena Art Museum, framed.
$4000/6000
112
Sam
Francis (1923-1994) American
UNTITLED (SFE.071,
L.I105), 1989, color aquatint & monoprint, signed in pencil, from
the numbered edition 18 variants, image 19 ¾ x 17 ¾”, full margins,
printed Jacob Samuel and published by The Litho Shop, framed, soft
handling creases, old Filmoplast hinges on verso, some tiny printers
and other small discoloration spots in margins, mild rubbing in
margins, surface scuff in center visible in raking light at certain
angels, otherwise in good condition.
$3000/4000
113
Sam
Francis (1923-1994) American
UNTITLED (L.208; SF.222), 1976, one color
lithograph, signed in pencil, from the numbered edition 30, sheet 28
¼ x 41”, printed by George Page, published by Litho Shop,
publisher’s blindstamp lower right.
$1000/1500
114
Sam
Francis (1923-1994) American
UNTITLED (L.209; SF.223), 1976, two-color
lithograph, signed in pencil, from the numbered edition 30, sheet 27
¼ x 37”, printed by George Page, published by The Litho Shop,
publisher’s blindstamp lower right.
$800/1200
115
Sam
Francis (1923-1994) American
UNTITLED (L.170; SF.189), 1974, five-color
lithograph, signed in pencil, from the numbered edition 30, sheet 22
¼ x 30”, printed by George Page, published by Litho Shop,
publisher’s blindstamp lower right, two tiny color speckles on
verso. $1000/1500
116
Sam
Francis (1923-1994) American
UNTITLED (L.173; SF.195A), 1974,
one color lithograph, signed in pencil, from the numbered edition
20, sheet 30 x 22”, printed by George Page, published by The Litho
Shop,
publisher’s blindstamp lower right.
$700/900
117
Sam
Francis (1923-1994) American
UNTITLED (L.202; SF.210), 1976, two-color
lithograph, signed in pencil, from the numbered edition 30, sheet 22
x 30”, printed by George Page, published by Litho Shop, publisher’s
blindstamp lower right.
$700/900
118
Sam
Francis (1923-1994) American
UNTITLED (L.211; SF.238), 1976, two-color
lithograph, signed in pencil, from the numbered edition 30, sheet 35
x 27”, printed by George Page, published by Litho Shop, publisher’s
blindstamp lower right.
$800/1200
119
Sam
Francis (1923-1994) American
UNTITLED (L.200; SF.208), 1976, one color
lithograph, signed in pencil, from the numbered edition 30, sheet 33
x 25”, printed by George Page, published by Litho Shop, publisher’s
blindstamp lower right.
$600/800
120
Yannis
Gaitis (1923-1984) Greek &
Evelyn B. Johnson
(two)
PROFILES, 1974, color intaglio, signed in pencil, from the numbered
edition 250, image 19 ½ x 25 ¼”, published by Circle Gallery, full
margins, Plexiglas box frame, mild toning at sheet edge and mild
cockling; Together with
Evelyn B. Johnson ,
META
II, color screenprint, signed in pencil, from the numbered edition
40, image 27 x 20”, full margins, framed with glass, a few soft
handling creases, a few scuffs visible at certain angles in raking
light, otherwise both in good condition. (2)
$200/400
121
Giacento Gigante (1806-1876) Italian
STROLLING IN THE TEMPLE RUINS, 1872,
watercolor on paper, 10 ½ x 15 ½”, signed and dated lower left, in
period frame with antique glass (broken), with pencil lined off
perimeter probably for framing, the sheet was probably reduced
causing the tip of the loop of the first initial to be truncated,
otherwise in good condition.
$6000/9000
122
Walter
Girotto (20th
Century) Italian (five)
WAITING FOR
SUNBEAM, five of the same color screenprints on Deluxe black paper,
each signed in gold ink, from the numbered edition 195, images 33 x
43”, full margins, Robert Bane Editions. (5)
$200/400
123
Goldberg
&
Howard Troller
(b. 1923) American (two)
TWIN TOWERS, 1976, color photograph, signed and
dated on mat, 11 x 14”, framed with glass, faded, otherwise in good
condition; Howard
Troller, FLAT IRON BUILDING, NYC, silver gelatin print, 9
½ x 7 5/8”, mounted to board, speck lower left near edge, some small
line impressions, card soiled, otherwise in good condition. (2)
$100/200
124
Greg
Gorman (b. 1949) American
(eight)
NUDE
MALE Series (3); ANDY WARHOL; IGGY
POP (2);
TATTOOED SKIN; DAVID HOCKNEY; eight color and black & white Iris
prints (seven images), one signed in pencil on verso (Nude Male),
five annotated “RTP”
(ready to print) and two annotated “OK” (ok to print) in marker, two
with additional annotations and staple holes in margins, images
average 16 ½ x 13”, seven with full margins, Tattoo Skin has no
annotations and uneven margins, a couple of fingerprints and
production smudges in margins, otherwise in good condition. (8)
$1000/2000
125
Grace
(20th Century) American
(three)
RUNNERS, 1987, oil painting on canvas, signed and dated upper right,
30 x 40”, several surface scratches, one with small losses; AFRICAN
WOMEN, 1989, two pencil drawings on paper, each signed and dated,
sights 12 ½ x 6 ¼” & 12 ½ x 7”, framed, discoloration from mat, some
creases, otherwise all in good condition. (3)
$200/300
126
Lynne Green
(20th Century) Californian
ASCENT, watercolor on
paper, 14 ½ x 20”, framed with glass.
$100/200
127
Sydney
Gross (1921-1969) American
ON THE
RIVER, 1951, oil painting on canvas, signed and dated lower right,
30 x 40 ½”, artist’s label on verso, framed, surface soiling,
scuffs, impact dent upper left, otherwise in good condition.
$800/1200
128
Sidney
Gross (1921-1969) American
LIGHTHOUSE, oil painting on canvas, signed lower right, 24 x 36”,
framed, surface soiling, otherwise in good condition.
$600/900
129
Sidney
Gross (1921-1969) American
BOARDWALK, 1945, oil painting on canvas, signed and dated lower
right, 24 x 36 ¼”, framed, surface soiling, small scratch lower
center, otherwise in good condition.
$600/900
130
Sydney
Gross (1921-1969) American
THE
RELEASE, oil painting on canvas, signed lower right, 22 x 17 ¼”,
framed, surface soiling, otherwise in good condition.
$200/400
131
Sydney
Gross (1921-1969) American
UNTITLED, oil painting on canvas, signed lower left, 22 x 17 ¼”,
framed, surface soiling, scuffs, stray paint streak lower center,
otherwise in good condition.
$200/400
132
Daniel
Sayre Groesbeck; Max Slevgot; Packard; Michelin Saundermann; &
George Clask (five)
VOLGA BOATMAN, color monotype, signed in
pencil, image 12 ¼ x 10”, full margins, framed with glass, a few
small discoloration spots, pinholes, otherwise in good condition;
Max Slevgot,
DER BILDERMANN, 1967, lithograph, sight 5 ½ x 7
½”, framed with glass, some discoloration at mat, otherwise in good
condition; Packard, SHAPE
AT NOYO, color woodblock print, signed in pencil and inscribed
artist’s proof, sight 14 ½ x 22 ½”, framed with glass, a few small
discoloration spots lower margin, otherwise in good condition;
Michelin Saundermann, RABBI, color aquatint etching signed in
pencil, from the numbered edition 150, image 9 x 7 ½”, full margins,
framed with glass, some small scattered spotting, thin lines of
toning at plate, otherwise in good condition;
George Clask, SEARCH FOR
PEACE #3, woodblock print, signed in pencil, image 15 ½ x 13 5/8”,
full margins, framed with glass, natural cockling, small hinges on
verso becoming visible on recto. (5)
$800/1200
133
Carl
Grupp
(b. 1939) American (five)
PROSPEROUS GARDEN; GENESIS I (two images);
MAGIC TABLE; ROADSIDE REST II; two etching and three lithographs,
each signed in pencil, from editions 40, 50 and 2 trial proofs,
sheets average 22 ¼ x 24” to 30 x 22”, some with tape residue in
margins, soft handlings creases, otherwise in good condition. (5)
$100/200
134
Charles
Gruppe (b. 1928) American
NEW
ENGLAND BOATS, oil painting on paper, signed lower right, sight 21 x
28”, framed. $400/600
135
Charles
Gruppe (b. 1928) American
EASTERN
POINT,
GLOUCESTER,
oil painting on paper, signed lower right, sight 21 x 28”, framed.
$400/600
135 A
Yozo
Hamaguchi (1909-2000) Japanese
CALIFORNIA CHERRY, 1987, color mezzotint, signed in pencil, from the
numbered edition 150, image 1 ½ x 1 ½”, full margins, framed.
$700/900
136
Gary Hansmann
(20th Century)
American (four)
VARIOUS, four watercolor and ink drawings on
paper, each signed and inscribed, sizes average 9 ¼ x 11 ¼”. (4)
$600/1200
137
Hansen
(20th Century) American
COCONUT, oil painting on Masonite, signed lower right, 11 x 14”,
framed, a few hairline surface scratches visible at certain angles
in raking light, otherwise in good condition.
$300/500
138
Hansen
(20th Century) American
WINE
AND
GRAPE, oil painting on Masonite, signed lower right, 11 x 14”,
framed, gold rubbing at edges from framed, surface scuff upper right
visible at certain angles in raking light, otherwise in good
condition. $300/500
139
Amy Ada Haratani
(20th Century) Californian
DAYS END, oil
painting on Masonite, signed lower right, 12 x 24”, Central
California Art League 2001 label on verso, framed.
$150/250
140
Amy Ada Haratani
(20th Century) Californian
YELLOW CARPET, oil
painting on Masonite, signed lower right, 12 x 16”, Central
Californian Art League 2001 label on verso, framed.
$100/150
141
Frederick Hart
(1943-1999) Californian
COUNTERPOINT, 1997, cast acrylic sculpture,
signed, from the numbered edition of 350, 15” tall, 18”wide, 6”
deep, with-rotating box top illuminated base, 42 x 16 x 12”, a few
small hairline surface scratches noticeable when sought after.
$3000/5000
142
Frederick Hart
(1943-1999) Californian
ECHOES OF SILENCE, 1992, cast acrylic
sculpture, signed, from the numbered edition of 350, 22” tall, 12”
wide, 7” deep, a few small hairline surface scratches noticeable
when sought after.
$4000/6000
143
Frederick Hart
(20th
Century) American
CROSS
OF THE MILLENNIUM, 1995, cast acrylic sculpture, second state, from
the numbered edition 15,000, signed, 11 ½” tall, with illuminating
stand. $1500/2000
144
Paul
Helleu (1859-1927) French &
another
(two)
JEUNE FEMME AU CHAPEAU, drypoint etching with
hand-coloring, signed in pencil, plate 13 x 12”, full margins,
framed with glass, foxing, sun toning, a small tear outside the
image lower left and another lower right within plate, in otherwise
good condition; Together with
European Printmakers, RECLINING WOMAN, etching, signed in pencil,
image 8 ½ x 6 ¾”, full margins, horizontal crease, rub mark,
handling creases in otherwise good condition; both framed with
glass. (2)
$1000/2000
145
Julian
Hills (20th Century) American
RED
CHAIR, 1992, oil painting on canvas, 28 x 22”, framed. Provenance:
Newspace Gallery
$200/400
146
Hollywood
Illustration
MARQUIS DE SADE , oil painting
on canvas, 24 x 20”, framed, surface soiling, small chips and
losses, otherwise in good condition.
$200/400
147
after
Jean-Antoine Houdon (1741-1828) French
(two)
LE BAISER;
SATYR KISSING MAIDEN, pair
of silver sculptures, each inscribed “Houdin” and stamped “Susse F
GG”, 4 x 3 ½ x 4 ½”, mounted to marble bases, total height 13”, both
tarnished, Satyr with damaged to base only. (2)
$1000/2000
148
Robert
Indiana
(b. 1928) American
55555
(S.38), 1967, rubberstamp print, signed in pencil, from the edition
225, sheet 9 ½ x 6 ½”, printed by William Katz, published by
Indianakatz, NYC, framed with glass, originally printed in blue ink
on off-white Rives paper tipped onto another sheet of the same
paper, faded, faint hinge impressions in corners, otherwise in good
condition. $200/300
149
Jackson
(20th Century)
PORTRAIT, oil painting on canvas, signed lower right, 20 x 16”,
framed. $100/200
150
Jenik
(20th Century) Armenian
UNTITLED LARGE
RED,
acrylic painting on canvas, signed lower right, 57 ½ x 65.
$1000/2000
151
Jenik
(20th Century) Armenian
FREE
FIELD, acrylic painting on canvas, signed, 48 x 60”.
$1000/2000
151A
Jenik
(20th Century) Armenian
UNTITLED CUT-OUTS, acrylic painting on canvas, signed, 48 x 60”.
$1000/2000
151B
Jenik
(20th Century) Armenian
UNTITLED MEDIUM
BLUE,
acrylic painting on canvas, signed lower right, 24 x 36”, framed.
$600/900
151C
Jenik
(20th Century) Armenian
UNTITLED SMALL
BLUE,
acrylic painting on canvas, signed lower right, 22 x 27 ¾”, framed.
$500/800
152
Tiefen
Jiang (b.1938)
PARROTS, color screenprint on canvas, signed in marker, from Roman
numeral edition 75, 36 x 36”, framed.
$500/700
153
Tiefen
Jiang (b.1938)
ZEBRA,
color screenprint on canvas, signed in marker, from the Roman
numeral edition 75, 36 x 36”, framed.
$500/700
154
Guily
Joffrin (1909-2000) French
SUR
LA PLAGE, oil painting on canvas, signed lower right, 6 ¼ x 9 ¼”,
framed, minor surface soiling, otherwise in good condition.
$800/1200
155
Alfred
Cheney Johnston (1884-1971) American
ZIEGFRIED FOLLIES DANCER, vintage silver
gelatin print, artist’s stamp on verso, 13 ¼ x 10 ¼”.
$1000/2000
156
Gary Kaelon
(-2002) American
ARABIAN HORSE, oil
painting on marble, signed lower right, 19 ¾ x 22 x 1”, with wood
easel stand.
$200/300
157
Gary Kaelon
(-2002) American
DORCUS GAZELLE, oil
painting on marble, signed lower right, 16 ¼ x 14 ¾ x 1”, with wood
easel stand.
$100/200
158
Ann
Marie Karlson (20th Century) American
OUR
FATHER, color iris print, signed in pencil, artist’s proof aside
from the numbered edition, image 32 ½ x 29 ½”, full margins, printed
by Muse X, framed.
$200/400
159
Ann
Marie Karlson (20th Century) American
HER
HIGHNESS, color iris print, signed in pencil, artist’s proof aside
from the numbered edition, image 32 ½ x 29 ½”, full margins, printed
by Muse X, framed.
$200/400
159A
Steve
Kaufman (20th Century) American
EINSTEIN, 1995, color screenprint on canvas, signed on verso, from
the numbered edition 195, published by Martin Lawrence Editions, MLE
stamp on verso along with Hebrew University copyright stamp, 36 ¼ x
36 ¼”, otherwise in good condition.
$300/500
160
Risaburo
Kimura (b. 1924) Japanese
UNTITLED, 1970, color screenprint, signed in
pencil, from the numbered edition 120, sheet 18 ½ x 26 ¾”.
$100/200
161
Mark
King (b. 1931) American
(two)
RIDERS;
THE HUNT, a pair of color screenprints, each signed in pencil, from
the numbered editions artist’s proof 75, images 20 x 15” & 19 ¾ x 14
¾”, Martin Lawrence Editions, both with full margins and framed with
glass. (2) $300/400
162
Rex L Klein
&
Ryerson (two)
STONE LADY, silver
gelatin print, signed on the mat, 20 x 16”, framed with glass, with
a small discoloration spot in center area probably as issued from
artist; Together with
Ryerson, ROCK
& ROLL,
print, signed in ink, from the numbered edition 13, image 18 x 24
¾”, full margins, both framed with glass. (2)
$100/200
163
Willem
De Kooning (1904-1997) Dutch
FOR
LISA, 1984, color screenprint, from the stone signed edition of
about 500 (aside from the signed and numbered edition of 200 without
margins), with the artist’s copyright stamp on the verso, image 18 ¼
x 23 ¼”, with full margins, sheet 25 ¼” x 29 ½”, published by The
Los Angeles Children’s Museum, printed by Brand X Studio with their
blind stamp in the lower left margin.
$500/700
164
Alfred
Kubin (1877-1959) Czech
STRASSENSZENE (R.214), 1923, lithograph, signed in pencil, from the
numbered edition 100, sight 9 x 14”, framed with glass, rub spot
lower left margin, soft handling creases, otherwise in good
condition. Provenance: St. Etienne Galerie, NY
$300/500
165
Alfred
Kubin & Honore Daumier
(two)
DER
WILDE JAGER (R.260), 1923, lithograph, signed on the stone, from an
edition of 150, sight 13 ½ x 11 ½”, framed with glass, soft handling
creases. Provenance: St. Etienne Galerie, NY; Together with
Honore Daumier,
LES BAIGNEUSES, plate 4, lithograph as published in the Charivari,
initialed on the stone, image 7 5/8 x 9 7/8”, margins, framed with
glass, centerfold, creases, discoloration, both in otherwise in good
condition. (2)
$400/600
166
Pierre
Lacombe (b. 1931) French
FANTASY
ISLAND,
1989, oil painting on panel, signed and dated lower left, 24 x 18
¼”, framed.
$4000/5000
167
Lanier
(School
of Paris) French
STILL
LIFE,
1966, oil painting on canvas, signed and dated lower right, 24 x
18”, framed. $100/200
168
Lawrence
Lebduska (1894-1966) American
BLACK
BUFFALO, 1960, oil painting on canvas, signed and dated lower left,
24 ½ x 30”, artist’s label with title on verso, framed.
$1500/2500
169
Lawrence
Lebduska (1894-1966) American
ZEBU,
1961, oil painting on Masonite, signed and dated lower left, 24 x
30”, artist’s label with title on verso, frame, surface soiling,
scratches and chips upper left corner, another chip lower left,
scuff and small scratch right edge, surface scuff center manger
area, otherwise in good condition.
$1500/2500
170
Alois
Lecoque (1891-1981) Czech
BRIDGE,
approximately 230 of the same color screenprints, artist’s signature
in the design, proofs aside from the numbered edition, image 18 x
24”, full margins, a few soft handling creases, most in very good
condition. (230)
$1000/3000
171
Fernand
Leger
(1881-1955) French
STILL LIFE
WITH FRUIT, 1948, color lithograph with initials in design, from the
numbered edition 300, image 10 x 13”, full margins, framed, some
faint toning in margins, otherwise in good condition.
$800/1200
171A
after
Tamara Lempicka (1898-1980) Polish/ American
ADAM
& EVE, color screenprint, estate stamp lower right, from the
numbered edition 195, sight 45 ¼ x 27 ½”, framed with glass.
$1500/2000
172
Auguste-Louis Lepere, Seymour Hayden, William Walcott
(three)
INAUGURATION, 1885, engraving, initialed in
plate, image 2 ¾ x 6”; Together with
Seymour Hayden HARBOUR
SCENE, etching, signed and dated in the plate, image 5 ½ x 8 1/8”,
some discoloration and mottling in sky area; Together with
William Walcott, NEWCASTLE, etching, signed in pencil, image 3 ½ x 5
½”, faint toning at mat,
all with full margins and framed with glass, all in otherwise good
condition. (3)
$500/800
173
Charles
Levier (1920-2003) French
FLEURS
SUR
LA CAMPAGNE, 1982, oil painting on canvas, signed lower left, titled
signed and dated on verso, 30 ¼ x 24 ½”, framed.
$800/1200
174
Charles
Levier (1920-2003) French
WOMAN
WITH HARLEQUIN, 1971, oil painting on canvas, signed lower right,
titled signed and dated on verso, 30 ½ x 25”, framed, hairline
cracking, otherwise in good condition.
$800/1200
175
Roman Loranc
(20th Century) Californian
VALLEY BEFORE THE
RAIN, WESTLY, 2001, silver gelatin print, signed lower right, titled
and signed on verso & numbered 2/50, framed with glass.
$200/300
176
Lorenz
(20th Century) Californian
MOUNTAINS & WATER,
watercolor on paper, signed lower right, sight 14 ½ x 20 ¾”, framed
with glass.
$100/200
177
Judy Lynd
(20th Century) Californian
MOONSTONE BEACH,
CAMBRIA, watercolor and color pastel on paper, signed lower left,
sight 21 x 22 ½”, framed with glass.
$200/300
178
Ben
Macala (1938-1997) South African
PORTRAIT OF A WOMAN WITH BIRD, color pastel on paper, signed lower
right, 40 x 25”, framed (no glass), nicks from broken glass,
otherwise in good condition.
$400/600
179
Richard
MacDonald
(b. 1946) American
DAWN (The Awakening), cast bronze sculpture,
signed and numbered 21/65, 15 ¼” tall, 24” long, 15” wide.
$6000/9000
180
Richard
MacDonald
(b. 1946) American
COURSING CHEETAHS, 1996, cast bronze sculpture,
signed and numbered 29/75, 18” tall, 39” wide, 12 ½” deep, mounted
to 3” tall tiered marble base, overall height 21”.
$6000/9000
181
Richard
MacDonald
(b. 1946) American
DREAMS (Reclining Woman), cast bronze
sculpture, signed and numbered 28/175, 24” long, 12” wide, 7” tall,
all measurements include marble base.
$3000/4000
182
Richard
MacDonald
(b. 1946) American
RECLINING NUDE, FACE
UP, 1997, cast bronze sculpture, signed dated and numbered
44/150, 27” long, 13” wide, 8 ¾” tall, all measurements include
tiered marble base.
$3000/4000
183
Richard
MacDonald
(b. 1946) American
THE GYMNIST, 1995, cast bronze sculpture,
signed dated and numbered “S II - 45/175”, 32” tall, 30” wide, 12”
deep, mounted to 4 ½” tiered marble base, total height 36 ½”.
$5000/8000
184
Richard
MacDonald
(b. 1946) American
U. S. OPEN MONUMENT, cast bronze sculpture,
signed and numbered 58/100, 25” tall, 24 ½” wide, mounted to 4” tall
marble with base with a 14 ½”diameter, overall 29” tall.
$8000/12,000
185
Richard
MacDonald
(b. 1946) American
JAZZ DANCER, 1992, cast bronze sculpture,
signed dated and numbered 31/175, 21” tall, 24” wide, 10” deep, with
wood cleat for wall mounting.
$2000/3000
186
Richard
MacDonald
(b. 1946) American
RECLINING NUDE, color
lithograph, signed in pencil, from the numbered edition 250, sight
19 ¾ x 22 ¾”, framed with glass.
$200/400
187
Richard
MacDonald
(b. 1946) American
RECLINING NUDE,
lithograph, signed in pencil, from the numbered edition 175, sight
24 ¼ x 36 ¼”, framed.
$200/400
188
after
Rene Magritte (1898-1967) French
TWILIGHT, color lithograph, estate stamped
"Magritte" lower right and signed in pencil by Georgette Magritte
lower left, from the numbered edition 200, image 16 ¾ x 20”, with
full margins, a Lion blindstamp lower right, some soft handling
creases, otherwise in good condition.
$1200/1600
189
Rene
Marcil (1917-1993) Canadian
FASHION ILLUSTRATION, ink and wash drawing on
paper, signed lower right, sight 16 x 11 ½”, framed.
$800/1200
189A
Marino Marini
(1901-1980) Italian
GIOCOLIERI (G.A.136), 1971, drypoint etching and color aquatint on
Arches Script watermarked paper, signed in pencil, from the edition
Roman 40, image 11 ¾ x 9 ½”, full margins, framed with glass, toning
from sunlight, toning from non-archival mat, otherwise in good
condition. $500/800
190
Henri
Matisse, WWI, Vintage & Mid-Century Poster Collection
(six)
THE SCULPTURE OF MATISSE, TATE GALLERY, 1953,
color lithograph exhibition poster, 30 x 20”, creases, pinholes in
corners, some loss lower right corner, small tears lower left
corner, faint toning mainly on verso; Together with
Ellsworth Young (Rawls
page 28), REMEMBER BELGIUM, WWI, two of the same color lithograph
posters, sheets 30 x 20 ¼”, both with tear upper center extending 1”
into image, other small tears and losses at sheets edges; Together
with THE ENQUIERER, two of the same early 20th century
color lithographs by Job Printing Co. Ohio, sheets 29 1/8 x 21 ½”,
both with tears and small losses at edges, brown paper tape on
verso, strip of masking tape residue on verso; Together with
Maurice Binder, MOGENSEN/
COMBS, color lithograph poster, 22 x 17”, crease upper right corner,
soft handling creases, otherwise all in good condition. (6)
$500/800
191
Christine McArthur (b. 1953) Scottish
HOUSE WIVES CHOICE, A-Z, mixed media gouache
and collage, overall 28 x 29”, framed with glass. Provenance: Roger
Billcliffe Fine Art
$800/1200
192
Paula McGaffee
(20th Century) Californian
(two)
GETTING READY,
watercolor on paper, signed lower left, sight 16 ¾ x 23 ¾”;
BRILLIANT DAY RUN,
watercolor on paper, signed lower left, sight 21 ½ x 27 ¼”, both
with Central Californian Art League 2000 labels on the verso,
framed. (2)
$100/200
193
Eduardo
Medici
(b. 1949) Argentinean
CRUZ Y FICCION, 1987, oil painting on canvas,
titled, signed and dated on verso, 66 x 47”, framed, minor wear
upper left corner, some edge wear, otherwise in good condition.
$800/1200
194
Michael
Michailovsky (20th Century) Russian
MAN
AND
DOGS, 1997, oil painting on canvas, signed and dated on verso, 39 ½
x 39 ¼”, framed, small nail hole left side center and bottom center,
hairline cracking, tiny chip at the upper Castle roof, small
repaired area center sky area, otherwise in good condition.
$500/800
195
Middle
Eastern Style (20th Century)
COUPLE,
1935, watercolor on paper, signed “W. E. Fa*er?” and dated lower
right, 30 x 14”, framed with glass, some spotting and discoloration
outside image, otherwise in good condition.
$300/500
196
MOCA
Photography Portfolio curated by
Cindy Sherman
PORTFOLIO, incomplete portfolio of nine of ten color photographs on
Fujicrystal paper, artists include Cindy Bernhard, Keith Boadwee,
Donigan Cumming, Renee Green, Lyle Ashton Harris, Susan Jennings,
Martin Kersels, Gail Le Boff, Bruce & Norman Yonemoto, each signed
and numbered from the edition 250 on verso, some dated, average size
19 ½ x 13 ½”, each matted, published by MOCA for their 20th
anniversary, in Lucite case. Lacking the Neshat, in mint condition.
$2000/4000
197
Henry Moore (1898-1986) British
SEATED
MOTHER
AND
CHILD (C.588), 1980-81, color aquatint etching with roulette, signed
in pencil, from the numbered edition 25 Roman numeral, aside from
the numbered edition 150, image 13 ½ x 10 ¼”, large margins, printed
by Collyer and Crossley, published by Raymond Spencer Co. Ltd.,
framed. $4000/5000
198
Cuauhtemoc (Temo)
Moreno
(b. 1969) Mexico
HONDO WALKING HOME,
1998, two-piece cut-out oil painting on Masonite, signed and dated
lower right, overall 48 x 30 x 5”, with wood cleat for mounting.
$200/400
199
Jules-Alexis Muenier &
Etienne Moreau-Nelaton
(two)
COMING HOME, lithograph, signature in design,
image 10 ½ x 13 ¾”, full margins;
Etienne Moreau-Nelaton, EXPOSITION
DES
ARTS DE LA FEMME (A.58), plate 58, color lithograph from
Les Maitre de L'Affiches
series, initialed in design, with blindstamp lower right, image 10 x
6”, printed by Imprimerie Chaix, Paris, 1896, both framed with
glass. (2)
$200/400
200
Adrienne Munn
(20th Century) Californian
KUAII
BEACH,
oil painting on canvas, initialed lower right, 36 x 24”, Central
Californian Art League 2000 label on verso, framed.
$100/200
201
Niki
Munroe (20th Century) American
(seven)
CHERRY
TREE;
VEGAS; TINSEL;
HOT
GIRLS; CURTAIN;
POOL;
&
BED,
seven color c-prints on Fuji crystal archive paper, 33 ¼ x 48 ½”,
each signed and inscribed ‘RTP’
on verso, a few soft handling creases, otherwise in good condition.
(7) $1000/2000
202
Peter Nagel (b. 1941) German
JUNGLE
GYM,
1972, color etching, signed in pencil, from the numbered
edition 100, image 19 ½ x 19 ½”, full margins, with Galerie
Schmucking blindstamp, a few soft handling creases, old paper-hinge
remnants on verso, otherwise in good condition.
$300/500
203
Tadashi
Nakayama (b. 1927) Japanese
HORSE,
1966, color woodblock print, signed in pencil, from the numbered
edition 65, image 27 x 22 ½”, full margins, framed with glass, some
discoloration, some creases and printer’s creases in margins,
otherwise in apparently good condition.
$200/400
204
Graham
Nash (b. 1942) British
JONI MITCHELL 1969, 1989, iris print, signed in
pencil on recto and verso, from the numbered edition 25, image 20 ½
x 20 ¼”, sheet 24 ½ x 22 ½”, artist’s medieval rubber stamp on
verso.
$600/800
205
Graham
Nash (b. 1942) British
DAVID'S DREAM 1969, 1989, iris print, signed in
pencil on recto and verso, from the numbered edition 25, image 20 ¼
x 21 ½”, sheet 22 ½ x 24 ½”, artist’s medieval rubber stamp on
verso.
$600/800
206
LeRoy
Neiman (b. 1927) American
NEIMAN’S MONTREAL 76’ (K.125), 1977, color
screenprint, signed in pencil, from the numbered edition 600, image
31 ½ x 48”, full margins, framed, toning from natural ink saturation
around image, mild toning in margins from mat, otherwise in good
condition.
$1500/2500
207
LeRoy Neiman
(b. 1927) American
MARK
MCGUIRE, color screenprint, signed in pencil by LeRoy Neiman and
Mark McGuire, 100 artist’s proof, image 40 x 26”, full margins,
framed.
$1000/2000
208
Beaumont
Newhall (1908-1993) American
FLAT IRON BUILDING NYC, 1978, c-print, titled
signed and dated on verso, 14 x 11”, small crease upper left corner
margin, otherwise in good condition.
$800/1200
209
Kay
Nixon (1895-1988) British
WELL
OVER,
gouache on paper, signed lower left, 19 ½ x 13 ½”, framed with
glass. $400/600
210
Bill
Owens (b. 1938) American
SWIMMING POOL,
from Suburbia, c.1970, silver gelatin print, printed in 1999, signed
on verso, artist’s stamp on verso, from numbered edition 15 (plus 3
artist’s proofs), 11 x 14”, matted.
$1500/2500
211
Alfredo
Palmero De Gregorio (1901-1991) Spanish
SENORITAS IN COACH, oil painting on Masonite, signed lower right, 23
½ x 28 ¼”, framed, surface soiling, hairline craqueleur, otherwise
in good condition.
$3000/4000
212
Gordon
Parks
(1912-2006) African American
SUNSET BLVD. FASHIONS, 1959, for Life Magazine,
silver gelatin print, stamped on verso, 13 ¼ x 10 ¼”, creases mainly
in the lower right, some small edge wear, otherwise in good
condition.
$1000/2000
213
Ed
Paschke (1939-2004) American
PINK
LADY 2, 1993, color screenprint, signed in pencil, from the edition
Roman numeral 20, image 34 x 27”, full margins, soft handling
creases, stray creases and a small discoloration upper left margin,
otherwise in good condition.
$800/1200
214
Jacob
Pell (1898-1991) American
CITY
SCENE, 1928, oil painting on paper on Masonite, signed and dated
lower right, 20 x 24”, framed, a couple of small nicks lower left,
otherwise in good condition.
$500/800
215
Santiago Perez
(b. 1950) American
THE IMP’S
TALE, oil painting on canvas, signed lower right, 60 x 48 ½”.
$3000/5000
216
Dan Peterson
(20th Century) Californian
SIERRA SUDS,
watercolor on paper, signed lower right, sight 24 x 39 ¼”, framed.
$400/600
217
Dan Peterson
(20th Century) Californian
STORM'S END,
watercolor on paper, signed lower left, sight 39 ¼ x 24 ¼”, framed.
$400/600
218
Dan Peterson
(20th Century) Californian
CLEARING ON ASPEN
STREAM, watercolor on paper, signed lower right, sight 24 ¾ x 39”,
framed.
$400/600
219
Dan Peterson
(20th Century) Californian
SHADEROCK COVE,
watercolor on paper, signed lower right, sight 32 ½ x 24 ¼”, framed
with glass.
$300/500
220
Pablo
Picasso
(1881-1973) Spanish
BULL (AR.255), 1955, a turned earthenware
pitcher painted in colors, 12 “ tall, 8” diameter, inscribed
“Editions Picasso 11/100 Madoura”, from the numbered edition of 100,
with the Editions Picasso and Madoura stamps underneath, light
natural surface soiling, possible 1/8” natural nick in handle,
otherwise in very good condition. From the David Bright collection
$25,000/30,000
221
Pablo Picasso
(1881-1973) Spanish
(five)
A LOS TOROS AVEC PICASSO (B.1014-1017), 1961,
four lithographs (one in color), each dated on the stone; average
images 8 x 10”, all framed, the color lithograph with skinning and
tear right and left sides, others with fain smudging, otherwise in
good condition; Together with L’AGE
DE SOLEIL (B.680), 1950, etching, from the edition after the plate
was beveled, signature in plate, plate 7 x 9”, with full margins.
(5)
$600/900
222
Thomas Pradzynski
(b. 1951) Polish
PASSIGE DU CAIRE,
color screenprint, signed in pencil, from the numbered edition 200,
image 31 x 45 ½”, full margins, framed.
$600/900
223
Thomas Pradzynski
(b. 1951) Polish
GALLERIE BOUTIQUAINE,
color screenprint, signed in pencil, from the numbered edition 200,
image 51 x 31 ¾”, full margins, framed.
$600/900
224
Thomas Pradzynski
(b. 1951) Polish
LIBRAIRIE L'ARBRE,
color screenprint, signed in pencil, from the numbered edition 200,
image 25 ¼ x 38 ½”, full margins, framed.
$500/800
225
Thomas Pradzynski
(b. 1951) Polish
COUR
STE
HELENE, color screenprint, signed in pencil, from the numbered
edition 200, image 45 x 35”, full margins, framed.
$600/900
226
L.
Prasch (20th Century)
PORTRAITS OF THOROUGHBRED SEATTLE SLEW
AND
OTHERS, gouache and watercolor on paper, signed lower right, image
11 ½ x 16”, framed with glass.
$400/600
227
Pre-Columbian Artifacts
A
collection of four ceramic fragments, sizes 1 ½” to 2 ¾” tall, from
the Hasso Von Winning Collection, most with his hand-inscribed
inventory numbers on the back, each with a decorative wood stand.
$200/300
228
Pre-Columbian
Drawing by Hasso Von Winning
(20th Century)
STUDY
DRAWING, pencil drawing on paper, 6 ½ x 8 ½”, framed.
Hasso Von Winning is the author of the 388 page Abrams coffee table book “Pre-Columbian Art
of
Mexico and
Central America”
$400/600
229
Robert
Rauschenberg & Ed Ruscha collaboration
STAY
SAFE,
1978, color poster, signed in pencil by Rauschenberg and Ruscha,
sheet 35 x 23”, published by Change, Inc, framed with glass.
$600/900
230
Ben Ray
(20th Century)
American
WORM HOLE, acrylic painting on canvas, signed
lower left, titled and signed on verso, 31 x 41”, minor surface
dust, otherwise in good condition
$800/1200
231
Ben Ray
(20th Century)
American
MELT DOWN, acrylic painting on canvas, signed
lower left, titled and signed on verso, 36 x 30”, minor surface
dust, otherwise in good condition
$800/1200
232
Tori
Richards & Alexi Ravski
(two)
WOMAN
WITH FAN, acrylic painting and airbrush on board, signed lower left,
24 x 40”, Together with
Alexi Ravski,
THE SLEEPING MUSICIAN,
giclee print on canvas, 20 x 24 ½”, both framed (the latter with
glass). (2) $300/500
233
Pierre Gaston
Rigand
(1874-1949)
French
THE AMBULATORY OF BOURGES CATHEDRAL, oil
painting on board, signed lower left, 15 x 11 ¼”, framed, three
small scratches lower right and one lower center, otherwise in good
condition.
$1000/2000
234
Larry
Rivers (1923-2002) American
CARNEGIE
HALL,
1990, color screenprint, signed in pencil, from the numbered edition
60, sheet 57 ¼ x 40 ½”, mild cockeling, otherwise in good condition.
$2000/3000
235
Henri
Rivier (1864-1951) French &
European Printmakers
(two)
VIEW OF NOTRE DAME ALONG THE SIENE, color
lithograph, signed on the stone, image 20 ½ x 32”, full margins,
framed with glass, in good condition; Together with
European Printmakers,
COUNTRY HOUSE, engraving, image 14 ½ x 20 ¾”, full margins, framed
with glass, with centerfold as published, faint discoloration, small
circular stain, both in otherwise good condition. (2)
$600/900
236
Delores
Roberts (20th Century) American
PUEBLO
VILLAGE,
1988, watercolor on paper, signed and dated lower right, 20 ½ x 29
½”, Plexibox frame.
$600/900
237
Romanov
(20th Century) Russian
AUTUMN TREES AT A
CLEARING, 1996, oil painting on canvas, signed and dated lower
right, titled in Russian, signed and dated on verso, 27 ½ x 32”,
framed.
$400/600
238
Romanov
(20th Century) Russian
MIRROR
LAKE
WITH AUTUMN TREES, 1998, oil painting on canvas, initialed and dated
lower right, titled in Russian, signed and dated on verso, artist’s
stamp on verso, 27 ¾ x 31”, framed.
$300/500
239
Romanov
(20th Century) Russian
CLEARING IN THE
WOODS, 1993, oil painting on canvas, initialed and dated lower
right, titled in Russian, signed and dated on verso, artist’s stamp
on verso, 21 ¾ x 24 ¾”, framed.
$200/400
240
Romanov
(20th Century) Russian
FARM
HOUSES, 1993, oil painting on canvas, initialed and dated lower
right, titled in Russian, signed and dated on verso, artist’s stamp
on verso, 20 x 24”, framed.
$200/400
241
Frank
Romero (b. 1941) Mexican/ American
FANTASY, 1993, ink drawing on paper, signed and
dated lower left, 22 x 29 ½”, framed with glass, soft handling
creases, otherwise in good.
$500/800
242
Frank
Romero (b. 1941) Mexican/ American
ARDEN,
1992, ink drawing on paper, signed and dated lower left, 22 x 29 ½”,
soft handling creases, otherwise in good.
$400/600
243
Georges Rouault
(1871-1958) French
FILLE
AU GRAND CHAPEAU
(CR.29-3/3; W.310) from
Réincarnations du Père Ubu, 1928,
etching, initialed
and dated 1928 on plate, from the edition of 305, image 11 ¾ x 8”,
full margins, published by Ambrose Vollard, with watermarked paper,
framed with glass.
$700/900
244
Reuben
Rubin (1893-1974) Israeli
(two)
BIBLICAL CHARACTERS, c.1970, two color
lithographs, each signed in pencil, from the numbered edition 200,
sight 24 x 19” & 23 ¾ x 19 ¾”, both framed with glass, toned, colors
faded, otherwise in good condition. (2)
$200/400
245
Edward
Ruscha (b. 1937) American
ELECTRIC PALET, 1988, acrylic painting on
paper, 29 x 24”, signed and dated lower right, framed. Provenance:
Acquired directly from the artist by the previous owner.
$150,000/200,000
246
George
Russin (b. 1910) American
ASIAN CHARACTERS, 1978, oil painting on
Masonite, signed and dated and dedicated lower left, 36 x 24”,
framed, surface soiling, otherwise in good condition.
$400/600
247
George
Russin (b. 1910) American
THE TAILOR,
oil painting on Masonite, signed lower left, 24 x 20”, framed,
surface soiling, otherwise in good condition.
$300/500
248
Frank L.
Sandford (19th/20th Century) American
BACKYARD, oil painting on board, signed lower
left, 12 x 16”, framed, surface soiling, stray white spots,
otherwise in good condition.
$600/900
249
Arthur
Sarnoff (1912-2000) American
GUARDING THE ROCKIES, oil painting on canvas, signed lower left,
titled and signed on verso, 30 x 40”, framed, minor surface soiling,
otherwise in good condition.
$3000/4000
250
Tom Savage
(b. 1953) American
UNTITLED, 1994, acrylic, charcoal and graphite painting on paper,
initialed and dated lower left, 50 x 38”, in good studio condition
as received from the artist.
$1000/1500
251
Tom Savage
(b. 1953) American
UNTITLED, 2000, oil, acrylic and graphite on canvas, signed and dated on verso, 26 x 20”, framed, in good studio
condition as received from the artist.
$1500/2500
252
Francesco Scavullo
(1921-2004) American
RENE RUSSO 1974, silver gelatin print mounted to Masonite, 80 x 42”,
one of only two printed in this extra large format by the artist in
1984 for his solo exhibitions at
Light Gallery
New York
and G. Ray Hawkins Gallery Los Angeles, framed, some scratches and
scuffs and some edge wear; together with a signed book on the
artist.
$3000/4000
253
Jean
Pierre Serrier (1934-1989) French
HARLEQUINS, 1964, oil painting on canvas, signed lower right, 40 x
33”, framed, several scratches and small scrape with some loss of
medium, otherwise in good condition.
$500/800
254
Houshang
Seyhoun (b. 1920) Iranian
STILL LIFE
WITH CALLAS, 1995, watercolor and ink on paper, signed and dated
lower right, 30 x 22”, framed.
$800/1200
255
Judith
Simonian (20th Century) American
AFTER
BALTHUS, 1994, acrylic painting on door-skin panel, signed and dated
lower left, 60 x 48”, a few tiny chips around perimeter, scuffs,
otherwise in good condition. Provenance: Estate of Stuart Katz
$1000/2000
256
Barry
Simons (b. 1932) American
THE TIRE, 1991, oil painting on canvas, titled
signed and dated on verso, 40 x 30”.
$500/800
257
Barry
Simons (b. 1932) American
UNTITLED, SELF-PORTRAIT, 1993, oil painting on
canvas, titled signed and dated on verso, 30 x 24”.
$500/800
258
Gustave
Singier
(1909-1984) French
SAND
+ WATER, 1969, color aquatint etching, signed in pencil, from
the numbered edition 120, image 27 x 21”, full margins, a few soft
handling creases, a few tiny discoloration spots in the margins,
otherwise in good condition.
$300/500
259
Anton
Sipos (20th
Century) Italian (five)
MORNING IN CAPRI,
five of the same color screenprints, each signed in gold ink, from
the numbered edition 250, images 34 x 36”, full margins, Robert Bane
Editions. (5)
$200/400
260
W.
Eugene Smith (1918-1978) American
LISTENING TO A PLAYBACK AT THE
MET, vintage silver gelatin print, artist’s stamps
on verso, 9 ½ x 13 ½”, mounted to 20 x 16” card, tear in card lower
right far away from image, otherwise in good condition.
$1000/1500
261
Luciano
Spazzali (20th Century) Italian
MUSICIANS, 1957, oil painting on paper with elements of collage on
mounted to panel, signed lower right, 13 x 10”, framed
(discoloration in mat), tiny chip lower center, otherwise in good
condition. $300/500
262
Fred Stein (1909-1967) American
ALBERT EINSTEIN, PRINCETON, 1946, black & white
photograph, 14 x 11”, from the numbered edition 450, published in
1994 by Peter Stein, photograph’s son, with estate stamp and
authorized signature.
$300/400
263
Theophile A. Steinlen
& Paul Gavarni
(three)
WOMEN FIGHTING, color lithograph, signature in
design, image 10 x 9”, with a small tear lower left and creases
otherwise in good condition; MOTHU ET DORIA, plate 46, color
lithograph from the edition published by Verlag von Gerhard
Kuthmann, Dresden, image 7 ¾ x 6”, both framed with glass; Together
with Paul Gavarni, OLD
MAN
& GIRL, 1848, lithograph on chine applique, signed on stone, image
10 x 7”, full margins, framed with glass. (3)
$400/600
264
after
Frank Stella (b. 1936) American
UNTITLED (RABAT) (A.A.p.170), from Ten Works For X Painters, 1964,
color screenprint, edition of 500, sheet 24 x 20”, blindstamp lower
right, published by Wadsworth Athenium, printed Ives-Sillman Inc.,
Plexiglas box frame, very mild cockling, otherwise in good
condition. Stella considers this an after piece because it was made
from a gouache that he submitted for the project. However, he did
approved the colors prior to printing and it is included in his
catalog raisonne of prints.
$600/900
265A
Brett Livingston Strong
(b. 1953)
Australia
MICHAEL JACKSON, color offset and screenprint,
collaged onto embossed white paper, signed by Strong & Jackson, also
initialed in blue by Jackson, proof before the from the Japan Deluxe
Edition of 125, sheet 39 ½ x 29 ½”.
$1500/2500
265
George J. Stengel (1872-1937) American
TOWN BRIDGE, watercolor on paper, signed lower
right and inscribed lower left, sight 6 3/8 x 9 1/8”, framed with
glass.
$300/500
266
Josef
Sudek (1896-1976) Czech
SELF PORTRAIT, vintage silver gelatin print,
signed in pencil, sheet 9 ½ x 7”, wear lower left corner, blemish
right sheet edge not effecting image, old linen hinges on verso,
otherwise in good condition.
$1000/1500
267
Brian Swanders
(20th Century) Californian
BLUE
BOWL, 2000, oil painting on canvas, signed lower right, titled
signed and dated on verso, 40 x 36”, framed.
$800/1200
268
Brian Swanders
(20th Century) Californian
UNTITLED, 1995, oil
painting on canvas, signed and dated lower right, 60 x 54”.
$1000/2000
269
Brian Swanders
(20th Century) Californian
ROMAN WARRIORS, 2003,
oil painting on canvas, signed and dated lower right, 47 ¼ x 96 ¾”.
$1000/2000
270
Brian Swander
(20th Century) Californian
BUNCHIE SWIMMING,
1999, watercolor on paper, signed and dated lower right, 8 x 12”,
framed, indigenous accretion lower left, otherwise in good
condition.
$100/200
271
Brian Swander
(20th Century) Californian
POSTCARD/ALTAMONT,
1998, oil painting on etching, signed and dated lower right, 7 ¾ x 6
½”, framed with glass.
$100/200
272
Hiroyuki
Tajima (1911-1984) Japanese
(two)
DISTANT
SKY,
1972; THE RAIN, 1973, pair of color woodblock prints, each signed in
pencil, from the numbered editions 50, images 11 1/8 x 9” & 12 ¾ x
10”, both with full margins and framed with glass, faint toning,
some discoloration spots, some creases, otherwise both in good
condition. (2)
$200/400
273
Rikio Takahashi
(b. 1917) Japanese
WAIT. AGAIN, 1964, color woodblock print,
signed in pencil, from the numbered edition 30, diameter 18 ¾”, full
margins, creases and soft creases in the margins, otherwise in good
condition.
$200/400
274
Ara
Tevkantz
(b. 1956) Armenian
STILL LIFE
ON BLUE, oil painting on canvas,
signed lower right, 32 x 38”, faint surface soiling, otherwise in
good condition.
$600/900
275
Wayne Thiebaud
(b. 1920) American
CIGARS
from Recent Etchings, 1979, color aquatint etching, signed in
pencil, from the numbered edition 50, image 15 ¾ x 19 ¾”, full
margins, printed and published by Crown Point Press, with
blindstamp, framed.
$3000/4000
276
Arthur Tress
(b. 1940) American
MALE NUDE ON STAIRS, silver gelatin print,
signed in pen, 20 x 16”.
$1000/1500
277
Arthur Tress
(b. 1940) American
MALE NUDE ON SLIDE, NEW
YORK, 1980, silver gelatin
print, signed in pen, 20 x 16”.
$1000/1500
278
Arthur Tress
(b. 1940) American
SLEEPING BOY,
silver gelatin print, signed in pen, 20 x 16”.
$1000/1500
279
Arthur Tress
(b. 1940) American
MAN IN
PATHWAY, silver gelatin print, signed in pen, 20 x 16”.
$1000/1500
280
Ernest
Trova
&
Richard Anuszkiewicz
(five)
UNTITLED BACK TO BACK MEN, 1973, color
screenprint, signed in pencil, from the numbered edition 150, sheet
70 x 37 ½”, image 64 ½ x 32 ½”, some soft handling creases, mild
toning on verso from storage in a tube; SAVE OUR PLANET, 1971, color
screenprint poster, 34 x 34”, signed in ink lower right, toning, a
few strains of duck-tape lower right, soft handling creases;
Together with Richard Anuszkiewicz,
LINCOLN CENTER, 1968, three color screenprint posters, sheets 51 x
35”, all published by List Art, all with creases and soft creases at
edges, two more so than the third, otherwise all in good condition.
(5)
$600/900
281
Viggo
Vake (b. 1970) American
DELUXE 7, 2005, acrylic painting on canvas,
signed and dated lower right, 24 x 48”.
$200/300
282
Viggo
Vake (b. 1970) American
BEAT OF ONE
DRUM, 2005, acrylic painting on canvas, signed and dated lower
right, 24 x 48”.
$200/300
283
Viggo
Vake (b. 1970) American
LONDON DEER #10, 2006, c-print photograph,
signed and inscribed artist’s proof, 30 x 20”, framed.
$400/600
284
Anahit
Vartanian
(20th Century) Iranian
FLOWER, oil painting on canvas, signed lower
left, 28 x 22”, framed, minor surface scuff, faint soiling,
otherwise in good condition.
$500/800
285
Victor Vasarely (1908-1997) Hungarian
MULTI-COLOR CUBE DESIGN, color screenprint, signed in pencil, from
the numbered edition 250, image 33 ¾ x 25 ¼”, full margins, framed,
small stray printer’s ink streak lower right, faint surface scuffs
visible at certain angles in raking light, otherwise in good
condition. $600/900
286
Victor Vasarely (1908-1997) Hungarian
UNTITLED YELLOW
BLUE,
color screenprint, signed in pencil, from the numbered edition 295,
image 37 ¼ x 25”, full margins, framed.
$600/900
287
Victor Vasarely (1908-1997) Hungarian
QUADRATURE, color screenprint, signed in pencil, from the numbered
edition 275, image 24 x 24”, full margins, framed with glass.
$600/900
288
Victor Vasarely (1908-1997) Hungarian
UNTITLED PURPLE GREEN
BLUE,
color screenprint, signed in pencil, from the numbered edition 250,
image 32 x 16”, full margins, framed with glass, mild cockling,
faint sun toning, faint surface scuffs visible at certain angles in
raking light, otherwise in good condition.
$600/900
289
Victor Vasarely (1908-1997) Hungarian
UNTITLED, color screenprint on silver stock, signed in pencil, from
the numbered edition of 20 artist’s proofs aside from the numbered
edition, sheet 30 x 27 ½”, framed, creases and soft creases, scuffs
and scratches, with some loss of media, otherwise in good condition.
$200/300
290
Marcel
Vertes
(1895-1961) French
WOMAN
WITH ROSE
AND
DOVE, c.1930, watercolor on Brownie board, signed lower
right, 30 x 20”, some pale toning at edges, otherwise in good
condition.
$800/1200
291
Verve
Magazine Volumes 1, 2, 4
(three)
VERVE MAGAZINE, Volume One, Number 1, December
1937, with lithographs by Leger, Miro, Rattner, & Bores, lithographs
printed by Mourlot, sheets 14 x 10 ¼”, with original glassine
protectors, with original binding, some toning on Leger, binding is
becoming loose between first and second pages, small impact dent at
corner of cover, otherwise in good condition; VERVE MAGAZINE, Volume
One, Number 2, Spring, 1938, lithographs by Kandinsky (2), & Masson
(2), lithographs printed by Mourlot Freres, sheets 14 x 10 ¼” with
original glassine protectors, with original binding, small loss at
spine upper edge, surface soiling on cover, otherwise in good
condition; VERVE MAGAZINE, Volume One, Number 4, January – March,
1939, lithographs by Matisse, Derain, & Italian School, lithographs
printed by Mourlot Freres, with original glassine protectors, with
original binding, normal crease at spine, otherwise in good
condition. (3)
$600/900
292
A.
Villard (style of Levier) European
(two)
MAN
ON STAIRCASE, oil painting on canvas, signed lower right, 30 x 24
½”; FISHING THE SIENE, oil painting on canvas, signed lower right,
20 ¼ x 24”, both with copyrights stamp on verso, framed, both with
hairline cracks, otherwise in good condition. (2)
$300/500
293
Alex
Vilumson
(20th Century)
UNTITLED, acrylic painting on canvas, signed
lower right, 32 x 29”, framed.
$200/400
294
Maurice de Vlaminck
(1876-1958) French
&
A.
Volpi
(two)
RUE DE LA TOURILLIERE, etching, initialed in
the plate, plate 10 x 12 ¼”, full margins, framed with glass, toning
in margins at mat, tiny scattered speckles, otherwise in good
condition; Together with
A. Volpi, MAN
AND
WOMAN SITTING, watercolor and mixed media on paper, signed upper
left, 11 ½ x 8”, framed. (2)
$300/500
295
Maurice
Vlaminck, Joan Miro &
Mabel Sharp (three)
UNTITLED, etching, edition of 250, plate 10 ¼ x 13 ¾”, full margins,
with colophon page on frame’s verso, toning, some discoloration;
Together with Joan Miro, UNTITLED, 1953, double page
lithograph with centerfold as issued, sheet 12 ¼ x 19”, published by
Mourlot; Together with Mabel Sharp, NUDE WOMAN, 1937,
charcoal drawing collaged to board, signed and dated, 19 ¾ x 25”,
foxing, discoloration, toning, two framed with glass. (3)
$200/300
296
Carlos
Walbeck (20th Century)
SHIPS
IN STORM, oil painting on canvas, signed lower right, 24 x 30”,
framed, small chip upper left, natural paint contraction, otherwise
in good condition.
$200/300
297
Andy
Warhol
(1928-1987) American
JACKIE I (FS.13), 1966, screenprint printed in
silver ink on white wove paper, with the Andy Warhol stamped
signature on verso, inscribed in pencil the Roman numeral 5 on the
verso (there are 50 artist’s proofs numbered in Roman numerals in
pencil on the verso), aside from the numbered edition of 200, sheet
size 24” x 20”, printed by KMF Inc. New York, published by Original
Editions for the portfolio “Eleven Pop Artists Volume I”, there is
cockling and discoloration and some mildew from exposure to
moisture, the stamp signature has some minor bleeding on the verso
only, there is a ¼” tear at the lower sheet edge and an impact
dimple in the lower right margin, otherwise it is in good condition.
$5000/7000
298
Robert
Weatherford (20th Century) American
THE ROADRUNNER, oil painting on canvas, signed
lower right, 12 x 16”, framed.
$100/200
299
Max
Webber (1881-1961) American
WOMAN WITH BANJO, 1949, gouache on paper, 6 x 4 ¼”,
signed and dated lower right, framed.
$1500/2500
300
Alfred
Wertheimer (b. 1929) American
ELVIS PRESLEY FACING LEFT, 1956, vintage silver
gelatin print, stamps from artist, Topix, London Express News, and
Elvis Presley, creases and handling creases in margins, smuding on
verso, faint toning at sheet edges, otherwise in good condition.
$800/1000
301
Alfred
Wertheimer (b. 1929) American
ELVIS PRESLEY FACING RIGHT, 1956, vintage
silver gelatin print, stamps from artist, Topix, London Express
News, and Elvis Presley, creases upper sheet edge, faint toning at
sheet edges, otherwise in good condition.
$800/1000
302
Pamela K Wilhelm
(20th Century) American
STILL
LIFE
WITH GARLIC, watercolor on paper, signed lower right, sight 14 ¼ x
19 ¼”, framed with glass.
$100/200
303
Pamela
Wilson (20th Century) American
UNTITLED LADY WITH MANNEQUIN, oil painting on panel, signed lower
right, 84 x 36”, framed, couple of impact dents resulting in small
cracks, nicks and tiny chips, otherwise in good condition.
Provenance: Estate of Stuart Katz
$1000/2000
303 A
Pamela
Wilson (20th Century) American
UNTITLED RAILROAD TRACKS, photograph with collage and brushwork,
signed lower right, 25 ¾ x 30 ¼”, framed with glass. Provenance:
Estate of Stuart Katz
$600/900
304
Garry Winogrand
(1928-1984) American (two)
WOMEN ARE
BEAUTIFUL series, a pair of silver gelatins prints, each signed in
pencil on verso, each from numbered editions of 80, sheet 11 x 14”
framed. (2)
$2000/4000
305
Paul
Wonner (1920-2008) American
STILL
LIFE,
1982, color lithograph, signed in pencil, from the numbered edition
75, sheet 30 x 22 ½”, printed by Editions Press with their stamp on
the verso, a few soft handling creases visible on the verso only in
raking light, paper tape hinges and associated skinning on the upper
verso sheet edge, otherwise in good condition.
$400/600
306
Grant Wood
(1891-1942) American
APPROACHING STORM, 1940, lithograph, signed in pencil, plate
11 ¾ x 8 7/8”, sheet reduced to 13 x 10 7/8”, with unevenly trimmed
margins, mild toning from previous framing, a few discoloration speckles, otherwise
in good condition.
$6000/7000
307
Paul
Wunderlich (b. 1927) German
RECLINING NUDE, color lithograph, signed in pencil, from the
numbered edition 75, image 26 x 19 ½”, framed with glass, mild
toning, otherwise in good condition.
$600/900
308
Hodaka
Yoshida (b. 1926) Japanese
THE
MARLBORO NUDES, 1974, color woodblock print, signed in pencil, from
the numbered edition 50, image 17 ¼ x 13”, full margins, a few soft
handling creases, otherwise in good condition.
$500/700
309
Larry
Zox
(1936-2006) American (three)
UNTITLED ORANGE; UNTITLED GREEN, three color
screenprints (two of the same), all signed in pencil, from the
numbered editions 150 & 100, image 17 ¼ x 22 ¼” & 18 x 31” (2), all
with full margins, Green with blindstamp stamp from London Arts, all
with creases and soft handling creases, Green with scuffs visible at
certain angles, cockling from exposure to moisture, all in otherwise
good condition. (3)
$100/200
310
Francisco Zuniga
(1912-1998) Costa Rican
FAMILIA INDIGENA (B.26), 1976, color
lithograph, signed in pencil, from the numbered edition 125, sheet
25 x 36”, printed at Kyron, published by LACMA, framed.
$2000/3000
311
Francisco Zuniga
(1912-1998) Costa Rican
ROSTRO
CON MANOS (B.23), 1976, lithograph, signed in pencil, from the
numbered edition 16, total edition 24 including proofs, printed and
published by Kyron, sheet 16 ½ x 13 ½”, framed.
$1500/2000
Click Here for Artists Index
1-25
|
26-50|
51-75 |
76-100
|
101-125
|
126-150
151-175
|
176-200
|
201-225
|
226-250
|
251-275
|
276-300
301-325
|
326-350
|
351-375
|
376-400 |
401-425
|
426-450
451-475
|
476-500
|
501-525
|
526-550
|
551-575
|
576-600
601-625
|
626-650
|
651-675
|
676-700
|
701-725
|
726-750
751-775
|
776-800
|
801-825
|
826-850
|
851-875
|
876-900
901-925
|
926-950
|
951-975
|
976-1000
|
1001-1025
1026-1050
|
1051-1075|
1076-1100
|
1101-1125
1151-1175
|
1176-1200
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